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- Hallmark "Hoop Stars Series: Karl Malone" Christmas Ornament, 2000 - Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- 2000
- Collections - Artifact
Hallmark "Hoop Stars Series: Karl Malone" Christmas Ornament, 2000
Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- "DownBeat," January 14, 1965 -
- January 14, 1965
- Collections - Artifact
"DownBeat," January 14, 1965
- Hallmark "NBA Collection: Utah Jazz" Christmas Ornament, 1999 - Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- 1999
- Collections - Artifact
Hallmark "NBA Collection: Utah Jazz" Christmas Ornament, 1999
Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- Hallmark "NBA Collection: Utah Jazz" Christmas Ornament, 1998 - Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- 1998
- Collections - Artifact
Hallmark "NBA Collection: Utah Jazz" Christmas Ornament, 1998
Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- Record Album, "Santana," 1969 -
- 1969
- Collections - Artifact
Record Album, "Santana," 1969
- Edison Diamond Disc Record, "Johnson Jazz Blues" and "Umbrellas to Mend," 1920 - Sound recordings helped introduce new styles of music to a wider audience. Jazz, with its African-American musical roots, gained great popularity during the 1920s and influenced the development of popular music.
- circa 1920
- Collections - Artifact
Edison Diamond Disc Record, "Johnson Jazz Blues" and "Umbrellas to Mend," 1920
Sound recordings helped introduce new styles of music to a wider audience. Jazz, with its African-American musical roots, gained great popularity during the 1920s and influenced the development of popular music.
- Music Sheet, "Cotton Club Parade, 26th Edition," 1935 -
- 1935
- Collections - Artifact
Music Sheet, "Cotton Club Parade, 26th Edition," 1935
- "Crazy Blues," 1920 - African-American vaudeville artist Mamie Smith recorded "Crazy Blues" on Okeh records in August 1920. An instant success that sold more than 70,000 copies in the first month, Mamie Smith's "Crazy Blues" compelled other companies to record African-American blues performers. Although initially produced for the African-American market, these recordings soon became popular among white mainstream audiences.
- 1920
- Collections - Artifact
"Crazy Blues," 1920
African-American vaudeville artist Mamie Smith recorded "Crazy Blues" on Okeh records in August 1920. An instant success that sold more than 70,000 copies in the first month, Mamie Smith's "Crazy Blues" compelled other companies to record African-American blues performers. Although initially produced for the African-American market, these recordings soon became popular among white mainstream audiences.