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- "A Collection of Ancient Paintings, Objects of Art and Modern Paintings," 1925 -
- 1925
- Collections - Artifact
"A Collection of Ancient Paintings, Objects of Art and Modern Paintings," 1925
- "A Future For Me" Clip from Interview with Richard Sheridan, November 13, 2019 - Richard Sheridan, CEO and co-founder of Menlo Innovations, was the Fall 2019 Entrepreneur-in-Residence at The Henry Ford, funded by the William Davidson Foundation Initiative for Entrepreneurship. During his interview, Sheridan describes how his career experiences influenced the founding of his software company, where he embraces a unique approach to the office environment, emphasizing teamwork and encouraging joy in the workplace.
- November 13, 2019
- Collections - Artifact
"A Future For Me" Clip from Interview with Richard Sheridan, November 13, 2019
Richard Sheridan, CEO and co-founder of Menlo Innovations, was the Fall 2019 Entrepreneur-in-Residence at The Henry Ford, funded by the William Davidson Foundation Initiative for Entrepreneurship. During his interview, Sheridan describes how his career experiences influenced the founding of his software company, where he embraces a unique approach to the office environment, emphasizing teamwork and encouraging joy in the workplace.
- Light Box by Lillian F. Schwartz, 1966 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1966
- Collections - Artifact
Light Box by Lillian F. Schwartz, 1966
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Experiments in Art and Technology Postcard, 1967-1971 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1966-1971
- Collections - Artifact
Experiments in Art and Technology Postcard, 1967-1971
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Trade Card for Fine Art, Trowbridge & Jennings, 1878 - In the last third of the nineteenth century, an unprecedented variety of consumer goods and services flooded the American market. Advertisers, armed with new methods of color printing, bombarded potential customers with trade cards. Americans enjoyed and often saved the vibrant little advertisements found in product packages or distributed by local merchants. Many survive as historical records of commercialism in the United States.
- 1878
- Collections - Artifact
Trade Card for Fine Art, Trowbridge & Jennings, 1878
In the last third of the nineteenth century, an unprecedented variety of consumer goods and services flooded the American market. Advertisers, armed with new methods of color printing, bombarded potential customers with trade cards. Americans enjoyed and often saved the vibrant little advertisements found in product packages or distributed by local merchants. Many survive as historical records of commercialism in the United States.
- "First International Symposium on Electronic Art," September 27-30, 1988 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 27 September 1988-30 September 1988
- Collections - Artifact
"First International Symposium on Electronic Art," September 27-30, 1988
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Trade Card for the Knights of Labor, "Science & Art," 1884-1887 -
- 1884-1887
- Collections - Artifact
Trade Card for the Knights of Labor, "Science & Art," 1884-1887
- Tile Panel, 2017 -
- 2017
- Collections - Artifact
Tile Panel, 2017
- Experiments in Art and Technology Postcard Showing "Studies in Perception (Computer Nude)," 1967-1971 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1966-1971
- Collections - Artifact
Experiments in Art and Technology Postcard Showing "Studies in Perception (Computer Nude)," 1967-1971
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Journal of the International Society for the Arts, Sciences and Technology Supplemental Issue, 1988 - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- 1988
- Collections - Artifact
Journal of the International Society for the Arts, Sciences and Technology Supplemental Issue, 1988
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.