Studio Glass Highlights

"Bubble Boy" by Richard Marquis 1988

Sculpture (Visual work)

"Fireside Yellow & Red Persian" by Dale Chihuly, 2000

Sculpture (Visual work)

Emergence Series by Dominick Labino, 1980

Sculpture (Visual work)

Dominick Labino along with Harvey Littleton are remembered as the founders of the Studio Glass movement. A research chemist, Labino developed marbles composed of low melting point glass for use at several experimental -- and successful -- workshops organized by Littleton at the Toledo Museum of Art in 1962. Labino emerged as a leader of the first generation of studio glass artists.

"Concave Ruby Iteration" by Michael Glancy, 1993

Sculpture (Visual work)

Vase Made by Harvey K. Littleton at the Second Toledo Museum of Art Glass Workshop, 1962

Vase

"Parabolic Section" by Harvey K. Littleton, 1980

Sculpture (Visual work)

"Series IGS VII 2000-01 #7" by Marvin B. Lipofsky, 2000-2001

Sculpture (Visual work)

"All-Night-Take-Out" by Emily Brock, 1999

Sculpture (Visual work)

Emily Brock creates intricate sculptures entirely made of glass. She constructs scenes that are often inspired by everyday spaces and pull the viewer into the narrative. An example is her versions of diners that evoke a sense of nostalgia for a bygone era and simpler times. Can you spot the many details she included to make this scene life-like?

Goblet by Lino Tagliapietra, 1996

Sculpture (Visual work)

"Stromboli" by Lino Tagliapietra, 2003

Sculpture (Visual work)

"Dinosaur" by Lino Tagliapietra, 2005

Sculpture (Visual work)

Master studio glass artist Lino Tagliapietra fashioned this sculpture, part of his iconic "Dinosaur" series. Tagliapietra imagines dinosaurs as gentle, docile, yet powerful water-dwelling creatures, depicting them as abstract forms. His work, with its elongated, curving shapes indicative of the graceful necks of prehistoric underwater creatures, suggests the look of a dinosaur.

"Candy Apples in Green, Red, and White" by Richard Ritter, 2008

Sculpture (Visual work)

"Summer Bouquet with Honeybees" by Paul J. Stankard, 2004

Paperweight

Paul Stankard is one of the founders of the Studio Glass movement of the 1960s and 70s. Most early Studio Glass artists began their careers creating paperweights and moved on to other forms. Stankard concentrated on creating the most technically sophisticated and beautiful paperweights he could imagine. Today, Stankard is acclaimed for his miniature worlds, consisting of imaginary botanicals, bees and sometimes human figures.

"Ode to 9/11" by Paul Stankard, 2001-2002

Sculpture (Visual work)

Paul Stankard is one of the founders of the Studio Glass movement of the 1960s and 70s. Most early Studio Glass artists began their careers creating paperweights and moved on to other forms. Stankard concentrated on creating the most technically sophisticated and beautiful paperweights he could imagine. This uncharacteristic work commemorates the agony of the September 11, 2001 events, showing two sobbing faces, with shrapnel behind.

"Ocean Floor" Ladder by Therman Statom, 2007

Sculpture (Visual work)

"December Song" by Jon Kuhn, 2000

Sculpture (Visual work)

Jon Kuhn's diamond-like, dazzling glass cubes earned him world-renown. Unlike many other studio artists who work with molten glass, Kuhn works only with cold glass. These complex artworks are extremely labor intensive; each piece is cut, polished, and laminated to create an environment that pulls the viewer into a glittering world of color and light.

"Devils Blowing Glass" by Lucio Bubacco, 1997

Sculpture (Visual work)

Lucio Bubacco grew up surrounded by the centuries-old glass culture of the island of Murano, Italy. He invented a glass technique to sculpt bodies that appear in motion. His figures are precariously placed in poses that make for a lively arrangement. He uses a delicate soda-lime glass mixture instead of the sturdier Pyrex to achieve a more vibrant, colorful result.

"Standing Columns #12" by Howard Ben Tre, 1983

Sculpture (Visual work)

Howard Ben Tré casts glass sculptures using similar techniques he learned while casting metal sculpture. These solid, monumental works often have a green tinge and appear to glow as light passes through. Architectural elements and archeological remains inspire Ben Tré. Works like this one, which weighs well over 500 pounds, will take over two months to cool after molten glass is poured into a mold.

Untitled from Relationship Series by Richard Royal, 1997

Sculpture (Visual work)

Like many studio glass artists, Richard Royal conceives of his work in series. He views his series in autobiographical terms. This work is part of his "Relationship" series which he started following his marriage in 1989. This work represents the flowering of the series as it shows the abstracted arms of a mother and father holding a child at the center.

"Mazorca Con Grillo Y Rana" by William Morris, 2004

Sculpture (Visual work)

"Blue Opal Flowers" by Mark Peiser, 1971

Sculpture (Visual work)

Mark Peiser was nearly thirty years old when he visited Penland School in 1967 to learn glassblowing. After three days at the School, he found that he wanted to pursue glass seriously and requested to apply for a position as an artist in residence. The director appointed him to the position for the winter with little explanation after they had a casual conversation. Blue Opal Flowers is from the earliest phase of Peiser's work.

"Copper Sentinel" by Martin Blank, 2001

Sculpture (Visual work)

"Vortex Concerto" by David R. Huchthausen, 1992

Sculpture (Visual work)

"Tension" by Dan Dailey, 2002

Sculpture (Visual work)

"Garden" by Richard Jolley, 2008

Sculpture (Visual work)