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- Print of Mary Vaux Walcott Wildflower Sketch, "Trumpet Honeysuckle," 1925 - Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- 1925
- Collections - Artifact
Print of Mary Vaux Walcott Wildflower Sketch, "Trumpet Honeysuckle," 1925
Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- Print of Mary Vaux Walcott Wildflower Sketch, "Winterberry," 1925 - Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- 1925
- Collections - Artifact
Print of Mary Vaux Walcott Wildflower Sketch, "Winterberry," 1925
Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- Photoengraving, "Broadway and Grand Street in 1840" -
- 1840
- Collections - Artifact
Photoengraving, "Broadway and Grand Street in 1840"
- Detroit Publishing Company Managers with William Henry Jackson, Detroit, Michigan, circa 1910 -
- circa 1910
- Collections - Artifact
Detroit Publishing Company Managers with William Henry Jackson, Detroit, Michigan, circa 1910
- Nestle's Semi-Sweet Morsels Advertisement, "Goody for You," 1960 - Nestle developed a morsel version of its semisweet chocolate bar to use with Ruth Wakefield's Toll House chocolate chip cookie recipe--more convenient than chopping up a chocolate bar. Since the 1940s, other delectable treats--like the "Chocolate Refresher" bars shown in this 1960 ad--have been made with chocolate morsels.
- 1960
- Collections - Artifact
Nestle's Semi-Sweet Morsels Advertisement, "Goody for You," 1960
Nestle developed a morsel version of its semisweet chocolate bar to use with Ruth Wakefield's Toll House chocolate chip cookie recipe--more convenient than chopping up a chocolate bar. Since the 1940s, other delectable treats--like the "Chocolate Refresher" bars shown in this 1960 ad--have been made with chocolate morsels.
- Print of Mary Vaux Walcott Wildflower Sketch, "Tar Flower," 1925 - Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- 1925
- Collections - Artifact
Print of Mary Vaux Walcott Wildflower Sketch, "Tar Flower," 1925
Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- Print of Mary Vaux Walcott Wildflower Sketch, "Flame Azalea," 1925 - Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- 1925
- Collections - Artifact
Print of Mary Vaux Walcott Wildflower Sketch, "Flame Azalea," 1925
Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- Print of Mary Vaux Walcott Wildflower Sketch, "Crested Iris," 1925 - Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- 1925
- Collections - Artifact
Print of Mary Vaux Walcott Wildflower Sketch, "Crested Iris," 1925
Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- Print of Mary Vaux Walcott Wildflower Sketch, "Cottongrass," 1925 - Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- 1925
- Collections - Artifact
Print of Mary Vaux Walcott Wildflower Sketch, "Cottongrass," 1925
Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- Print of Mary Vaux Walcott Wildflower Sketch, "Alpine Fir," 1925 - Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.
- 1925
- Collections - Artifact
Print of Mary Vaux Walcott Wildflower Sketch, "Alpine Fir," 1925
Mary Walcott (1860-1940) captured the beauty of American wildflowers. Born into a well-to-do Quaker family, Walcott collected and illustrated botanical subjects while exploring the Canadian Rockies with her father and brothers. In 1925, the Smithsonian Institution published a five-volume set of her paintings. This photoengraving of Walcott's work was presented to Clara Ford when she became president of the Garden Club of America.