Professional photographers often made photographic portraits to mark important events. Charles D. Fredricks and Co. of 587 Broadway, New York City took this carte-de-visite of three U.S. Navy officers, Captain Samuel Francis Du Pont (center), Commander Sidney Smith Lee (left) and Lieutenant David Dixon Porter (right). Beginning in March 1860, they became celebrities as the official escort for Japan's first diplomatic mission to the U.S. They accompanied the Ambassadors Masaoki Shinmi, Norimasa Muragaki, and Tadamasa Oguri, and their group during the three-month tour of Washington, D.C., Baltimore, Philadelphia, and New York City. Captain Du Pont had visited Japan in 1858 while commanding the USS Minnesota steam frigate. The 1860 Japanese diplomatic visit to the U.S. generated much publicity in newspapers and magazines and helped start U.S. trade with Japan.

Carte-de-visite, French for visiting card, was a type of small photographic print on cardboard stock that professional photographers made in the nineteenth century. Popularized by the French photographer, André Disdéri in 1854, this format measured about 4 x 2.5 inches - the same size as personal calling cards of that era. Photographers made a single glass negative and then produced multiple positive prints on paper and mounted them on the cards. The backs often carried advertisements for the photographer. When mailed in the United States between 1864 and 1866, the CdVs had a tax stamp on the back. This was a source of Federal government revenue to pay for the Civil War expenses. Popular in the United States from the 1860s through the 1880s, photographers continued to offer this size into the early 1900s. After having their portraits taken at the photographer's studio, people exchanged them among family and friends. As a favorite hobby, many people gathered CdVs into photograph albums to help them remember family and celebrities.