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- Legend for Map Showing Routes of Communication Between Dearborn, Michigan and Fordlandia, Brazil, circa 1928 - Henry Ford established Fordlandia and Belterra in the Brazilian rainforest to supply rubber for automobiles. He began shipping machinery and supplies to the Amazon in 1928. This map traced the routes by which materials were sent from Ford's facilities in Dearborn, Michigan, to Fordlandia, some 3,600 miles away. The plantations failed and Ford Motor Company abandoned the project in 1945.

- circa 1928
- Collections - Artifact
Legend for Map Showing Routes of Communication Between Dearborn, Michigan and Fordlandia, Brazil, circa 1928
Henry Ford established Fordlandia and Belterra in the Brazilian rainforest to supply rubber for automobiles. He began shipping machinery and supplies to the Amazon in 1928. This map traced the routes by which materials were sent from Ford's facilities in Dearborn, Michigan, to Fordlandia, some 3,600 miles away. The plantations failed and Ford Motor Company abandoned the project in 1945.
- Diagram Identifying People Shown in Irving R. Bacon's Light's Golden Jubilee and Edison Institute Dedication Mural - Henry Ford planned the dedication of his museum complex to coincide with the 50th anniversary in October 1929 of Thomas Edison's invention of the incandescent lamp. Surprisingly, there were no photographs taken of the Light's Golden Jubilee banquet, so, in the mid-1930s, Ford asked his staff artist, Irving Bacon, to capture the event in a panoramic painting. This key identifies those portrayed in the painting.

- October 21, 1929
- Collections - Artifact
Diagram Identifying People Shown in Irving R. Bacon's Light's Golden Jubilee and Edison Institute Dedication Mural
Henry Ford planned the dedication of his museum complex to coincide with the 50th anniversary in October 1929 of Thomas Edison's invention of the incandescent lamp. Surprisingly, there were no photographs taken of the Light's Golden Jubilee banquet, so, in the mid-1930s, Ford asked his staff artist, Irving Bacon, to capture the event in a panoramic painting. This key identifies those portrayed in the painting.