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- Diego Rivera Drawing for "Detroit Industry" Fresco Cycle at Detroit Institute of Arts, 1932 - In 1932, the Detroit Institute of Arts commissioned Mexican artist Diego Rivera to paint murals depicting the city's industrial activities. Rivera spent eight months creating 27 frescoes in the institute's interior courtyard. Much of <em>Detroit Industry</em> was inspired by Ford Motor Company's Rouge plant, but the murals also portrayed Detroit's medical, pharmaceutical, and chemical industries. Edsel Ford sponsored Rivera's work.
- 1932
- Collections - Artifact
Diego Rivera Drawing for "Detroit Industry" Fresco Cycle at Detroit Institute of Arts, 1932
In 1932, the Detroit Institute of Arts commissioned Mexican artist Diego Rivera to paint murals depicting the city's industrial activities. Rivera spent eight months creating 27 frescoes in the institute's interior courtyard. Much of Detroit Industry was inspired by Ford Motor Company's Rouge plant, but the murals also portrayed Detroit's medical, pharmaceutical, and chemical industries. Edsel Ford sponsored Rivera's work.
- Drawing of a Bird by George Matthew Adams, 1890 -
- February 27, 1890
- Collections - Artifact
Drawing of a Bird by George Matthew Adams, 1890
- Dudley Engine in Henry Ford Museum, circa 1934 - Irving Bacon, a Ford Motor Company employee and Henry Ford's personal artist, created pen-and-ink drawings to illustrate guidebooks for the Edison Institute Museum and Greenfield Village (now The Henry Ford) when they officially opened to the public in 1933. An illustrated souvenir guidebook helped visitors navigate the exhibits and grounds. Ford also used these drawings in other company publications.
- circa 1934
- Collections - Artifact
Dudley Engine in Henry Ford Museum, circa 1934
Irving Bacon, a Ford Motor Company employee and Henry Ford's personal artist, created pen-and-ink drawings to illustrate guidebooks for the Edison Institute Museum and Greenfield Village (now The Henry Ford) when they officially opened to the public in 1933. An illustrated souvenir guidebook helped visitors navigate the exhibits and grounds. Ford also used these drawings in other company publications.
- Drawing for Lithographed Music Sheet Cover, "The Log House, A Song Presented to the Western Minstrel," 1826 -
- March 14, 1826
- Collections - Artifact
Drawing for Lithographed Music Sheet Cover, "The Log House, A Song Presented to the Western Minstrel," 1826
- "Auto Going Ahead, Farmers Wagon in the Ditch, Side of Road," Drawing for the Magic Lantern Slide Series "Mr. Spurt and His Auto," 1906 - Before movies, Americans delighted in "Magic Lantern" slide shows. Artist Joseph Boggs Beale drew eight images for the 1906 slide series "Mr. Spurt and His Auto," lampooning the problems of early motoring. In this fifth slide, the Spurts and their car have frightened the farmer's horse and sent his wagon tumbling into a ditch.
- 1906
- Collections - Artifact
"Auto Going Ahead, Farmers Wagon in the Ditch, Side of Road," Drawing for the Magic Lantern Slide Series "Mr. Spurt and His Auto," 1906
Before movies, Americans delighted in "Magic Lantern" slide shows. Artist Joseph Boggs Beale drew eight images for the 1906 slide series "Mr. Spurt and His Auto," lampooning the problems of early motoring. In this fifth slide, the Spurts and their car have frightened the farmer's horse and sent his wagon tumbling into a ditch.
- "Breakdown, Rainstorm," Drawing for the Magic Lantern Slide Series "Mr. Spurt and His Auto," 1906 - Before movies, Americans delighted in "Magic Lantern" slide shows. Artist Joseph Boggs Beale drew eight images for the 1906 slide series "Mr. Spurt and His Auto," lampooning the problems of early motoring. In this sixth slide, the Spurts' happy drive is interrupted when their car breaks down. Their misery is compounded by a heavy thunderstorm.
- 1906
- Collections - Artifact
"Breakdown, Rainstorm," Drawing for the Magic Lantern Slide Series "Mr. Spurt and His Auto," 1906
Before movies, Americans delighted in "Magic Lantern" slide shows. Artist Joseph Boggs Beale drew eight images for the 1906 slide series "Mr. Spurt and His Auto," lampooning the problems of early motoring. In this sixth slide, the Spurts' happy drive is interrupted when their car breaks down. Their misery is compounded by a heavy thunderstorm.
- "Farmer with Team Appears Laughing at Autoists," Drawing for the Magic Lantern Slide Series "Mr. Spurt and His Auto," 1906 - Before movies, Americans delighted in "Magic Lantern" slide shows. Artist Joseph Boggs Beale drew eight images for the 1906 slide series "Mr. Spurt and His Auto," lampooning the problems of early motoring. In this seventh slide, the tables have turned. The farmer, underway once again, laughs at the Spurts stranded on the side of the road in the storm.
- 1906
- Collections - Artifact
"Farmer with Team Appears Laughing at Autoists," Drawing for the Magic Lantern Slide Series "Mr. Spurt and His Auto," 1906
Before movies, Americans delighted in "Magic Lantern" slide shows. Artist Joseph Boggs Beale drew eight images for the 1906 slide series "Mr. Spurt and His Auto," lampooning the problems of early motoring. In this seventh slide, the tables have turned. The farmer, underway once again, laughs at the Spurts stranded on the side of the road in the storm.
- "Let Others Delight 'mid New Pleasures to Roam," Drawing for the Magic Lantern Slide Series "Home Sweet Home," 1904 - Joseph Boggs Beale created artwork that was reproduced to make magic lantern slides. His works include some of the most artistic slide illustrations made in the late-19th and early-20th centuries. Beale was also prolific, producing more than 2000 images used in over 250 different lantern slide sets. Beale created this drawing to illustrate the lyrics of the popular song "Home Sweet Home."
- 1904
- Collections - Artifact
"Let Others Delight 'mid New Pleasures to Roam," Drawing for the Magic Lantern Slide Series "Home Sweet Home," 1904
Joseph Boggs Beale created artwork that was reproduced to make magic lantern slides. His works include some of the most artistic slide illustrations made in the late-19th and early-20th centuries. Beale was also prolific, producing more than 2000 images used in over 250 different lantern slide sets. Beale created this drawing to illustrate the lyrics of the popular song "Home Sweet Home."
- "Old Farmer's Horse Shying at Auto as It Goes By," Drawing for the Magic Lantern Slide Series "Mr. Spurt and His Auto," 1906 - Before movies, Americans delighted in "Magic Lantern" slide shows. Artist Joseph Boggs Beale drew eight images for the 1906 slide series "Mr. Spurt and His Auto," lampooning the problems of early motoring. In this fourth slide, the Spurts speed past a rearing horse and its driver -- both startled by the noisy horseless carriage.
- 1906
- Collections - Artifact
"Old Farmer's Horse Shying at Auto as It Goes By," Drawing for the Magic Lantern Slide Series "Mr. Spurt and His Auto," 1906
Before movies, Americans delighted in "Magic Lantern" slide shows. Artist Joseph Boggs Beale drew eight images for the 1906 slide series "Mr. Spurt and His Auto," lampooning the problems of early motoring. In this fourth slide, the Spurts speed past a rearing horse and its driver -- both startled by the noisy horseless carriage.
- "Ballerina on Stage" by Virgil M. Exner, 1957 - Though best remembered for his design work under Harley Earl at General Motors Corporation, at Raymond Loewy's industrial design firm, at Studebaker Corporation, and in Chrysler Corporation's Advanced Styling Studio, Virgil Exner was also an artist at home. He made time for the fine arts, especially while recuperating from a 1956 heart attack. Exner created this expressive pastel in 1957.
- 1957
- Collections - Artifact
"Ballerina on Stage" by Virgil M. Exner, 1957
Though best remembered for his design work under Harley Earl at General Motors Corporation, at Raymond Loewy's industrial design firm, at Studebaker Corporation, and in Chrysler Corporation's Advanced Styling Studio, Virgil Exner was also an artist at home. He made time for the fine arts, especially while recuperating from a 1956 heart attack. Exner created this expressive pastel in 1957.