Search
- George Washington Carver and Henry Ford at the Carver Nutrition Laboratory, Dearborn, Michigan, 1942 - George Washington Carver and Henry Ford shared not only an interest in using agricultural products in industry ("chemurgy"), but also some quirky ideas about diet. Here, Carver and Ford share a sandwich of "weed spread," made with wild bergamot, narrow-leafed plantain, purslane, pigweed, milkweed, dandelion, lamb's quarters and wild radish. They shared this meal at Ford Motor Company's George Washington Carver Nutrition Laboratory during Carver's 1942 Dearborn visit.

- July 21, 1942
- Collections - Artifact
George Washington Carver and Henry Ford at the Carver Nutrition Laboratory, Dearborn, Michigan, 1942
George Washington Carver and Henry Ford shared not only an interest in using agricultural products in industry ("chemurgy"), but also some quirky ideas about diet. Here, Carver and Ford share a sandwich of "weed spread," made with wild bergamot, narrow-leafed plantain, purslane, pigweed, milkweed, dandelion, lamb's quarters and wild radish. They shared this meal at Ford Motor Company's George Washington Carver Nutrition Laboratory during Carver's 1942 Dearborn visit.
- Crossing a Stream in a Willys Military Jeep, circa 1943 - Few things are as iconic of World War II as the jeep. American Bantam created the design in response to a call from the U.S. Army, but Bantam couldn't produce it in the quantities required. Willys-Overland and Ford built the majority of the 650,000 jeeps manufactured for the war effort. Willys built Jeeps for the civilian market after the war.

- circa 1943
- Collections - Artifact
Crossing a Stream in a Willys Military Jeep, circa 1943
Few things are as iconic of World War II as the jeep. American Bantam created the design in response to a call from the U.S. Army, but Bantam couldn't produce it in the quantities required. Willys-Overland and Ford built the majority of the 650,000 jeeps manufactured for the war effort. Willys built Jeeps for the civilian market after the war.
- John Burroughs Sitting in Black Creek Swamp, West Park, New York, 1900 - John Burroughs (1837-1921) was an internationally known naturalist and writer whose nature essays were well-received in both literary and scientific circles. From his home in the Catskills of upstate New York, Burroughs wrote mostly about what could be found in accessible and familiar landscapes. He wanted his readers to appreciate the natural world that surrounded them.

- March 01, 1900
- Collections - Artifact
John Burroughs Sitting in Black Creek Swamp, West Park, New York, 1900
John Burroughs (1837-1921) was an internationally known naturalist and writer whose nature essays were well-received in both literary and scientific circles. From his home in the Catskills of upstate New York, Burroughs wrote mostly about what could be found in accessible and familiar landscapes. He wanted his readers to appreciate the natural world that surrounded them.
- Letter from George Washington Carver to Clara Ford, March 30, 1942 - George Washington Carver and Henry Ford became friends in the late 1930s, drawn together by a mutual interest in plants and industry. Carver's warm letters to both Henry and Clara Ford speak to the genuine depth of the friendship. In this letter to Clara, which was presumably accompanied a bottle of peanut oil, Carver offered advice on how to use the oil for natural health.

- March 30, 1942
- Collections - Artifact
Letter from George Washington Carver to Clara Ford, March 30, 1942
George Washington Carver and Henry Ford became friends in the late 1930s, drawn together by a mutual interest in plants and industry. Carver's warm letters to both Henry and Clara Ford speak to the genuine depth of the friendship. In this letter to Clara, which was presumably accompanied a bottle of peanut oil, Carver offered advice on how to use the oil for natural health.
- Aerial View of Cincinnati, Ohio, circa 1923 - Military aerial reconnaissance during World War I accelerated the evolution of domestic aerial photography after the war. During the 1920s, aerial images like this one taken over Cincinnati by the U.S. Army Air Service helped document population shifts and environmental changes. They also informed urban planning, agricultural practices, and engineering projects.

- circa 1923
- Collections - Artifact
Aerial View of Cincinnati, Ohio, circa 1923
Military aerial reconnaissance during World War I accelerated the evolution of domestic aerial photography after the war. During the 1920s, aerial images like this one taken over Cincinnati by the U.S. Army Air Service helped document population shifts and environmental changes. They also informed urban planning, agricultural practices, and engineering projects.
- The Northlander: A Mimeographed Publication of the Fort Brady CCC District, March 1939 -

- March 01, 1939
- Collections - Artifact
The Northlander: A Mimeographed Publication of the Fort Brady CCC District, March 1939
- Hallmark "Nature's Sketchbook Series" Christmas Ornament, 2003 - Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.

- 2003
- Collections - Artifact
Hallmark "Nature's Sketchbook Series" Christmas Ornament, 2003
Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- Hallmark "Nature's Angels Series" Miniature Christmas Ornament, 1991 - Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.

- 1991
- Collections - Artifact
Hallmark "Nature's Angels Series" Miniature Christmas Ornament, 1991
Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- Hallmark "Nature's Angels Series" Miniature Christmas Ornament, 1992 - Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.

- 1992
- Collections - Artifact
Hallmark "Nature's Angels Series" Miniature Christmas Ornament, 1992
Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- "Influences & Maturity," Clip from Oral History Interview with Paul Stankard, May 20, 2016 - Paul Stankard is one of the founders of the Studio Glass movement of the 1960s and 70s. Most early Studio Glass artists began their careers creating paperweights and moved on to other forms. Stankard concentrated on creating the most technically sophisticated and beautiful paperweights he could imagine. Stankard is acclaimed for his miniature botanical worlds. Staff from The Henry Ford interviewed the artist in 2016.

- May 20, 2016
- Collections - Artifact
"Influences & Maturity," Clip from Oral History Interview with Paul Stankard, May 20, 2016
Paul Stankard is one of the founders of the Studio Glass movement of the 1960s and 70s. Most early Studio Glass artists began their careers creating paperweights and moved on to other forms. Stankard concentrated on creating the most technically sophisticated and beautiful paperweights he could imagine. Stankard is acclaimed for his miniature botanical worlds. Staff from The Henry Ford interviewed the artist in 2016.