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- Pigeon House in Central Park, New York City, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <EM>New York Herald</EM>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- 1890-1915
- Collections - Artifact
Pigeon House in Central Park, New York City, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- Horse Back Riding, Central Park, New York City, circa 1895 - Landscape architects designed Central Park with separate carriage drives, walking paths, and equestrian trails. In this Detroit Publishing Company photograph, two young men ride horses and several pedestrian visitors cross one of Central Park's more than 40 bridges.
- circa 1895
- Collections - Artifact
Horse Back Riding, Central Park, New York City, circa 1895
Landscape architects designed Central Park with separate carriage drives, walking paths, and equestrian trails. In this Detroit Publishing Company photograph, two young men ride horses and several pedestrian visitors cross one of Central Park's more than 40 bridges.
- Benson Ford Driving Lincoln Futura Concept Car in Central Park, New York City, 1955 - The Lincoln Futura, designed by William M. Schmidt, was a sensation at auto shows in 1955. The concept car boasted push-button transmission controls, a 300-horsepower V-8 engine, and a double-dome canopy roof. Hollywood customizer George Barris bought the Futura in 1959 and, a few years later, turned it into the Batmobile for the 1966-1968 <EM>Batman</EM> television series.
- 1955
- Collections - Artifact
Benson Ford Driving Lincoln Futura Concept Car in Central Park, New York City, 1955
The Lincoln Futura, designed by William M. Schmidt, was a sensation at auto shows in 1955. The concept car boasted push-button transmission controls, a 300-horsepower V-8 engine, and a double-dome canopy roof. Hollywood customizer George Barris bought the Futura in 1959 and, a few years later, turned it into the Batmobile for the 1966-1968 Batman television series.
- "Central Park South" Fabric Swatch Designed by Ruth Adler Schnee, 1953 - Trained as an architect, Ruth Adler Schnee began her pioneering foray into textile design with an entry into the <em>Chicago Tribune</em>'s "Better Rooms for Better Living" interior design competition. Unable to locate suitable fabrics, she designed her own. She promptly taught herself to screen print and began to sell her own designs. This design in particular has an architectural quality, referencing her architectural education.
- 1953
- Collections - Artifact
"Central Park South" Fabric Swatch Designed by Ruth Adler Schnee, 1953
Trained as an architect, Ruth Adler Schnee began her pioneering foray into textile design with an entry into the Chicago Tribune's "Better Rooms for Better Living" interior design competition. Unable to locate suitable fabrics, she designed her own. She promptly taught herself to screen print and began to sell her own designs. This design in particular has an architectural quality, referencing her architectural education.
- "The Catcher in the Rye," 1991 - Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.
- 1949
- Collections - Artifact
"The Catcher in the Rye," 1991
Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.
- Greater New York... Metropolis of Mankind, 1933 - Aerial photography offered a fresh perspective on familiar places. <em>National Geographic</em> published this photo of the greater New York City area in 1933. Manhattan is at center-left, framed by the Hudson River to the west and the East River to the east. New Jersey is at left, Brooklyn and Long Island are at right, and Staten Island sits at the bottom.
- 1933-1937
- Collections - Artifact
Greater New York... Metropolis of Mankind, 1933
Aerial photography offered a fresh perspective on familiar places. National Geographic published this photo of the greater New York City area in 1933. Manhattan is at center-left, framed by the Hudson River to the west and the East River to the east. New Jersey is at left, Brooklyn and Long Island are at right, and Staten Island sits at the bottom.
- "The Catcher in the Rye," 1986 - Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.
- 1949
- Collections - Artifact
"The Catcher in the Rye," 1986
Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.
- "The Catcher in the Rye," 1964 - Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.
- 1949
- Collections - Artifact
"The Catcher in the Rye," 1964
Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.
- "The Catcher in the Rye," 1989 - Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.
- 1949
- Collections - Artifact
"The Catcher in the Rye," 1989
Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.
- "The Catcher in the Rye," 1991 - Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.
- 1949
- Collections - Artifact
"The Catcher in the Rye," 1991
Jason Polan was a Michigan-born, New York-based illustrator whose visual storytelling sought to elevate the everyday—with humor and care. This collection documents Polan's life and prolific art practice, spanning childhood to adulthood; he was also a convener of creative communities. Inspiration, ideation, and completed projects are represented in preparatory material, printed matter, publications, product design, artwork, and personal collecting.