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- Tapestry Portrait, Gift to Henry Ford, 1920-1940 - Over the years, Henry Ford received hundreds of gifts from people who felt a connection with the automotive entrepreneur. For many, he was "one of them," someone who also just happened to become a great industrialist. Perhaps the creator of this portrait was a satisfied Ford owner who used his own expertise to create this special memento.
- 1920
- Collections - Artifact
Tapestry Portrait, Gift to Henry Ford, 1920-1940
Over the years, Henry Ford received hundreds of gifts from people who felt a connection with the automotive entrepreneur. For many, he was "one of them," someone who also just happened to become a great industrialist. Perhaps the creator of this portrait was a satisfied Ford owner who used his own expertise to create this special memento.
- Wallhanging, Jute and Straw with Cutout of Young Girl and Birds, 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- 1890-1915
- Collections - Artifact
Wallhanging, Jute and Straw with Cutout of Young Girl and Birds, 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- Environmental Enrichment Panel, "Love Heart," Designed by Alexander Girard for Herman Miller, 1972 - Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- 1972
- Collections - Artifact
Environmental Enrichment Panel, "Love Heart," Designed by Alexander Girard for Herman Miller, 1972
Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- Environmental Enrichment Panel, "Brick," Designed by Alexander Girard for Herman Miller, 1972 - Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- 1972
- Collections - Artifact
Environmental Enrichment Panel, "Brick," Designed by Alexander Girard for Herman Miller, 1972
Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- "Campesina Tapestry" Woven Hanging, 1969 - Evelyn Ackerman's work epitomizes the handcrafted modernism of postwar California design. Her design practice was wide-ranging, including mosaic, woodcarving, metalwork, textiles, and more. Evelyn designed numerous woven hangings for ERA Industries--a business owned by Evelyn and her husband, ceramicist Jerry Ackerman--that were handcrafted by skilled weavers in Mexico to Evelyn's specifications. The "Campesina Tapestry" became one of the company's best-selling products.
- 1969
- Collections - Artifact
"Campesina Tapestry" Woven Hanging, 1969
Evelyn Ackerman's work epitomizes the handcrafted modernism of postwar California design. Her design practice was wide-ranging, including mosaic, woodcarving, metalwork, textiles, and more. Evelyn designed numerous woven hangings for ERA Industries--a business owned by Evelyn and her husband, ceramicist Jerry Ackerman--that were handcrafted by skilled weavers in Mexico to Evelyn's specifications. The "Campesina Tapestry" became one of the company's best-selling products.
- Quilted Wall Hanging, circa 1995 -
- circa 1995
- Collections - Artifact
Quilted Wall Hanging, circa 1995
- Environmental Enrichment Panel, "Geometric C," Designed by Alexander Girard for Herman Miller, 1972 - Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- 1972
- Collections - Artifact
Environmental Enrichment Panel, "Geometric C," Designed by Alexander Girard for Herman Miller, 1972
Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- Environmental Enrichment Panel, "Circle Sections B," Designed by Alexander Girard for Herman Miller, 1972 - Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- 1972
- Collections - Artifact
Environmental Enrichment Panel, "Circle Sections B," Designed by Alexander Girard for Herman Miller, 1972
Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- Environmental Enrichment Panel, "Geometric C," Designed by Alexander Girard for Herman Miller, 1972 - Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- 1972
- Collections - Artifact
Environmental Enrichment Panel, "Geometric C," Designed by Alexander Girard for Herman Miller, 1972
Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- Environmental Enrichment Panel, "Snake," Designed by Alexander Girard for Herman Miller, 1972 - Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.
- 1972
- Collections - Artifact
Environmental Enrichment Panel, "Snake," Designed by Alexander Girard for Herman Miller, 1972
Alexander Girard, Herman Miller Textile Division's Director of Design, created a series of forty folk art-inspired graphic panels aptly named "Environmental Enrichment Panels" in 1972. They were meant to enrich the office environment, adorning the moveable walls of Robert Propst's Action Office II -- more commonly known as the cubicle.