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- Correspondence between John Breeden, Jr. and Roger A. Caras regarding Ford Aurora in "2001: Space Odyssey," December 1965 - In 1965, Polaris Productions contacted Ford Motor Company about using the automaker's Aurora concept car in the forthcoming Stanley Kubrick film <em>2001: A Space Odyssey</em>. Ford agreed to loan the futuristic station wagon. In the end, the production team chose not to use the Aurora, believing that the car didn't fit with the film's overall design aesthetic.
- 1965
- Collections - Artifact
Correspondence between John Breeden, Jr. and Roger A. Caras regarding Ford Aurora in "2001: Space Odyssey," December 1965
In 1965, Polaris Productions contacted Ford Motor Company about using the automaker's Aurora concept car in the forthcoming Stanley Kubrick film 2001: A Space Odyssey. Ford agreed to loan the futuristic station wagon. In the end, the production team chose not to use the Aurora, believing that the car didn't fit with the film's overall design aesthetic.
- Compositional Techniques, Cineffects, Inc. - Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.
- Collections - Artifact
Compositional Techniques, Cineffects, Inc.
Lillian Schwartz is a pioneer of computer-generated art. From 1969-2002, she was a "resident visitor" at Bell Laboratories, producing groundbreaking films, videos, and multimedia works. The Schwartz Collection spans Lillian's childhood into her late career, documenting an expansive mindset, mastery over traditional and experimental mediums alike--and above all--an ability to create inspirational connections between science, art, and technology.