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- Light Snow in the Pass, Painted by Virgil M. Exner circa 1970 - Though best remembered for his design work under Harley Earl at General Motors Corporation, at Raymond Loewy's industrial design firm, at Studebaker Corporation, and in Chrysler Corporation's Advanced Styling Studio, Virgil Exner made time to practice the fine arts. Exner painted this scenic piece during "retirement" (he continued work on design projects from home until his death in late 1973).
- circa 1885
- Collections - Artifact
Light Snow in the Pass, Painted by Virgil M. Exner circa 1970
Though best remembered for his design work under Harley Earl at General Motors Corporation, at Raymond Loewy's industrial design firm, at Studebaker Corporation, and in Chrysler Corporation's Advanced Styling Studio, Virgil Exner made time to practice the fine arts. Exner painted this scenic piece during "retirement" (he continued work on design projects from home until his death in late 1973).
- Painting by Lillian F. Schwartz - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Collections - Artifact
Painting by Lillian F. Schwartz
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Winslow to Gallup, Painted by Virgil M. Exner circa 1971 - Though best remembered for his design work under Harley Earl at General Motors Corporation, at Raymond Loewy's industrial design firm, at Studebaker Corporation, and in Chrysler Corporation's Advanced Styling Studio, Virgil Exner made time to practice the fine arts. Exner painted this scenic piece during "retirement" (he continued work on design projects from home until his death in late 1973).
- July 01, 1905
- Collections - Artifact
Winslow to Gallup, Painted by Virgil M. Exner circa 1971
Though best remembered for his design work under Harley Earl at General Motors Corporation, at Raymond Loewy's industrial design firm, at Studebaker Corporation, and in Chrysler Corporation's Advanced Styling Studio, Virgil Exner made time to practice the fine arts. Exner painted this scenic piece during "retirement" (he continued work on design projects from home until his death in late 1973).
- California Scene -- 1884, Painted by Virgil M. Exner circa 1970 - Though best remembered for his design work under Harley Earl at General Motors Corporation, at Raymond Loewy's industrial design firm, at Studebaker Corporation, and in Chrysler Corporation's Advanced Styling Studio, Virgil Exner made time to practice the fine arts. Exner painted this scenic piece during "retirement" (he continued work on design projects from home until his death in late 1973).
- 1884
- Collections - Artifact
California Scene -- 1884, Painted by Virgil M. Exner circa 1970
Though best remembered for his design work under Harley Earl at General Motors Corporation, at Raymond Loewy's industrial design firm, at Studebaker Corporation, and in Chrysler Corporation's Advanced Styling Studio, Virgil Exner made time to practice the fine arts. Exner painted this scenic piece during "retirement" (he continued work on design projects from home until his death in late 1973).
- Painting by Lillian F. Schwartz - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Collections - Artifact
Painting by Lillian F. Schwartz
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Untitled Painting of a Figure by Lillian F. Schwartz, circa 1955 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- circa 1955
- Collections - Artifact
Untitled Painting of a Figure by Lillian F. Schwartz, circa 1955
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.