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- Greenfield Village Tintype Studio - Tintypes were a popular type of mid-1800s "wet-plate" photography. This studio was built in 1929 in Greenfield Village and a tintypist and Ford Motor Company employee, Charles Tremear, was hired to create tintypes for Greenfield Village visitors. In this studio, in addition to Village visitors, Tremear made portraits of many celebrities, including Thomas Edison, Joe Louis and Walt Disney.
- October 20, 1929
- Collections - Artifact
Greenfield Village Tintype Studio
Tintypes were a popular type of mid-1800s "wet-plate" photography. This studio was built in 1929 in Greenfield Village and a tintypist and Ford Motor Company employee, Charles Tremear, was hired to create tintypes for Greenfield Village visitors. In this studio, in addition to Village visitors, Tremear made portraits of many celebrities, including Thomas Edison, Joe Louis and Walt Disney.
- Studio. Miss L. Munger, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- 1890-1915
- Collections - Artifact
Studio. Miss L. Munger, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- Studio - Miss L. Munger, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- 1890-1915
- Collections - Artifact
Studio - Miss L. Munger, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- Miss Louise Munger's Studio, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- 1890-1915
- Collections - Artifact
Miss Louise Munger's Studio, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- Miss Louise Munger Studio, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- 1890-1915
- Collections - Artifact
Miss Louise Munger Studio, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- Miss Louise Munger's Studio, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- 1890-1915
- Collections - Artifact
Miss Louise Munger's Studio, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. By 1922, the time of her death, she had produced over 800 glass plate negatives. Her sensitive, insightful photographs depict people from all walks of life and the world in which they lived.
- Greenfield Village Tintype Studio, circa 1934 - Irving Bacon, a Ford Motor Company employee and Henry Ford's personal artist, created pen-and-ink drawings to illustrate guidebooks for the Edison Institute Museum and Greenfield Village (now The Henry Ford) when they officially opened to the public in 1933. An illustrated souvenir guidebook helped visitors navigate the exhibits and grounds. Ford also used these drawings in other company publications.
- circa 1934
- Collections - Artifact
Greenfield Village Tintype Studio, circa 1934
Irving Bacon, a Ford Motor Company employee and Henry Ford's personal artist, created pen-and-ink drawings to illustrate guidebooks for the Edison Institute Museum and Greenfield Village (now The Henry Ford) when they officially opened to the public in 1933. An illustrated souvenir guidebook helped visitors navigate the exhibits and grounds. Ford also used these drawings in other company publications.
- Studio Portrait of Leola Hudson Whitted -
- Collections - Artifact
Studio Portrait of Leola Hudson Whitted
- Photographer outside His Tintype Studio, circa 1890 -
- circa 1890
- Collections - Artifact
Photographer outside His Tintype Studio, circa 1890
- Apron Used in the Harwood Steiger Studio -
- 1956-2004
- Collections - Artifact
Apron Used in the Harwood Steiger Studio