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- Group of Young Men, circa 1885 - Tintype photographs peaked in popularity in the mid-19 century. Lacquered iron plates coated with light-sensitive collodion were exposed in cameras by photographers in formal studios and mobile booths at fairs. Compared to other processes, tintypes were inexpensive and could be produced in minutes--"instant photographs" of their day. Durable and lightweight, Civil War soldiers carried them as mementos of home.
- circa 1885
- Collections - Artifact
Group of Young Men, circa 1885
Tintype photographs peaked in popularity in the mid-19 century. Lacquered iron plates coated with light-sensitive collodion were exposed in cameras by photographers in formal studios and mobile booths at fairs. Compared to other processes, tintypes were inexpensive and could be produced in minutes--"instant photographs" of their day. Durable and lightweight, Civil War soldiers carried them as mementos of home.
- Portrait of a Young Man, circa 1870 - Tintype photographs peaked in popularity in the mid-19 century. Lacquered iron plates coated with light-sensitive collodion were exposed in cameras by photographers in formal studios and mobile booths at fairs. Compared to other processes, tintypes were inexpensive and could be produced in minutes--"instant photographs" of their day. Durable and lightweight, Civil War soldiers carried them as mementos of home.
- circa 1870
- Collections - Artifact
Portrait of a Young Man, circa 1870
Tintype photographs peaked in popularity in the mid-19 century. Lacquered iron plates coated with light-sensitive collodion were exposed in cameras by photographers in formal studios and mobile booths at fairs. Compared to other processes, tintypes were inexpensive and could be produced in minutes--"instant photographs" of their day. Durable and lightweight, Civil War soldiers carried them as mementos of home.
- Portrait of a Young Man, circa 1865 - Tintype photographs peaked in popularity in the mid-19 century. Lacquered iron plates coated with light-sensitive collodion were exposed in cameras by photographers in formal studios and mobile booths at fairs. Compared to other processes, tintypes were inexpensive and could be produced in minutes--"instant photographs" of their day. Durable and lightweight, Civil War soldiers carried them as mementos of home.
- circa 1865
- Collections - Artifact
Portrait of a Young Man, circa 1865
Tintype photographs peaked in popularity in the mid-19 century. Lacquered iron plates coated with light-sensitive collodion were exposed in cameras by photographers in formal studios and mobile booths at fairs. Compared to other processes, tintypes were inexpensive and could be produced in minutes--"instant photographs" of their day. Durable and lightweight, Civil War soldiers carried them as mementos of home.
- Older Woman in Plain Dress and Day Cap, circa 1865 - Ambrotypes (meaning, "imperishable pictures") were popular in the mid-1850s through the 1860s. Glass plates coated with photosensitive collodion were exposed in cameras while wet. The resulting image on glass, backed with black material, appeared as a photographic positive. Ambrotypes replaced daguerrotypes as an affordable and convenient alternative; however, improvements in photographic processes soon led to widespread adoption of the tintype.
- circa 1860
- Collections - Artifact
Older Woman in Plain Dress and Day Cap, circa 1865
Ambrotypes (meaning, "imperishable pictures") were popular in the mid-1850s through the 1860s. Glass plates coated with photosensitive collodion were exposed in cameras while wet. The resulting image on glass, backed with black material, appeared as a photographic positive. Ambrotypes replaced daguerrotypes as an affordable and convenient alternative; however, improvements in photographic processes soon led to widespread adoption of the tintype.
- Portrait of a Man, circa 1860 - Ambrotypes (meaning, "imperishable pictures") were popular in the mid-1850s through the 1860s. Glass plates coated with photosensitive collodion were exposed in cameras while wet. The resulting image on glass, backed with black material, appeared as a photographic positive. Ambrotypes replaced daguerrotypes as an affordable and convenient alternative; however, improvements in photographic processes soon led to widespread adoption of the tintype.
- circa 1860
- Collections - Artifact
Portrait of a Man, circa 1860
Ambrotypes (meaning, "imperishable pictures") were popular in the mid-1850s through the 1860s. Glass plates coated with photosensitive collodion were exposed in cameras while wet. The resulting image on glass, backed with black material, appeared as a photographic positive. Ambrotypes replaced daguerrotypes as an affordable and convenient alternative; however, improvements in photographic processes soon led to widespread adoption of the tintype.
- Portrait of a Woman, circa 1875 - Tintypes, the popular "instant photographs" of the 19th century, could be produced in a matter of minutes at a price most people could afford. Tintypes democratized photography. Beginning in the mid-1850s, they gave more people than ever before the chance to have a real likeness of themselves--capturing unique glimpses of how everyday Americans looked and lived.
- circa 1875
- Collections - Artifact
Portrait of a Woman, circa 1875
Tintypes, the popular "instant photographs" of the 19th century, could be produced in a matter of minutes at a price most people could afford. Tintypes democratized photography. Beginning in the mid-1850s, they gave more people than ever before the chance to have a real likeness of themselves--capturing unique glimpses of how everyday Americans looked and lived.
- Welder at Work, circa 1945 -
- circa 1945
- Collections - Artifact
Welder at Work, circa 1945
- Portrait of a Young Man Wearing a Bow Tie, circa 1890 -
- circa 1890
- Collections - Artifact
Portrait of a Young Man Wearing a Bow Tie, circa 1890
- Portrait of Caleb B. Smith, 1861-1863 - Cartes-de-visite, small, professionally made photographs on cardboard stock, remained popular in the United States from the Civil War in the 1860s through the 1880s. Many were given to friends and loved ones, but enterprising photographers also produced images of famous individuals to sell to the collecting-crazed public. Celebrities, military officers and politicians, such as Caleb Smith, President Abraham Lincoln's first Secretary of the Interior, were popular subjects.
- 1861-1863
- Collections - Artifact
Portrait of Caleb B. Smith, 1861-1863
Cartes-de-visite, small, professionally made photographs on cardboard stock, remained popular in the United States from the Civil War in the 1860s through the 1880s. Many were given to friends and loved ones, but enterprising photographers also produced images of famous individuals to sell to the collecting-crazed public. Celebrities, military officers and politicians, such as Caleb Smith, President Abraham Lincoln's first Secretary of the Interior, were popular subjects.
- Picking Cotton, Georgia, 1887 -
- 1887
- Collections - Artifact
Picking Cotton, Georgia, 1887