Search
- Testing Batches of Glass at the Ford Rouge Glass Plant, 1940 - Unsatisfied with glass from outside suppliers, Ford Motor Company established its own glass plant at the Rouge in 1923. Furnaces produced molten glass, while overhead grinders and polishers worked the material to a perfectly smooth and clear finish. Two other Ford glass plants, in Pennsylvania and Minnesota, combined with the Rouge to manufacture 20 million feet of glass each year.
- January 03, 1940
- Collections - Artifact
Testing Batches of Glass at the Ford Rouge Glass Plant, 1940
Unsatisfied with glass from outside suppliers, Ford Motor Company established its own glass plant at the Rouge in 1923. Furnaces produced molten glass, while overhead grinders and polishers worked the material to a perfectly smooth and clear finish. Two other Ford glass plants, in Pennsylvania and Minnesota, combined with the Rouge to manufacture 20 million feet of glass each year.
- Employee Working at Heinz Glass Factory, Sharpsburg, Pennsylvania, 1885-1910 - Before complete mechanization of the manufacturing process, many tasks at the Heinz factory were done by hand. The H.J. Heinz Company made their own boxes, glassware, cans, advertisements, and labels, allowing most production to be completed in-house. This photograph features a worker at the Heinz Glass Factory.
- 1885-1910
- Collections - Artifact
Employee Working at Heinz Glass Factory, Sharpsburg, Pennsylvania, 1885-1910
Before complete mechanization of the manufacturing process, many tasks at the Heinz factory were done by hand. The H.J. Heinz Company made their own boxes, glassware, cans, advertisements, and labels, allowing most production to be completed in-house. This photograph features a worker at the Heinz Glass Factory.
- Glass Rods, Used by Paul Stankard, 2010-2015 - Paperweight artist Paul Stankard creates small botanical worlds in glass. Using a technique called flame working, Stankard melts rods of glass--pulled and shaped with tweezers and other tools--to fashion amazingly lifelike tiny flowers, insects, and even human figures. These "inclusions" are then encased in a glass mold to produce a paperweight.
- 2010-2015
- Collections - Artifact
Glass Rods, Used by Paul Stankard, 2010-2015
Paperweight artist Paul Stankard creates small botanical worlds in glass. Using a technique called flame working, Stankard melts rods of glass--pulled and shaped with tweezers and other tools--to fashion amazingly lifelike tiny flowers, insects, and even human figures. These "inclusions" are then encased in a glass mold to produce a paperweight.
- Large Tweezers, Used by Paul Stankard, 2010-2015 - Paperweight artist Paul Stankard creates small botanical worlds in glass. Using a technique called flame working, Stankard melts rods of glass--pulled and shaped with tweezers and other tools--to fashion amazingly lifelike tiny flowers, insects, and even human figures. These "inclusions" are then encased in a glass mold to produce a paperweight.
- 2010-2015
- Collections - Artifact
Large Tweezers, Used by Paul Stankard, 2010-2015
Paperweight artist Paul Stankard creates small botanical worlds in glass. Using a technique called flame working, Stankard melts rods of glass--pulled and shaped with tweezers and other tools--to fashion amazingly lifelike tiny flowers, insects, and even human figures. These "inclusions" are then encased in a glass mold to produce a paperweight.
- Petri Dish with Silica Sand, Used by Paul Stankard, 2010-2015 - Paperweight artist Paul Stankard creates small botanical worlds in glass. Using a technique called flame working, Stankard melts rods of glass--pulled and shaped with tweezers and other tools--to fashion amazingly lifelike tiny flowers, insects, and even human figures. These "inclusions" are then encased in a glass mold to produce a paperweight.
- 2010-2015
- Collections - Artifact
Petri Dish with Silica Sand, Used by Paul Stankard, 2010-2015
Paperweight artist Paul Stankard creates small botanical worlds in glass. Using a technique called flame working, Stankard melts rods of glass--pulled and shaped with tweezers and other tools--to fashion amazingly lifelike tiny flowers, insects, and even human figures. These "inclusions" are then encased in a glass mold to produce a paperweight.
- Portrait of William Holzer, 1880-1900 -
- 1880-1900
- Collections - Artifact
Portrait of William Holzer, 1880-1900
- "Conversations on the Art of Glass Blowing," 1836 -
- 1836
- Collections - Artifact
"Conversations on the Art of Glass Blowing," 1836
- Bubble Vase Glass Mold, Used at Tiffin Glass Company, 1900-1960 -
- 1900-1960
- Collections - Artifact
Bubble Vase Glass Mold, Used at Tiffin Glass Company, 1900-1960
- Glassblower in Greenfield Village, circa 1981 -
- circa 1981
- Collections - Artifact
Glassblower in Greenfield Village, circa 1981
- Glassblower in Greenfield Village, 1970 -
- July 27, 1970
- Collections - Artifact
Glassblower in Greenfield Village, 1970