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- Armchair, 1750-1770 -

- 1750-1770
- Collections - Artifact
Armchair, 1750-1770
- Herman Miller Waffle Spring Chair -

- Collections - Artifact
Herman Miller Waffle Spring Chair
- Side Chair Attributed to Solomon Fussell, 1730-1770 -

- 1730-1770
- Collections - Artifact
Side Chair Attributed to Solomon Fussell, 1730-1770
- Chair (J. Hill Morgan, Brooklyn, N. Y.), 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.

- 1890-1915
- Collections - Artifact
Chair (J. Hill Morgan, Brooklyn, N. Y.), 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- Chair, Inlaid, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.

- 1890-1915
- Collections - Artifact
Chair, Inlaid, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- Printing Plate with Image of Chairs -

- Collections - Artifact
Printing Plate with Image of Chairs
- Chadwick Pre-Production Prototype Office Chair, 2005 -

- 2005
- Collections - Artifact
Chadwick Pre-Production Prototype Office Chair, 2005
- X-Ray of the Chair in Which Abraham Lincoln Was Shot at Fords Theatre, Imaged 1999 - In 1999, The Henry Ford carefully assessed and treated its Lincoln rocker. X-Ray photography helped conservators locate seat springs and identify the grid and condition of the seat's lashing twines. Conservators then compressed and secured some of the springs to alleviate tension on the fragile upholstery fabric. This preservation effort ensured that visitors can view this historic American icon for years to come.

- February 01, 1999
- Collections - Artifact
X-Ray of the Chair in Which Abraham Lincoln Was Shot at Fords Theatre, Imaged 1999
In 1999, The Henry Ford carefully assessed and treated its Lincoln rocker. X-Ray photography helped conservators locate seat springs and identify the grid and condition of the seat's lashing twines. Conservators then compressed and secured some of the springs to alleviate tension on the fragile upholstery fabric. This preservation effort ensured that visitors can view this historic American icon for years to come.
- Eames Molded Dining Chair, circa 1950 - Charles and Ray Eames designed this chair in the mid-1940s. Intent on creating practical, durable, and affordable seating, they turned to basic materials such as plywood and steel rod. Its simplicity and strength suggest a pure engineering solution, but its grace and delicate appearance give it a sculptural presence. It also happens to be incredibly comfortable.

- circa 1950
- Collections - Artifact
Eames Molded Dining Chair, circa 1950
Charles and Ray Eames designed this chair in the mid-1940s. Intent on creating practical, durable, and affordable seating, they turned to basic materials such as plywood and steel rod. Its simplicity and strength suggest a pure engineering solution, but its grace and delicate appearance give it a sculptural presence. It also happens to be incredibly comfortable.
- Floral City Furniture Company "Lazy Boy" Reclining Chair with Detachable Back and Seat, 1929 - This reclining chair was one of the first upholstered chairs produced by La-Z-Boy co-founders Edwin Shoemaker and Edward Knabusch. The earliest La-Z-Boys featured a patented reclining system and included a separate ottoman. Later technical refinements would produce a built-in footrest, eliminating the need for an ottoman and leading to the modern La-Z-Boy recliner.

- 1929
- Collections - Artifact
Floral City Furniture Company "Lazy Boy" Reclining Chair with Detachable Back and Seat, 1929
This reclining chair was one of the first upholstered chairs produced by La-Z-Boy co-founders Edwin Shoemaker and Edward Knabusch. The earliest La-Z-Boys featured a patented reclining system and included a separate ottoman. Later technical refinements would produce a built-in footrest, eliminating the need for an ottoman and leading to the modern La-Z-Boy recliner.