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- Polaroid Square Shooter Land Camera, 1971-1972 - This is among the first of Polaroid's cameras to use the company's now-iconic square format film. A 1971 advertisement reasons with customers: "You lose a little picture… but you save on the cost of film," and hypes the abridged image as "a square deal." Promising color photographs in 60 seconds, this forerunner of the digital camera offered (nearly) instant results.
- 1971-1972
- Collections - Artifact
Polaroid Square Shooter Land Camera, 1971-1972
This is among the first of Polaroid's cameras to use the company's now-iconic square format film. A 1971 advertisement reasons with customers: "You lose a little picture… but you save on the cost of film," and hypes the abridged image as "a square deal." Promising color photographs in 60 seconds, this forerunner of the digital camera offered (nearly) instant results.
- Cousins Visiting during the Holidays Pose with the Christmas Tree, December 1989 -
- December 01, 1989
- Collections - Artifact
Cousins Visiting during the Holidays Pose with the Christmas Tree, December 1989
- Sarah Chair Prototype for Exercise Therapy, 1987-1991 -
- 1987-1991
- Collections - Artifact
Sarah Chair Prototype for Exercise Therapy, 1987-1991
- Sarah Chair Prototype for Exercise Therapy, 1987-1991 -
- 1987-1991
- Collections - Artifact
Sarah Chair Prototype for Exercise Therapy, 1987-1991
- Juanita Richardson Sherrod Voting at Age 95, August 22, 2000 -
- August 25, 2000
- Collections - Artifact
Juanita Richardson Sherrod Voting at Age 95, August 22, 2000
- Sculptural Hands-Free Telephone Designed by Lillian Schwartz in 1972 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 2003
- Collections - Artifact
Sculptural Hands-Free Telephone Designed by Lillian Schwartz in 1972
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Sculptural Hands-Free Telephone Designed by Lillian Schwartz in 1972 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 2003
- Collections - Artifact
Sculptural Hands-Free Telephone Designed by Lillian Schwartz in 1972
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Sculptural Hands-Free Telephone Designed by Lillian Schwartz in 1972 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 2003
- Collections - Artifact
Sculptural Hands-Free Telephone Designed by Lillian Schwartz in 1972
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Lillian Schwartz and Arno Penzias Installing "Capricious Constellation" Sculpture in Lillian's Home, circa 1984 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- circa 1984
- Collections - Artifact
Lillian Schwartz and Arno Penzias Installing "Capricious Constellation" Sculpture in Lillian's Home, circa 1984
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- DJ Kool Herc at The T-Connection Nightclub, Bronx, New York, circa 1981 -
- circa 1981
- Collections - Artifact
DJ Kool Herc at The T-Connection Nightclub, Bronx, New York, circa 1981