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- "Hi! - and a Happy Birthday to You!," circa 1980 - Gwen Frostic (1906-2001) was an artist, author, poet, entrepreneur, and nature lover. In the 1940s, Frostic bought a printing press and started a printing business doing commercial jobs, but most notably, she carefully carved linoleum blocks to create nature-inspired works of art. Frostic created block prints for the next fifty years that graced her books, note cards, and greeting cards.
- circa 1980
- Collections - Artifact
"Hi! - and a Happy Birthday to You!," circa 1980
Gwen Frostic (1906-2001) was an artist, author, poet, entrepreneur, and nature lover. In the 1940s, Frostic bought a printing press and started a printing business doing commercial jobs, but most notably, she carefully carved linoleum blocks to create nature-inspired works of art. Frostic created block prints for the next fifty years that graced her books, note cards, and greeting cards.
- Composition Paper from a School Desk, 1940-1960 -
- 1940-1960
- Collections - Artifact
Composition Paper from a School Desk, 1940-1960
- German Irises Growing in a Nursery, circa 1923 -
- circa 1923
- Collections - Artifact
German Irises Growing in a Nursery, circa 1923
- Flask, 1830-1834 - Glass factories in America began producing inexpensive, mold-formed flasks in the early 1800s. These figured flasks appealed to America's common man. Many of these flasks contained symbols of national pride or political or cultural affiliation. Embellishments on other flasks, like this one, were purely decorative, though you will find an anchor -- a symbol of hope -- on the reverse.
- 1830-1834
- Collections - Artifact
Flask, 1830-1834
Glass factories in America began producing inexpensive, mold-formed flasks in the early 1800s. These figured flasks appealed to America's common man. Many of these flasks contained symbols of national pride or political or cultural affiliation. Embellishments on other flasks, like this one, were purely decorative, though you will find an anchor -- a symbol of hope -- on the reverse.
- Trade Card for Singer Sewing Machines, 1880-1900 - As color printing gained momentum in the late 19th century, trade cards became a major means of advertising goods and services. Americans enjoyed and often saved the vibrant little advertisements found in product packages or distributed by local merchants. This colorful trade card promoted the Singer Sewing Machine Company, founded by Isaac Singer when he introduced the first practical sewing machine for home use in 1851.
- 1880-1900
- Collections - Artifact
Trade Card for Singer Sewing Machines, 1880-1900
As color printing gained momentum in the late 19th century, trade cards became a major means of advertising goods and services. Americans enjoyed and often saved the vibrant little advertisements found in product packages or distributed by local merchants. This colorful trade card promoted the Singer Sewing Machine Company, founded by Isaac Singer when he introduced the first practical sewing machine for home use in 1851.
- Label, "J. Berry's Fine Confections," 1886-1905 -
- 1886-1905
- Collections - Artifact
Label, "J. Berry's Fine Confections," 1886-1905
- "St. Anthony's Fire" by Paul J. Stankard, 1976 - Paul Stankard is one of the founders of the Studio Glass movement of the 1960s and 70s. Most early Studio Glass artists began their careers creating paperweights and moved on to other forms. Stankard concentrated on creating the most technically sophisticated and beautiful paperweights he could imagine. Today, Stankard is acclaimed for his miniature worlds, consisting of imaginary botanicals, bees and sometimes human figures.
- 1976
- Collections - Artifact
"St. Anthony's Fire" by Paul J. Stankard, 1976
Paul Stankard is one of the founders of the Studio Glass movement of the 1960s and 70s. Most early Studio Glass artists began their careers creating paperweights and moved on to other forms. Stankard concentrated on creating the most technically sophisticated and beautiful paperweights he could imagine. Today, Stankard is acclaimed for his miniature worlds, consisting of imaginary botanicals, bees and sometimes human figures.
- Orchard Box by Kimiake Higuchi, 2007 - New centers of glassmaking emerged as studio glass spread in the 1980s, creating a truly international movement. In Japan, studio glass artist Kimiake Higuchi referenced the Art Nouveau style of the 1890s for inspiration. She revived a popular glassmaking technique known as "pate-de-verre" to achieve opaque finishes and used color schemes and botanical motifs that further echo the Art Nouveau.
- 2007
- Collections - Artifact
Orchard Box by Kimiake Higuchi, 2007
New centers of glassmaking emerged as studio glass spread in the 1980s, creating a truly international movement. In Japan, studio glass artist Kimiake Higuchi referenced the Art Nouveau style of the 1890s for inspiration. She revived a popular glassmaking technique known as "pate-de-verre" to achieve opaque finishes and used color schemes and botanical motifs that further echo the Art Nouveau.
- Child's Handkerchief, 1945-1955 - Before disposable tissues became popular, people carried cloth handkerchiefs to help with sneezes and sniffles. Children's versions were made with images and in colors designed to appeal to these smaller folk.
- 1945-1955
- Collections - Artifact
Child's Handkerchief, 1945-1955
Before disposable tissues became popular, people carried cloth handkerchiefs to help with sneezes and sniffles. Children's versions were made with images and in colors designed to appeal to these smaller folk.
- Child's Handkerchief, 1945-1955 - Before disposable tissues became popular, people carried cloth handkerchiefs to help with sneezes and sniffles. Children's versions were made with images and in colors designed to appeal to these smaller folk.
- 1945-1955
- Collections - Artifact
Child's Handkerchief, 1945-1955
Before disposable tissues became popular, people carried cloth handkerchiefs to help with sneezes and sniffles. Children's versions were made with images and in colors designed to appeal to these smaller folk.