Detroit Industry Frescoes: The Backstory
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Explore the story behind the Detroit Industry frescoes at the Detroit Institute of Arts, as well as Diego Rivera and Frida Kahlo's time in Detroit in 1932 and 1933 and their continuing relationship with Edsel Ford for a decade afterwards, through Ford Motor Company photographs, letters, and other documents.
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Diego Rivera and Robert H. Tannahill, 1932
Artist Diego Rivera (left) was photographed with art collector and patron Robert H. Tannahill in 1932. Rivera was in Michigan to work on his Detroit Industry murals, commissioned by the Detroit Institute of Arts and completed there in 1933. Tannahill served on the City of Detroit Arts Commission and, over the years, donated many artworks to the DIA.
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Frida Kahlo and Diego Rivera, 1932
Frida Kahlo and Diego Rivera were photographed in Detroit in 1932. The couple resided in the city while Rivera created his Detroit Industry murals, commissioned by the Detroit Institute of Arts and completed there in 1933. Rivera's work was funded by Ford Motor Company president Edsel Ford.
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Diego Rivera, Frida Kahlo and Albert Kahn, 1932
Detroit architect Albert Kahn (left) posed for a photograph with Mexican artists Frida Kahlo and Diego Rivera in 1932. The couple was in Michigan while Rivera worked on his Detroit Industry murals, commissioned by the Detroit Institute of Arts and completed there in 1933.
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Frida Kahlo at Work on "Self-Portrait on the Border Line between Mexico and the United States," 1932
Artist Frida Kahlo was photographed in Detroit while working on her Self-Portrait on the Border Line between Mexico and the United States in 1932. She relocated to Michigan while her husband, Diego Rivera, completed a commission for the Detroit Institute of Arts. Other paintings done by Kahlo during her stay included Henry Ford Hospital and My Birth.
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Oil Portrait of Edsel Ford by Diego Rivera, 1932
Partway through work on his Detroit Industry murals at the Detroit Institute of Arts, Diego Rivera took a break to paint a portrait of the frescoes' primary sponsor, Edsel Ford. Rather than posing Ford in his office, Rivera chose a more appropriate setting: an automotive design studio. The portrait depicts Ford as strong and confident in his preferred environment.
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Display of Sketches for "Detroit Industry" Fresco Cycle, 1932
In 1932, the Detroit Institute of Arts commissioned Mexican artist Diego Rivera to paint murals depicting the city's industrial activities. Rivera spent eight months creating 27 frescoes in the institute's interior courtyard. Much of Detroit Industry was inspired by Ford Motor Company's Rouge plant, but the murals also portrayed Detroit's medical, pharmaceutical, and chemical industries. Edsel Ford sponsored Rivera's work.
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Diego Rivera Drawing for "Detroit Industry" Fresco Cycle at Detroit Institute of Arts, 1932
In 1932, the Detroit Institute of Arts commissioned Mexican artist Diego Rivera to paint murals depicting the city's industrial activities. Rivera spent eight months creating 27 frescoes in the institute's interior courtyard. Much of Detroit Industry was inspired by Ford Motor Company's Rouge plant, but the murals also portrayed Detroit's medical, pharmaceutical, and chemical industries. Edsel Ford sponsored Rivera's work.
View ArtifactTHF116571
Diego Rivera Drawing for "Detroit Industry" Fresco Cycle at Detroit Institute of Arts, 1932
In 1932, the Detroit Institute of Arts commissioned Mexican artist Diego Rivera to paint murals depicting the city's industrial activities. Rivera spent eight months creating 27 frescoes in the institute's interior courtyard. Much of Detroit Industry was inspired by Ford Motor Company's Rouge plant, but the murals also portrayed Detroit's medical, pharmaceutical, and chemical industries. Edsel Ford sponsored Rivera's work.
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Letter from Clyde Burroughs to Edsel Ford regarding Engagement of Assistant Plasterer, 16 March 1932
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Letter from A. J. Lepine (for Edsel Ford) to Clyde Burroughs regarding Engagement of Assistant Plasterer, March 18, 1932
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Letter from A. J. Lepine (for Edsel Ford) to Clyde Burroughs regarding Glass Used by Diego Rivera, March 31, 1932
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Letter from Clyde Burroughs to A. J. Lepine (for Edsel Ford) regarding Sand Used in Rivera Frescos, April 19, 1932
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Letter from Clyde Burroughs to A. J. Lepine (for Edsel Ford) Requesting Additional Sand For Rivera Frescos, July 25, 1932
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Note Requesting Additional Sand For Diego Rivera, 1932
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Memo from Irving Bacon to A.J. Lepine (for Edsel Ford), July 27, 1932, regarding the Diego Rivera "Detroit Industry" Murals
Partway through work on his Detroit Industry murals at the Detroit Institute of Arts in 1932, Diego Rivera painted a portrait of the frescoes' primary sponsor, Edsel Ford. Rivera requested several photographs of Ford to assist with the portrait. Because of concerns over privacy and security, special permission was required to supply the photos.
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Memo from A.J. Lepine (for Edsel Ford) to Irving Bacon, July 29, 1932, regarding the "Detroit Industry" Murals by Diego Rivera
Partway through work on his Detroit Industry murals at the Detroit Institute of Arts in 1932, Diego Rivera painted a portrait of the frescoes' primary sponsor, Edsel Ford. Rivera requested several photographs of Ford to assist with the portrait. Because of concerns over privacy and security, special permission was required to supply the photos.
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Memo from William Roegner to A. J. Lepine (for Edsel Ford) regarding Supply of Edsel Ford Photograph to Diego Rivera, October 25, 1932
Partway through work on his Detroit Industry murals at the Detroit Institute of Arts in 1932, Diego Rivera painted a portrait of the frescoes' primary sponsor, Edsel Ford. Rivera requested several photographs of Ford to assist with the portrait. Because of concerns over privacy and security, special permission was required to supply the photos.
View ArtifactTHF110797
Diego Rivera at the Detroit Institute of Arts with John "Viscount Hastings," Clifford Wight and William Valentiner, 1932
In 1932, the Detroit Institute of Arts commissioned Diego Rivera to paint murals depicting the city's industrial activities. The artist spent eight months creating the 27 frescoes in Detroit Industry. This photograph, taken during the project, shows (left to right) Viscount John Hastings and Clifford Wright, two of Rivera's students; Rivera; and DIA director Wilhelm Valentiner.
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Ford Workers Getting Wages from Payroll Truck, 1932-1933
Ford Motor Company first offered factory-built trucks, based on the Model T, in 1917. Henry Ford experimented with heavier-duty trucks using the more powerful Fordson tractor engine. Approximately 12 prototype Fordson trucks were built from 1924-1926, including this steel-bodied payroll truck. The project was cancelled in favor of the Ford Model AA truck, based on the Model A car.
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Letter from A. J. Lepine (for Edsel Ford) to Clyde Burroughs regarding Rivera Fresco Photographs, June 1, 1933
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Letter from Edsel Ford to Clyde Burroughs, June 1, 1933
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Letter from Clyde Burroughs to Edsel Ford regarding Fresco Photographs, 5 June 1933
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Letter from Frida Kahlo to Edsel Ford regarding Ricardo Arias Vinas, November 19, 1939
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Letter from Frida Kahlo to Edsel Ford regarding Ricardo Arias Vinas, December 6, 1939
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Letter from Edsel Ford to A. R. Lajous regarding Ricardo Arias Vinas, December 20, 1939
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Letter from Edsel Ford to Frida Kahlo regarding Ricardo Arias Vinas, December 20, 1939
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Letter from A. R. Lajous to Edsel Ford regarding Ricardo Arias Vinas, January 2, 1940
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Letter from Edsel Ford to Frida Kahlo regarding Ricardo Arias Vinas, January 22, 1941
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Letter from Edsel Ford to L. A. Lajous regarding Ricardo Arias Vinas, January 22, 1941
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Letter from Frida Kahlo to Edsel Ford regarding Ricardo Arias Vinas, February 21, 1941
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Letter from A. R. Lajous to Edsel Ford regarding Ricardo Arias Vinas, February 22, 1941
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