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- Ticket for a Performance of "The Fascinating Widow," Saturday Matinee, January 14, 1911 -

- January 14, 1911
- Collections - Artifact
Ticket for a Performance of "The Fascinating Widow," Saturday Matinee, January 14, 1911
- Promotional Image for Production of "Babes in Toyland," July 7, 1977 -

- July 07, 1977
- Collections - Artifact
Promotional Image for Production of "Babes in Toyland," July 7, 1977
- Bar Scene from the Play "Three Men on a Horse," Henry Ford Museum Theater, 1977 -

- 1977
- Collections - Artifact
Bar Scene from the Play "Three Men on a Horse," Henry Ford Museum Theater, 1977
- Scene from Performance of "Under the Gaslight" in Henry Ford Museum Theater, August 1968 -

- August 01, 1968
- Collections - Artifact
Scene from Performance of "Under the Gaslight" in Henry Ford Museum Theater, August 1968
- Performance of "Young King Arthur," Henry Ford Museum Theater, November 1974 -

- November 01, 1974
- Collections - Artifact
Performance of "Young King Arthur," Henry Ford Museum Theater, November 1974
- "A Boyhood Scene, Alva!," One of the Greenfield Village Summer Theater Shows, July 1972 -

- July 01, 1972
- Collections - Artifact
"A Boyhood Scene, Alva!," One of the Greenfield Village Summer Theater Shows, July 1972
- "For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf," 1975 -

- 1975
- Collections - Artifact
"For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf," 1975
- "Blade to the Heat," 1994 - This poster was created by influential graphic designer, Paula Scher. Her compositions are dynamic, colorful, and playful. Scher famously pushed the boundaries of typography by using text as a form of illustration. In 1994, she formed a 25-year relationship with the New York Public Theatre, designing a new brand identity and poster series--which is among her best-known work.

- 1994
- Collections - Artifact
"Blade to the Heat," 1994
This poster was created by influential graphic designer, Paula Scher. Her compositions are dynamic, colorful, and playful. Scher famously pushed the boundaries of typography by using text as a form of illustration. In 1994, she formed a 25-year relationship with the New York Public Theatre, designing a new brand identity and poster series--which is among her best-known work.
- Michiko Iseri, Choreographer and Dancer in Rodgers & Hammerstein's "The King and I," 1955 - American-born Michiko Iseri (1923-2024) studied traditional Asian dance from an early age. Interned in a relocation camp with others of Japanese ancestry during World War II and released in 1944, Iseri moved to New York and continued teaching. Iseri is remembered as a featured dancer and choreographer in Rodgers and Hammerstein's musical <em>The King and I</em> in the 1950s, bringing greater authenticity to the production.

- 1955
- Collections - Artifact
Michiko Iseri, Choreographer and Dancer in Rodgers & Hammerstein's "The King and I," 1955
American-born Michiko Iseri (1923-2024) studied traditional Asian dance from an early age. Interned in a relocation camp with others of Japanese ancestry during World War II and released in 1944, Iseri moved to New York and continued teaching. Iseri is remembered as a featured dancer and choreographer in Rodgers and Hammerstein's musical The King and I in the 1950s, bringing greater authenticity to the production.
- Advertising Layout Photograph Showing the Heinz Employee Auditorium and Recreation Room, October 6, 1909 - Photographs of the H. J. Heinz factory -- including buildings, employees, and the manufacturing process -- were often taken and then modified for advertising and publications. This advertising layout features several modified photographs of a Christmas party in the auditorium, women in the recreation room, and the customer sampling room.

- October 06, 1909
- Collections - Artifact
Advertising Layout Photograph Showing the Heinz Employee Auditorium and Recreation Room, October 6, 1909
Photographs of the H. J. Heinz factory -- including buildings, employees, and the manufacturing process -- were often taken and then modified for advertising and publications. This advertising layout features several modified photographs of a Christmas party in the auditorium, women in the recreation room, and the customer sampling room.