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- Foxfire, Summer 1973 -
- Summer 1973
- Collections - Artifact
Foxfire, Summer 1973
- "My Comrade," Summer 1993 - <em>My Comrade</em> was an underground "zine" launched in 1987 by drag queen Linda Simpson. The magazine was an irreverent platform for LGBTQ+ culture and politics in NYC's East Village, advertising itself as "the court jester of the queer press." <em>My Comrade</em> focused on drag queens, and the flip side of each issue also contained <em>Sister!</em>--a zine celebrating lesbian community.
- 1993
- Collections - Artifact
"My Comrade," Summer 1993
My Comrade was an underground "zine" launched in 1987 by drag queen Linda Simpson. The magazine was an irreverent platform for LGBTQ+ culture and politics in NYC's East Village, advertising itself as "the court jester of the queer press." My Comrade focused on drag queens, and the flip side of each issue also contained Sister!--a zine celebrating lesbian community.
- Postcard, Summer-time, 1912 -
- 1912
- Collections - Artifact
Postcard, Summer-time, 1912
- Scale Model of Goldenrod Land Speed Record Race Car, 1963-1964 - Brothers Bob and Bill Summers of Ontario, California, set a new land speed record for a wheel-driven car with Goldenrod, their streamlined racer. The bullet-like vehicle, powered by four Chrysler "Hemi" V-8 engines, averaged 409.277 miles per hour in its November 1965 run. Goldenrod's achievement resonated with purists who thought that jet-powered land speed racers weren't true cars.
- 1963-1964
- Collections - Artifact
Scale Model of Goldenrod Land Speed Record Race Car, 1963-1964
Brothers Bob and Bill Summers of Ontario, California, set a new land speed record for a wheel-driven car with Goldenrod, their streamlined racer. The bullet-like vehicle, powered by four Chrysler "Hemi" V-8 engines, averaged 409.277 miles per hour in its November 1965 run. Goldenrod's achievement resonated with purists who thought that jet-powered land speed racers weren't true cars.
- Summer Street, Boston, Massachusetts, 1904 - From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. The company had a wide-ranging stock of original photographs, including many scenes from across North America. This street view shows horse-drawn vehicles and pedestrians on Summer Street in Boston, Massachusetts.
- 1904
- Collections - Artifact
Summer Street, Boston, Massachusetts, 1904
From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. The company had a wide-ranging stock of original photographs, including many scenes from across North America. This street view shows horse-drawn vehicles and pedestrians on Summer Street in Boston, Massachusetts.
- Unisys Software Environments Class, Summer 1992 -
- Summer 1992
- Collections - Artifact
Unisys Software Environments Class, Summer 1992
- Toys "R" Us Summer Catalog, 1996 -
- 1996
- Collections - Artifact
Toys "R" Us Summer Catalog, 1996
- RFD Magazine, Issue #12, Summer 1977 - Stewart Scofield, Carl Wittman, and Allen Troxler launched the journal "RFD: A Country Journal for Gay Men Everywhere" in 1974. The journal documents the experiences of gay men in rural American communities, rejecting the mindset that gay men can only have fulfilling lives in urban areas with large LGBTQ+ communities. First published in Grinnell, Iowa, the journal is still published today.
- 1977
- Collections - Artifact
RFD Magazine, Issue #12, Summer 1977
Stewart Scofield, Carl Wittman, and Allen Troxler launched the journal "RFD: A Country Journal for Gay Men Everywhere" in 1974. The journal documents the experiences of gay men in rural American communities, rejecting the mindset that gay men can only have fulfilling lives in urban areas with large LGBTQ+ communities. First published in Grinnell, Iowa, the journal is still published today.
- Unisys Software Environments Class, Summer 1992 -
- Summer 1992
- Collections - Artifact
Unisys Software Environments Class, Summer 1992
- "Summer of Love" Button, circa 1967 - As part of the counterculture of the 1960s, graphic artists looked to the 1890s for an alternative to mainstream design. This button combined calligraphic text and a female figure derived from Art Nouveau with a contrasting neon color scheme typical of contemporary psychedelic art.
- circa 1967
- Collections - Artifact
"Summer of Love" Button, circa 1967
As part of the counterculture of the 1960s, graphic artists looked to the 1890s for an alternative to mainstream design. This button combined calligraphic text and a female figure derived from Art Nouveau with a contrasting neon color scheme typical of contemporary psychedelic art.