Nighttime Lighting Rehearsal at Henry Ford Museum, Preparing for Light's Golden Jubilee, October 18, 1929. THF96024
Invitation to Light's Golden Jubilee Celebration and Edison Institute Dedication, Dearborn, Michigan, 1929. THF9173
"Light's Golden Jubilee" Reception Badge, 1929. THF294662
On October 21, 1929, Henry Ford hosted an elaborate celebration in Dearborn, Mich., in honor of his friend Thomas A. Edison. Known as Light’s Golden Jubilee, the date marked the 50th anniversary of Edison’s invention of the electric light. Ford also planned his event as a dedication of his own lasting tribute to Thomas Edison and to American innovation, the Edison Institute of Technology (now known as Henry Ford Museum of American Innovation) and Greenfield Village. Here, Henry Ford had moved the Menlo Park, New Jersey, laboratory where the inventor made his discovery so many years before.
The RSVPs for Light's Golden Jubilee began pouring in to Ford Motor Company by early October 1929. Prominent businessmen like John D. Rockefeller, Jr. and J.P. Morgan, scientist Marie Curie, inventor Orville Wright, and humorist Will Rogers were among those who enthusiastically accepted Ford’s invitation to be part of the landmark event.
At 10 am that morning, President Herbert Hoover, Henry Ford and Thomas Edison arrived at Smiths Creek depot at Greenfield Village in a railroad car pulled by an 1858 steam-powered locomotive, reminiscent of Edison’s youth when he sold newspapers on Michigan’s Grand Trunk railroad line. Edison, Ford, and Hoover and their wives were met by invited guests that numbered more than 500. The crowd roared their approval and congratulations as Edison stepped from the train to begin the day’s festivities.
Ford, Hoover and Edison arrive at the Smiths Creek, Michigan depot where a young Edison had been thrown off the train 67 years earlier when he accidentally started a fire in a baggage car. The station was one of several Edison-related buildings that Henry Ford moved to Greenfield Village. THF294682
This painting of the Light’s Golden Jubilee banquet was begun in 1938 at the request of Henry Ford. Completed by artist Irving Bacon seven years later, the 17 x 7-foot painting hangs in the museum. THF119552
Edison and Jehl recreate the successful lighting of the first electric light in the restored Menlo Park Laboratory in Greenfield Village. President Hoover and Henry Ford look on. THF 118508
After the guests had been properly greeted and the throngs of media had gotten their quotes and photographs, Henry Ford gave Hoover a personal tour of the massive Ford Motor Company Rouge industrial complex, five miles away. Eighty-two-year-old Edison retired to Ford’s nearby Fair Lane estate to rest while the hundreds of guests gathered at the Clinton Inn (now known as Eagle Tavern) to enjoy lunch followed by afternoon horse-and-carriage tours of Greenfield Village.
The morning of the celebration brought forth rain. Twenty-eight historic buildings had been assembled in Greenfield Village from around the United States. The muddy grounds made sightseeing around the outdoor museum challenging, but they didn’t dampen enthusiasm. To combat the rain and mud, Ford supplied enclosed horse-drawn carriages to transport guests on tours of Greenfield Village. THF124662
That evening, guests gathered at the museum—the front galleries of which had been hurriedly completed just in time for the celebration. Fine crystal chandeliers, fitted with candles, cast a soft glow about the rooms. NBC Radio broadcaster Graham McNamee set the mood for the evening in a coast-to-coast live broadcast:
"Imagine the checkered effect of black and white evening dress, the brilliant splashes of color provided by the uniforms of military attaches and the great stylists of Paris and Fifth Avenue ...I have attended many celebrations, but I cannot recall even attempting to describe one staged in a more perfect setting."
After a sumptuous banquet, Edison, Ford, and Hoover went to the reconstructed Menlo Lab in Greenfield Village to re-create the lighting of the first electric lamp. There, Edison and Francis Jehl, his former assistant, both went to work—much like they had half a century earlier, preparing to forever change the world. As they worked, McNamee narrated to a hushed world: "Mr. Edison has two wires in his hand; now he is reaching up to the old lamp; now he is making the connection.… It lights! Light's Golden Jubilee has come to a triumphant climax."
As the connection was made in the Menlo Lab, the museum building was bathed in light and the museum’s replica of the Liberty Bell pealed for the first time. Overhead a plane flew by with the word “Edison” and the dates “79” and “29” illuminated under the wings. Car horns sounded, lights flashed on and off, and the world bathed itself in an electric light tribute to Edison.
Worldwide publicity of the Light’s Golden Jubilee event encouraged Americans from coast to coast—and people around the world—to participate in the celebration. People huddled around their radios, plunged into near darkness, using only candles or gas lamps for light, waiting for Edison's successful re-creation as a cue to turn on their lights as part of the celebration. Small towns and large cities put on elaborate light displays.
After the reenactment, Ford, Hoover, Edison and Jehl returned to the museum to hear accolades from President Hoover, a radio address by Albert Einstein broadcast from Germany, and Edison’s heartfelt remarks. Henry Ford, not wishing to steal the spotlight from his friend, did not speak or allow photographs at the evening ceremony.
This event was just the beginning—Ford’s tribute to Edison and to American innovation and inventiveness was a lasting one. The artifacts and buildings Ford gathered for his indoor and outdoor museums, now known collectively as The Henry Ford, have told stories of American innovation, ingenuity, and resourcefulness for 90 years. They will continue to inspire countless generations to come.
Terry Hoover is a Former Archivist at The Henry Ford.
Bergmann & Company Edison Chemical Meter, Used at the City Hotel, Sunbury, Pennsylvania, 1883. THF164679
As work progresses on the Electrical Collection thanks to an Institute of Museum and Library Services grant, the fascinating context in which these objects were used is discovered. This Edison chemical meter used at the City Hotel in Sunbury, Pennsylvania, the first hotel commercially wired for electricity, and was part of the first three-wire power system in the world.
Following the success of the Edison Electric Illuminating Company of New York, the first central power station in the world, Thomas Edison sent his agent, P. B. Shaw, to find other ideal locations for more central power stations. The locations needed to have high gas prices to make the switch to electric lights appealing, and inexpensive fuel to help compete in the lighting business.
Shaw traveled the Coal Region of Pennsylvania to find a place that met the criteria, and organized multiple Edison Electric Illuminating Companies including Shamokin (1882), Sunbury (July 1883), and Mount Carmel (November 1883). The site selected in Sunbury backed up onto a stream flowing down from Shamokin, which would deposit coal on its banks after heavy rainfall or melting snow. Sunbury’s high cost of gas, free coal, and proximity to water meant that it was the perfect location for a power plant; however, the location was outside the town’s business center, which would add to the cost due to the length of wires needing to be strung from the power plant to potential customers.
To offset costs, Edison took a party of potential donors on his electric railway to demonstrate his innovative technology. After the demonstration, Edison was inspired to improve his two-wire system in use in New York by adding a third-wire to act as a neutral line, as well as using two dynamos to generate 220 volts while still allowing 110 volt lamp usage to ensure consistent distribution of power throughout the long wires. After a brief test, Edison applied for a patent and the three wires with conductors were strung to the City Hotel, thus making it the first building to be commercially wired for electricity and Sunbury the first city to have three wire commercial direct current incandescent lighting and overhead conductors.
On July 4, 1883, the City Hotel of Sunbury became the first building lit with incandescent carbon-filament light bulbs using the three wire system. To measure the electricity used by the hotel, an Edison Chemical Meter, one of the first electric wattmeters, was installed. These electrolytic meters measured electricity through electroplating, but needed to be removed and measured at the central station in order to bill customers. The meters were reliable, despite the cumbersome method for billing, but were phased out in the 1890s and replaced by mechanical meters, which were easier to read.
Laura Lipp Myles is Collections Specialist at The Henry Ford.
The Henry Ford is the now the permanent home for an object that sets a new standard in both communication technology and fashion - the IBM Cognitive Dress.
The dress originally debuted at the Metropolitan Museum of Art Gala in May 2016 as a stunning custom gown designed by high-end women’s fashion designers Marchesa with the assistance of IBM’s Watson cognitive system. The dress has many layers of collaboration and interactivity: the initial research between IBM and Marchesa, the ability for an audience to influence its color through social media, and the ability for the dress to then communicate and display the data result back to the audience.
So, how does it work?
Watson is a cognitive technology--a form of computing that learns in a similar way to how humans learn. To make the dress interact with Watson, social media-responsive LEDs were sewn into its bodice and skirt. Utilizing Twitter and other social media feeds, Watson analyzes tweets and assigns an emotion based on the hashtags submitted, resulting in shifting color patterns across the garment’s materials.
The IBM Cognitive Dress is truly a smart design and a smart dress. The democratic appeal of social media has allowed the dress to become a significant part of today’s fashion industry. Fashion can now debut globally at an instantaneous rate--some companies go so far as to launch new collections using platforms like Twitter, Instagram, and Snapchat.
In 2014 conservation, facilities and exhibit staff members removed two English crystal chandeliers from the museum shop in Henry Ford Museum in preparation for the upcoming renovation. The chandeliers, which were made in Birmingham, England between 1860 and 1880, had been in the shop for many years and were showing signs of age. The silver portions were heavily tarnished and the metal wires that held the crystals were corroded and brittle. We decided to conserve them prior to their move to a new home in a rather dark lounge just outside of the Lovett Hall Ballroom, where their glittering, cut-glass elegance would be appreciated.
This year, many transformative things have been set into motion at The Henry Ford. One of the most rewarding projects has been all of the hard work that has culminated with the first season of The Henry Ford’s Innovation Nation, an educational television show produced by Litton Entertainment. Perhaps you’ve been watching the episodes on CBS, Saturday mornings? If not, you can view them here.
When we entered into a partnership with Litton, we also took the opportunity to turn our gaze inwards, to research the history of our own involvement with broadcast media. A dive into the archives of the Edison Institute revealed some gems—photographic collections that captured the visual history of media events on our campus spanning 60 years. Previous blogs detail how in 1955, Marion Corwell began hosting Window to the Past, our first live television show. That same year, NBC filmed an all-day live event using the then-new medium of color broadcasting; episodes of The Howdy Doody Show were captured that day. Other discoveries revealed Gladys Knight and the Pips on the Phil Donahue Show in 1973.
If you've visited Ford Field to see a Detroit Lions game, chances are you've see a neon sign that now hangs over the Pro Shop. And if you've visited Henry Ford Museum to explore Gridiron Glory: The Best of the Pro Football Hall of Fame, chances are you've seen that same sign here, this time a replica that looks like a lot like the original.
We had a chance to talk with our partners over at the Detroit Lions to learn a little bit more about this familiar sign.
The sign was created in 1963 when Mr. William Clay Ford, Sr. bought the club and was hung in the Detroit Lions Headquarters. The logo on the sign came from a patch that was worn on the team’s blue blazers that they would wear when travelling.
The Lions organization, along with the neon Lions sign, then moved to the Silverdome in 1975.
When the organization moved to Ford Field in 2002, the sign was left at the Silverdome. Ford Field Director of Sports Events Danny Jaroshewich brought it to Lions President Tom Lewand’s attention that the sign was left and suggested that it be brought to the new offices at Ford Field. The sign was sent to be refurbished before being placed above the Pro Shop, where it is still currently hung.
Lish Dorset is Social Media Manager at The Henry Ford
The Jewish holiday of Hanukkah celebrates the victory of the few and the weak over the mighty and the strong. Legends and stories surround the holiday’s origins, whose name means “dedication” in Hebrew.
For centuries, Hanukkah was a modest occasion, a minor holiday. Jewish law and custom only required the lighting of candles for eight nights, with one candle to be used as the shamash (“guard” or “servant” in Hebrew) to light the others. The lighted candles were to be kept by a window where they could be seen by passers-by. In Eastern Europe, the celebration included eating latkes (potato pancakes), distributing small amounts of Hanukkah gelt (coins) to children, playing games with a dreidel (a spinning top), and playing cards.
I began my internship with Charles Sable, Curator of Decorative Arts, in September of 2011. My assignment: to educate myself on the history of American lighting, research the lighting collection at The Henry Ford, and help to prepare for a visit of four antique lighting clubs that was scheduled for October of 2012.
I was excited for this opportunity; I enjoy research and was curious to see what was in the collection. As I began to learn the history of lighting and understand fuel sources and mechanics, I quickly found the breadth of the project was far greater than I had initially imagined! My preliminary research took about four months; I then began combing through some 7,000 lighting-related objects in the collection to select appropriate examples to present to the lighting collectors. This was done by searching the Henry Ford Museum’s collections management system.
To better understand the lighting collection at The Henry Ford, it's important to know its history, which can be traced back nearly 100 years, when Henry Ford first began collecting in the 1920s. During Ford’s creation of a museum that would “reproduce American life as lived,” (Simands, William A. & Stokes, Frederick A. Henry Ford and Greenfield Village. New York, p. 117) his agents scanned the country for objects that represented the development of the American experience. He was passionate about technological innovations of all kinds, with an interest in the evolution of lighting and the development of electricity, influenced by his close friendship with and admiration for Thomas Edison. This led him to acquire a substantial collection of lighting objects. Though some examples were peculiar and unique, many were rather conventional. These objects represent the technologies of their time period, as Americans searched for the most efficient lighting options.
The origin of much of the collection is difficult to pinpoint. Many objects were acquired before 1940 and were not documented the way objects are today. Luckily, Henry Ford kept the receipts for many of his purchases. These records provide clues that indicate Ford initially began collecting chronologically. He started with the oldest forms of lighting, such as candlesticks and rushlights, and by the 1930s was collecting gasoline-fueled lighting. The initiative to collect lighting ebbed after Ford’s death in 1947, but picked back up again in the 1960s and 1970s under the curatorship of Carleton Brown.
Though the collection was acquired in many stages, its significance is clear: it represents the evolution of lighting, and the search for a fuel that would burn brightly, was safe to use, easily accessible, and affordable.
Working chronologically, as Henry Ford did when assembling the collection, I sorted the objects into categories. The process of selecting those that would be shown to the visiting collectors then began. Working with two representatives from the groups, Charles and I spent several days going through the collection determining which objects would make the cut. The collectors were interested in unique examples, patent models, and rare pieces. After careful consideration, 25 objects were selected, and we ended up with some very interesting and unique picks!
During the weekend of Oct. 12, 2012, the four organizations (the Rushlight Club, The Historical Lighting Society of Canada, The Night Light Club, and the Fairy Lamp Club) visited The Henry Ford. They toured Henry Ford Museum and Greenfield Village to see the lighting on display, and were able to examine the 25 objects we selected. It was certainly a rewarding experience for everyone involved!
Though much of the lighting collection is not currently on display, visitors to the museum can see lighting examples in the "Made in America" and "Fully Furnished" exhibits, as well as inside many of the homes in Greenfield Village. All the objects chosen to show the collectors have been digitized for public viewing; for the remaining objects not shown here, take a look at our online collections site. You can see the artifacts listed here and more!
Laser artist and maker Mike Gould these past weeks has set up shop in the lobby of the JW Marriott Hotel in Grand Rapids, Mich., as part of the city’s three-week ArtPrize 2012 event. Mike received one of MAKE magazine’s editor’s choice awards during Maker Faire Detroit in July.
He exhibited his work in the Plaza in Henry Ford Museum. He brought with him and displayed some of the equipment he’s made and collected throughout his exploration of creating art with light. He also very generously shared with visitors his journey and love of the craft.
Visitors to Maker Faire Detroit were able to get their hands on some of Mike’s early DIY laser light equipment.
At ArtPrize 2012, Mike talks to daytime visitors to the JW Marriot Hotel, but starts his Stratus 10 exhibit – for obvious reasons - after sundown. The display is very visible from the outside, Mike said. “You can see it from across the river, from the walk bridge and when you’re driving by on the highway.”