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- The Evolution of Reaping Machines, 1902 -
- 1902
- Collections - Artifact
The Evolution of Reaping Machines, 1902
- "Evolution of the Ford Car," 1949 - The evolution of Ford Motor Company cars, through 1949, is illustrated in this image. The line starts with Henry Ford's experimental 1896 Quadricycle and concludes with the post-World War II 1949 Ford. Key company buildings, like the Mack Avenue Plant and the Dearborn Engineering Lab, are featured as well.
- 1896-1949
- Collections - Artifact
"Evolution of the Ford Car," 1949
The evolution of Ford Motor Company cars, through 1949, is illustrated in this image. The line starts with Henry Ford's experimental 1896 Quadricycle and concludes with the post-World War II 1949 Ford. Key company buildings, like the Mack Avenue Plant and the Dearborn Engineering Lab, are featured as well.
- Evolution of the Lincoln and Lincoln Continental, 1921-1960 - Nearly 40 years of Lincoln evolution are traced in this poster, from the company's founding by Henry Leland and Wilfred Leland, through its renaissance under Ford Motor Company's ownership. Edsel Ford and designer Bob Gregorie inaugurated Lincoln's successful Continental model for 1940. For 1956-1957, Continental was its own make, separate from Lincoln, under the guidance of William Clay Ford.
- 1921-1960
- Collections - Artifact
Evolution of the Lincoln and Lincoln Continental, 1921-1960
Nearly 40 years of Lincoln evolution are traced in this poster, from the company's founding by Henry Leland and Wilfred Leland, through its renaissance under Ford Motor Company's ownership. Edsel Ford and designer Bob Gregorie inaugurated Lincoln's successful Continental model for 1940. For 1956-1957, Continental was its own make, separate from Lincoln, under the guidance of William Clay Ford.
- Vision of the Future: The Impact of Information Age Technology on Society, 1984 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1984
- Collections - Artifact
Vision of the Future: The Impact of Information Age Technology on Society, 1984
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- (Re)Building Technology V.2, 2016 -
- 2016
- Collections - Artifact
(Re)Building Technology V.2, 2016
- "Driving Force, 70 Years of Mercedes-Benz Diesel Technology" 2007 - This book offers a short history of Mercedes-Benz's diesel vehicles. Mercedes-Benz built the world's first diesel passenger car in 1936.
- 2007
- Collections - Artifact
"Driving Force, 70 Years of Mercedes-Benz Diesel Technology" 2007
This book offers a short history of Mercedes-Benz's diesel vehicles. Mercedes-Benz built the world's first diesel passenger car in 1936.
- Evolution of the Ford Car, Century of Progress International Exposition, Chicago, Illinois, 1934 - Chicago's 1933-34 Century of Progress Exposition used the theme of progress to encourage optimism during the Depression. The Ford Exhibition Building, which sat on eleven acres at the fair and featured industrial demonstrations and informative displays like this, became the most talked-about exhibit of 1934.
- 1934
- Collections - Artifact
Evolution of the Ford Car, Century of Progress International Exposition, Chicago, Illinois, 1934
Chicago's 1933-34 Century of Progress Exposition used the theme of progress to encourage optimism during the Depression. The Ford Exhibition Building, which sat on eleven acres at the fair and featured industrial demonstrations and informative displays like this, became the most talked-about exhibit of 1934.
- Evolution of the Ford Car, Century of Progress International Exposition, Chicago, Illinois, 1934 - Chicago's 1933-34 Century of Progress Exposition used the theme of progress to encourage optimism during the Depression. The Ford Exhibition Building, which sat on eleven acres at the fair and featured industrial demonstrations and informative displays like this, became the most talked-about exhibit of 1934.
- 1934
- Collections - Artifact
Evolution of the Ford Car, Century of Progress International Exposition, Chicago, Illinois, 1934
Chicago's 1933-34 Century of Progress Exposition used the theme of progress to encourage optimism during the Depression. The Ford Exhibition Building, which sat on eleven acres at the fair and featured industrial demonstrations and informative displays like this, became the most talked-about exhibit of 1934.
- The Lighting of New York City, 1904 -
- January 01, 1904
- Collections - Artifact
The Lighting of New York City, 1904
- Michigan School of Mines, now Michigan Technological University, Houghton, Michigan, circa 1906 - From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. It had a wide-ranging stock of original photographs, many of which were colored using the company's patented "Phostint" process. Popular "Phostint" postcards, the Detroit Publishing Company claimed, were delicately "executed in Nature's Coloring" to be truthful, tasteful, beautiful, and educational.
- circa 1906
- Collections - Artifact
Michigan School of Mines, now Michigan Technological University, Houghton, Michigan, circa 1906
From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. It had a wide-ranging stock of original photographs, many of which were colored using the company's patented "Phostint" process. Popular "Phostint" postcards, the Detroit Publishing Company claimed, were delicately "executed in Nature's Coloring" to be truthful, tasteful, beautiful, and educational.