Ten-year member Blake Almstead finds inspiration in a farmhouse and a man’s passion to preserve America’s story.
Deriving inspiration from all over The Henry Ford, Blake Almstead is drawn to amazing places of innovation like Dymaxion House in the museum. A former New Englander, he also feels the pull of Daggett Farmhouse in Greenfield Village. The Connecticut saltbox structure reminds him of home, and he revels in the working farm’s accurate representation of a period of America’s agricultural history. As president of the Corktown Historical Society, he meanders through the streets of Greenfield Village with a profound sense of gratitude to Henry Ford for his passion to preserve American landmarks and America’s stories of innovation, invention and entrepreneurship. Village structures such as Cohen Millinery and Grimm Jewelry Store were once small businesses located and operating in Detroit’s Corktown, the city’s oldest surviving neighborhood, which Blake now leads efforts to help protect, preserve, and restore.
Coffee at Sir John Bennett Sweet Shop in Greenfield Village on a Sunday morning. “I’m able to think, take notes, sketch and be surrounded by so much that has affected and influenced history ... You can’t help but feel inspired.”
His favorite member perk:
“That free feeling I have knowing I can go to The Henry Ford whenever I want. My mother’s favorite thing is having tea. We’ll just go in Greenfield Village, walk together, have tea at Cotswold Cottage, then take a stroll and maybe pop in to the gift shop. When you’re a member, you have this unlimited access to experiences that you didn’t expect.”
What’s your spark? Let us know what inspires you on your next visit and what takes you forward from your membership. Email us at email@example.com. Take it forward as a member—enjoy benefits like free parking, discounts on events and tours, exclusive member previews, and more.
A planned two-week checkup inspection of the iconic house of the future - Buckminster Fuller's Dymaxion House - turned into a two-month long “surgery” to repair extensive fatigue cracking of the thin aluminum beams that form the deck of the house. The cracks were visible from the underside, which is only accessible by sliding on your back on the museum's teak floor in about 18 inches of workspace.
Thorough inspection indicated that the damage was happening only in areas where the public walks. There were no cracks in the living room, which has never been accessible to visitors.
The cracks were developing due to the flexing of metal at the sharp edge of L-shaped brackets supporting the beams. Remember, there was no precedent for the use of aluminum in this architectural application, so we guess that Bucky was never aware he had allowed this fundamental design flaw. The house was a prototype in process - so it's understandable.
Our first look at the problem set off a flurry of activity to plan for repair. Fortunately, we had most of the expertise and labor required right on staff. Tim Brewer was there every step of the way when we put the house together the first time in Oct 2001; he knows every bolt and cable of the complicated dwelling machine.
Our dedicated volunteer Richard Jeryan, a retired engineer from Ford Motor Company, knew the best local firm to jump in and manufacture repair patches for us. Metro Technologies, located in Troy, Mich., made and helped install the necessary patches using high-tech adhesive and large rivets.
Most of the conservation department had a role as well. Some of our part-time staff - notably Fran McCans and Jill Maki - put in many extra hours to see this fascinating project through in good time.
Just getting at the problem required the removal of hundreds of fasteners – the stainless steel bolts, wood screws and aluminum rivets that hold the whole house together. Removing all those rivets while working in such tight spaces was challenging.
We lifted and moved the closet “pods” to open up more of the floor. We shored the structure with lumber and removed the offending brackets. We pounded-out the floor-boards to access the bolts that retained the brackets.
Then we drill-out the ends of the cracks to arrest their progress in preparation for the addition of thicker aluminum patches custom-fit to the tapered U-shaped profile of the beams.
Two Metro Tech guys came in to apply the patches. Then we closed the first half and repeated the whole process for the second half of the deck.
Meanwhile, we worked with staff carpenters to make a new “over-floor” of plywood to install under the carpet. This serves to spread the load of visitors’ foot-falls, reducing that flexing stress that causes fatigue in metals.
After reassembly and the carpet is relaid, the change will go unnoticed by most visitors.
Those of us familiar with the house can feel a distinct difference: it feels much more solid. Bucky meant for the house to hang from the mast. He described the deck as “pneumatic” in some publications…but he had no idea that his prototype would become one of Henry Ford Museum’s most loved exhibits one day, with hundreds of thousands of visitors walking through it every year.
We think our work has preserved this house for another couple generations at least. Only time will tell.
Clara Deck is a Senior Conservator at The Henry Ford.
“You must be this small to enter.” How many times do you hear that in the workplace?
This week, our historic operating machinery specialist, Tim Brewer, and I have been squeezing between tie-down cables and sliding around underneath R. Buckminster Fuller's "house of the future," the Dymaxion House. We were part of the original team that restored this unique prototype and built it inside Henry Ford Museum.
Now, for the first time since it opened in October 2001, we have closed the house to the public; this shutdown will be for as brief a time as possible - we promise! - but it is essential to ensure the long-term preservation of the structure. (In the meantime, you can still view the exhibit and the exterior of the house from the platform.)
So what exactly is happening to the Dymaxion House during this time?
This extraordinary structure really does hang from the mast, with a cabled hoop (“cage”) system that the exterior wall “skin” floats on. We are using laser-levels to assess the relative movement of components in the cage system.
In addition, the flooring system (or deck) is made of hollow aluminum “beams,” with plywood attached with clip strips of bent aluminum. Right now we are determining the extent of wear on the deck after 10 years of relatively trouble-free service.
As expected, we are finding more deterioration in the flooring path where visitors walk through the artifact, and we’ll be working hard over the next little while to repair any damages so our favorite house can delight the public for years to come. More details to come in a future post!
Senior Conservator Clara Deck has been a conservator at The Henry Ford for 20 years. Preserving the material integrity of the objects is her job - but making them look great is icing on the cake.
This week, we marked 10 years since R. Buckminster Fuller's Dymaxion House has been on exhibit in Henry Ford Museum!
This prefabricated house was reconstructed mostly from the parts salvaged from the only two Dymaxion Houses ever made - one of which was inhabited by the Graham family of Wichita, Kansas.
Did you know that a family actually lived in a Dymaxion House? It's true - William Graham, an original investor in Fuller Houses Inc., purchased the two prototypes and lived in a hybridized version of it from 1948 until the 1970s.
Fast forward to present day (last week, actually), when we came across this tweet:
It turns out that Robby Simpson, a fifth-grade science teacher at Columbus Academy in Columbus, Ohio, and his school have been bringing students to The Henry Ford for the Great American Museum Experience (G.A.M.E.) program for years, and they always enjoyed the Dymaxion House exhibit. As it turns out, Ted Graham's daughter began attending Columbus Academy recently, and last week he offered to come talk to the fifth graders about his experience growing up in such a remarkable building before they made their trip to Dearborn to see the real thing.
Watch the video to hear some of the great things we learned from the visiting fifth graders, including:
As a boy, Ted Graham loved to climb on the aluminum-alloy window ledge, which runs around the inside of the whole building. He would use the cable-support system to work his way all the way around!
The house was very hot in the summer! In order to make the roof quieter and more watertight, Ted's father had insulated and sealed the roof and removed the ventilator on top, so the air circulation system that Fuller had in mind was interrupted.
If your Dymaxion house is very close to a lake, you can position a trampoline so that you can jump from the roof, to the trampoline, and into the lake!
Because the house was made of metal, every time it warmed up or cooled down, it would make spooky creaking noises!