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- "First International Animation Film Festival," 1972 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1972
- Collections - Artifact
"First International Animation Film Festival," 1972
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- "First USA International Animation Film Festival," New York, New York, November 18-22, 1972 -
- 18 November 1972-22 November 1972
- Collections - Artifact
"First USA International Animation Film Festival," New York, New York, November 18-22, 1972
- Mechanical Lantern Slide, Movement of a Comet, 1860-1900 - Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- 1860-1900
- Collections - Artifact
Mechanical Lantern Slide, Movement of a Comet, 1860-1900
Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- Mechanical Lantern Slide, Earth's Orbit and Astrological Constellations, 1860-1900 - Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- 1860-1900
- Collections - Artifact
Mechanical Lantern Slide, Earth's Orbit and Astrological Constellations, 1860-1900
Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- Mechanical Lantern Slide, the Solar System, 1860-1900 - Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- 1860-1900
- Collections - Artifact
Mechanical Lantern Slide, the Solar System, 1860-1900
Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- Poster, "Second International Animation Film Festival," 1974 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 09 January 1974 - 12 January 1974
- Collections - Artifact
Poster, "Second International Animation Film Festival," 1974
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Poster, "Ottawa 78: International Animated Film Festival," 1978 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1978
- Collections - Artifact
Poster, "Ottawa 78: International Animated Film Festival," 1978
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Mechanical Lantern Slide, Night and Day on Earth, 1860-1900 - Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- 1860-1900
- Collections - Artifact
Mechanical Lantern Slide, Night and Day on Earth, 1860-1900
Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- Poster, "First International Animation Film Festival," 1972 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1972
- Collections - Artifact
Poster, "First International Animation Film Festival," 1972
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Mechanical Lantern Slide, Orbit of the Moon around the Earth, 1860-1900 - Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- 1860-1900
- Collections - Artifact
Mechanical Lantern Slide, Orbit of the Moon around the Earth, 1860-1900
Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.