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- Linocut, "Cows Eating," 1952 -
- 1952
- Collections - Artifact
Linocut, "Cows Eating," 1952
- A Treatise on Milch Cows, 1846 -
- 1846
- Collections - Artifact
A Treatise on Milch Cows, 1846
- Etching, Two Cows under a Tree -
- circa 1670
- Collections - Artifact
Etching, Two Cows under a Tree
- Linocut, "Woman Milking Cows," 1952 -
- 1952
- Collections - Artifact
Linocut, "Woman Milking Cows," 1952
- Milking Cows at Ford Farms, Southeastern Michigan, circa 1912 -
- circa 1912
- Collections - Artifact
Milking Cows at Ford Farms, Southeastern Michigan, circa 1912
- Hallmark "Cows of Bali" Christmas Ornament, 1995 - Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- 1995
- Collections - Artifact
Hallmark "Cows of Bali" Christmas Ornament, 1995
Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
- The Cow Would Be Surprised and So Might You, 1949 -
- 1949
- Collections - Artifact
The Cow Would Be Surprised and So Might You, 1949
- Cow Poke, circa 1810 -
- circa 1810
- Collections - Artifact
Cow Poke, circa 1810
- Vase, 1830-1850 - By the mid-1800s, potters in Staffordshire, England, created an array of ceramic figures and sold them to a growing lower- and middle-class population. Americans, too, bought these colorful figures to decorate their homes. Some figures, like this woman milking a cow, represented a past rural life--a nostalgia for rural times before the migration to industrialized urban centers.
- 1830-1850
- Collections - Artifact
Vase, 1830-1850
By the mid-1800s, potters in Staffordshire, England, created an array of ceramic figures and sold them to a growing lower- and middle-class population. Americans, too, bought these colorful figures to decorate their homes. Some figures, like this woman milking a cow, represented a past rural life--a nostalgia for rural times before the migration to industrialized urban centers.
- Paintings, Cows (Max Hermann), 1890-1915 - In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the <em>New York Herald</em>. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.
- 1890-1915
- Collections - Artifact
Paintings, Cows (Max Hermann), 1890-1915
In 1890, Jenny Young Chandler, 25 years old and recently widowed, began working for the New York Herald. As a photojournalist and feature writer, Chandler captured life in Brooklyn, New York, and vicinity. She also documented collections of private individuals and museums -- some of which were featured in magazine articles for collectors. By 1922, the time of her death, she had produced over 800 glass plate negatives.