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- Dining Chair Used by the Jackson Family, Selma, Alabama -
- circa 1960
- Collections - Artifact
Dining Chair Used by the Jackson Family, Selma, Alabama
- Dining Chair Used by the Jackson Family, Selma, Alabama -
- circa 1960
- Collections - Artifact
Dining Chair Used by the Jackson Family, Selma, Alabama
- Eames Molded Plywood Dining Chair, 1947-1983 -
- 1947-1983
- Collections - Artifact
Eames Molded Plywood Dining Chair, 1947-1983
- Dining Chair, 1968 -
- 1968
- Collections - Artifact
Dining Chair, 1968
- Dining Chair Used by the Jackson Family, Selma, Alabama -
- circa 1960
- Collections - Artifact
Dining Chair Used by the Jackson Family, Selma, Alabama
- Shaker Dining Chair with Tilters, 1860-1880 -
- 1860-1880
- Collections - Artifact
Shaker Dining Chair with Tilters, 1860-1880
- Dining Chair Used by the Jackson Family, Selma, Alabama -
- circa 1960
- Collections - Artifact
Dining Chair Used by the Jackson Family, Selma, Alabama
- Eames Molded Dining Chair - Husband-and-wife designers Charles and Ray Eames spent years experimenting with plywood in order to create a simple, low-cost, mass-producible chair. However, they found that molding plywood into a single combined seat and back was impractical and costly. They decided to separate the seat and back and used rubber shock mounts and adhesive to attach them. The chair caused a sensation, quickly becoming a symbol of modernism.
- Collections - Artifact
Eames Molded Dining Chair
Husband-and-wife designers Charles and Ray Eames spent years experimenting with plywood in order to create a simple, low-cost, mass-producible chair. However, they found that molding plywood into a single combined seat and back was impractical and costly. They decided to separate the seat and back and used rubber shock mounts and adhesive to attach them. The chair caused a sensation, quickly becoming a symbol of modernism.
- Eames Molded Plywood Dining Chair, 1947-1953 - Husband-and-wife designers Charles and Ray Eames spent years experimenting with plywood in order to create a simple, low-cost, mass-producible chair. However, they found that molding plywood into a single combined seat and back was impractical and costly. They decided to separate the seat and back and used rubber shock mounts and adhesive to attach them. The chair caused a sensation, quickly becoming a symbol of modernism.
- 1947-1953
- Collections - Artifact
Eames Molded Plywood Dining Chair, 1947-1953
Husband-and-wife designers Charles and Ray Eames spent years experimenting with plywood in order to create a simple, low-cost, mass-producible chair. However, they found that molding plywood into a single combined seat and back was impractical and costly. They decided to separate the seat and back and used rubber shock mounts and adhesive to attach them. The chair caused a sensation, quickly becoming a symbol of modernism.
- Eames Molded Plywood Dining Chair, 1947-1953 -
- 1947-1953
- Collections - Artifact
Eames Molded Plywood Dining Chair, 1947-1953