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Etching Proof from a Thomas Nast Drawing, "A Dream, before and after Thanksgiving Dinner," 1878 - Thomas Nast (1840-1902) was an influential illustrator and political cartoonist. Though he is best known for the creation of our modern image of Santa Claus, Nast created many endearing illustrations depicting other holiday activities. This image, originally published in Harper's Weekly in 1878, depicts the possible effects of overindulgence on Thanksgiving.
December 07, 1878
Collections - Artifact
Etching Proof from a Thomas Nast Drawing, "A Dream, before and after Thanksgiving Dinner," 1878
Thomas Nast (1840-1902) was an influential illustrator and political cartoonist. Though he is best known for the creation of our modern image of Santa Claus, Nast created many endearing illustrations depicting other holiday activities. This image, originally published in Harper's Weekly in 1878, depicts the possible effects of overindulgence on Thanksgiving.
Wood Engraving, "Quite a Common Scene, it is Said, on the Railways in the West," 1858 - While close clearances -- tight spaces between railroad cars and trackside structures -- did exist, this 1858 illustration from Harper's Weekly exaggerated the dangers faced by passengers who stuck their heads through windows. More likely threats from an open window included sparks, cinders and smoke from the steam locomotive pulling the train -- all of which could irritate eyes and damage clothing.
1858
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Wood Engraving, "Quite a Common Scene, it is Said, on the Railways in the West," 1858
While close clearances -- tight spaces between railroad cars and trackside structures -- did exist, this 1858 illustration from Harper's Weekly exaggerated the dangers faced by passengers who stuck their heads through windows. More likely threats from an open window included sparks, cinders and smoke from the steam locomotive pulling the train -- all of which could irritate eyes and damage clothing.
Magazine, Emigre No. 7, "Various Travel Accounts," 1987 - Emigre is a digital type foundry established by Rudy VanderLans and Zuzana Licko. The company's history is linked with the introduction of the 1984 Macintosh computer, used to design their early bitmapped typefaces. Emigre's digital work gained notoriety -- defying visual communication standards with fractured, layered combinations of text and image. Emigre magazine showcased their fonts and promoted groundbreaking designers.
1987
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Magazine, Emigre No. 7, "Various Travel Accounts," 1987
Emigre is a digital type foundry established by Rudy VanderLans and Zuzana Licko. The company's history is linked with the introduction of the 1984 Macintosh computer, used to design their early bitmapped typefaces. Emigre's digital work gained notoriety -- defying visual communication standards with fractured, layered combinations of text and image. Emigre magazine showcased their fonts and promoted groundbreaking designers.
Lantern Slide, "Doubt and Despair" Cartoon from the Ram's Horn Magazine, 1890-1910 - Frank Beard (1842-1905), an illustrator, caricaturist, and cartoonist, began his career by sketching scenes of military life for popular publications--such as Harper's Weekly--during the Civil War. His later works promoted Christianity, warned against secularism, and targeted the social ills of the Gilded Age. This slide shows one of his illustrations from The Ram's Horn, a non-denominational Christian periodical.
1890-1910
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Lantern Slide, "Doubt and Despair" Cartoon from the Ram's Horn Magazine, 1890-1910
Frank Beard (1842-1905), an illustrator, caricaturist, and cartoonist, began his career by sketching scenes of military life for popular publications--such as Harper's Weekly--during the Civil War. His later works promoted Christianity, warned against secularism, and targeted the social ills of the Gilded Age. This slide shows one of his illustrations from The Ram's Horn, a non-denominational Christian periodical.
Lantern Slide, "O Grave! Where is Thy Victory?" Cartoon, 1895 - Frank Beard (1842-1905), an illustrator, caricaturist, and cartoonist, began his career by sketching scenes of military life for popular publications--such as Harper's Weekly--during the Civil War. His later works promoted Christianity, warned against secularism, and targeted the social ills of the Gilded Age. This slide shows one of his illustrations from The Ram's Horn, a non-denominational Christian periodical.
1895
Collections - Artifact
Lantern Slide, "O Grave! Where is Thy Victory?" Cartoon, 1895
Frank Beard (1842-1905), an illustrator, caricaturist, and cartoonist, began his career by sketching scenes of military life for popular publications--such as Harper's Weekly--during the Civil War. His later works promoted Christianity, warned against secularism, and targeted the social ills of the Gilded Age. This slide shows one of his illustrations from The Ram's Horn, a non-denominational Christian periodical.
Lantern Slide, "The Cigaret Fiend" Cartoon, 1890-1910 - Frank Beard (1842-1905), an illustrator, caricaturist, and cartoonist, began his career by sketching scenes of military life for popular publications--such as Harper's Weekly--during the Civil War. His later works promoted Christianity, warned against secularism, and targeted the social ills of the Gilded Age. This slide shows one of his illustrations from The Ram's Horn, a non-denominational Christian periodical.
1890-1910
Collections - Artifact
Lantern Slide, "The Cigaret Fiend" Cartoon, 1890-1910
Frank Beard (1842-1905), an illustrator, caricaturist, and cartoonist, began his career by sketching scenes of military life for popular publications--such as Harper's Weekly--during the Civil War. His later works promoted Christianity, warned against secularism, and targeted the social ills of the Gilded Age. This slide shows one of his illustrations from The Ram's Horn, a non-denominational Christian periodical.
Cartoon, "New Fulton Ferry - Broadway Branch," circa 1845 -
circa 1845
Collections - Artifact
Cartoon, "New Fulton Ferry - Broadway Branch," circa 1845
The Northlander: A Mimeographed Publication of the Fort Brady CCC District, March 1939 -
March 01, 1939
Collections - Artifact
The Northlander: A Mimeographed Publication of the Fort Brady CCC District, March 1939
Hallmark "The PEANUTS Gang Series: The Sunday Funnies" Christmas Ornament, 2007 - Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
2007
Collections - Artifact
Hallmark "The PEANUTS Gang Series: The Sunday Funnies" Christmas Ornament, 2007
Already known for greeting cards, Hallmark introduced a line of Christmas ornaments in 1973. The company's annual release of an increasing array of ornaments revolutionized Christmas decorating, appealing to customers' interest in marking memories and milestones as well as expressing one's personality and unique tastes.
"The Pied Piper," Depicting Henry Ford Leading Early American Homes to Greenfield Village, 1935 -
1935
Collections - Artifact
"The Pied Piper," Depicting Henry Ford Leading Early American Homes to Greenfield Village, 1935

Etching Proof from a Thomas Nast Drawing, "A Dream, before and after Thanksgiving Dinner," 1878

Wood Engraving, "Quite a Common Scene, it is Said, on the Railways in the West," 1858

Magazine, Emigre No. 7, "Various Travel Accounts," 1987

Lantern Slide, "Doubt and Despair" Cartoon from the Ram's Horn Magazine, 1890-1910

Lantern Slide, "O Grave! Where is Thy Victory?" Cartoon, 1895

Lantern Slide, "The Cigaret Fiend" Cartoon, 1890-1910

Cartoon, "New Fulton Ferry - Broadway Branch," circa 1845

The Northlander: A Mimeographed Publication of the Fort Brady CCC District, March 1939

Hallmark "The PEANUTS Gang Series: The Sunday Funnies" Christmas Ornament, 2007

"The Pied Piper," Depicting Henry Ford Leading Early American Homes to Greenfield Village, 1935