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- World War II Poster, "This World Cannot Exist Half Slave and Half Free: Buy War Bonds," 1943 - During the Second World War, all of the national governments of the warring nations used poster campaigns to encourage civilian and military support of the war effort. The advertising technique of these posters followed the innovative style developed during the First World War. By appealing to the viewer's emotions this poster helped the U.S. to rally the home front workers and consumers.
- 1943
- Collections - Artifact
World War II Poster, "This World Cannot Exist Half Slave and Half Free: Buy War Bonds," 1943
During the Second World War, all of the national governments of the warring nations used poster campaigns to encourage civilian and military support of the war effort. The advertising technique of these posters followed the innovative style developed during the First World War. By appealing to the viewer's emotions this poster helped the U.S. to rally the home front workers and consumers.
- "Battle Scenes of the Rebellion" Battle of Chattanooga, Civil War Panorama - In the 1880s, Thomas Clarkson Gordon, a self-taught artist and Civil War veteran, created a panorama depicting scenes from the Civil War. Gordon stitched together 15 paintings -- each 7 by 14 feet -- into a canvas roll more than 100 feet long. He toured his multi-paneled panorama throughout eastern Indiana, retelling the history of the conflict through his vivid illustrations.
- 1863
- Collections - Artifact
"Battle Scenes of the Rebellion" Battle of Chattanooga, Civil War Panorama
In the 1880s, Thomas Clarkson Gordon, a self-taught artist and Civil War veteran, created a panorama depicting scenes from the Civil War. Gordon stitched together 15 paintings -- each 7 by 14 feet -- into a canvas roll more than 100 feet long. He toured his multi-paneled panorama throughout eastern Indiana, retelling the history of the conflict through his vivid illustrations.
- Caricature of Abraham Lincoln, "That's What's the Matter," 1863 -
- 1863
- Collections - Artifact
Caricature of Abraham Lincoln, "That's What's the Matter," 1863
- Portrait of Robert O'Neill Ford, a U. S. Marine Corps 2nd Lieutenant, 1862-1864 - This carte-de-visite portrait shows a Union Marine Officer, Lieutenant Robert O'Neill Ford, who served on the USS <em>Constellation</em> in the Mediterranean Sea. Carte-de-visite was a small photographic print on cardboard stock made by professional photographers. Popular in the United States from the Civil War in the 1860s through the 1880s, people exchanged and collected CdVs to help them remember family and celebrities.
- 1862-1864
- Collections - Artifact
Portrait of Robert O'Neill Ford, a U. S. Marine Corps 2nd Lieutenant, 1862-1864
This carte-de-visite portrait shows a Union Marine Officer, Lieutenant Robert O'Neill Ford, who served on the USS Constellation in the Mediterranean Sea. Carte-de-visite was a small photographic print on cardboard stock made by professional photographers. Popular in the United States from the Civil War in the 1860s through the 1880s, people exchanged and collected CdVs to help them remember family and celebrities.
- Five Confederate Generals in Mexico, 1865 -
- October 09, 1865
- Collections - Artifact
Five Confederate Generals in Mexico, 1865
- Portrait of 1st Lieutenant DeLoss C. LeBaron, 18th Michigan Infantry, Company B, 1865 - A.J. Hoag of Tecumseh, Michigan, made this bust portrait of Union Army infantry officer DeLoss C. LeBaron. Professional photographers made cartes-de-visite beginning in the 1860s. Mounted on small cardboard stock, these early photographic prints proved popular in the United States from the Civil War through the 1880s. Americans exchanged and collected CdVs to help them remember family and celebrities.
- 1865
- Collections - Artifact
Portrait of 1st Lieutenant DeLoss C. LeBaron, 18th Michigan Infantry, Company B, 1865
A.J. Hoag of Tecumseh, Michigan, made this bust portrait of Union Army infantry officer DeLoss C. LeBaron. Professional photographers made cartes-de-visite beginning in the 1860s. Mounted on small cardboard stock, these early photographic prints proved popular in the United States from the Civil War through the 1880s. Americans exchanged and collected CdVs to help them remember family and celebrities.
- Music Sheet, "Abraham Lincoln's Funeral March," 1865 - Abraham Lincoln's assassination on April 15, 1865 plunged Americans into deep mourning. This sheet music's somber composition and illustrated cover helped people to understand the tragic event. Printed in Detroit, it may have been used during that city's public mourning ceremony held April 25, 1865. The artist added a border depicting black cloth-draped U.S. flags and laurel leaves in the shape of a wreath around Lincoln's head.
- 1865
- Collections - Artifact
Music Sheet, "Abraham Lincoln's Funeral March," 1865
Abraham Lincoln's assassination on April 15, 1865 plunged Americans into deep mourning. This sheet music's somber composition and illustrated cover helped people to understand the tragic event. Printed in Detroit, it may have been used during that city's public mourning ceremony held April 25, 1865. The artist added a border depicting black cloth-draped U.S. flags and laurel leaves in the shape of a wreath around Lincoln's head.
- Photomechanical Print, "October 3, 1862--Lincoln and McClellan after Antietam--McClellan's Last Battle" - President Lincoln put his hopes for Union victory in General George McClellan. But chance after chance, McClellan moved too slowly and cautiously to decisively win battles. Lincoln met with McClellan after the Battle of Antietam, urging him to pursue Robert E. Lee in battle. The meeting did not go well and about a month later, Lincoln relieved McClellan of command.
- October 03, 1862
- Collections - Artifact
Photomechanical Print, "October 3, 1862--Lincoln and McClellan after Antietam--McClellan's Last Battle"
President Lincoln put his hopes for Union victory in General George McClellan. But chance after chance, McClellan moved too slowly and cautiously to decisively win battles. Lincoln met with McClellan after the Battle of Antietam, urging him to pursue Robert E. Lee in battle. The meeting did not go well and about a month later, Lincoln relieved McClellan of command.
- Confederate Currency, Confederate States of America, One Hundred Dollars, 1864 - When the Civil War broke out, the newly formed Confederate States of America needed to create a monetary system to finance the government and the war effort. The Confederate Treasury printed bank notes in 50-cent, $1, $2, $5, $10, $20, $50, $100, $500 and $1,000 denominations. Some were interest-bearing notes, others not.
- February 17, 1864
- Collections - Artifact
Confederate Currency, Confederate States of America, One Hundred Dollars, 1864
When the Civil War broke out, the newly formed Confederate States of America needed to create a monetary system to finance the government and the war effort. The Confederate Treasury printed bank notes in 50-cent, $1, $2, $5, $10, $20, $50, $100, $500 and $1,000 denominations. Some were interest-bearing notes, others not.
- Confederate Currency, Confederate States of America, Ten Dollars, 1864 - When the Civil War broke out, the newly formed Confederate States of America needed to create a monetary system to finance the government and the war effort. The Confederate Treasury printed bank notes in 50-cent, $1, $2, $5, $10, $20, $50, $100, $500 and $1,000 denominations. Some were interest-bearing notes, others not.
- February 17, 1864
- Collections - Artifact
Confederate Currency, Confederate States of America, Ten Dollars, 1864
When the Civil War broke out, the newly formed Confederate States of America needed to create a monetary system to finance the government and the war effort. The Confederate Treasury printed bank notes in 50-cent, $1, $2, $5, $10, $20, $50, $100, $500 and $1,000 denominations. Some were interest-bearing notes, others not.