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- Magazine, Emigre No. 13, "Redesigning Stereotypes," 1989 - Emigre is a digital type foundry established by Rudy VanderLans and Zuzana Licko. The company's history is linked with the introduction of the 1984 Macintosh computer, used to design their early bitmapped typefaces. Emigre's digital work gained notoriety -- defying visual communication standards with fractured, layered combinations of text and image. <em>Emigre</em> magazine showcased their fonts and promoted groundbreaking designers.
- 1989
- Collections - Artifact
Magazine, Emigre No. 13, "Redesigning Stereotypes," 1989
Emigre is a digital type foundry established by Rudy VanderLans and Zuzana Licko. The company's history is linked with the introduction of the 1984 Macintosh computer, used to design their early bitmapped typefaces. Emigre's digital work gained notoriety -- defying visual communication standards with fractured, layered combinations of text and image. Emigre magazine showcased their fonts and promoted groundbreaking designers.
- "Ricordo Di Pisa," 1928 -
- 1928
- Collections - Artifact
"Ricordo Di Pisa," 1928
- "Ricordo Di Venezia, 64 Vedute," 1928 -
- 1928
- Collections - Artifact
"Ricordo Di Venezia, 64 Vedute," 1928
- Hallmark "Peace on Earth Series: Italy" Christmas Ornament, 1991 - Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- 1991
- Collections - Artifact
Hallmark "Peace on Earth Series: Italy" Christmas Ornament, 1991
Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- Megalethoscope Slide, "St. Mark's Square" - Invented by Carlo Ponti in the early 1860s, a megalethoscope is a device used to view a translucent, multilayered photograph. By opening or closing various panels, a person saw the image change. When lit from behind, pinpricks and paint or colored tissue applied to the back or a secondary layer of the photograph transform the scene to reveal hidden images and create an illusion of nighttime.
- Collections - Artifact
Megalethoscope Slide, "St. Mark's Square"
Invented by Carlo Ponti in the early 1860s, a megalethoscope is a device used to view a translucent, multilayered photograph. By opening or closing various panels, a person saw the image change. When lit from behind, pinpricks and paint or colored tissue applied to the back or a secondary layer of the photograph transform the scene to reveal hidden images and create an illusion of nighttime.
- Megalethoscope Slide, "Benediction of the Pope from St. Peter's on Easter Sunday" - Invented by Carlo Ponti in the early 1860s, a megalethoscope is a device used to view a translucent, multilayered photograph. By opening or closing various panels, a person saw the image change. When lit from behind, pinpricks and paint or colored tissue applied to the back or a secondary layer of the photograph transform the scene to reveal hidden images and create an illusion of nighttime.
- Collections - Artifact
Megalethoscope Slide, "Benediction of the Pope from St. Peter's on Easter Sunday"
Invented by Carlo Ponti in the early 1860s, a megalethoscope is a device used to view a translucent, multilayered photograph. By opening or closing various panels, a person saw the image change. When lit from behind, pinpricks and paint or colored tissue applied to the back or a secondary layer of the photograph transform the scene to reveal hidden images and create an illusion of nighttime.
- Megalethoscope Slide, "Milano Cathedral" - Invented by Carlo Ponti in the early 1860s, a megalethoscope is a device used to view a translucent, multilayered photograph. By opening or closing various panels, a person saw the image change. When lit from behind, pinpricks and paint or colored tissue applied to the back or a secondary layer of the photograph transform the scene to reveal hidden images and create an illusion of nighttime.
- Collections - Artifact
Megalethoscope Slide, "Milano Cathedral"
Invented by Carlo Ponti in the early 1860s, a megalethoscope is a device used to view a translucent, multilayered photograph. By opening or closing various panels, a person saw the image change. When lit from behind, pinpricks and paint or colored tissue applied to the back or a secondary layer of the photograph transform the scene to reveal hidden images and create an illusion of nighttime.
- Megalethoscope Slide, "Rialto" - Invented by Carlo Ponti in the early 1860s, a megalethoscope is a device used to view a translucent, multilayered photograph. By opening or closing various panels, a person saw the image change. When lit from behind, pinpricks and paint or colored tissue applied to the back or a secondary layer of the photograph transform the scene to reveal hidden images and create an illusion of nighttime.
- Collections - Artifact
Megalethoscope Slide, "Rialto"
Invented by Carlo Ponti in the early 1860s, a megalethoscope is a device used to view a translucent, multilayered photograph. By opening or closing various panels, a person saw the image change. When lit from behind, pinpricks and paint or colored tissue applied to the back or a secondary layer of the photograph transform the scene to reveal hidden images and create an illusion of nighttime.
- Targa Florio Road Race, Sicily, Italy, May 1963 -
- May 01, 1963
- Collections - Artifact
Targa Florio Road Race, Sicily, Italy, May 1963
- Proposed "City of the Sun" Housing Project, circa 1916 -
- circa 1916
- Collections - Artifact
Proposed "City of the Sun" Housing Project, circa 1916