If you’ve walked through “With Liberty and Justice for All” in Henry Ford Museum, you’re familiar with the long and complicated history of social transformation, including civil rights and race relations, in America. Some artifacts, like the Rosa Parks Bus, are primary sources in this story, but we also hold collections that offer a more oblique take, such as about 100 photo negatives we’ve just digitized relating to five days of civil unrest in Detroit in July 1967.
The images come from Detroit Edison, which was charged with the very normal work of restoring electricity under very abnormal conditions. While the photos primarily document the power company’s work in the wake of the unrest, the events of the preceding days and their aftermath are omnipresent, as you can see in this image. We undertook this digitization project as part of our participation in “Detroit 67: Looking Back to Move Forward,” “a multi-year community engagement project of the Detroit Historical Society that brings together diverse voices and communities around the effects of an historic crisis to find their place in the present and inspire the future.”
Early next year, we’ll be sharing more collections-based stories related to the complex roots of, and reactions to, Detroit 67, in keeping with our mission to inspire people to help shape a better future. For now, visit our Digital Collections to browse all of the July 1967 Detroit Edison images.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
Elon Musk thinks big. The mission of his car company, Tesla Motors, is “to accelerate the world’s transition to sustainable energy,” while his commercial space travel business, SpaceX, aims “to revolutionize space technology, with the ultimate goal of enabling people to live on other planets.”
In June 2008, The Henry Ford visited SpaceX’s Hawthorne, California, campus to interview Musk about these lofty goals, a trip that resulted in a lengthy oral history now available online in both video and transcript format as part of The Henry Ford’s Visionaries on Innovation series. At the time the interview was conducted, Detroit photographer Michelle Andonian also documented the whole experience, taking many pictures of the facility, the museum staff who participated, and Musk himself. We’ve just added nearly 200 of these images to our Digital Collections, including this photo of Musk hard at work at his desk.
The Henry Ford is a very active collecting institution, which results in hundreds to thousands of new artifacts of all types and sizes added to our collections every year. From among these, our curators select a subset for near-term digitization, while the rest go into the queue to be digitized as the need arises.
One just-digitized item collected by Curator of Transportation Matt Anderson is the glove worn by Janet Guthrie when she became the first woman to race in the Indianapolis 500 in 1977. Visit our Digital Collections to see more artifacts either acquired or “discovered in collections” in the last year—or explore tens of thousands of racing-related artifacts. Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
Some time ago, The Henry Ford’s digitization team started a project to digitize selected photographs of Greenfield Village buildings. More than 2800 photos and two years later, we have finally completed this project, a celebration marked by the team with mini-cupcakes and commemorative coasters featuring some of our favorite images from the project.
While all the buildings have a strong relationship to Henry Ford—the majority were selected by him and added to the Village under his watch—the final building we imaged is one of the most important to Henry’s story: his birthplace. We imaged over 175 photos of Ford Home, including this November 5, 1920 shot of the house on its original site.
Visit our Digital Collections and search on any building name to see more—or see some staff favorite photos in our Expert Set. Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
Every week, guests and researchers visit The Henry Ford’s Reading Room, either physically in the Benson Ford Research Center, or virtually, via our remote research program. The researchers (or our staff, for remote requests) pore through boxes and folders of photographs and documents, and sometimes select key items for imaging. With so much material in our collections, these can be intriguing items we might not have realized were there, and we make many of these digitized images available online so future access becomes even easier for anyone, anywhere.
One great example is this recently digitized, researcher-requested Ford Motor Company image of a Model T modified with traction to act as a snowmobile.
The Henry Ford’s digitization and digital content teams get together for a 10-minute stand-up meeting every morning, and those meetings consistently spawn intriguing conversations about the amazing, rare, awesome, and significant items in our collections. Sometimes our discussions turn to objects that make sense within the context of their time and place, but which might seem strange or unsettling today.
In honor of the Halloween season, we’ve put together an Expert Set of some of our favorite such artifacts, selected by our staff. For example, Curator of Communication & Information Technology Kristen Gallerneaux selected this poster, shown above, featuring magician Howard Thurston and a bevy of supernatural figures.
Visit the Expert Set in our Digital Collections to see more—if you dare... Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
This summer, The Henry Ford hosted Meredith Pollock as our 2016 Edsel B. Ford Design History Fellow. Her work here investigated the materials in our collections related to Edsel Ford’s philanthropy, and turned up a great deal of information on the kinds of charities to which Edsel donated.
One thing that caught our eye, particularly in light of this year’s National Park Service centennial, is Edsel’s ongoing relationship with America’s national parks. We’ve just digitized a number of letters, photographs, and other artifacts that help explain how Edsel supported the park system, including this certificate reappointing Edsel to the Isle Royale National Park Commission.
Henry Ford Museum’s newest exhibit, the Davidson-Gerson Modern Glass Gallery, formally opens on October 14, 2016. In this exhibit, you’ll learn about the evolution of modern studio glass, and how it blends art, science, and technological innovation.
We’re happy to announce that we’ve already digitized about 80% of the pieces on exhibit, with the remainder to be available online by early next year. One example, shown here, is “Scarlet Macaw” from the Parrot Series by Noel Hart, an Australian artist.
In the early 1960s, designers Charles and Ray Eames set out to reveal the wonder they saw in math through an engaging and interactive exhibit they called Mathematica: A World of Numbers … and Beyond. The designers, perhaps best known for the iconic Eames lounge chair, used models and demonstrations to bring to life concepts such as probability, geometry, the Moebius strip, and more.
In 2015, The Henry Ford acquired an original Mathematica exhibit, and is currently working to restore the interactive components before installing the exhibit on the Museum floor in 2017. We’ve begun to digitize some of the signage and reading material from the exhibit, including this reading stand that discusses, among other things, the “Man Machine Interface.”
Visit our Digital Collections to view zoomable detail shots, or to see the other Mathematica signage digitized so far. Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.
American Style and Spirit: 130 Years of Fashions and Lives of an Entrepreneurial Family is a temporary exhibit opening in Henry Ford Museum on November 5. The exhibit is based on an extensive donation of garments and accessories, all used by the Roddis family of Marshfield, Wisconsin. These artifacts are exceptional in demonstrating how clothing tells us something about the person who wears it, while also illuminating broader stories of American life. We have just digitized a number of Roddis Collection pieces, including this 1952 day dress.
To learn more, visit our Digital Collections to see the other pieces digitized thus far and watch for more to be added in the weeks leading up to the exhibit opening. Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.