The website for Baltimore’s Pimlico Race Course, home of the Preakness Stakes, notes that its 1870 founding makes Pimlico the second-oldest race track in the United States today, after Saratoga. / THF239341
Horse racing was America’s first popular spectator sport, dating back to colonial days. The fashionable standards and sporting traditions established by wealthy Southern planters influenced the future acceptance and organization of many American sports. Further, of the wide variety of sporting diversions in which they engaged, horse racing was the most popular. Subscription races were held in larger towns in Virginia and South Carolina (sponsored by the gentry, but spectators came from every class), while quarter-races (informal quarter-mile matches) were a universal feature of Southern country life at the time.
The Southern planters’ enthusiasm for horse racing in the mid-17th century was soon matched by that of the wealthy gentry living along the Eastern Seaboard. The popularity of horse racing in the East, especially the spontaneous quarter-races between neighboring settlers’ horses, also spread rapidly to the frontier. By 1788, a circular race track had been constructed as far west as Lexington, Kentucky. English thoroughbreds were imported in large numbers during this time, establishing new and dominant bloodlines. Heavy betting accompanied these races, which is why horse racing was widely prohibited in many areas until well into the 19th century.
Engraved on one side of this cup, dating to 1699, are the initials of Jacob and Mary Van Dorn of Middletown, New Jersey. Family tradition claims that the cup was won by one of their slaves, racing a colt in a one-mile race. If true, this is the earliest unaltered American racing trophy. / THF159561
People working and living in the growing cities craved diversion. In the 1820s, highly organized horse-racing meets took place in cities as new courses and larger grandstands were built for paying customers. Rules were standardized, schedules published, and racing times recorded. Early sporting periodicals—including the most popular of this era, The Spirit of the Times—spurred the growing enthusiasm. Although betting continued, horse racing had achieved some degree of respectability by the 1850s. It flourished in all parts of the country (except New England) and was especially popular in the South, the West, and on Long Island in New York State. Horse racing also became a major feature of agricultural fairs, to the annoyance of those who had supported the earlier, noncommercial character of these events.
The front of this trade card for "The Big Fair" in New Castle, Indiana, in August 1890 depicts a horse race, while the reverse promises “the fastest races.” / THF225118
During the mid-19th century, the distinctive American sport of trotting (also called harness racing) largely replaced thoroughbred racing at fairs. This sport gained popular support because of its “democratic” nature—a trotting horse with a rig was far less expensive to buy, train, and maintain than a thoroughbred racehorse. It was considered “common to all … open to every one who keeps a horse for his own driving … the butcher, the baker, or the farmer,” and was “the people’s sport, the people’s pastime” (Frank Forester’s Horse and Horsemanship of the United States and British Provinces of North America, 1857).
This circa 1891 trade card for a Detroit carriage and buggy manufacturer shows a harness racer on the track. / THF225366
Moreover, many people considered harness racing more respectable than thoroughbred racing since it was not as closely associated with gambling. Thousands upon thousands who cared not a whit for running horses were eager spectators of trotting matches—it fascinated a wide general public, and commercialized trotting races became thoroughly entrenched features of county and state fairs. A National Trotting Association, formed in the 1870s, brought uniform rules, national contests, and the publication of statistics and records.
From 1905 to 1909, undefeated trotting horse Dan Patch became a national celebrity, with a speed so fast that other owners refused to race their horses against him. Dan Patch’s fame subsequently led to his appearance in endorsements of numerous products, including toys, cigars, washing machines, and automobiles. It was decades before his record was broken.
Race horses often became celebrities in their own right—like Lady Suffolk, depicted on this mid-19th century weathervane from our collection, as well as in prints. / THF186729
Harness racing remained a popular spectator sport at county fairgrounds and at specially lit race tracks that made night racing possible. Meanwhile, horse racing remained popular with both the wealthy and the gambling “sporting fraternity.” The number of metropolitan courses increased, and races were highly organized. The Kentucky Derby, first held in 1875, gave national prestige to thoroughbred racing and encouraged the construction of race tracks across the country.
Leisure offers an exceptional opportunity for the display of wealth and the assertion of social importance. Horses were expensive, and some of the great industrialist fortunes of the post–Civil War years went into breeding thoroughbreds for racing. Especially during the 1880s and 1890s, the wealthy joined exclusive country clubs where they might attend horse races at ultrafashionable courses, play polo, or go fox hunting in the English manner. The first of these social spots is believed to be the Brookline Country Club, near Boston, but it was soon followed by the Westchester, Essex, Tuxedo, Philadelphia, Meadowbrook, and Chicago clubs.
This 1885 trade card for a tailor in Amsterdam, New York, depicts two well-dressed ladies and an equally well-dressed gentleman, presumably quite well-to-do, watching a horse race. / THF224642
During the 1930s, the hope of great fortunes combined with the publicity surrounding colorful thoroughbreds (like Seabiscuit) and new technical advances (like automatic gates and electric timers) to help revive the sport of horse racing at rebuilt and new courses. Horse racing and harness racing continue to be popular spectator sports today.
This Hallmark Keepsake Ornament from 1984, “Santa Sulky Driver,” demonstrates the ongoing appeal of horse- and harness-racing. / THF181752
Horse- and Harness-Racing Vehicle Highlights from The Henry Ford’s Collection
This sulky was used for trotting. It was reportedly used by harness racehorse Guy Wilkes and brought to California in the 1880s. High-wheeled sulkies were lightweight, strong, and efficient, allowing the racehorse to move as swiftly as possible.
This sulky was used for trotting and was made by A. Bedford of Coldwater, Michigan. The low-wheeled sulky, introduced in 1892 by the Massachusetts bicycle factory of Sterling Elliott, created a revolution in the sport of harness racing. The low wheels and pneumatic tires reduced friction, especially around turns, and enabled horses to improve their speed dramatically. These sulkies were also lightweight, to help the horses increase their speed around the track.
U.S. Senator Leland Stanford (who helped build the Central Pacific Railroad and was also governor of California) trained and exercised two of his finest trotting horses, Sunol and Palo Alto, with this breaking cart. At his 11,000-acre ranch in Palo Alto, California, Stanford developed original methods of training horses that were later adopted by other breeders. By the mid-1880s, he had achieved recognition as the foremost trotting-horse breeder in America. The speed of his two- and three-year-old horses startled the world of harness racing.
This speeding cutter was made by A. E. Perren of Buffalo, New York. Speeding cutters (sleighs) were hitched to trotters and pacers for horse-racing enthusiasts who found winter no obstacle to their activities. This cutter was used by Everett L. Smith of Westborough Massachusetts, for trotting races, then by Frank P. Knowles, who built a private track at his cattle farm in Auburn, Massachusetts, upon his retirement from his position as vice president at Crompton & Knowles Loom Works.
Bob Casey is former Curator of Transportation at The Henry Ford. This post is adapted from an educational document from The Henry Ford titled “Transportation: Past, Present, and Future—From the Curators.”
As students everywhere settle into a new school year, let’s take a look back at the Henry Ford Trade School, founded in 1916.
The first six boys and three instructors, 1916. / THF626066
The school was formed to give young men aged 12–19 an education in industrial arts and trades. Boys who were orphans, family breadwinners, or from low-income families from the Detroit area were eligible for training and split their time between classroom and shop.
Henry Ford Trade School students and teachers in classroom, October 31, 1919. / THF284497
Students working on machinery at the Rouge Plant, 1935. / THF626060
The school started at the Highland Park plant, expanded to the neighboring St. Francis Orphans Home, and then to the Rouge plant and Camp Legion.
Henry Ford Trade School building, August 1, 1923. / THF284499
Trade School students on campus at the Rouge Plant, 1937. / THF626062
While students were receiving their education, they were also being paid an hourly wage, as well as a savings balance that was available to them at graduation. Students started off repairing tools and equipment, and as they gained more experience, moved on to working on machinery.
Trade School student at the Ford Motor Company Rouge Plant, August 3, 1942. / THF245372
Students also got four weeks of vacation and daily hot lunches.
Students at lunch in the Rouge B Building cafeteria, 1937. / THF626068
The students were trained in a wide range of courses, both shop and academic, using textbooks created by the trade school. Shop courses ranged from welding to foundry work, and academic classes from English to metallurgy.
When Ford Motor Company participated in various World’s Fairs, top trade school students were selected to demonstrate their unique style of learning.
Henry Ford Trade School demonstration, California Pacific International Exposition, San Diego, 1935. / THF209775
Students also had time for sports and clubs, including baseball, football, and radio club.
Henry Ford Trade School baseball team and manager, August 1927. / THF284507
Henry Ford Trade School football team, 1923. / THF118176
Claude Harvard with other Radio Club members, Henry Ford Trade School, March 1930. / THF272856
The Henry Ford Trade School closed in 1952. In its 36 years of operation, the school graduated over 8,000 boys from Detroit and the surrounding area. Students graduating from the trade school were offered jobs at Ford but were free to accept jobs elsewhere; among the graduates who later worked for Ford was engineer Claude Harvard (shown above). Other students went on to work in a wide range of endeavors from the automotive industry to arts and design, and even medicine and dentistry.
You can view more artifacts related to Henry Ford Trade School in our Digital Collections, or go more in-depth on our AskUs page. While the reading room at the Benson Ford Research Center remains closed at present for research, if you have any questions, please feel free to email us.
Welcome to the 1880s. Baseball fever is sweeping the country! Urban centers boast professional teams of paid, recruited players, like the Detroit Base Ball Club pictured on the trade card below, part of the National League from 1881 to 1888. (The Detroit Tigers were created in 1901, as part of the newly organized American League.) The Detroit Base Ball Club is gaining some notoriety. They'll win the pennant (the forerunner of the World Series) in 1887, beating the St. Louis Browns of the American Association in 10 out of 15 games.
Trade Card for the Detroit League Base Ball Club, Sponsored by "Splendid" Plug Tobacco, P. & G. Lorillard, 1886 / THF225148
Chief among the team's heroes is star catcher Charley Bennett (pictured upper right). Charley is the first professional-league catcher to wear a chest protector outside his uniform. Detroit fans so adore him that they will name their first official ballyard Bennett Park. Charley is the team's "muscle"; center fielder and team captain Ned Hanlon (pictured center) is its "brains."
The passion for baseball is equally evident in small-town America. Amateur clubs show up just about anywhere that nine men can agree on a time and place to practice. Games against rival towns and villages engender fierce local pride. Over in the village of Waterford, Michigan, some country lads have formed a team called the Lah-De-Dahs. Their exploits are well documented in the local newspaper. On September 2, 1887, local fans will smile to read, "George Wager is the best catcher in the township and of the Waterford nine; if he fails to catch the ball with his hands he will catch it with his mouth."
The back of the trade card features an ad for Lorillard’s “Splendid” plug tobacco, as well as the home and “abroad” schedules for Detroit. / THF225149
See the Lah-De-Dahs in Action
Would you like to see the Lah-De-Dahs in action? You can, every summer in Greenfield Village. Our own team borrows the look and playing style of an 1880s amateur baseball club like the original Waterford Lah-De-Dahs.
When you go to a Historic Base Ball in Greenfield Village game, you will notice some different baseball terminology. For example, instead of "batter up," the umpire will declare "striker to the line." When he notes "three hands dead," he simply means that the side is retired.
Visit a Historic Base Ball game this summer and learn some new terminology for yourself!
Donna R. Braden is Senior Curator and Curator of Public Life at The Henry Ford. This article was adapted from the May 1997 entry in our previous “Pic of the Month” online series.
The Base Ball Player's Book of Reference, by Henry Chadwick, 1867 / THF214794
Almost 40 years before Major League Baseball's first World Series, the city of Detroit hosted the "World's Tournament of Base Ball."
On July 14, 1867, the Detroit Free Press carried an announcement of the tournament, which was held at the grounds of the Detroit Base Ball Club from August 14 to August 21. The international tournament attracted teams from Michigan, Pennsylvania, and Ontario. When Detroit hosted the World’s Tournament in 1867, it announced it would abide by the rules as published in Henry Chadwick’s book, Haney’s Base Ball Player's Book of Reference. Chadwick and Albert G. Spalding were the two individuals who helped baseball achieve national prominence.
Trade Catalog, “Black Band” Spalding Bat / THF624007
Chadwick, a New York sportswriter, immigrated to the United States from England as a boy. He reported on baseball games and created a system for scoring games that continues to appear in sports pages today as the box score. Chadwick also authored a number of instructional books on how to play the “national game.” Books such as Chadwick’s helped create a uniform game, and promote baseball as acceptable recreation for men, and appropriate for men, women, and children to watch. Chadwick also authored the annual publication Spalding’s Official Base Ball Guide until his death in 1908.
Albert G. Spalding started his baseball career as a player, and later became a manager and president of the Chicago White Sox, which at the time was part of the National League. Spalding also created a popular sporting goods company, specializing in baseball equipment. The popularity of Spalding equipment is represented in photographic images from the late 1800s. The individual player shown above has a Spalding bat, and Spalding bats may be seen in the team photograph below of the Round Oak Club of Dowagiac, Michigan.
In the early 20th century, Spalding and Chadwick put forth different versions of the origins of the game of baseball. Chadwick had long asserted that baseball developed based on British bat and ball games, such as “rounder." In an era of American nationalism, Albert Spalding hoped to find an American source for the game. He cajoled professional baseball to appoint a commission in 1905 to investigate the origins of the game. Chaired by A.G. Mills, the commission received a letter from a Denver, Colorado, engineer by the name of Abner Graves, asserting that Graves was present when Abner Doubleday developed the game in Cooperstown, New York, in 1839. Chadwick responded with evidence detailing the history of English bat and ball games without avail. Spalding’s zeal to establish baseball as a purely American game, and his connections within the commission, compelled the group to recognize the circumstantial evidence and acknowledge Doubleday as baseball’s founder.
If only someone had bothered to research Doubleday’s life, it would have revealed that he was at West Point in 1839, and could not have devised baseball in Cooperstown, as many now believe. In actuality, games of baseball (or “base ball,” as it was spelled into the early 20th century) were reported in newspapers in the 1820s. The Knickerbocker Club of New York is credited with formulating the nine-player team format that eventually led to the formation of the National Association of Base Ball Players in 1858. Pitching was done underhanded and balls caught on the fly or the first bound were outs. The rules continued to evolve into the game that is now America’s pastime.
"American Sports, Base Ball, Striker & Catcher" Plate, circa 1850 / THF135816
"On Saturday afternoon, Sept. 10, at the farm of Louis Bradley, might have been seen a small gathering of people. They came to see the final game between the Lah-da-dahs, of Waterford, and the White Lakes of Webster neighborhood."
–Pontiac Bill Poster, September 14, 1887
In the 1880s, many Michigan towns supported baseball teams, including Waterford, in Oakland County, but the game's history goes back further. The game of base ball (as it was often spelled into the 1890s) had its origins in a number of children's games, but especially a British game called "Rounders." Rounders rules called for the game to be played on a diamond, with a striker (batter) who faced a feeder (pitcher).
The American game of base ball gained in popularity in the mid-1800s, so much so that English ceramic makers produced dishes such as the "Base Ball" plate above, depicting a "Striker & Catcher," to appeal to American consumers. American interest in base ball in the late 1800s is evident in the production and marketing of such a plate.
Americans purchased these English-made ceramics to celebrate their national game, but base ball did not have all the regulations we know in modern baseball today. Until the 1880s, rules stated that the pitcher had to deliver the ball underhanded with a straight arm. The batter could call for a high or low pitch. A high pitch was considered one between the belt and shoulders, and a low pitch was to be delivered between the belt and knees, a range close to the modern strike zone. Balls and strikes were usually not called until the 1870s.
Some rules called for home plate to be made of marble or stone, but there was no batter's box, only a line that bisected the plate. Consequently, today's historic base ball umpires will frequently signal the start of a game by calling, "Striker to the line!" Early rules discouraged, and often forbade, players being paid.
You can browse artifacts related to both the early and more modern forms of baseball in our Digital Collections. Or, if you want to see vintage base ball firsthand, check out the schedule for the Greenfield Village Lah-De-Dahs, who borrowed the name of the old Waterford team. The Village nine suit up to play teams from Ohio and Michigan throughout the summer as a part of Historic Base Ball in Greenfield Village. Though the song "Take Me Out to the Ball Game" was not written until 1908, you might hear the band play it. If you wish, you can sing along and cheer on the base ball strikers for the Lah-De-Dahs.
This post was adapted from the July 2000 entry in our former Pic of the Month series.
A new group of garments from The Henry Ford’s rich collection of clothing and accessories has made its debut in Henry Ford Museum of American Innovation in our What We Wore exhibit. With spring here and summer on the horizon, this time it’s a look at garments Americans wore as they delighted in the “sporting life” in their leisure time.
By the 20th century, recreational sports were an increasingly popular way to get exercise while having fun. Most Americans lived in cities rather than on farms—and lifestyles had become less physically active. Many people viewed sports as a necessity—an outlet from the pressures of modern life in an urban society.
The easy-to-ride safety bicycle turned cycling into a national obsession in the 1890s. At the peak in 1896, four million people cycled for exercise and pleasure. Most importantly, a bicycle meant the freedom to go where you pleased—around town or in the countryside.
Women found bicycling especially liberating—it offered far greater independence than they had previously experienced. Clothing for women became less restrictive while still offering modesty. Cycling apparel might include a tailored jacket, very wide trousers gathered above the ankles, stockings, and boots. Specially designed cycling suits with divided skirts also became popular.
Columbia Model 60 Women's Safety Bicycle, 1898. Gift of Mr. & Mrs. H. Benjamin Robison. / THF108117
This 1895 poster for bicycle road maps offered a pleasant route for cyclists north of New York City. / THF207603
Young men and women enjoy cycling and socializing in Waterville, Ohio about 1895. Gift of Thomas Russell. / THF201329
Baseball has long been a popular pastime—countless teams sprang up in communities all over America after the Civil War. During the early 20th century, as cities expanded, workplace teams also increased in popularity. Companies sponsored these teams to promote fitness and encourage “team spirit” among their employees. Company teams were also good “advertising.”
Harry B. Mosley of Detroit wore this uniform when he played for a team sponsored by the Lincoln Motor Company about 1920. Of course, uniforms weren’t essential—many players enjoyed the sport while dressed in their everyday clothing.
Baseball glove and bat, about 1920, used by Harry B. Mosley of Detroit, Michigan. / THF121995 and THF131216
The H.J. Heinz Company baseball team about 1907. Gift of H.J. Heinz Company. / THF292401
Residents of Inkster, Michigan, enjoy a game of baseball at a July 4th community celebration in 1940. Gift of Ford Motor Company. / THF147620
The game of golf boomed in the United States during the 1920s, flourishing on the outskirts of towns at hundreds of country clubs and public golf courses. By 1939, an estimated 8 million people—mostly the wealthy—played golf. It provided exercise—and for some, an opportunity to build professional or business networks.
When women golfed during the 1940s, they did not wear a specific kind of outfit. Often, women golfers would wear a skirt designed for active endeavors, paired with a blouse and pullover sweater. Catherine Roddis of Marshfield, Wisconsin, likely wore this sporty dress for golf, along with the stylish cape, donned once she had finished her game.
Dress and cape, 1940–1945, worn by Catherine Prindle Roddis, Marshfield, Wisconsin. Gift in Memory of Augusta Denton Roddis. /THF162615
Golf Clubs, about 1955. Gift of David & Barbara Shafer. / THF186328
Woman putts on a golf course near San Antonio, Texas, 1947. / THF621989
Clubhouse at the public Waukesha Golf Club on Moor Bath Links, Waukesha, Wisconsin, 1948–1956. Gift of Charles H. Brown and Patrick Pehoski. / THF622612
Swimming had become a popular sport by the 1920s—swimmers could be found at public beaches, public swimming pools, and resorts. In the 1950s, postwar economic prosperity brought even more opportunities for swimming. Americans could enjoy a dip in the growing number of pools found at public parks, motels, and in suburban backyards. Pool parties were popular—casual entertaining was in.
For men, cabana sets with matching swim trunks and sports shirts—for “pool, patio, or beach”—were stylish. The 1950s were a conservative era. The cover-up shirt maintained a modest appearance—while bright colors and patterns let men express their individuality.
Cabana set with short-sleeved shirt and swim trunks, 1955. Gift of American Textile History Museum. / THF186127
Advertisement for Catalina’s swimsuits—including cabana sets for men, 1955. / THF623631
In the years following World War II, the number of public and private swimming pools increased dramatically. Shown here in this June 1946 Life magazine advertisement, pool parties were popular. / THF622575
Swimming pool at Holiday Inn of Daytona Beach, Florida, 1961. Gift of Mr. and Mrs. Robert Moores. / THF104037
Jeanine Head Miller is Curator of Domestic Life at The Henry Ford. Many thanks to Sophia Kloc, Office Administrator for Historical Resources at The Henry Ford, for editorial preparation assistance with this post.
Opening Day is behind us, so baseball season is now in full swing (pun intended), and the return of Historic Base Ball in Greenfield Village is just around the corner. Celebrate this beloved sport with a few artifacts and stories from our collections.
H.J. Heinz Company Baseball Team, circa 1907 / THF292401
The H.J. Heinz Company, at the forefront of employee welfare during the late 19th and early 20th centuries, offered many recreational activities for its workers. This photograph from 1907 shows the Heinz company baseball team, comprised of its employees.
Portrait of a Baseball Player, circa 1880 / THF94413
In the decades following the Civil War, base ball clubs came to represent a community’s identity and honor. Players donned colorful uniform shirts to make the team readily visible to its supporters and opponents alike.
This bright red wool base ball shirt is a great example of uniforms of that time. The oversized “A” would have identified the community, company, or school the team represented, while the “BBC” stood for “Base Ball Club” – the two-word phrase later changed to “baseball” in 1884.
World Tournament of Historic Baseball in Greenfield Village, August 2007 (Photographed by Michelle Andonian) / THF52274
In 1867, Detroit hosted the World Base Ball Tournament. To commemorate this event, Greenfield Village hosts the World Tournament of Historic Base Ball every summer—one of the finest exhibitions of historic base ball in the country, playing by 1867 rules.
Unfortunately, due to the COVID-19 pandemic, the World Tournament of Historic Base Ball was canceled last year, but it will be back in 2021! Until then, you can learn more about historic baseball at Greenfield Village by watching this video.
Deborah Sussman began her design career as an intern at the Eames Office in 1953. There, over the course of a decade, she was promoted to an art director and worked on graphic design, exhibitions, films, toy design, packaging, and photography. In 1963, she acted as designer for the “Beware of Imitations” image below, with Charles and Ray Eames as creative directors. Appearing as an advertisement in Arts & Architecture magazine, it celebrated Eames-designed furniture produced by Herman Miller. The image is a fascinating herald, hinting at how Sussman’s approach toward the power of large-scale graphics to communicate within environments would define her future vision.
Herman Miller “Beware of Imitations” Advertisement. / THF147716
The foundation image was printed to poster size and affixed to the outside wall of the Eames Office, where it was photographed in situ. The weathered brick wall, scrabbly Californian plant life, and spray-painted stencil additions surrounding the paste-up add texture to the image, revealing it to be evidence of a process. An image at the Library of Congress takes us one step further into this moment, revealing Sussman pasting up the original work.
If you look closely toward the bottom left of this image, you will also see a bouquet of flowers on a placard with the text, “Zeeland, Michigan.” Zeeland is, of course, home to the Herman Miller company, but the floral design has its own interesting lifespan. It appears on Herman Miller’s stock certificates and on the underside of a kiosk designed by the Eames Office for the IBM Pavilion at the 1964 New York World’s Fair. Sussman is credited with contributing to both projects.
Kiosk from the IBM Pavilion at the 1964 New York World’s Fair. / THF156766
Detail of the underside of the IBM Kiosk. / THF171121
Sussman left the Eames Office temporarily to continue her design studies through a Fulbright scholarship in Germany, but was eventually “lured back” to California to work on the Mathematica exhibit. When The Henry Ford acquired the 1964 version of the Mathematica exhibit (now on permanent view in Henry Ford Museum of American Innovation), extensive research was undertaken in the Charles & Ray Eames Papers at the Library of Congress to create the most historically accurate version of the exhibit possible. Photographs at the Library of Congress documented numerous contributions made by women to the exhibit’s design, including Sussman, Ray Eames, and many others. Sussman, for her part, once recounted setting the type for the mathematician biographies that appear on the History Timeline and also appears in a photograph working on the graphics for the base of the Multiplication Cube interactive.
Detail of the Multiplication Cube from the Eames Office-designed Mathematica exhibit. / THF164150
Detail of the History Timeline in Mathematica. / THF170845
In 1968, Sussman formed an independent design practice as Sussman/Prejza & Co. with her husband, Paul. Together they designed things like the “urban branding” for the cities of Long Beach and Santa Monica, California, and wayfinding signage for Walt Disney World and EuroDisney. Her favorite kind of work involved vibrant, larger-than-life graphic and typographic treatments installed in architectural spaces and outdoor urban areas. For this work, she is credited as a pioneer of “environmental design” and “Supergraphics.”
Design Preview / Brand Identity Guidelines for the 1984 Los Angeles Olympics. / THF287946
This approach is especially obvious in her design identity work for the 1984 Los Angeles Olympics. The look and feel of the LA Olympics—created by Sussman/Prejza & C0. in collaboration with the Jerde Partnership—transformed the city of Los Angeles. The holistic plan was for “an energetic montage of color and form [to] appear on everything from tents to tickets.” There were 43 art installations, 28 game venues, 3 Olympic villages, and wayfinding signage. There was a monumental 145-foot tower of colorful scaffolding erected in Exposition Park. Color-coded gateways and walkways lined with concrete “Sonotubes” wrapped in bright abstract graphics. Uniforms for officials and volunteers.
An entire issue of Design Quarterly was dedicated to the project, in which the designers explained their hopes for a successful event as “a modern environment that recalls the imageable qualities of a medieval jousting festival” and one that anticipated that “the city will be transformed overnight, as if an invasion of butterflies has descended upon it.”
Souvenir Street Banner designed by Deborah Sussman for the LA 1984 Olympics. / THF171692
Color played an essential role in unifying the visual language of color, graphics, and typographic treatments. Notably, Sussman broke away from the palette of traditional red, white, and blue, and captured the “Southern California spirit” through shades of vibrant magenta, vermillion, aqua, purple, and sunset orange. A favorite quote in the Design Quarterly issue states: “The glorious colors—the banners, the kiosks and booths, even the trash cans and hot dog napkins—were happily original, all Toyland confetti, in light and airy shades all their own. We get enough of red-white-and-blue everywhere else, don’t we?”
Partial credit to Sussman’s approach can be connected to her early training at the Eames Office, where her mentors emphasized the value of playfulness. There, she had the opportunity to document festivals in other countries. She learned to appreciate folk art and the indigenous cultures of the Pacific Rim. And the “kit of parts” approach to design was part of everyday life at the Eames Office too, which undoubtedly influenced Sussman’s own adaptable “visual alphabet” for the 1984 LA Olympics. Today, her contributions for this and other projects stand as beloved and masterful examples of environmental graphic design. Like many designers who passed through the Eames Office, Deborah Sussman took what she learned, remixed it, and made it an evolved and color-saturated language all her own.
Kristen Gallerneaux is Curator of Communications & Information Technology at The Henry Ford.
Winter weather means winter sports and activities: skiing, ice racing, ice boating, sledding, ice hockey, and even snowball fights. Throughout the archival collections in The Henry Ford’s Benson Ford Research Center, images, brochures, pamphlets, and books shed light on the various activities people participate in during the cold months of the year. Below are some of the highlights from January’s virtual History Outside the Box, which was featured on The Henry Ford’s Instagram and Facebook Stories.
Winter morning at the corner of Canfield Avenue and Second Avenue in Detroit, Michigan, circa 1905 / THF110432
Grayling, Michigan, became a winter sports destination in the 1920s and 1930s, with toboggan runs, a hockey rink, and a ski jump dotting the landscape. A yearly carnival was held, with the crowning of a winter Sports Queen. This image shows the 1939 Winter Sports Queen, holding snowshoes, standing next to a Mercury V-8.
Grayling Winter Sports Queen with Mercury V-8, January 1939 / THF271673
Skiing, and ski jumping, have been popular in Iron Mountain, Michigan, for over 100 years.
8th Annual Kiwanis Ski Club Tournament, Iron Mountain, Michigan, February 1941 / THF272300
Ice skating has been a popular wintertime activity for over 150 years. And yes, even Henry Ford would get in on the fun.
Jump on the Weiser Railroad and take a tour of Greenfield Village and eventually, you’ll see a lush patch of grass behind Cotswold Cottage. It may just seem like an open field until you listen to your fellow passengers, as I did this past week.
“That’s where we watched the baseball game,” said one mother to her kids.
“Remember when we saw the Lah-De-Dahs play here? That was so cool!” said another family to each other. Then they are told that the season has been canceled, and a wave of disappointment hits.
Do we understand that it had to be done to ensure the safety of visitors, volunteers and staff? Sure. Does that make it any easier to accept? Not at all.
During the second weekend of August, the attention of everyone is usually focused on this seemingly unassuming patch of grass behind Cotswold Cottage. Groups of people from all over the Midwest put on uniforms reminiscent of 1867, bring a bat they made themselves, leave their gloves at home and prepare for two days to relive the glory of their times. Visitors bring their chairs, find a spot on the hill with plenty of shade, pick up a free program, and keep track of the day’s results. The kids who come don’t see computer programmers, lawyers, government employees, or professionals. They see ball players that they want to emulate. The players sign an autograph and pause for a picture to help commemorate the occasion. Sure, we would love to raise a trophy, but the best reward is the sight of our spectators coming back day after day, year after year.
The historic base ball program here at The Henry Ford brings together families by giving them something familiar—with a twist. A children’s game played by men in knickers might gain a laugh or two until you see how hard they can hit the ball or catch it without the aid of a glove. The World Tournament of Historic Base Ball is the culmination of a season’s worth of work by our home clubs, the Lah-De-Dahs and Nationals, while at the same time welcoming in multiple other teams from around the Midwest. It’s a vital part of The Henry Ford’s summer lineup of events, because it demonstrates our strength in the living history field, tells the American story through ball and bat and shows our visitors how innovations turned a kid’s game into America’s pastime.
Baseball Bat Presented to John L. McCord for First Prize at the World's Tournament of Base Ball, 1867 / THF8654
The original World Tournament was held in Detroit during the summer of 1867 (why the Lah-De-Dahs and Nationals play by the rules of that year). The hosts, the Detroit Base Ball Club, had an exciting 1866 and were hoping to make Detroit into a new Midwest hub of base ball (written as two words at the time) and to answer the question, “Who is the best team in the world?” At the conclusion, the Unknown Base Ball Club of Jackson, Michigan, won the first-class championship and earned $300 as well as a beautiful rosewood bat. Unfortunately for the Detroit club, 1867 didn’t pan out the way they would have liked, and the World Tournament would go into a 136-year hibernation.
In 2003, the World Tournament was reborn here at Greenfield Village. The Clodbuster Base Ball Club of Ohio would win three of the first four events (2004 was rained out with no definitive winner other than “Mother Nature”). The Lah-De-Dahs would win their first crown in 2007 and then add three more titles in 2008, 2016, and 2018. The Saginaw Old Golds have won the most World Tournaments, with six total.
It is, however, a much larger event than just watching the games (though for many visitors, that is enough to keep them entertained). The Dodworth Saxhorn Band plays songs of the 19th century with instruments of the period. Kids can test their skills on the Village Green along with a hands-on display of the game of cricket, one of baseball’s forefathers. In recent years, there was a pop-up exhibit featuring artifacts, including the original rosewood bat won by the Unknowns in 1867, as well as modern trophies created by the Liberty Craftworks pottery team for presentation to that year’s winning teams.
We may not be back this season but rest assured: To those disappointed fans who pass Walnut Grove on the train, we will be back! We hope you will be, too!
Jeff “Cougar” Koslowski is a volunteer with The Henry Ford’s Historic Base Ball Program.