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- Ticket for a Performance of "The Fascinating Widow," Saturday Matinee, January 14, 1911 -
- January 14, 1911
- Collections - Artifact
Ticket for a Performance of "The Fascinating Widow," Saturday Matinee, January 14, 1911
- Promotional Image for Production of "Babes in Toyland," July 7, 1977 -
- July 07, 1977
- Collections - Artifact
Promotional Image for Production of "Babes in Toyland," July 7, 1977
- Bar Scene from the Play "Three Men on a Horse," Henry Ford Museum Theater, 1977 -
- 1977
- Collections - Artifact
Bar Scene from the Play "Three Men on a Horse," Henry Ford Museum Theater, 1977
- Scene from Performance of "Under the Gaslight" in Henry Ford Museum Theater, August 1968 -
- August 01, 1968
- Collections - Artifact
Scene from Performance of "Under the Gaslight" in Henry Ford Museum Theater, August 1968
- "A Boyhood Scene, Alva!," One of the Greenfield Village Summer Theater Shows, July 1972 -
- July 01, 1972
- Collections - Artifact
"A Boyhood Scene, Alva!," One of the Greenfield Village Summer Theater Shows, July 1972
- Performance of "Young King Arthur," Henry Ford Museum Theater, November 1974 -
- November 01, 1974
- Collections - Artifact
Performance of "Young King Arthur," Henry Ford Museum Theater, November 1974
- "For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf," 1975 -
- 1975
- Collections - Artifact
"For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf," 1975
- "Blade to the Heat," 1994 - This poster was created by influential graphic designer, Paula Scher. Her compositions are dynamic, colorful, and playful. Scher famously pushed the boundaries of typography by using text as a form of illustration. In 1994, she formed a 25-year relationship with the New York Public Theatre, designing a new brand identity and poster series--which is among her best-known work.
- 1994
- Collections - Artifact
"Blade to the Heat," 1994
This poster was created by influential graphic designer, Paula Scher. Her compositions are dynamic, colorful, and playful. Scher famously pushed the boundaries of typography by using text as a form of illustration. In 1994, she formed a 25-year relationship with the New York Public Theatre, designing a new brand identity and poster series--which is among her best-known work.
- Michiko Iseri, Choreographer and Dancer in Rodgers & Hammerstein's "The King and I," 1955 - American-born Michiko Iseri (1923-2024) studied traditional Asian dance from an early age. Interned in a relocation camp with others of Japanese ancestry during World War II and released in 1944, Iseri moved to New York and continued teaching. Iseri is remembered as a featured dancer and choreographer in Rodgers and Hammerstein's musical <em>The King and I</em> in the 1950s, bringing greater authenticity to the production.
- 1955
- Collections - Artifact
Michiko Iseri, Choreographer and Dancer in Rodgers & Hammerstein's "The King and I," 1955
American-born Michiko Iseri (1923-2024) studied traditional Asian dance from an early age. Interned in a relocation camp with others of Japanese ancestry during World War II and released in 1944, Iseri moved to New York and continued teaching. Iseri is remembered as a featured dancer and choreographer in Rodgers and Hammerstein's musical The King and I in the 1950s, bringing greater authenticity to the production.
- Grand Opera House Program for the Week Beginning January 9, 1911, "Julian Eltinge, The Fascinating Widow" - Vaudeville performer Julian Eltinge was the most famous and highly paid female impersonator of the early 20th century. He embodied gaudy elegance, wore glamourous gowns, and perfected female mannerisms. His most well-known show -- <em>The Fascinating Widow</em> -- opened on Broadway in 1910. He would go on to appear in several Hollywood films, in addition to his continued stage performances.
- January 01, 1911
- Collections - Artifact
Grand Opera House Program for the Week Beginning January 9, 1911, "Julian Eltinge, The Fascinating Widow"
Vaudeville performer Julian Eltinge was the most famous and highly paid female impersonator of the early 20th century. He embodied gaudy elegance, wore glamourous gowns, and perfected female mannerisms. His most well-known show -- The Fascinating Widow -- opened on Broadway in 1910. He would go on to appear in several Hollywood films, in addition to his continued stage performances.