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- Tortoise Shell and Pique Brooch, circa 1865 -
- circa 1865
- Collections - Artifact
Tortoise Shell and Pique Brooch, circa 1865
- Mourning Pendant for William Oliphant, 1790 - Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- April 10, 1790
- Collections - Artifact
Mourning Pendant for William Oliphant, 1790
Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- Mourning Pendant, 1790-1810 - Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- 1790-1810
- Collections - Artifact
Mourning Pendant, 1790-1810
Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- Mourning Pendant, 1790-1810 - Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- 1790-1810
- Collections - Artifact
Mourning Pendant, 1790-1810
Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- Mourning Brooch, 1780-1800 - Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- 1780-1800
- Collections - Artifact
Mourning Brooch, 1780-1800
Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- Mourning Pendant for Percival Barker, 1786 - Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- June 26, 1786
- Collections - Artifact
Mourning Pendant for Percival Barker, 1786
Before the 20th century, death came early and often. One way people coped was to wear jewelry as memorials to their loved ones. Over the centuries, mourning jewelry followed the prevailing fashions. Shortly after independence, Americans favored illuminated, miniature brooches and pendants painted on ivory. These featured shapes derived from classical design, symbols such as urns and weeping women dressed as ancient Romans.
- Breast Pins, Lava Medallions, Etc., Collection of A. Brown, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- 1890-1915
- Collections - Artifact
Breast Pins, Lava Medallions, Etc., Collection of A. Brown, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- Silver Filigree Breast Pins, Collection of A. Brown, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- 1890-1915
- Collections - Artifact
Silver Filigree Breast Pins, Collection of A. Brown, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- Human Hair Breast Pins, Collection of A. Brown, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- 1890-1915
- Collections - Artifact
Human Hair Breast Pins, Collection of A. Brown, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- Breast Pins, Miniature and Ivory Carving from the Collection of A. Brown, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- 1890-1915
- Collections - Artifact
Breast Pins, Miniature and Ivory Carving from the Collection of A. Brown, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.