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Activating The Henry Ford Archive of Innovation

Posts Tagged race car drivers

Woman with pink outfit and dark hair sits with a quilt over her, part of which is in a needlework frame on her lap
Jeanetta Holder with Her Indianapolis 500 Quilt Made for Bobby Unser, 1975-1980 / THF78732

On May 30, 1932, the day that Jeanetta Pearson Holder was born in Kentucky, race cars sped around the track at the Indianapolis Motor Speedway about 250 miles to the north. The timing of Jeanetta’s birth was certainly a hint of things to come: she would grow up with a passion for auto racing, and, as an adult, become that sport’s “Quilt Lady.”

For four decades, Jeanetta combined her love of auto racing and her sewing talents to create unique quilts for winners of the Indianapolis 500 and other auto races.

Man wrapped in quilt wearing baseball cap stands among other people with a large trophy and grandstands in the background
Dale Earnhardt is wrapped in pride and his quilt after the 1995 Brickyard 400 race at the Indianapolis Motor Speedway. / THF78819

A Love for Racing, A Talent for Sewing


As a little girl growing up on a Kentucky farm, Jeanetta made her own small race cars out of tobacco sticks and lard cans which she “raced everywhere [she] went.” Jeanetta’s childhood creative streak soon extended to sewing. She began to make clothes for her doll—and her pet cat. By the time she was 12, Jeanetta began sewing quilts, filling them with cotton batting from cotton she grew herself.

Jeanetta was clearly “driven.” When she didn’t have a car in which to take her driver’s license test, the teenager borrowed a taxicab. About this same time, Jeanetta started going to the race track. Soon 20-year-old Jeanetta was speeding around an oval dirt track at the wheel of a 1950 Hudson at Beech Bend Park in Warren County, Kentucky. In the early 1950s, women drivers were uncommon—and so was safety equipment. Jeanetta was dressed in a t-shirt and blue jeans for these regional races.

 

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Indiana, 20th century, women's history, racing, race car drivers, quilts, making, Indy 500, cars, by Jeanine Head Miller

Woman with short brown hair wearing track jacket smiles toward camera
Lyn St. James, photographed by Michelle Andonian, 2008 / THF58574

Racing Career


Lyn St. James was watching from afar when Janet Guthrie was trying to break into Indy car and stock car racing. At the time, St. James was a part-time competitor chasing a Sports Car Club of America road-racing national championship in a Ford Pinto.

“I was excited and pumped about my racing, and I watched her on the television and thought, ‘God, she’s struggling and nobody wants her there,’” St. James recalled. “She didn’t smile very much, and it made me say, ‘Why would I want to do that? Why would I want to put myself in that kind of situation when I was having so much fun?’”

White and black helmet with dark visor and red trim; also contains text
This racing helmet worn by Lyn St. James is going on display in Driven to Win: Racing in America. / THF176437

In the early 1980s, Kelly Services sponsored the International Motor Sports Association (IMSA) American Challenge championship and paid bonuses to female drivers. St. James parlayed an opportunity in that series, along with a chance encounter with legendary Ford executive Walter Hayes, into a highly successful relationship with Ford that produced six wins in IMSA competitions, including class victories at Daytona and Sebring, prior to shifting her focus to Indy cars. She is also the only woman to win an IMSA GT race driving solo.

Smiling woman in a jumpsuit and baseball cap, with large medal around her neck, holds a trophy in one hand and makes a thumbs-up with the other, in front of a wall with Ford and Budweiser logos, among others
Lyn St. James at IMSA, Watkins Glen, NY, 1985 / THF69459

“I wanted to test-drive one, just to experience the peak of race car performance,” she said. “I was just in heaven. I had set speed records in a stock car at Talladega, and in comparison, it felt numb. Dick Simon [IndyCar team owner] was very supportive, and that was a turning point. I wrote to 150 companies over four years seeking support. J.C. Penney was the 151st, but the first one that said yes.”

Finally, in 1992, St. James became the first woman to qualify for the Indianapolis 500 since Guthrie last had, 15 years earlier. St. James finished 11th in the race, claiming Rookie of the Year honors (the first woman to do so). In 1994, she out-qualified reigning Indy car champion Nigel Mansell at Indy; she made a total of seven Indianapolis starts, with her last in 2000. She has been inducted into the Sports Car Club of America and the Florida Sports halls of fame, and held 21 international and national closed-circuit speed records over a 20-year period.

Collage with text and photos
Lyn St. James’s Indy 500 history from 1992 to 2000. / THF284826

Mentor of Motorsports


St. James still occasionally competes in vintage races, and in addition is a speaker, author, philanthropist, and coach, but spends most of her time mentoring female drivers. Her foundation’s driver development program has graduated more than 230 participants over the last 25 years, including then-future Indy car drivers Sarah Fisher and Danica Patrick.

Woman in blue jumpsuit stands behind a table, in front of a whiteboard, at the front of a room with young women sitting in school desks
Lyn St. James at her Complete Driver Academy, which provided a comprehensive education and training program for talented women race car drivers who aspired to attain the highest levels in motorsports, in Phoenix, Arizona in 2008 (photograph by Michelle Andonian). / THF58682

“It’s sad that leaders in motorsports have not figured out that the car levels the playing field for everyone,” St. James said. “The leaders have missed an opportunity to show how female involvement in racing really represents society. Women can perform and compete on an equal level.”

Involvement with The Henry Ford and

Driven to Win


In 2008, a small crew from The Henry Ford traveled to Phoenix, Arizona, to visit a race car driver academy for women. The institution, called Complete Driver Academy, was established by Lyn St. James in 1994 to help identify potential champion female drivers and provide the tools they needed to further their careers. The Henry Ford interviewed St. James there as part of its Visionaries on Innovation collection of video interviews, which also features other racing legends such as Mario Andretti.

Clear glass or lucite trophy with diagonal stripes, and two panels with an image of a man in an old-fashioned racing helmet and goggles and an antique car, and text
Lyn St. James’ 1992 Indianapolis 500 "Rookie of the Year" trophy will be on exhibit in Driven to Win. / THF176451


In addition to documenting St. James’ oral history, The Henry Ford has many artifacts from her racing career in its collections—some of which will be on display in the new Driven to Win: Racing in America permanent exhibition in Henry Ford Museum of American Innovation, where St. James is a showcased driver. “Lyn has been an adviser to the exhibit going back more than ten years,” said Curator of Transportation Matt Anderson. “From the start, she has offered her help and advice, including connecting us with innovators like motorsports training expert Jim Leo of PitFit Training in Indiana.”

Among the racing-related artifacts from St. James that will be on display in Driven to Win: her helmet, driving suit, HANS (head and neck support) device, and Rookie of the Year trophy from the 1992 Indy 500, where she became the first woman to win that title. You can also explore many more artifacts related to St. James’ career in our Digital Collections.


This post was adapted from an article by John Oreovicz that originally appeared in the January–May 2020 issue of The Henry Ford Magazine.

Indiana, 21st century, 20th century, women's history, The Henry Ford Magazine, racing, race car drivers, Indy 500, Henry Ford Museum, education, Driven to Win, cars, by John Oreovicz

White car with large red and black text on side and hood

Vicki Wood drove at least one Chrysler 300 car from Carl Kiekhaefer's NASCAR team—though we can’t be sure this Kiekhaefer Chrysler in our collection was driven by her. / THF90106

Stock car racer Vicki Wood was born March 15, 1919, in Detroit. Her success on Detroit area tracks in the early 1950s caught the attention of Chrysler's public relations office. Sensing a promotional opportunity, they arranged for her to try for speed records at Daytona Beach in 1955 and 1956. Each time, she drove a Chrysler—and it's possible, though we can’t be sure, that one was the Kiekhaefer Chrysler in our collection, pictured above.

Wood set several records on the sands of Daytona Beach between 1955 and 1960. In three of those years, her times beat all the male drivers. In 1960, Wood set a one-way speed record of 150.375 mph—the fastest one-way run by a woman in the history of Daytona’s beach course. Wood retired in 1963 but, because beach racing ended in 1959 when Daytona International Speedway opened, she’ll always be “the fastest woman on the beach.”

She passed away on June 5, 2020, in Troy, Michigan.


Matt Anderson is Curator of Transportation at The Henry Ford.

Florida, women's history, racing, race cars, race car drivers, Michigan, Detroit, cars, by Matt Anderson, 21st century, 20th century

Two women wearing lanyards pose with arms around each other, with a grandstand full of people in the background

Sarah Fisher with Lyn St. James. Photo courtesy Lyn St. James.

Born October 4, 1980, in Columbus, Ohio, Sarah Fisher raced quarter midgets and go-karts before age 10, and earned multiple karting championships in her teens. When she competed in her first Indianapolis 500 in 2000, she was only the third woman to do so (after Janet Guthrie and Lyn St. James) and—at age 19—the youngest. With her third-place finish at Kentucky Speedway later that season, Fisher became the first woman to earn a place on the podium in an IndyCar Series event.

Red jumpsuit with black trim containing text and corporate logos on bodice
Racing suit worn by Sarah Fisher in 2009, which will be on exhibit in Driven to Win: Racing in America in Henry Ford Museum of American Innovation.  / THF176380

Fisher retired from driving after 2010 (and after nine starts in the Indy 500), but continued as a team owner. In 2011, Fisher became the first female owner to earn an IndyCar victory, with driver Ed Carpenter at the wheel.


Matt Anderson is Curator of Transportation at The Henry Ford.

Indiana, 21st century, 20th century, women's history, racing, race car drivers, Indy 500, Henry Ford Museum, entrepreneurship, Driven to Win, cars, by Matt Anderson

Jumpsuit with black pants with red trim on sides and red, black, and white bodice and sleeves containing text
Racing Suit Worn by Erin Crocker While Competing in the 2003 Season of World of Outlaws Sprint Car Series /
THF176375

Erin Crocker, the youngest of five siblings, was born in Wilbraham, Massachusetts, on March 23, 1981. Her father William encouraged Erin’s brothers to share his passion for racing and was pleasantly surprised when Erin also showed an interest in the sport. She started quarter midget racing in 1988, at the age of seven, winning numerous events and being named the Most Improved Novice her first year racing.

Throughout middle school and high school, Crocker continued to collect accolades, racing quarter midgets, mini sprints, and sprints. Her athleticism wasn’t confined to racing, however, as Crocker established herself as a star high school athlete, playing varsity lacrosse, tennis, and soccer and being a member of the ski team.

Crocker began racing professionally while attending college at New York’s Rensselaer Polytechnic Institute, finding time to focus on schoolwork and play varsity lacrosse during the week, while still being able to race on weekends. In 2003 she graduated with a degree in industrial and management engineering and continued successfully racing sprint cars, while Rensselaer sponsored her World of Outlaws endeavors.

By 2004, Crocker caught the attention of Ford’s driver development efforts and she was invited to participate in their program, with hopes of breaking into NASCAR. Crocker opted not to go with Ford in 2005, but accepted a position with Evernham Motorsports, becoming the first woman to enter its driver development program. While with Evernham Motorsports, she was able to gain experience in the ARCA, Busch, and Craftsman truck series, which helped make a name for herself in the world of racing.

In fact, the Biography Channel featured Crocker during an episode of their 2006 series NASCAR: Driven to Win. The series, produced in conjunction with NASCAR, profiled young, up-and-coming drivers to show their lives on and off the track as they dealt with the everyday realities of competitive racing.

However, Crocker found herself without a sponsor after Evernham Motorsports decided to close the #98 team following the 2006 season. She continued to race in a few truck series events in 2007, as well as volunteer for the Make-A-Wish Foundation. She provided her racing insights when she jumped into the SPEED Channel’s broadcast booth for a September 2008 ARCA/REMAX race.

In August 2009, Erin married Ron Evernham, a well-known individual within the racing community. Evernham is currently a co-owner of Gillett-Evernham Racing, an ESPN analyst, owner of the East Lincoln Speedway outside Charlotte, North Carolina, and proprietor of Ray Evernham Enterprises, which includes a museum and auto shop.

Erin Crocker’s Racing Achievements and Awards

  • Was a three-time Northeast Regional Quarter Midgets of America Champion. Crocker held the quarter midget title from 1993 to 1996, and was Quarter Midgets of America Female Driver of the Year from 1993 to 1995.
  • Became the youngest driver to win at the Whipp City, Massachusetts, Speedway, when she earned a mini sprint victory at the track in 1998.
  • Won five feature races and twelve heat events driving a 360 winged sprint car for Woodring Racing in 2002.
  • Won the 2002 National Sprint Car Hall of Fame Outstanding Newcomer Award.
  • Became, in 2003, the first woman to qualify for the 410 winged sprint class at the Knoxville Nationals, and was named the 2003 Knoxville Nationals Rookie of the Year.
  • Became first woman to win a World of Outlaws feature, when she claimed a victory in October 2004 at the Thunderbowl Raceway in Tulare, California.
  • Was the 2004 USAC Kara Hendrick Spirit Award honoree.
  • Competed in the 2005 ARCA/RE MAX series as part of the Evernham Motorsport’s driving development program. She collected five top-ten finishes and two pole positions in six starts, winning the Superspeedway Championship, the first woman driver to do so.
  • Competed in the 2006 Craftsman Truck series as part of the Evernham #98 Dodge Ram team. Crocker, the first woman to run a full season, finished the series in 25th place.
  • Toured throughout the 2008 season supporting affordable entry-level racing technology within the newly developed SpeedSTR class.



This post was adapted from a profile developed for the exhibition Women in the Winner’s Circle, a collaboration between The Henry Ford and Lyn St. James’s Women in the Winners Circle Foundation.

21st century, 20th century, women's history, racing, race car drivers, cars

Woman sits in race car with feet dangling out open door; other people and cars in background

Denise McCluggage at Bahamas Speed Weeks, November-December 1959 / 1959NassauSpeedWeek_080

Denise McCluggage was born January 20, 1927, in El Dorado, Kansas. A journalist by trade, McCluggage was covering motor racing for the New York Herald when she developed an avocational interest in the sport. She had no formal training, but proved herself a natural talent on the track. Through the 1950s and 1960s, she raced against some of the era’s finest professional drivers. Along the way, she earned victories in sports car races at Nassau, Watkins Glen, and Sebring.

Woman leans against wooden post and talks to several other people, with additional people and cars nearby
Denise McCluggage Talking with Stirling Moss at Bahamas Speed Weeks, November 27 - December 10, 1961 / THF134439

McCluggage co-founded Autoweek in 1958 and contributed pieces to the magazine through the remainder of her life. McCluggage was inducted into the Automotive Hall of Fame in 2001 and the Sports Car Club of America Hall of Fame in 2006, and died on May 6, 2015, in Santa Fe, New Mexico.


Matt Anderson is Curator of Transportation at The Henry Ford.

20th century, women's history, racing, race car drivers, cars, by Matt Anderson

Woman in racing jumpsuit holding helmet stands in race car on track with stands of people behind her
Janet Guthrie at Indianapolis Motor Speedway, 1979 / detail from THF140173

After graduating from the University of Michigan, Janet Guthrie worked as an aerospace engineer while also serving as a pilot and flight instructor. But her passion was driving her Jaguar in Sports Car Club of America road races, and by the time she was 35, Guthrie was a full-time racer.

In 1976, she arrived at Indianapolis Motor Speedway (IMS) as a 38-year-old rookie with the eyes of the world upon her. Several prominent drivers publicly criticized her presence. "Most of the oval track drivers never had the experience of running with a woman driver, and they were sure they weren't going to like it," recalled Guthrie, now 81. "That got calmed down within the course of the races that I ran in 1976. But the public, I think, needed to be convinced."

When the controversial newcomer didn't find enough speed in her primary car, A.J. Foyt offered his spare Coyote, and Guthrie showed enough pace in practice to become the 500's first female qualifier. But that historic achievement would have to wait another year. "Those were the glory days of the Indy 500, with 85 cars entered, so qualifying for the first time was really a major moment of my life,” she said.

White or cream-colored glove with signature in blue ink in center of palm, mounted under glass in a black frame with a plaque containing text underneath
The autographed racing glove worn by Janet Guthrie in 1977, when she became the first woman to compete in the Indianapolis 500, will be on display in the Driven to Win: Racing in America exhibition in Henry Ford Museum of American Innovation. / THF166385

Guthrie's car broke early in the 1977 race, but more importantly, Indy's gender barrier had been broken. She returned to IMS a year later and drove to a ninth-place finish despite concealing a broken wrist. In all, Guthrie drove in 11 Indy car races between 1976 and 1979, earning a career best fifth-place finish at the Milwaukee Mile in her final open-wheel start. She also competed in 33 NASCAR Cup Series races in the same period, earning five top 10 finishes.

Besides being the first female to qualify and compete in both the Indy 500 and Daytona 500, Guthrie was inducted into the International Women's Sports Hall of Fame in 1980, the International Motorsports Hall of Fame in 2006, the Sports Car Club of America Hall of Fame in 2018, and the Automotive Hall of Fame in 2019.

In retrospect, Guthrie did much of the heavy lifting for the female drivers who followed her into the American motorsports arena. Respect for her achievements, from both a sporting and sociological standpoint, only increases with the passing of time. "The 'first woman' thing was more of a responsibility than anything," Guthrie said. "I think I took the heat, and then the drivers discovered that I was competitive, I was courteous and that I was getting the most out of my equipment."

Guthrie is convinced that a female circuit racer will one day demonstrate the kind of championship-winning success women have achieved in NHRA drag racing. "There's a lot of talent at the lower levels, and it all depends on who gets the chance," she said. "I'm sure that eventually we will see a woman win the Indianapolis 500, and similarly with the Daytona 500."


This post was adapted from an article by John Oreovicz that originally appeared in the January–May 2020 issue of The Henry Ford Magazine.

Indiana, 1970s, 20th century, women's history, The Henry Ford Magazine, racing, race car drivers, Indy 500, Henry Ford Museum, Driven to Win, cars, by John Oreovicz

Two minimalistic early cars with a driver in each on dirt track with fence and grass in background

In his first race ever, Henry Ford beat Alexander Winton in the Sweepstakes Race. / THF94819

On October 10, 1901, Henry Ford made history by overcoming the favored Alexander Winton in his first-ever automobile race. Backed by a willingness to take risks and an innovative engine design, Henry  earned the reputation and financial backing through this one event to start Henry Ford Company, his second car-making venture.

His success that day is a natural introduction display for our newest permanent exhibition, Driven to Win: Racing in America, presented by General Motors. Driven to Win celebrates over 100 years of automotive racing achievements and the people behind the passion for going fast. 

Early minimal race car in the mid-distance on a dirt track with a fence and grass behind it
Photos of the 1901 race provide a view of the environment that written accounts don’t. / THF123903

In creating an exhibition, we start with many experience goals. In this case, one exhibition goal is to take our guests behind-the-scenes and trackside. As you experience Driven to Win, you’ll find many of the vehicles displayed on scenic surfaces and in front of murals that represent the places the cars raced. Henry Ford’s Sweepstakes Race took place on a horse racing track in Grosse Pointe, Michigan. Through reference photos and discussions with our exhibit fabrication partner, kubik maltbie, artisans created a surface that captures the loose dirt quality of a horse racing track. If you look closely, you’ll see hoof prints alongside tire tracks, which capture the unique location of this race.

Tiles that look almost like carpet samples, but visually appear similar to dirt
kubik maltbie’s artists created a variety of samples to find the most accurate dirt display surface that’s also suitable for use in a museum setting.

Dirt-looking surface with tire tracks and hoofprints built in; part of tire visible in corner of photo
Look closely and you can see evidence of horses having raced on the same track.

The next component in bringing this race to life needed to illustrate what the day was like. It also needed to convey the most exciting part—when Henry Ford overtook his competition. Working with a local artist, Glenn Barr, we created a background mural depicting Henry’s rival being left in the dust. To do this, we returned to available reference photos showing the track, grandstand, and Henry’s rival, Alexander Winton, who was the country’s most well-known racer at this time.

Sketch of car on track with fences on either side, grandstands in background, clouds of smoke rising from it
Car on dirt track with clouds of smoke behind it, fences on both sides of track and grandstands in the background
Sketches and small-scale paintings allowed Glenn Barr and the design team to discuss components of the mural before the final painting was created.

Glenn created a series of early sketches to make sure we had all the important elements. We then took those sketches and added them to our 3D model of the exhibition. This allowed us to pre-visualize the entire display from all angles, and verify we had the correct perspective in the mural. Color plays a big part in creating this scene with a certain mood. The goal was a color palette that felt like 100+ years ago, but also like we were watching the race. Glenn created a series of color samples that allowed us to find the right combinations.

Rendering of car on ramp with toy cars nearby and images and outlines of people nearby
Programs like Sketchup allow us to easily create exhibit spaces in three-dimensions so that we can study sightlines and relationships between exhibit elements.

Man sits in early open race car, with another man crouching on running board
While this photo was posed, likely to commemorate the race win, Henry Ford and Ed “Spider” Huff’s postures are confirmed from other photos, and this one provides clearer details. / THF116246

The last element in creating our day-of-the-race display was perhaps the most important—Henry Ford and his ride-along mechanic, Ed “Spider” Huff, themselves. Again, reference photos are vital tools in seeing the past. In creating these mannequins we had three key elements to address: Henry and Spider’s likenesses, the clothing they wore, and the postures they’d have sitting in the vehicle. kubik maltbie’s artists were able to capture this moment. They started with clay sculptures of Henry and Spider’s faces.

Head of man with mustache
Head of man with receding hairline, mustache
Henry Ford and Ed “Spider” Huff’s likenesses were captured in life-sized clay sculptures that would later be used to create molds for the finished mannequins.

As these mannequins needed to sit directly in the vehicle, a museum artifact, much of the final sizing, positioning, and decisions on how they interfaced with the car was done away from the actual vehicle. kubik maltbie’s sculptor came to the museum for several days and built a wood frame system around the Sweepstakes. This accurately captured important dimensions and connection points. An exact replica of the steering wheel became a template that sculptors could use in their studio to finalize hand positioning.

If you’ve visited Greenfield Village at The Henry Ford, you’ll have seen that period clothing is one of our specialties. Every spring we distribute over 1,000 sets of handmade attire authentic to many different time periods. With insight from our curators, our Clothing Studio provided period-accurate clothing, from shoes to hats, for Henry and Spider.

Open crate with two human-like figures swaddled in packing material
Henry Ford and Ed “Spider” Huff arrive at the museum.

Three men move a mannequin into place on the running board of a car; another mannequin is inside the car
Museum conservators and the installation team place Ed “Spider” Huff, Henry’s ride-along mechanic, on the Sweepstakes’ running board.

Together, all these elements allow us to take you on a trip back in time. I invite you to visit the museum and see this monumental moment in racing history, stand trackside, and imagine what it must have been like. You can even hear our faithful replica of the “Sweepstakes” running. It sounds nothing like today’s track-ready racing machines.


Wing Fong is Experience Design Project Manager at The Henry Ford.

cars, making, art, design, race car drivers, race cars, collections care, #Behind The Scenes @ The Henry Ford, by Wing Fong, racing, Henry Ford, Henry Ford Museum, Driven to Win

Red car with white hood; text in multiple areas including "34" on door and roof, "Wendell Scott" on roof

Wendell Scott, NASCAR’s first full-time Black driver, used this 1966 Ford Galaxie, currently on exhibit in Henry Ford Museum of American Innovation, during the 1967–68 seasons. (Vehicle on loan courtesy of Hajek Motorsports. Photo credit: Wes Duenkel Motorsports Photography.)

Stock car racing is a difficult business. Budgets and schedules are tight, travel is grueling, and competition is intense. Imagine facing all of these obstacles together with the insidious challenge of racism. Wendell Scott, the first African American driver to compete full-time in NASCAR’s top-level Cup Series, overcame all of this and more in his winning and inspiring career.

Portrait of man with text underneath: "Wendell Scott, Danville, Va."
Portrait of Wendell Scott from the February 1968 Daytona 500 program. / THF146968

Born in Danville, Virginia, in 1921, Scott served in the motor pool during World War II, developing skills as a mechanic that would serve him well throughout his motorsport career. He started racing in 1947, quickly earning wins on local stock car tracks. Intrigued by the new National Association for Stock Car Auto Racing (NASCAR), formed in 1948, Scott traveled to several NASCAR-sanctioned events intent on competing. But each time, officials turned him away, stating that Black drivers weren’t allowed.

Undaunted, Scott continued to sharpen his skills in other stock car series. He endured slurs and taunts from crowds, and harassment on and off the track from other drivers, but he persevered. Of necessity, Scott was his own driver, mechanic, and team owner. Gradually, some white drivers came to respect Scott’s abilities and dedication to the sport. Through persistence and endurance, Scott obtained a NASCAR competition license and made his Cup Series debut in 1961. He started in 23 races and earned five top-five finishes in his inaugural season. On December 1, 1963, with his victory in a 100-mile race at Speedway Park in Jacksonville, Florida, Wendell Scott became the first Black driver to win a Cup Series event.

Car, with large number 34 on door, on racetrack
Wendell Scott on the track—in a 1965 Ford Galaxie—in 1966. / THF146962

But that win did not come easy—even after the checkered flag fell. The track was rough, many drivers made multiple pit stops, and no one was sure just how many laps some cars had completed, or who truly had the lead. Initially, driver Buck Baker was credited with the victory. Baker went to Victory Lane, posed for photos, addressed the press, and headed home. Wendell Scott was certain that he had won and, as was his right, immediately requested a formal review. After two hours, officials determined that Scott was, in fact, the true winner. Scott received the $1,000 cash prize, but by that time the ceremony, the trophy, and the press were long gone. (The Jacksonville Stock Car Racing Hall of Fame presented Scott’s widow and children with a replica of the missing trophy in 2010—nearly 50 years later.)

Throughout his career, Scott never had the support of a major sponsor. He stretched his limited dollars by using second-hand cars and equipment. During the 1967–68 seasons, he ran a 1966 Ford Galaxie he acquired from the Holman-Moody racing team. That Galaxie was one of 18 delivered from Ford Motor Company to Holman-Moody for the 1965–66 NASCAR seasons. During the 1966 season, Cale Yarborough piloted the Galaxie under #27. Scott campaigned the car under his own #34, notably driving it at the 1968 Daytona 500 where he finished seventeenth.

Car, with large number 27 on door, in front of blurred stands full of people
Cale Yarborough at the wheel of the 1966 Ford Galaxie at that year’s Daytona 500. THF146964

Wendell Scott’s Cup Series career spanned 13 years. He made 495 starts and earned 147 top-ten finishes. He might have raced longer if not for a serious crash at Talladega Superspeedway in 1973. Scott’s injuries put him in the hospital for several weeks and persuaded him to retire from competitive driving. Scott passed away from cancer in 1990, but not before seeing his life story inspire the 1977 Richard Pryor film Greased Lightning.

Scott’s 1966 Ford Galaxie is on loan to The Henry Ford courtesy of Hajek Motorsports, which previously loaned the car to the NASCAR Hall of Fame in Charlotte, North Carolina. We are proud to exhibit it, and to share the story of a pioneering driver who overcame almost every conceivable challenge in his hall-of-fame career.


Matt Anderson is Curator of Transportation at The Henry Ford.

race car drivers, race cars, 1960s, 20th century, racing, Henry Ford Museum, Driven to Win, cars, by Matt Anderson, African American history

Close-up side view of man's head in crash helmet with a gloved hand to his mouth

Jochen Rindt at the 1969 Canadian Grand Prix / THF116686

November 18, 2020, marks the 50th anniversary of Jochen Rindt winning his first and only Formula One Driver’s World Championship. The day also marks another 50th anniversary in Formula One—the first and only time a driver has posthumously won the Driver’s World Championship. In his too short career, Rindt made waves in the racing world, competing twice in the Indianapolis 500; enduring the 24 Hours of Le Mans four times and winning in 1965 with Masten Gregory; and spending six seasons in the world of Formula One. In his first five seasons, he took home one first place victory. But in the 1970 season, Rindt hit his stride, taking the podium in five of the eight races he completed. When he tragically died during practice for the Italian Grand Prix at Monza, Rindt had already earned 45 points towards the championship. Even with four races left in the season, second place finisher Jacky Ickx could only muster 40. Below is a selection of images of Jochen Rindt from the Dave Friedman Collection (2009.158) to honor the life and legacy of this racing legend. You can see even more images related to Rindt in our Digital Collections.

Two men talking; other people in foreground to right and in background are more people and a raceway
Jochen Rindt at the Grand Prix of the United States, Watkins Glen, October 1966 / THF146483

Race car with stripes and diagonal number 8 on hood, and person wearing helmet and goggles inside
Cooper T81 Driven by Jochen Rindt in the Grand Prix of the United States, Watkins Glen, October 1966 / THF146482

Partial side view of racecar with text "8" and "RINDT" on side; person inside in helmet, goggles, and mouth covering
Cooper T81 Driven by Jochen Rindt in the V Grand Premio de Mexico (5th Grand Prix of Mexico), October 1966 / THF146484

Man sitting in race car with several people gathered around it; additional people in the middle distance and grandstands full of people in the far background
Jochen Rindt in His Eagle/Ford Race Car at the Indianapolis 500, May 1967 / THF96147

Low race car with number "40" on side on race track
Jochen Rindt behind the Wheel of the Porsche 907 LH He Co-drove with Gerhard Mitter at the 1967 24 Hours of Le Mans / lemans06-67_426

Woman sitting cross-legged smiling at man sitting on low wall with feet extended, also smiling
Jochen Rindt and Nina Rindt before the 1967 24 Hours of Le Mans / lemans06-67_030


Janice Unger is Processing Archivist at The Henry Ford.

 

Europe, 21st century, 20th century, racing, race car drivers, Le Mans, Indy 500, cars, by Janice Unger