While researching the many electrical objects being digitized as part of the Institute of Museum and Library Sciences grant, a few stories have stood out to me. These stories sometimes involve the people behind the scenes: manufacturers, inventors, etc., and other times are about how the object was used. Below are four such objects and their stories.
This Jenney Electric Motor Company rheostat has uncovered an interesting story about the company’s namesake. It was designed by Charles G. Jenney who was awarded a patent for it in 1892. Jenney, originally from Ann Arbor, Michigan, moved to Fort Wayne, Indiana with his father to design and produce electrical equipment for the Fort Wayne Jenney Electric Light Company. On February 27, 1885, Jenney, who had been contracted to the Fort Wayne Jenney Electric Light Company by his father while still a minor, successfully petitioned to be removed from the company, and, a month later, he founded the Jenney Electric Light Company later the Jenney Electric Company. The Jenney Electric Company was demonstrating Jenney’s dynamos, arc lamps, and incandescent lamps by August that same year. This company was bought out and Jenney started again, this time with the Jenney Electric Motor Company in 1889 for which he produced electrical equipment like this rheostat, filed for more patents, and wired and lit the streets of Indianapolis.
If you’ve walked through “With Liberty and Justice for All” in Henry Ford Museum, you’re familiar with the long and complicated history of social transformation, including civil rights and race relations, in America. Some artifacts, like the Rosa Parks Bus, are primary sources in this story, but we also hold collections that offer a more oblique take, such as about 100 photo negatives we’ve just digitized relating to five days of civil unrest in Detroit in July 1967.
The images come from Detroit Edison, which was charged with the very normal work of restoring electricity under very abnormal conditions. While the photos primarily document the power company’s work in the wake of the unrest, the events of the preceding days and their aftermath are omnipresent, as you can see in this image. We undertook this digitization project as part of our participation in “Detroit 67: Looking Back to Move Forward,” “a multi-year community engagement project of the Detroit Historical Society that brings together diverse voices and communities around the effects of an historic crisis to find their place in the present and inspire the future.”
During 2017, we shared more collections-based stories related to the complex roots of, and reactions to, Detroit 67, in keeping with our mission to inspire people to help shape a better future. For now, visit our Digital Collections to browse all of the July 1967 Detroit Edison images.
Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford. This post was last updated in July 2020.
We are about 35% of the way through our 24-month project to digitize 900 artifacts from our electrical distribution collections, thanks in large part to a generous grant from the Institute for Museum and Library Services (IMLS), and nearly 100 objects from the grant are currently accessible through our Digital Collections.
Outside that project, but on a related note, we’ve just finished digitizing 132 photos of figures associated with the same companies as the objects we’re digitizing in the grant. For example, now you can see images of people associated with Westinghouse Electric Company, and also find objects created by that company, most of which were conserved and photographed through the grant. One intriguing image we found is this 1880 photograph of Thomas Edison associate Charles Batchelor, which notes it is “the first photograph ever taken by incandescent electric lamps.”
Visit our Digital Collections to see all of these portraits of electrical pioneers, and keep an eye out for more artifacts digitized through the grant to be added over upcoming months. Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.