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- Formal Dance at Dearborn Country Club, 1931 - Henry Ford established the Dearborn Country Club, with an 18-hole golf course and a clubhouse designed by Albert Kahn, in 1925. Ford himself was not a golfer, but the club helped attract and keep executive talent at Ford Motor Company's Dearborn, Michigan, offices. Club members purchased the facility from Ford interests in 1952.
- October 24, 1931
- Collections - Artifact
Formal Dance at Dearborn Country Club, 1931
Henry Ford established the Dearborn Country Club, with an 18-hole golf course and a clubhouse designed by Albert Kahn, in 1925. Ford himself was not a golfer, but the club helped attract and keep executive talent at Ford Motor Company's Dearborn, Michigan, offices. Club members purchased the facility from Ford interests in 1952.
- Edison Institute School Students in the Dance Room of Ford Engineering Laboratory, May 1929 - Henry Ford created a room for dancing at Ford Motor Company's Engineering Lab, where his office and the company's engineering activities were located. These students are learning the traditional American dances of Henry Ford's youth -- along with dance etiquette. Later, Ford built Lovett Hall, an elegant ballroom named for his dancing master.
- May 11, 1929
- Collections - Artifact
Edison Institute School Students in the Dance Room of Ford Engineering Laboratory, May 1929
Henry Ford created a room for dancing at Ford Motor Company's Engineering Lab, where his office and the company's engineering activities were located. These students are learning the traditional American dances of Henry Ford's youth -- along with dance etiquette. Later, Ford built Lovett Hall, an elegant ballroom named for his dancing master.
- Newspaper Article, "Old-Fashioned Dance to Stay in Dearborn...Dearborn Backs Up School Dance," 1926 - As Henry Ford extended his traditional American dance classes to local Dearborn schoolchildren, some parents grew alarmed--they weren't sure they approved of boys and girls dancing together. A dance demonstration by the children soon set most of the parents' minds at ease. They quickly realized the benefit of having their children learn these old-time dances--and the good manners that went along with them.
- December 17, 1926
- Collections - Artifact
Newspaper Article, "Old-Fashioned Dance to Stay in Dearborn...Dearborn Backs Up School Dance," 1926
As Henry Ford extended his traditional American dance classes to local Dearborn schoolchildren, some parents grew alarmed--they weren't sure they approved of boys and girls dancing together. A dance demonstration by the children soon set most of the parents' minds at ease. They quickly realized the benefit of having their children learn these old-time dances--and the good manners that went along with them.
- Program for a Radio Broadcast of Dance Music Played by Henry Ford's Old-Time Dance Orchestra, 1944 - From January 1944 to July 1944, a Ford-sponsored half-hour radio program, "Early American Dance Music," featured Henry Ford's Old Time Orchestra. Broadcast live from Ford Motor Company's recording studio at the Engineering Laboratory, the program achieved a fair amount of popularity--though most of it with an older audience.
- 1944
- Collections - Artifact
Program for a Radio Broadcast of Dance Music Played by Henry Ford's Old-Time Dance Orchestra, 1944
From January 1944 to July 1944, a Ford-sponsored half-hour radio program, "Early American Dance Music," featured Henry Ford's Old Time Orchestra. Broadcast live from Ford Motor Company's recording studio at the Engineering Laboratory, the program achieved a fair amount of popularity--though most of it with an older audience.
- "Story Book Ball," Prom Dance Card, 1932 -
- April 15, 1932
- Collections - Artifact
"Story Book Ball," Prom Dance Card, 1932
- Letter from Highland Park High School Principal to Benjamin Lovett, January 16, 1926 - Like the collections of antique vehicles, farm equipment and cooking implements Ford began to amass with vigor during the 1920s--music was part of Ford's larger vision for preserving the American past. By this time, much of America had left traditional music behind. But Ford never forgot it. And, through Benjamin Lovett's instruction, Ford wanted to share it with new generations.
- January 16, 1926
- Collections - Artifact
Letter from Highland Park High School Principal to Benjamin Lovett, January 16, 1926
Like the collections of antique vehicles, farm equipment and cooking implements Ford began to amass with vigor during the 1920s--music was part of Ford's larger vision for preserving the American past. By this time, much of America had left traditional music behind. But Ford never forgot it. And, through Benjamin Lovett's instruction, Ford wanted to share it with new generations.
- Dance Room at the Ford Engineering Laboratory, Dearborn, Michigan, 1932 -
- May 02, 1932
- Collections - Artifact
Dance Room at the Ford Engineering Laboratory, Dearborn, Michigan, 1932
- "Heel and Toe Polka," Published by Henry Ford, 1925-1926 - In the 1920s, Henry Ford thought the old-fashioned dances of his youth should be revived. So he published a book of dance instruction--and also this sheet music for school orchestras or community musicians who wished to provide live music for 19th century dances like the reel, quadrille, schottische, and gavotte. The music included parts for violin, bass, cello, viola, clarinet, flute, piano, trumpet, trombone, and drums.
- 1925-1926
- Collections - Artifact
"Heel and Toe Polka," Published by Henry Ford, 1925-1926
In the 1920s, Henry Ford thought the old-fashioned dances of his youth should be revived. So he published a book of dance instruction--and also this sheet music for school orchestras or community musicians who wished to provide live music for 19th century dances like the reel, quadrille, schottische, and gavotte. The music included parts for violin, bass, cello, viola, clarinet, flute, piano, trumpet, trombone, and drums.
- "Old Southern Schottische," Published by Henry Ford, 1925-1926 - In the 1920s, Henry Ford thought the old-fashioned dances of his youth should be revived. So he published a book of dance instruction--and also this sheet music for school orchestras or community musicians who wished to provide live music for 19th century dances like the reel, quadrille, schottische, and gavotte. The music included parts for violin, bass, cello, viola, clarinet, flute, piano, trumpet, trombone, and drums.
- 1925-1926
- Collections - Artifact
"Old Southern Schottische," Published by Henry Ford, 1925-1926
In the 1920s, Henry Ford thought the old-fashioned dances of his youth should be revived. So he published a book of dance instruction--and also this sheet music for school orchestras or community musicians who wished to provide live music for 19th century dances like the reel, quadrille, schottische, and gavotte. The music included parts for violin, bass, cello, viola, clarinet, flute, piano, trumpet, trombone, and drums.
- Letter from Gertrude Moore to Clara Ford, November 4, 1927 -
- November 04, 1927
- Collections - Artifact
Letter from Gertrude Moore to Clara Ford, November 4, 1927