Firestone family members relate that Elizabeth designed and produced her own off-white silk satin wedding dress. This dress was a short-sleeved, short-skirted, "flapper" type wedding dress, with headdress inspired by Russian folk headpieces. By looking at this dress for clues, we might determine whether the wearer did indeed craft her own wedding gown.
Close examination of Elizabeth Parke's 1921 silk satin wedding dress reveals that it is entirely hand sewn. This is surprising. Sewing machines were in use for decades and dressmakers would likely not have spent all that time sewing a dress entirely by hand—there's not much profit in that. Too, the quality of the handwork makes it apparent that the dress is not expertly sewn. The stitching is not quite as precise and consistent as we might expect a seamstress to produce. For example, seams are somewhat "finished" with overcast stitches so they won't unravel (but they are unraveling nonetheless). A seamstress might well have rolled or taped the edges of the fraying satin so that it would not entirely unravel. Similarly, red markings for glass bugle bead floral decoration are visible at close examination. A professional dressmaker probably would have ensured that these marks were minimized.
Interestingly, the dress design is intricate. If young Elizabeth did design the dress, she truly understood complex dress construction. There is peach-colored crepe carefully lining parts of the dress and a complicated construction of an attached chemise hidden behind dress flaps. Sleeve construction is careful and meticulous. Elizabeth Parke, known for her meticulous attention to fashion detail, may well have sewn the dozens of tiny snaps to close the dress—perhaps more than necessary—to ensure there were no gaps visible in the sheath-like dress. A dressmaker would have balked at sewing so many snaps into this dress and might well have assured the wearer that there would be no immodesty in using fewer closures.
Did Elizabeth Parke produce her wedding dress for her June 25, 1921 wedding to young Harvey S. Firestone, Jr.? It seems likely. She never needed to sew her own dresses again. Shortly after her marriage to Mr. Firestone, she patronized some of the twentieth century's most influential couturiers in the world, from Paris to New York . Her letters occasionally chide the fitters in the couture salons for not paying enough attention to details regarding fit and finish. Her admonitions indicate she knew how to use needle and thread.
Nancy E.V. Bryk, Curator