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- Product Label for Sweet Georgia Brown Honey and Almond Lotion, 1938 - Valmor Product Company, founded in the mid-1920s, sold beauty products to Black Americans. The company's product packaging was designed by Charles Dawson, a successful Black commercial artist whose illustrations of attractive modern Black Americans contributed to a burgeoning culture of positive Black identity. But the company's legacy is complicated--many of its products pushed a white assimilatory ideal, promising effects like skin lightening.
- 1938
- Collections - Artifact
Product Label for Sweet Georgia Brown Honey and Almond Lotion, 1938
Valmor Product Company, founded in the mid-1920s, sold beauty products to Black Americans. The company's product packaging was designed by Charles Dawson, a successful Black commercial artist whose illustrations of attractive modern Black Americans contributed to a burgeoning culture of positive Black identity. But the company's legacy is complicated--many of its products pushed a white assimilatory ideal, promising effects like skin lightening.
- Product Label for Madam Jones High Brown Hand Cream, 1946 - Valmor Product Company, founded in the mid-1920s, sold beauty products to Black Americans. The company's product packaging was designed by Charles Dawson, a successful Black commercial artist whose illustrations of attractive modern Black Americans contributed to a burgeoning culture of positive Black identity. But the company's legacy is complicated--many of its products pushed a white assimilatory ideal, promising effects like skin lightening.
- 1946
- Collections - Artifact
Product Label for Madam Jones High Brown Hand Cream, 1946
Valmor Product Company, founded in the mid-1920s, sold beauty products to Black Americans. The company's product packaging was designed by Charles Dawson, a successful Black commercial artist whose illustrations of attractive modern Black Americans contributed to a burgeoning culture of positive Black identity. But the company's legacy is complicated--many of its products pushed a white assimilatory ideal, promising effects like skin lightening.
- Trade Card for Packer's Tar Soap, Packer Manufacturing Co., 1880-1900 - In the last third of the nineteenth century, an unprecedented variety of consumer goods and services flooded the American market. Advertisers, armed with new methods of color printing, bombarded potential customers with trade cards. Americans enjoyed and often saved the vibrant little advertisements found in product packages or distributed by local merchants. Many survive as historical records of commercialism in the United States.
- 1880-1900
- Collections - Artifact
Trade Card for Packer's Tar Soap, Packer Manufacturing Co., 1880-1900
In the last third of the nineteenth century, an unprecedented variety of consumer goods and services flooded the American market. Advertisers, armed with new methods of color printing, bombarded potential customers with trade cards. Americans enjoyed and often saved the vibrant little advertisements found in product packages or distributed by local merchants. Many survive as historical records of commercialism in the United States.
- Lady Schick Deja-Vu Therma Derm Cosmetic System, 1970-1975 -
- 1970-1975
- Collections - Artifact
Lady Schick Deja-Vu Therma Derm Cosmetic System, 1970-1975
- Product Label with Directions for Using Sweet Georgia Brown Honey and Almond Lotion, 1938 - Valmor Product Company, founded in the mid-1920s, sold beauty products to Black Americans. The company's product packaging was designed by Charles Dawson, a successful Black commercial artist whose illustrations of attractive modern Black Americans contributed to a burgeoning culture of positive Black identity. But the company's legacy is complicated--many of its products pushed a white assimilatory ideal, promising effects like skin lightening.
- 1938
- Collections - Artifact
Product Label with Directions for Using Sweet Georgia Brown Honey and Almond Lotion, 1938
Valmor Product Company, founded in the mid-1920s, sold beauty products to Black Americans. The company's product packaging was designed by Charles Dawson, a successful Black commercial artist whose illustrations of attractive modern Black Americans contributed to a burgeoning culture of positive Black identity. But the company's legacy is complicated--many of its products pushed a white assimilatory ideal, promising effects like skin lightening.