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- Temple Square, Salt Lake City, Utah, 1899 - From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. The company had a wide-ranging stock of original photographs, including many scenes from around the world. These colorful prints were reproduced for ads, purchased to decorate homes and offices, bought as souvenirs, and used as teaching tools in schools and libraries.
- 1899
- Collections - Artifact
Temple Square, Salt Lake City, Utah, 1899
From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. The company had a wide-ranging stock of original photographs, including many scenes from around the world. These colorful prints were reproduced for ads, purchased to decorate homes and offices, bought as souvenirs, and used as teaching tools in schools and libraries.
- Temple of Theseus, Athens, Greece, circa 1905 - From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. The company had a wide-ranging stock of original photographs, including many scenes from around the world. These colorful prints were reproduced for ads, purchased to decorate homes and offices, bought as souvenirs, and used as teaching tools in schools and libraries.
- circa 1905
- Collections - Artifact
Temple of Theseus, Athens, Greece, circa 1905
From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. The company had a wide-ranging stock of original photographs, including many scenes from around the world. These colorful prints were reproduced for ads, purchased to decorate homes and offices, bought as souvenirs, and used as teaching tools in schools and libraries.
- Bandbox, 1840-1850 - In the early 1800s, Americans used bandboxes to store clothing, accessories, and other small items. Bandboxes were handy containers in the home or when traveling by stage, boat, or rail. Manufacturers covered these inexpensive pasteboard or wooden boxes with colorful papers. This bandbox's paper depicts a row of decorative buildings.
- 1840-1850
- Collections - Artifact
Bandbox, 1840-1850
In the early 1800s, Americans used bandboxes to store clothing, accessories, and other small items. Bandboxes were handy containers in the home or when traveling by stage, boat, or rail. Manufacturers covered these inexpensive pasteboard or wooden boxes with colorful papers. This bandbox's paper depicts a row of decorative buildings.
- Bandbox, circa 1835 - In the early 1800s, Americans used bandboxes to store clothing, accessories, and other small items. Bandboxes were handy containers in the home or when traveling by stage, boat, or rail. Manufacturers covered these inexpensive pasteboard or wooden boxes with colorful papers. This bandbox's paper depicts a garden scene with a domed, temple-like structure and fountain.
- circa 1835
- Collections - Artifact
Bandbox, circa 1835
In the early 1800s, Americans used bandboxes to store clothing, accessories, and other small items. Bandboxes were handy containers in the home or when traveling by stage, boat, or rail. Manufacturers covered these inexpensive pasteboard or wooden boxes with colorful papers. This bandbox's paper depicts a garden scene with a domed, temple-like structure and fountain.
- Magic Lantern Slide Titled "The Pyramids of Egypt," 1880-1910 - Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- 1880-1910
- Collections - Artifact
Magic Lantern Slide Titled "The Pyramids of Egypt," 1880-1910
Magic lanterns use a concave mirror and light source to project images on glass slides with painted or photographic scenes. Developed in the 17th century, magic lanterns predate slide projectors and motion pictures. In the hands of magicians, they became "lanterns of fright," projecting wondrous images and apparitions. Slide themes ranged widely: exotic travel, folklore, advertising, history, science, and art.
- Trade Card for C.I. Hood & Co. with Hood's Photos of the World, "Principal Temple in Poonah, India," 1890-1910 - In the late 19th century, trade cards were a major means of advertising goods and services. Patent medicine producer, C.I. Hood & Co., had its own advertising department, creating cookbooks, calendars, and, most abundantly, trade cards. The trade card series, "Hood's Photos of the World," became popular among consumers, as it offered views of far-away places, providing a window to the broader world.
- 1890-1910
- Collections - Artifact
Trade Card for C.I. Hood & Co. with Hood's Photos of the World, "Principal Temple in Poonah, India," 1890-1910
In the late 19th century, trade cards were a major means of advertising goods and services. Patent medicine producer, C.I. Hood & Co., had its own advertising department, creating cookbooks, calendars, and, most abundantly, trade cards. The trade card series, "Hood's Photos of the World," became popular among consumers, as it offered views of far-away places, providing a window to the broader world.
- Trade Card for C.I. Hood & Co. with Hood's Photos of the World, "Temple of Khandaria in Khwahrao, Central India," 1890-1910 - In the late 19th century, trade cards were a major means of advertising goods and services. Patent medicine producer, C.I. Hood & Co., had its own advertising department, creating cookbooks, calendars, and, most abundantly, trade cards. The trade card series, "Hood's Photos of the World," became popular among consumers, as it offered views of far-away places, providing a window to the broader world.
- 1890-1910
- Collections - Artifact
Trade Card for C.I. Hood & Co. with Hood's Photos of the World, "Temple of Khandaria in Khwahrao, Central India," 1890-1910
In the late 19th century, trade cards were a major means of advertising goods and services. Patent medicine producer, C.I. Hood & Co., had its own advertising department, creating cookbooks, calendars, and, most abundantly, trade cards. The trade card series, "Hood's Photos of the World," became popular among consumers, as it offered views of far-away places, providing a window to the broader world.
- Trade Card for C.I. Hood & Co. with Hood's Photos of the World, "Ruins of Temple Koon Ambos, Egypt," 1890-1910 - In the late 19th century, trade cards were a major means of advertising goods and services. Patent medicine producer, C.I. Hood & Co., had its own advertising department, creating cookbooks, calendars, and, most abundantly, trade cards. The trade card series, "Hood's Photos of the World," became popular among consumers, as it offered views of far-away places, providing a window to the broader world.
- 1890-1910
- Collections - Artifact
Trade Card for C.I. Hood & Co. with Hood's Photos of the World, "Ruins of Temple Koon Ambos, Egypt," 1890-1910
In the late 19th century, trade cards were a major means of advertising goods and services. Patent medicine producer, C.I. Hood & Co., had its own advertising department, creating cookbooks, calendars, and, most abundantly, trade cards. The trade card series, "Hood's Photos of the World," became popular among consumers, as it offered views of far-away places, providing a window to the broader world.
- Temple of Heaven, Beijing, China, circa 1905 - From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. The company had a wide-ranging stock of original photographs, including many scenes from around the world. These colorful prints were reproduced for ads, purchased to decorate homes and offices, bought as souvenirs, and used as teaching tools in schools and libraries.
- circa 1905
- Collections - Artifact
Temple of Heaven, Beijing, China, circa 1905
From 1895 to 1924, the Detroit Publishing Company was one of the major image publishers in the world. The company had a wide-ranging stock of original photographs, including many scenes from around the world. These colorful prints were reproduced for ads, purchased to decorate homes and offices, bought as souvenirs, and used as teaching tools in schools and libraries.
- Compote, 1880-1895 - Compotes are all-purpose serving dishes. These usually footed bowls -- with or without lids or covers -- held special desserts, fruits, candies or sauces, jellies and other foods. Blown or pressed glass compotes provided a culinary presentation method suitable to 19th-century middle-class households.
- 1880-1895
- Collections - Artifact
Compote, 1880-1895
Compotes are all-purpose serving dishes. These usually footed bowls -- with or without lids or covers -- held special desserts, fruits, candies or sauces, jellies and other foods. Blown or pressed glass compotes provided a culinary presentation method suitable to 19th-century middle-class households.