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- #475 Marbles, Created by Dominick Labino, 1962-1987 - Research scientist Domick Labino created the #475 marbles for commercial use. These marbles had a relatively low melting point. Labino offered these for use in a series of workshops led by Harvey Littleton at the Toledo Museum of Art in 1962. The marbles were successfully melted in a small kiln and blown into vessels, laying the foundation for the Studio Glass Movement.

- 1962-1987
- Collections - Artifact
#475 Marbles, Created by Dominick Labino, 1962-1987
Research scientist Domick Labino created the #475 marbles for commercial use. These marbles had a relatively low melting point. Labino offered these for use in a series of workshops led by Harvey Littleton at the Toledo Museum of Art in 1962. The marbles were successfully melted in a small kiln and blown into vessels, laying the foundation for the Studio Glass Movement.
- "Summer Bouquet with Honeybees" by Paul J. Stankard, 2004 - Paul Stankard is one of the founders of the Studio Glass movement of the 1960s and 70s. Most early Studio Glass artists began their careers creating paperweights and moved on to other forms. Stankard concentrated on creating the most technically sophisticated and beautiful paperweights he could imagine. Today, Stankard is acclaimed for his miniature worlds, consisting of imaginary botanicals, bees and sometimes human figures.

- 2004
- Collections - Artifact
"Summer Bouquet with Honeybees" by Paul J. Stankard, 2004
Paul Stankard is one of the founders of the Studio Glass movement of the 1960s and 70s. Most early Studio Glass artists began their careers creating paperweights and moved on to other forms. Stankard concentrated on creating the most technically sophisticated and beautiful paperweights he could imagine. Today, Stankard is acclaimed for his miniature worlds, consisting of imaginary botanicals, bees and sometimes human figures.
- "Patterns of Thought: Eye Candy" by Ginny Ruffner and Steve Kursh, 1994 -

- 1994
- Collections - Artifact
"Patterns of Thought: Eye Candy" by Ginny Ruffner and Steve Kursh, 1994