Search
- Ivanhoe Light Fixture with General Electric Vapor Lamp Company Type H1 Mercury Lamp, 1936 -
- 1936
- Collections - Artifact
Ivanhoe Light Fixture with General Electric Vapor Lamp Company Type H1 Mercury Lamp, 1936
- Two Trophies Awarded as Part of the Willow Run Tool Breakage Campaign, July 1943 - At Willow Run's peak, the plant's more than 42,000 employees built one B-24 bomber airplane every 63 minutes. Ford encouraged workers with special productivity awards. This star-shaped trophy went to the department with the largest decrease in tool breakage during June 1943. The eight-ball prize went to the department with the largest increase in breakage.
- July 08, 1943
- Collections - Artifact
Two Trophies Awarded as Part of the Willow Run Tool Breakage Campaign, July 1943
At Willow Run's peak, the plant's more than 42,000 employees built one B-24 bomber airplane every 63 minutes. Ford encouraged workers with special productivity awards. This star-shaped trophy went to the department with the largest decrease in tool breakage during June 1943. The eight-ball prize went to the department with the largest increase in breakage.
- Ford Motor Company Mexico City Plant, Exterior, 1932 - Guillermo Kahlo, father of artist Frida Kahlo, was one of the foremost architectural photographers in Mexico during the early 1900s. In 1932, Kahlo's studio documented the Ford Mexico City assembly plant. This visual record was created the same year Kahlo's son-in-law Diego Rivera began the <em>Detroit Industry</em> murals -- the monumental frescoes at the Detroit Institute of Arts funded by Edsel Ford.
- 1932
- Collections - Artifact
Ford Motor Company Mexico City Plant, Exterior, 1932
Guillermo Kahlo, father of artist Frida Kahlo, was one of the foremost architectural photographers in Mexico during the early 1900s. In 1932, Kahlo's studio documented the Ford Mexico City assembly plant. This visual record was created the same year Kahlo's son-in-law Diego Rivera began the Detroit Industry murals -- the monumental frescoes at the Detroit Institute of Arts funded by Edsel Ford.
- Fire Insurance Map of the American Paper Tube Co., Woonsocket, Rhode Island, Surveyed December 7, 1929 - Fire insurance maps provided information to insurance companies about potential risks to homes, businesses, and factories. These maps -- with their easily identifiable symbols and color-coding -- depicted structural features, types of construction, and locations of fire hazards. Armed with this information, insurance underwriters could propose reasonable rates and offer protection against possible catastrophic financial loss in the event of a fire.
- December 07, 1929
- Collections - Artifact
Fire Insurance Map of the American Paper Tube Co., Woonsocket, Rhode Island, Surveyed December 7, 1929
Fire insurance maps provided information to insurance companies about potential risks to homes, businesses, and factories. These maps -- with their easily identifiable symbols and color-coding -- depicted structural features, types of construction, and locations of fire hazards. Armed with this information, insurance underwriters could propose reasonable rates and offer protection against possible catastrophic financial loss in the event of a fire.
- Fire Insurance Map of the Mt. Vernon-Woodberry Cotton Duck Co., Baltimore, Maryland, Surveyed March 14, 1902 - Fire insurance maps provided information to insurance companies about potential risks to homes, businesses, and factories. These maps -- with their easily identifiable symbols and color-coding -- depicted structural features, types of construction, and locations of fire hazards. Armed with this information, insurance underwriters could propose reasonable rates and offer protection against possible catastrophic financial loss in the event of a fire.
- March 14, 1902
- Collections - Artifact
Fire Insurance Map of the Mt. Vernon-Woodberry Cotton Duck Co., Baltimore, Maryland, Surveyed March 14, 1902
Fire insurance maps provided information to insurance companies about potential risks to homes, businesses, and factories. These maps -- with their easily identifiable symbols and color-coding -- depicted structural features, types of construction, and locations of fire hazards. Armed with this information, insurance underwriters could propose reasonable rates and offer protection against possible catastrophic financial loss in the event of a fire.
- Fire Insurance Map of the Mt. Vernon-Woodberry Cotton Duck Co., Baltimore, Maryland, Surveyed March 14, 1912 - Fire insurance maps provided information to insurance companies about potential risks to homes, businesses, and factories. These maps -- with their easily identifiable symbols and color-coding -- depicted structural features, types of construction, and locations of fire hazards. Armed with this information, insurance underwriters could propose reasonable rates and offer protection against possible catastrophic financial loss in the event of a fire.
- March 14, 1912
- Collections - Artifact
Fire Insurance Map of the Mt. Vernon-Woodberry Cotton Duck Co., Baltimore, Maryland, Surveyed March 14, 1912
Fire insurance maps provided information to insurance companies about potential risks to homes, businesses, and factories. These maps -- with their easily identifiable symbols and color-coding -- depicted structural features, types of construction, and locations of fire hazards. Armed with this information, insurance underwriters could propose reasonable rates and offer protection against possible catastrophic financial loss in the event of a fire.
- Workers and Horse-drawn Wagons at a Sawmill, 1880-1900 - Tintypes, the popular "instant photographs" of the 19th century, could be produced in a matter of minutes at a price most people could afford. At first, outdoor tintypes were rare. But after a new, more convenient process for making tintypes was introduced in the 1880s, photographs of outdoor scenes became more common.
- 1880-1900
- Collections - Artifact
Workers and Horse-drawn Wagons at a Sawmill, 1880-1900
Tintypes, the popular "instant photographs" of the 19th century, could be produced in a matter of minutes at a price most people could afford. At first, outdoor tintypes were rare. But after a new, more convenient process for making tintypes was introduced in the 1880s, photographs of outdoor scenes became more common.
- Old Saw-Mill, L. I., circa 1855 -
- circa 1855
- Collections - Artifact
Old Saw-Mill, L. I., circa 1855
- Ford Motor Company Mexico City Plant, Interior, 1932 - Guillermo Kahlo, father of artist Frida Kahlo, was one of the foremost architectural photographers in Mexico during the early 1900s. In 1932, Kahlo's studio documented the Ford Mexico City assembly plant. This visual record was created the same year Kahlo's son-in-law Diego Rivera began the <em>Detroit Industry</em> murals -- the monumental frescoes at the Detroit Institute of Arts funded by Edsel Ford.
- 1932
- Collections - Artifact
Ford Motor Company Mexico City Plant, Interior, 1932
Guillermo Kahlo, father of artist Frida Kahlo, was one of the foremost architectural photographers in Mexico during the early 1900s. In 1932, Kahlo's studio documented the Ford Mexico City assembly plant. This visual record was created the same year Kahlo's son-in-law Diego Rivera began the Detroit Industry murals -- the monumental frescoes at the Detroit Institute of Arts funded by Edsel Ford.
- Ford Motor Company Mexico City Plant, Interior, 1932 - Guillermo Kahlo, father of artist Frida Kahlo, was one of the foremost architectural photographers in Mexico during the early 1900s. In 1932, Kahlo's studio documented the Ford Mexico City assembly plant. This visual record was created the same year Kahlo's son-in-law Diego Rivera began the <em>Detroit Industry</em> murals -- the monumental frescoes at the Detroit Institute of Arts funded by Edsel Ford.
- 1932
- Collections - Artifact
Ford Motor Company Mexico City Plant, Interior, 1932
Guillermo Kahlo, father of artist Frida Kahlo, was one of the foremost architectural photographers in Mexico during the early 1900s. In 1932, Kahlo's studio documented the Ford Mexico City assembly plant. This visual record was created the same year Kahlo's son-in-law Diego Rivera began the Detroit Industry murals -- the monumental frescoes at the Detroit Institute of Arts funded by Edsel Ford.