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Activating The Henry Ford Archive of Innovation

Photo Studio Adventures: Favorite Artifacts I've Photographed

November 20, 2020 Archive Insight, Think THF

Graphic with text
This graphic shows where photography fits into The Henry Ford's overall digitization process.

My name is Jillian Ferraiuolo and I’m a Digital Imaging Specialist at The Henry Ford. In that role, I work with our institutional photographer in our Photo Studio, taking photographs of artifacts and preparing those for use in our Digital Collections. As you might imagine, I get to work with many fascinating artifacts, and I’m going to share a couple of my favorites with you here.

Woman in foreground looks through camera as a second woman holds up part of a dress skirt
Conservator Fran Faile holds up a detail on the Cognitive Dress as I photograph it.

I think the most interesting artifact I’ve photographed is the “Cognitive Dress,” Designed by IBM and Marchesa, 2016. Besides being a beautiful gown, it is strung with lights throughout the skirt that change color based off technology developed by IBM using their Watson AI. Because of the innovative nature of this dress, and our partnership with IBM, it was important that we thoroughly document it.

Three people around a computer on a cart, with photography equipment and a woman adjusting a dress on a dress form in the background
The dress in the studio getting ready for its close-up with curator Kristen Gallerneaux and conservators Fran Faile and Cuong Nguyen assisting.

Normally we capture five standard angles when we photograph clothing, but this one was a special case because we had to account for the lights on the dress, and the changing colors. In total, we took 27 images of the dress, showing different angles, the shifting colored lights on the dress, and details of the skirt and lighting technology.

Dress on dress form with glowing blue lights integrated into bodice and skirt
THF167960

Back view of dress on dress form with glowing blue lights integrated into bodice and skirt
THF167966

Dress bodice on dress form with integrated glowing white-blue lights
THF167976

I enjoyed photographing this dress not only because it was a beautiful gown, but also because it was a challenge. To get the right exposure with the lights while keeping the dress lit up was tough, but that’s also where the handiness of Photoshop comes in. I was able to adjust after the fact and create a very nice finished product!

GIF running through various views and details of a dress on a dress form
Here’s a quick look at some of the shots we got!

Another fun project we had was imaging the Jens Jensen landscape drawings that show the plans for the grounds of Henry and Clara Ford’s estate, Fair Lane. These drawings were so interesting to look through—they lay out the gardens and surrounding areas of the estate in such detail, they’re works of art. Who would’ve thought that an estate would have so many blueprints? There are 29 in total, varying from gardens to orchards and even to plans for a bird pool.

Blueprint showing somewhat abstracted indications of trees, lawn, house
Landscape Architecture Drawing for Fair Lane, "A Planting Plan for section around service buildings," June 1920 / THF155896

Blueprint showing aerial view
Jens Jensen Landscape Architecture Drawing, "A General Plan of the Estate of Mr. Henry Ford, Dearborn, Michigan," 1915 / THF155910

One of the reasons why we had to photograph these prints in the Studio is because they are large, folded up into individual leather portfolios. Usually anything two-dimensional goes through our scanning or flat photography process in our Archives, but the nature of these prints did not allow for that. To get a good image of them they had to be unfolded, then carefully flattened with a large piece of glass while being imaged. The trickiest part is to make sure the print lays as flat as possible while ensuring there isn’t any glare off the glass from the lights in the studio.

At a glance, I’m sure you’d never guess that that’s how they were photographed!

GIF cycling through a number of blueprints
Here is a look at all the prints and the box they’re stored in.

What interesting artifact will we be photographing next? Peek through the Photo Studio’s glass doors at the back of Henry Ford Museum of American Innovation on your next visit and find out!

The Henry Ford is facing unprecedented financial challenges due to the impact of our 16-week closure and reduced operations. We need your help in securing our future. Love the Henry Ford? Please support all that we treasure—including our digitization program. Longtime supporters of The Henry Ford will match your donation dollar for dollar, so your contribution will have double the impact.


Jillian Ferraiuolo is Digital Imaging Specialist at The Henry Ford.

 

drawings, fashion, by Jillian Ferraiuolo, photography, digitization, #digitization100K, #Behind The Scenes @ The Henry Ford

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