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- Swatches, "Crosses," Designed by Alexander Girard for Herman Miller, 1957 - Early modernist design was starkly minimal, but mid-century modern designer Alexander Girard's work challenged and expanded the movement. Girard humanized modernism through his colorful and whimsical textile, furniture, graphic, and interior designs. As the Director of Design in Herman Miller's Textile Division from 1952 until 1973, Girard designed over 300 textiles, often using bold color combinations and abstract patterns.
- 1957
- Collections - Artifact
Swatches, "Crosses," Designed by Alexander Girard for Herman Miller, 1957
Early modernist design was starkly minimal, but mid-century modern designer Alexander Girard's work challenged and expanded the movement. Girard humanized modernism through his colorful and whimsical textile, furniture, graphic, and interior designs. As the Director of Design in Herman Miller's Textile Division from 1952 until 1973, Girard designed over 300 textiles, often using bold color combinations and abstract patterns.
- Swatches, "Trispot," Designed by Alexander Girard for Herman Miller, 1956 - Early modernist design was starkly minimal, but mid-century modern designer Alexander Girard's work challenged and expanded the movement. Girard humanized modernism through his colorful and whimsical textile, furniture, graphic, and interior designs. As the Director of Design in Herman Miller's Textile Division from 1952 until 1973, Girard designed over 300 textiles, often using bold color combinations and abstract patterns.
- 1956
- Collections - Artifact
Swatches, "Trispot," Designed by Alexander Girard for Herman Miller, 1956
Early modernist design was starkly minimal, but mid-century modern designer Alexander Girard's work challenged and expanded the movement. Girard humanized modernism through his colorful and whimsical textile, furniture, graphic, and interior designs. As the Director of Design in Herman Miller's Textile Division from 1952 until 1973, Girard designed over 300 textiles, often using bold color combinations and abstract patterns.
- Bandbox, 1835-1839 - In the early 1800s, Americans used bandboxes to store clothing, accessories, and other small items. Bandboxes were handy containers in the home or when traveling by stage, boat, or rail. Manufacturers covered these inexpensive pasteboard or wooden boxes with colorful papers. This bandbox's paper consists of a swag with flowers and birds. The paper on the lid depicts a house and mill scene.
- 1835-1839
- Collections - Artifact
Bandbox, 1835-1839
In the early 1800s, Americans used bandboxes to store clothing, accessories, and other small items. Bandboxes were handy containers in the home or when traveling by stage, boat, or rail. Manufacturers covered these inexpensive pasteboard or wooden boxes with colorful papers. This bandbox's paper consists of a swag with flowers and birds. The paper on the lid depicts a house and mill scene.
- Swedish Weaving, Draperies, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- 1890-1915
- Collections - Artifact
Swedish Weaving, Draperies, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- Drapery Panel, circa 1910 - Textiles were an integral part of the Arts and Crafts interior. Designers emphasized the use of stylized geometrical motifs to harmonize with furniture, ceramics, and artwork. The ideal was to create a simple, yet unified interior environment, which was a reaction against "fussy" Victorian interiors.
- circa 1910
- Collections - Artifact
Drapery Panel, circa 1910
Textiles were an integral part of the Arts and Crafts interior. Designers emphasized the use of stylized geometrical motifs to harmonize with furniture, ceramics, and artwork. The ideal was to create a simple, yet unified interior environment, which was a reaction against "fussy" Victorian interiors.
- Swedish Weaving, Draperies, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- 1890-1915
- Collections - Artifact
Swedish Weaving, Draperies, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.