This Memorial Day weekend, bring a favorite recipe from Civil War Remembrance in Greenfield Village into your own home. Though the name of the dish is simple, the results are plentiful and could well feed an army. It’s also simple to make; the true key to this dish is cooking it over an open fire, but it can also be prepared on a kitchen stove over medium-to-high heat. Whichever method you choose, a large cast-iron skillet is essential to re-creating this dish.
A few tips from our chefs:
There's no wrong way to prepare this dish; add whatever herbs and spices you like.
Boil potatoes until tender; let cool, then peel and cut into 1-inch chunks. Slice sausage into 2-inch pieces. Slice apples into ½-inch pieces. Julienne onions into ½-inch slices. Preheat a large cast-iron skillet over the campfire (or on stove). Add the butter and sausage; cook until lightly browned. Add the apple slices, onion and garlic; cook for about 5 minutes. Top with the potatoes and let cook for a few minutes before stirring. The potatoes must be cool when added. Add salt and pepper to taste and stir in. Let all cook together until everything is tender and the flavors are melded, about 10-20 minutes. Stir occasionally, but if you stir too much, it will be mushy.
We all have a unique and individual story, whether it started in this country before or after the Civil War, and the collective history of our past is the relevant ingredient that we all share. The social, political, technological, medical and scientific innovations from the Civil War were transformative and vast that serve as the foundation of the many attributes we still benefit from today. As we get ready to celebrate Civil War Remembrance at The Henry Ford, we ask you to join us in honoring all veterans for their sacrifices and achievements in protecting, sustaining, and preserving the promise of the Constitution of the United States for “a more perfect Union.”
Brian Egen is Executive Producer at The Henry Ford.
Guests to Civil War Remembrance at Greenfield Village 2014 may have been surprised to find the Tintype Studio transformed into a living history exhibit for the weekend. The small building was outfitted as a period social club called the Loyal Union League, serving as a Lincoln campaign headquarters for the 1864 presidential race. Last year marked the 150th anniversary of President Abraham Lincoln’s reelection to a second term in office and the exhibit explored how local Union Leagues throughout the country participated in the campaign.
The previous year, The Henry Ford's Executive Producer Brian Egen and Senior Manager of Creative Programs Jim Johnson, along with members of The Petticoat Society (a living history organization), discussed the creation of a special program and interpretative scenario utilizing the Tintype Studio building. This site, because of its proximity to activities taking place at the Pavilion, Town Hall and the Village Green, was a perfect location for visitors to step back in time and experience the excitement and uncertainty of the 1864 election season.
By telegraph and letter, by railroad and newspaper, word of Virginia's deadly spring of 1864 reverberated across America.
This weekend, amidst the 150th anniversary of the 1864 Overland Campaign, National Park Service battle sites in Virginia and communities North and South are remembering those who fell at The Wilderness, Spotsylvania Court House, Cold Harbor, and Petersburg.
The loss of men in Virginia constituted deep wounds to communities across Michigan. Places like Dearborn, Williamston, Pontiac and dozens more reckoned with the loss of men who would never come home—most of them buried today as unknowns on Virginia's fields.
This weekend, at The Henry Ford, in the village that reminds us so much that America’s heart is built around home and community, we join with the staff of The Henry Ford to remember.
We remember families like the Churches of Williamston, whose son Charles went to fight with the Third Michigan Infantry. War interrupted his quest to become a pig farmer, but he found both purpose and improvement in his service. “I am ten times better a man than I ever was before this war,” he told his homefolk in 1863. “It is the best school I ever attended and…people need not be troubled about my well fare.”
But then, in May 1864, came word from the Wilderness in Virginia, scene of the first clash between Grant and Lee, a horrific place of fire and death. That spring of sadness, letters like this flew across America like daggers.
Camp of the 3rd Michigan Infantry
May 20, 1864
Dear Sir it becomes my painful duty to inform you that your son Charles H. Church is [presumed] to be killed. Our regiment went on a charge May 6th and after going until the rebles shot fell thick and fast all around. We fell back and to our surprise he did not fall back with us… Some of our regiment saw him and they say he was wounded in the bowels and fell back a short ways but was compelled to give up. The johnnys soon held the ground that we had gained and all that he had with him fell into the enemys hands. Our regiment with you mourn his loss for he was a good soldier and a brave man. ….. We have lost two thirds of our regiment since we left on this campaign. Many brave officers and men have been killed. We mourn their loss.
Edgar W. Clark, Co. G, 3rd Mich Inf Washington, D. C.
Julia Wheelock, a teacher in Ionia, Michigan, traveled to Virginia to care for the wounded in 1864.
The Civil War touched every corner of or nation and drew into it not just soldiers and sailors, but sisters and loved ones. In 1862, Julia Wheelock, a teacher in Ionia, Michigan learned that her brother Orville had been wounded at the Battle of Chantilly. She rushed to Washington to find and care for him, but got there too late. Julia sought no refuge from her grief. Instead, she stayed and helped in the hospitals around Washington and would quietly forge a career of courage and accomplishment as a caregiver. Her published letters are among the best from a woman serving at the front.
In 1864, Julia (now an agent of the Michigan Soldiers’ Relief Association) traveled to Fredericksburg to care for the wounded from Wilderness and Spotsylvania. In her letters, she recorded heart-wrenching dilemmas, scorching moments. She wrote on May 15:
“Among the hospitals I have visited today is the old Theatre…I took a quantity of pillows, chicken soup, and crackers. The moment I entered the hospital, oh, what a begging for pillows came from all parts of the room! `Please give me a pillow, I’m wounded in the head and my knapsack is so hard,’ said one. Another wants one for the stump of his arm or leg. `I don’t think it would be so painful if only I had a pillow, or cushion, or something to keep it from the hard floor; there, that small one will do for me; please lady, let me have that….” For a few moments I stood with the pillows in my arms, unable to decide what do. I could not supply all, and to whom should I give?”
In that same theater, Julia came across a wounded captain facing death. Julia fed the Captain broth, then asked if there were anything she could do for him before she headed off to her next patient
“If you will, please write a few lines to mother,” he said.
Remembered Julia: “Taking her address, I inquired whether there was anything in particular he wished me to write. I shall never forget the expression…as he looked up and said, “Oh! Give her some encouragement, but tell her I’m trusting in God.” He hesitated a few moments, and then added: “It will be so hard for my mother, for she is a widow, and I am her only son.” I tried to speak a few words of comfort, telling him that if his trust was in God all would be well….In a moment the thought of the anguish that would soon pierce that lone widowed mother’s heart, rushed upon my mind, and poor, weak human nature was overcome, and I could only bow my head and weep. The poor fellow seemed fully conscious of the fact that he must die; and while he would have his mother know the worst, he wished the sad intelligence to be gently broken. The language of his heart seemed to be, ‘Who will care for my mother now?’”
The story of war invariably revolves around home. Some fought to defend homes. Others aspired only to reach home once more. Deaths in Virginia halted those journeys home and sent shockwaves through homes across Michigan and America, challenging the will of families, communities, states, and nations to continue.
Continue they did, crippled by hardship, awash in heartbreak, civilian and soldier alike. It is a sad, difficult story to be sure. But the hardship endured is also a measure of the commitment and determination of those who toiled and sacrificed on our behalf 150 years ago.
Those who gave so much asked only one thing of those who followed: that we remember. And this weekend, we do. We remind ourselves that the fruits of their toil and sacrifice constitute the foundation of our nation still: a still-improving place of freedom and justice and unprecedented prosperity.
John Hennessy is Chief Historian, Fredericksburg and Spotsylvania National Military Park, with the National Park Service. The Henry Ford is pleased to partner with the National Park Service in delivering special presentations and outreach programming through the Fredericksburg and Spotsylvania National Battlefield relating to the 150th Anniversary of General Grant’s Overland Campaign of 1864 during Civil War Remembrance.
Although there were no Civil War battles fought in Michigan, and we have not graves to decorate, Greenfield Village has become a place where we commemorate one of the most pivotal time periods of our Nations’ History. Since 1993, The Henry Ford has hosted Civil War Remembrance in Greenfield Village over the Memorial Day weekend to honor the sacrifice of not only those from 1861 – 1865, but of all veterans who have faithfully served in the protection of the United States. Memorial Day’s genesis can be traced to the American Civil War as comrades, families and small towns across the land decorated the graves of recently fallen soldiers.
The Civil War Remembrance program offers an opportunity to journey back in time to a moment when our nation was engaged in a massive civil war affecting lives across thousands of miles. Guests can appreciate and honor the memory of those four defining years where more than 3 million would have fought and over 750,000 will have died – the equivalent of 7.8 million dead today. As we are in the fourth year of the Civil War sesquicentennial years, it's important to reflect and think about this time period 150 years past and how it's relevant to our world today and for our future. One of the ways we make those distant events relevant is through commemoration and programming. Civil War Remembrance is one such way and is an officially recognized event by the Michigan Civil War Sesquicentennial Committee through the Michigan Historical Commission.
It's important that we remember the extraordinary service and paramount sacrifice of the common individual soldier who drew from that large reservoir of bravery and courage to continue onward in spite of almost certain death. To their families and to their generation they were known, for the pain and loss of a loved one was felt directly and with absolute certainty. To us they are unknown in name only as their actions will live forever. And to those families and loved ones who sustained incredible and permanent loss, undue hardships and burdens beyond imagine, we must always sustain and uplift the memory of those contributions that made such an indelible impression on our identity. As a principal defining moment, this monumental conflict put into motion a series of events that has brought us to where we are today as a people and as a nation. Their determination and perseverance wove yards of whole cloth creating a foundation for America’s tapestry that continues to be created.
Civil War Remembrance is one of the most comprehensive programs of its kind – we like to say it's the ultimate tribute to the ultimate sacrifice. This program draws participants, historians and experts from throughout the country. Over the three-day weekend Greenfield Village will come alive with special recognition opportunities, commemorations, musical performances, exhibitions, demonstrations (tactical infantry, artillery and cavalry), dramatic performances, hands-on and participatory activities and much more. One of my favorite program offerings is "Enlist in the Army" where guests can “enlist” in the army receiving a reproduction enlistment form from an 1860’s recruiter at the Phoenixville Post Office. After enlistment, they head to Dr. Howard’s Office to see if they are fit for service (everyone passes with a cursory superficial “if you're breathing you're good” exam), and then they are off to the Logan County Courthouse to be “mustered in” and prepared for military drill and schooling. At this point, the group of guests are commanded by an officer in the Federal army, given wooden muskets and then drilled on the Village Green with commands and movements as new recruits would have received during the war. We only need to figure out how to muster them out of service at the conclusion of the day! This year we have Tim Erikesen and The Trio de Pumpkintown as our primary musical performance with an extended concert Saturday evening with shorter performances both Sunday and Monday. Tim is acclaimed for transforming American tradition with his startling interpretations of old ballads, love songs, shape-note gospel and dance tunes from New England and Southern Appalachia. He combines hair-raising vocals with inventive accompaniment on banjo, fiddle, guitar and banjo sexto-a twelve string Mexican acoustic bass-creating a distinctive hardcore Americana sound. This year marks the 150th anniversary of the 1864 presidential election wherein Abraham Lincoln won a second term in office. We will have a re-created Lincoln Campaign Head Quarters stationed out of the Tintype Studio in Greenfield Village.
For 2014, The Henry Ford is very pleased to have partnered with the National Park Service in delivering special presentations and outreach programming through the Fredericksburg and Spotsylvania National Battlefield relating to the 150th Anniversary of General Grant’s Overland Campaign of 1864. For the highlight of this partnership, The Henry Ford will take part in Reverberations, an innovative program initiated by the National Park Service connecting three national parks in Virginia and eight communities around the country to illustrate the devastating impact of the Civil War on communities across the country. Greenfield Village in Dearborn, Michigan is one of those communities.
This special candlelight illumination ceremony with John Hennessy, Civil War historian and chief historian/chief of interpretation at the Fredericksburg & Spotsylvania National Military Park, will be simultaneously conducted by the partner communities both North and South. This ceremony will culminate in taps being played in Greenfield Village and echoed to these other locations virtually as the event will be streamed live in conjunction with the other ceremonies. The activities will ultimately conclude with a grand illumination ceremony the Fredericksburg National Cemetery in Virginia.
Civil War Remembrance Weekend takes place in Greenfield Village Saturday, May 24, through Monday, May 26, with a special late night Saturday evening. Learn more about the program by visiting our event page.
Brian James Egen is Executive Producer at The Henry Ford.
One of the core features of the Civil War Remembrance program are the nearly 450 living history re-enactors that come in and literally camp in Greenfield Village. What many guests don’t know, and is often a question that is asked of these participants is, “Where do you get your clothing and equipment?”
A rather robust industry of proprietors, merchants and cottage business people have emerged over the past several decades to make and provide reproduction clothing, equipment, accouterments and just about every other imaginable article from the Civil War (and other) time periods. These merchants have created their own living history impressions known as sutlers. Sutlers were mobile stores and merchants that followed the armies and set up shop, usually under large canvas tents and temporary structures, to provide articles and goods that the army did not issue or supply to the troops. Today, re-created sutlers follow re-enactors to events across the country, including Civil War Remembrance, to sell reproduced living history items.
Many of the re-enactors purchase most, if not everything, from these sutlers and proprietors, but a small group of living history people make their own items. This group of living historians, both men and women, examine originals articles in museum collections, draft patterns and notes, conduct primary research and then go about re-creating said article to the exact detail. Often times this requires searching far and wide for the correct and appropriate fabric, notions and materials to create an absolutely faithful recreation that they will then wear and use. Often is the case that many of these items, including the specific fabrics, have to be made from scratch as they cannot be found at your local fabric shop. For some, this “obsession” with the period details, may seem like too much work, but for those who have embraced such aspects of the material culture from the time period their work has added immeasurably to understanding the time period and the details of everyday life for both soldier and civilian through one of the most universal and common aspects of our ancestors of the past and with us today – clothing! Everyone has done in the past, does today, and will probably for the foreseeable future, wear clothing!
Those of us who have researched, examined originals, and then set out to recreate accurate period clothing and attire from a particular time period have found that it goes well beyond generic fabric choice, color, etc. It is a must to have not only the correct weight, content, and properly (authentically) dyed fabric, but it is also cut, construction technique, thread use and more. An example of this may be a re-created Federal Fatigue Blouse commonly called a four-button sack coat. The army issued nearly 3 million of these and it was the most basic article of clothing for every Federal soldier (and even many Confederates that captured supplies from wagon trains, battlefield pick-ups, etc.). Although there were some variations in the fabric and construction techniques due to the various contractors making them, the regulations called for the fabric to be made of flannel (a lighter weight/utilitarian type wool with a distinct diagonal wale/twill) that was indigo dyed, cut in a specific manner/style, and constructed with #30 logwood-dyed linen thread. Although many were machine sewn, especially by contractors, many fatigue blouses were completely hand sewn, including the button holes. Government clothing depots issued kits to civilians to sew for contract pay – to make it equitable to all since not all had machines, they insisted they were completely hand sewn. So depending on the style of fatigue blouse you are re-creating it needs to be entirely hand sewn or a combination of machine/hand sewn.
Does all of this make a difference in building an authentic and accurate impression? Yes, it does. The jacket hangs differently off the body, the stitching is noticeably different, and looks nearly indistinguishable to the originals sans age. These differences, in conjunction with all the other aspects of putting an accurate impression together, really do create the, “that person looks like they just stepped out of a Civil War photograph,” comment.
Women and civilian impressions are equally wrought with attention to details down to the exact style of stitch to create a specific look on the bodice of a dress or a knife-pleat on waist seam. Creating the ever important then, and equally important now, proper silhouette starts with the appropriate and accurately constructed foundational undergarments for both men and women. Constructed appropriately and with the correct fabric, an exact look can be created from the time period. Whether it is the fine detail of tiny stitch revealed 5" from a skirt bottom, where the false hem was sewn in by hand, on the inside or the reinforced top stitching along the outer edge of the side back seam on a woman’s bodice, these are all the important details that many of the living history pursue to create a most accurate window to the past.
It's all in the details and the outcome of such can be profound. A photograph taken using a 1860s wet-plate process of a colleague taken years ago illustrates this point exactly. Robert Lee Hodge, noted living historian and Civil War battlefield preservationist, had created an impression of an early-war civilian soldier. Wearing accurately constructed period clothing, sporting period facial hair, carrying a battle knife, and even crossing his eyes slightly, you would not know if this man is alive today or if it was taken of a Missouri or Kansas “cut throat” or “boarder ruffian” from 1861. Rob’s accurately constructed drop-shoulder cotton plaid work shirt (or battle shirt), fancy silk cravat, jeans-cloth trousers – all with a great deal of wear patina – make this image indiscernible if was taken within the past ten or 150 years. Rob was one of the subject matters in Tony Horwitz’s 1998 Pulitzer Prize-winning book Confederates in the Attic and this image was used on the paperback version of the book.
Volumes could be written on the material culture aspects and the use of such understanding for recreating clothing and articles of the past and it all begins with the study of originals. During Civil War Remembrance we are very fortunate to have material culture experts and historians bring in their magnificent collections for display in the Village Pavilion (the “Civil War Resource Center”) as well as provide special presentations sharing their deep and extensive knowledge. We have experts from Michigan, Alabama, Maryland and Gettysburg, Pennsylvania here over the weekend. The fashion show, “What We Wore – Clothing and Uniforms of the 1860s,” has been expanded this year and will be co-presented by local historian Beth Turza and Brian Koenig, material culture export from Pennsylvania. Both Beth and Brian construct exquisitely detailed period clothing.
Through researching, understanding and re-creating accurate clothing and articles from the past, we can get a clearer picture of the people and time period we seek to know. We are indebted to those who keep the skill, expertise and craft of the past alive and relevant. A quote that emerged from presentation workshop we conducted here years ago seems very appropriate for those who make period clothing for living history uses:
“We teach our hands with yesterday so the eyes of today will see the hearts of long ago.”
Brian James Egen is Executive Producer at The Henry Ford.
During Civil War Remembrance at Greenfield Village there are countless activities, performances and hands-on experiences to keep you busy all day long. Music is a large, important part of how we celebrate the weekend, so you can expect some fantastic performances all three days.
Taking a look at our lineup for this weekend you’ll notice some groups familiar to the stages of Greenfield Village. Included in that lineup is Tim Eriksen and the Trio de Pumpkintown. I had a chance to talk with Tim recently and learn more about his approach to songwriting and performing his own style of folk music.
Fans of the 2003 award-winning Civil War drama “Cold Mountain” will quickly recognize Tim and his work as he contributed several songs to the popular soundtrack. With a background working with some well-known names in the music industry, Tim’s career has been eclectic and fascinating all at the same time.
Describing himself as “hardcore Americana,” Tim takes an imaginative approach to his music. Guests can expect humor and intensity during his performance, especially those who are brand-new to his work; it’s an unusual take on folk music that will leave everyone pleasantly surprised.
Listening to Tim’s work can also be a bit of a history lesson, too, as he sings about a fictional New England village. To Tim, the line between history and fiction is often hard to draw. As he puts it, fiction is a very powerful tool in telling the truth. As an artist, he’s passionate about reimagining stories.
When it comes to influences, Tim finds inspiration from the New England communities of the late 1700s, a very diverse area during that time, in his opinion. Beyond the historical influences, Tim is inspired by the everyday objects he finds in nature.
After listening to Tim and the Trio de Pumpkintown’s performances this weekend at Civil War Remembrance, Tim hopes that guests enjoy themselves and engage in history. With Greenfield Village’s busy backdrop commemorating an important time in our nation’s history, you can assume that Tim’s hopes will definitely come true.
Tim Eriksen and the Trio de Pumpkintown take to the Town Hall stage in Greenfield Village for three performances during Civil War Remembrance: Saturday at 7 pm, Sunday at 2 pm, and Monday at 1 pm. For more information about this year’s weekend of events, check out the schedule and map.
Lish Dorset is Social Media Manager at The Henry Ford.