Looking Back: Maker Faire Detroit 2018

August 16, 2018 Think THF

Michigan, Dearborn, 21st century, 2010s, making, Maker Faire Detroit, events

Solving a Collections Mystery with IMLS

August 8, 2018 Archive Insight

Susan Bartholomew, Collections Specialist here at The Henry Ford, is busy cataloging objects from The Henry Ford's Collections Storage Building (CSB). A three-year grant from the Institute of Museum and Library Services (IMLS) Museums for America Collections Stewardship project, supports conserving, rehousing, and digitizing thousands of objects currently housed in several bays of the CSB.

As the grant narrative explains, the IMLS funding supports a “critical element in a major institutional project: the consolidation of The Henry Ford's off site collections into a new location on campus.” The work “will improve the physical condition of the project artifacts through conservation treatment, rehousing, and removal to improved environments.” Finally, IMLS funding “will facilitate collections access through the creation of catalog records and digital images, available to all via The Henry Ford's digital collections.”



Occasionally Susan comes upon an artifact that needs additional explanation to accurately catalog it, such as this one. Here's what we knew upon examination:

• It's 16" long, 7" wide
• Has a smooth wooden handle
• Is bent and welded iron
• There's a ringed brass flange positioned to reduce wear where the metal is imbedded into the organic material.

The questions we then ask: What is this instrument? What purpose does it serve?

We turned to our horse experts with the Ford Barn team in Greenfield Village to help us understand its use.

A steady diet of oats, grass, and hay wears a horse’s teeth down as they age. Persistent grinding of food can leave sharp burrs or edges on the outside of their molars. Untreated, this causes pain when the horse chews, and they lose weight.

Farmers and veterinarians used this instrument (called a “gag” or speculum) to hold a horse’s mouth open as they floated the horse’s teeth to balance their bite. Floating helps a horse maintain a healthy bite in their senior years.

A person (farmer or veterinarian) would insert the “gag” into the horse’s mouth, holding it by the handle. Then, the farmer/veterinarian would pull downward on the handle which “encouraged” the horse’s mouth to open. The oval area provided a window through which to place the float (a rasp used to file down the sharp edges).

The device proved useful when treating younger horses with other dental issues, too. Today caring for aging horses still requires floating and balancing their teeth. Caregivers still use a speculum to hold the horse’s mouth open, and to keep their head steady during floating and balancing, but the instruments today have padding to reduce stress on the horse’s jaw during the procedure.

Thanks to the IMLS for providing the invaluable funding to help make this exploration of animal care possible.

Debra A. Reid is Curator of Agriculture and the Environment at The Henry Ford. Jim Slining is Curator of Museum Collections at Tillers International.

Michigan, Dearborn, 21st century, 2010s, IMLS grant, healthcare, farm animals, by Jim Slining, by Debra A. Reid, agriculture, #Behind The Scenes @ The Henry Ford

Driving Through the Decades at Motor Muster 2018

June 28, 2018 Think THF

Only at Motor Muster! The 1^st Michigan Fife & Drum Corps passes a 1955 Buick Special Riviera.

Another summer means another car show season. Here at The Henry Ford, that means another Motor Muster. Our 2018 event goes down as one of the most exciting in recent memory, with a host of new activities and experiences – and more than a few great cars, too. Some 700 automobiles, trucks, motorcycles, scooters, bikes and military vehicles filled Greenfield Village with the sights and sounds of mid-20^th century motoring.

Chevrolet’s long-running small-block V-8 – under the hoods of the 1957 Bel Air and Corvette seen here – is a perfect example of an iconic engine.

Our theme this year broke with tradition. Rather than feature one particular make or model, we celebrated “Iconic Engines of Detroit’s Big Three.” Our profiled power plants included Ford’s flathead V-8, which brought horsepower to the masses from 1932-1953; Chevrolet’s small-block V-8, which remained in production, in one form or another, from 1955-2003; and Chrysler’s celebrated hemispherical combustion head engines, first marketed under the “FirePower” name before gaining the better known – and still used – “Hemi” moniker. The broader theme allowed us to make the most of a visit from the Early Ford V-8 Club of America, as well as a consortium of dedicated Mopar owners and fans.

Moving under its own power for the first time in several years, The Henry Ford’s 1956 Chrysler 300-B recalled NASCAR’s early days.

Each of these iconic engines was on view in our special display tent across from Town Hall. From The Henry Ford’s own collection came a 60-horsepower variant of the Ford V-8. Our Chrysler 300-B, from the Carl Kiekhaefer team that dominated NASCAR’s 1956 Grand National series, not only sat in the tent but also wowed crowds with Hemi-powered noise during our Saturday afternoon racing Pass-in-Review presentation. We rounded out the tent’s Big Three display with a small-block-powered 1955 Chevy Bel Air courtesy of show participant John Dargel.

The Ford V-8 was an especially appropriate choice for Motor Muster. Some of the engine’s early design work was done by a small group of engineers working out of Thomas Edison’s Fort Myers Laboratory in Greenfield Village. The lab provided the team with privacy and freedom from distraction – and maybe even a little inspiration.

Tether cars peaked in popularity in the years surrounding World War II, though newer models – like this 1990s example – continue to be built by enthusiasts.

We added a small-scale surprise to the tent this year. Throughout the weekend, visitors could watch our conservators at work on a gasoline-powered tether car. These miniature racers competed against the clock while tethered to a central pivot, or against each other on scaled-down board tracks. The featured car was one of dozens acquired by The Henry Ford from the E-Z Spindizzy Foundation in 2013.


Scenes from the World War II home front came to life at our small-town War Bond drive.

Building on the “historical vignette” concept that debuted at last year’s Old Car Festival, this year’s Motor Muster included period settings for each decade represented by the cars in the show. For the 1930s, we staged a Civilian Conservation Corps camp at the McGuffey School. For the 1940s, we reenacted a home front War Bond drive, circa 1943, along Washington Boulevard. (In keeping with the theme, Spam sandwiches were available for lunch!)


The 1951 General Motors Le Sabre concept car, on loan courtesy of our friends at GM, was a highlight of the “FuturaFair” auto show vignette. GM also provided the 1958 Firebird III.

The 1950s were represented by a Motorama-style auto show in the Village Pavilion. Our “FuturaFair” display included three of that decade’s notable concept cars: the 1951 GM Le Sabre, the 1953 Ford X-100, and the 1958 GM Firebird III. At the Scotch Settlement School, a happy group of revelers enjoyed a suburban-style picnic set in the 1960s. And the Spirit of ’76 reigned at the foot of the Ackley Covered Bridge, where the 1^st Michigan Fife & Drum Corps and the Plymouth Fife & Drum Corps performed Bicentennial-themed concerts throughout the weekend.


Badminton kept our Bicentennial vignette lively, while mid-1970s AMC wagons and cars provided atmosphere.

If just looking at cars wasn’t enough, visitors could learn about them either by watching our narrated Pass-in-Review programs at the Main Street grandstand, or by sitting in on one of several presentations in the Village Pavilion. Topics included everything from Ford factory paint methods to the lasting impact of the Chevrolet Corvair. Of course, you could also learn simply by asking the owners about their cars. They enjoy sharing share their stories: where they found the car, why they bought it, and why they love the hobby.

It was another magical weekend filled with good friends, good food, and hundreds of vintage vehicles. And for our 2018 Motor Muster award recipients, it was a winning weekend as well. What better way to welcome another summer?

Matt Anderson is Curator of Transportation at The Henry Ford.

Michigan, Dearborn, 21st century, 2010s, Motor Muster, Greenfield Village, events, engines, cars, car shows, by Matt Anderson

Raising the Bar at Logan County Courthouse

May 22, 2018 Archive Insight

The Logan County Courthouse, a fixture on the Village Green in Greenfield Village, will has reached the milestone of having been here in Dearborn for as many years as it was in Postville, Illinois - 89 years.

Abraham Lincoln featured prominently in Henry Ford’s plans for Greenfield Village, which revolved around the story of how everyday people with humble beginnings would go on to play important roles in American history. Lincoln epitomized Ford’s view of the “self-made man,” and he made a significant effort to collect as many objects as possible associated with him. By the late 1920s, Henry Ford was a “later comer” to the Lincoln collecting world, but with significant resources at his disposal, he did manage to secure a few very important items. The Logan County Courthouse is among them.

It has taken nearly all the 89 years to achieve this, but an original feature, long absent from the courtroom is making a return. The bar now stands again. Using the original set of spindles, we have re-created our interpretation of what the rail, or the bar, that divided the courtroom may have looked like in the1840s. By referencing images of other early 19^th century courtrooms, and studying architectural features represented in Greenfield Village, a typical design was created. 

The stories associated with the Logan County Courthouse are fascinating. As it turns out, the story of how the original spindles from the original bar finally made their way back into the courthouse is fascinating as well.  

Authenticated objects, related to Lincoln’s early life, were especially scarce by the late 1920s. There seemed to be an abundance of items supposedly associated and attributed to Lincoln, especially split rails and things made from them, but very few of these were the real thing. For Ford, the idea of acquiring an actual building directly tied to Lincoln seemed unlikely.

But, by the summer of 1929, through a local connection, Ford was made aware that the old 1840 Postville/Logan County, Illinois courthouse, where Lincoln practiced law, was available for sale. The 89-year-old building was used as a rented private dwelling, and was in very run-down condition, described by some as “derelict.” It was owned by the elderly Judge Timothy Beach and his wife. They were fully aware of the building’s storied history, and had made several unsuccessful attempts to turn the historic building over to Logan County in return for taking over the care of the building. Seeing no other options, the Beaches agreed to the sale of the building to Ford via one of his agents. They initially seemed unaware of Ford’s intentions to move the building to Greenfield Village, assuming it was to be restored on-site much like another historic properties Ford had taken over.

This image shows the state of the building when it was first seen by Henry Ford’s staff in late August of 1929. Not visible in the large shed attached to the rear of the building. THF238386

The local newspaper, The Courier, even quoted Mrs. Beach as stating that, “she would refund to Mr. Ford if it was his plan to take the building away from Lincoln, as nothing was said by the agent about removal”. By late August of 1929, the entire project in West Lincoln, Illinois, had captured the national spotlight and the old courthouse suddenly had garnered a huge amount of attention, even becoming a tourist destination. By early September, local resistance to its removal was growing, and Ford felt the need to pay a visit to personally inspect the building and meet with local officials, and the Beaches. He clearly made his case with the owners and finalized the deal. As reported, “Ford sympathized with the sentiment of the community but thought that the citizens should look at the matter from a broader viewpoint. He spoke for the cooperation of the community with him in making a perpetual memorial for the town at Dearborn, where the world would witness it. My only desire is to square my own conscience with what I think will be for the greatest good to the greatest number of people."

Henry had made his case and the courthouse would indeed be leaving West Lincoln. Immediately following the final negotiations, Henry Ford’s crew arrived to begin the process of study, dismantling, and packing for the trip to Dearborn. Local resistance to the move continued as the final paperwork was filed to purchase the land. By September 11, the resistance had run its course and the dismantling process began. It was also revealed that the city, county, several local organizations, and even the state of Illinois had all been offered several opportunities to acquire the building and take actions to preserve it. They all had declined the various offers over the years. It was then understood that Judge & Mrs. Beach, in the end, had acted on what was best for the historic building and should not be “subjected to criticism.” Judge Beach would die on September 19, just as the last bits of the old courthouse were being loaded for their journey to Greenfield Village. 

Reconstruction, which included the fabrication of many of the first-floor details and a new stone chimney and fireplaces, began immediately. In roughly a month’s time, the building was ready for the grand opening of Greenfield Village on October 21, 1929.

Nine years later, in 1938, Eugene Amberg sent a letter to Ford describing an interesting discovery. Mr. Amberg was a native of what was now Lincoln, Illinois and worked as a railroad ticket agent. He had a great interest in the local history and was a collector of local artifacts. As he writes in the letter dated February 8, 1938:

Several years ago, you purchased the Old Postville Court House here in Lincoln, Ills from Mrs. T Beach. At the time the Court House was made into a dwelling the railing that separated the judges desk from the main court room was torn out by my father (John Amberg) who was doing the remodeling, this he stored in the attic of his home, recently my mother died and while cleaning out the attic we came across these spindles, which are the original 28 spindles that the hand railing rested upon. The hand railing was of walnut, out of which was carved some arm rests that are now on some of the pews in St. Mary’s, a church here.

Would appreciate a line from you as to whether or not you would be interested in these spindles, have had numerous offers for them, inasmuch as they are part of the original court house I feel they should be with it, in your Dearborn Village.


Dated February 7, 1938, this is the initial letter from Gene Amberg to Henry Ford offering the 28 original spindles for sale. Despite several letters back and forth, a price could not be settled upon, and the transaction never took place. THF288006


This drawing was sent by Gene Amberg, as a follow-up to his first letter offering the spindles for sale. The artist, Mary Katherine, was Gene’s 14 year old daughter. THF288012

Negotiations evidently faltered, as a price was not agreed upon, and the spindles were never sent. Fast forward 71 years to 2009 when an email arrived from Carol Moore and her brother, Dennis Cunningham, the grandchildren of Eugene Amberg. They had no idea that their grandfather had begun this process, and were amazed when we produced the original correspondence from our archival collection. As it turns out, their story was almost identical to Eugene’s. As Carol wrote their mother, “Patricia Amberg Cunningham died March 1, 2008. While cleaning her house in Delavan, Illinois to prepare for sale, we found 28 old wooden spindles and a newspaper article believed to be from the Lincoln Courier indicating that the spindles are from the original Postville Courthouse in Lincoln, Illinois. It is our desire to donate them to the original Postville Courthouse.”

She was very familiar with Greenfield Village, and had visited the courthouse here. Jim McCabe, the Buildings Curator at the time, gladly accepted the donation.




Clipping from the Lincoln Courier ca. 1934, noting the 28 spindles from the “old Postville courthouse” in the possession of Gene Amberg. THF288016, THF288017    

In 1848, the county seat moved from Postville, to Mount Pulaski. At that time the courthouse was decommissioned, and the county offices moved to a new courthouse.  After a legal battle between the County, and the original investor/builders of the building, it was sold to Solomon Kahn. None other than Abraham Lincoln successfully represented the County in the matter.

Understanding the local history helps to also understand the changes that took place to the building. It explains how and why portions of the building were altered, parts removed, and eventually separated.

By the late 1840s, changes had taken place on both the exterior and interior. The most significant of these was the move off its original foundation, 86 feet forward on the lot. Mr. Kahn converted the building into a general store, and ran the local post office.  It was he who moved the building to its new location. In doing so, it was lifted off its original limestone foundation, and the original single limestone chimney and interior fireplaces were demolished. A new brick lined cellar and foundation were created, along with updated internal brick chimneys on each end of the building, designed to accommodate cast-iron heating stoves.


This is the earliest known photograph of the Logan County Courthouse taken some time between 1850 and 1880. This photograph shows the building in its second location, 80 feet forward from its original foundation, at the crest of a small rise. The original window and door configuration remain intact. The original single stone chimney, now restored to the left side of the building, has been replaced by two internal brick chimneys designed for cast-iron heating stoves. Though not visible in the photograph, the building now sits on a new brick foundation and cellar. The items sitting near the doorway speak to the building’s new life as a store. THF132074

By 1880, the old courthouse had been converted from a commercial building into a private dwelling, and that was the state in which it was found by Ford’s crew in 1929.  The doorway and first floor interior had been radically changed. Later, a porch was added to the front entrance, and a shed addition was added to the rear. Photographs taken in September of 1929 during the dismantling, show the outline of the original chimney on the side of the building where it has been re-created today. Further discoveries revealed the original floor plan of a large single room on the first-floor, and the original framing for the room divisions on the second. Second floor photographs show the original wall studs, baseboards, chair rails, window, and door frames, all directly attached to the framing, with lath and plaster added after the fact. The framing of the walls on the first floor were all clearly added after the original build.


This post 1880 view of the Logan County Courthouse shows its transformation into a two- family dwelling. Note the single doorway is now two, the second now taking the place of a former window opening. THF238350     


This image shows further remodeling of the front of the building. This photo ca.1900 shows the addition of recessed covered porch with some decorative posts and millwork. This is the iteration in which the building was found when it was sold to Henry Ford in September of 1929. THF238348


These three images show the re-modeled interior of what was the original courtroom, now serving as the kitchen, dining room, and parlor. These photos were taken by Henry Ford’s staff just prior to the dismantling of the building in September of 1929. THF238580 


The sub-divided first floor courtroom. THF238600


View of the cellar entrance under the stairway in the sub-divided courtroom. THF238598 

We have no evidence that tells us what if any interior changes Mr. Kahn may have made when he relocated the building around 1850. The earliest photograph we have of the building shows it in its new location, but except for its new brick chimneys, it retains what appears to be its original door and window configuration. We can only assume that Mr. Kahn had kept the rail in place, which may have proved useful in the building’s new configuration as a store and post office. No photographs of the original courtroom exist and extensive changes made first in 1880, and then when the building was dismantled and reconstructed in Greenfield Village, further comprised any original evidence.


This view of the dismantled second floor shows matching trim and chair rail connected directly to the studs indicating this as the originally installed woodwork from 1840. The wall partition studs are also notched to meet the ceiling joists, showing that they are also part of the original framing configuration of the second floor. All the trim work, including the doors were made of walnut. THF285571  

Based on the evidence we do have about these changes, it is very likely that at the time of the building’s conversion into a private dwelling, around 1880, the decorative hand-turned spindles and walnut hand rail would have been salvaged as the first floor of the building was sub-divided into a duplex. As stated in the family history, the walnut top rail was re-purposed and used in St. Mary’s Catholic Church (which burned in 1976), and the spindles saved for a future project.

Analysis of the original spindles showed that they were poplar, a wood commonly used for turning and as a secondary wood in the mid-19^th century. Based on what we knew, we decided to use a combination of woods for the reconstruction of the bar rail. Walnut was used for the top rail and column caps, and the remainder of was done in poplar. Though refinished in 1929, the original walnut trim throughout the building was used as a guide for the color and sheen of the final finish. Reproduction hardware, again based on the existing hardware, mainly on the second floor, was used to mount the center gate.


Mose Nowland, conservation team volunteer at The Henry Ford, works on the design rendering for the bar. (Photo by Jim Johnson)


Mose Nowland and other members of The Henry Ford Conservation Team with the newly installed bar. (Photo by Bill Pagel)

The design of the physical installation of the rail and gate was robust. Each of the support columns is supported within by a steel post that runs through the floor joists and into the cellar floor. With over a half million guests visiting Greenfield Village each year, we thought this important. The design also offers some degree of protection to the original spindles that are centered within the top and bottom rail. This is a permanent installation, and we wanted to be sure it would stand up to the test of time.




Views of the newly re-created bar at the Logan County Courthouse in Greenfield Village. (Photos by Jim Johnson)

A huge thank you to Mary Fahey and Dennis Morrison for stewarding the project. Also to Mose Nowland, our extraordinary volunteer with The Henry Ford’s Conservation Team, who lead the charge in creating the design, and produced beautifully detailed drawings. Ken Gesek, one of our Historic Buildings Carpenters, built the rail, Cuong Nguyen and Tamsen Brown, with the help of the rest of the THF Conservation Team, oversaw the restoration of the original spindles. Tamsen also developed the formula to match the stain and finish to the existing woodwork in the courthouse. Jason Cagle, from the Painting Staff, skillfully applied the finish. Many other people worked to move the project forward as well.

This true team effort resulted in the original spindles finally being reunited with the Logan County Courthouse after an absence of nearly 140 years.

Logan County Courthouse as it appears today in Greenfield Village. (Photo by Jim Johnson)

Jim Johnson is Director of Greenfield Village at The Henry Ford. 

Explore more of our Logan County Courthouse artifacts in our digital collections.

Sources Cited

• Fraker, Guy C. Lincoln’s Ladder to the Presidency: The Eighth Judicial Circuit, Carbondale, IL., Southern Illinois University Press, 2012.
• Leigh Henson, Mr. Lincoln, Route 66, and Other Highlights of Illinois, The Postville Courthouse as Private Property, http://findinglincolnillinois.com/sitemap.html
• Lincoln’s Eight Judicial Circuit, http://www.lookingforlinocln.com/8thcircuit/
• Logan County Courthouse Spindle Accession File, 2009.111, items 1-28, Archival Collection of the Benson Ford Research Center, The Henry Ford.
• Logan County Courthouse Building Files including original correspondences, records, photographs prior to dismantling in September of 1929, photographs of dismantling process, September 1929, reconstruction photographs, Greenfield Village, September 1929, 19^th century photographic images, Benson Ford Research Center, The Henry Ford.
• The Herald, vol. 5 n.3, The Edison Institute Press, March 4, 1938.
• Illinois, Logan County, Postville, 1840 U.S. census, population schedule. NARA microfilm publication, Washington, D.C.: National Archives and Records Administration
• Illinois, Logan County, Postville, 1850 U.S. census, population schedule. NARA microfilm publication, Washington, D.C.: National Archives and Records Administration
• Stringer, Lawrence B, The History of Logan County, Illinois, A Record of its Settlement, Organization, Progress and Achievement, Pioneer Press, Chicago, 1911.
•  “The Story of the Purchase of the Logan County Courthouse and its Removal to Greenfield Village by Mr. Henry Ford, as told in the columns of the Lincoln Evening Courier, 8/19/29-10/21/29”, compiled by Thomas I. Starr, Aug 1931. Logan County Courthouse Building Files, Benson Ford Research Center, The Henry Ford.

21st century, 2010s, 19th century, 1840s, Illinois, Michigan, Dearborn, presidents, making, Logan County Courthouse, Greenfield Village history, Greenfield Village buildings, Greenfield Village, collections care, by Jim Johnson, Abraham Lincoln, #Behind The Scenes @ The Henry Ford

Detroit Autorama 2018

March 7, 2018 Think THF

There’s still snow on the ground in the Motor City, but car show season is officially underway after the 66^th annual Detroit Autorama, held March 2-4. Some of the wildest, weirdest and/or most beautiful customs and hot rods filled Cobo Center in a celebration of chrome and creativity. For those who’ve never been, Autorama is a feast for the eyes (and, at closing time when many of the entrants drive off under their own power, the ears). Some 800 cars, built by the most talented rodders and customizers in the country, are brought together under a single roof to be admired, coveted and judged.

Wit is as much a part of the customizer’s toolbox as wrenches and rachets. Check out this 1955 Chevy “Bad Humor” ice cream truck, surrounded by used popsicle sticks.

The most prestigious prize at Autorama is the Ridler Award, named in honor of show promoter Don Ridler. Only cars that have never been shown before are eligible. On Autorama’s opening day, the judges select their “Great 8” – the finalists for the Ridler. Anticipation builds throughout the weekend until the winner is announced at the end of the Sunday afternoon awards presentation. In addition to considerable bragging rights, the Ridler Award winner receives $10,000 and enshrinement in the online Winner Archive. This year’s Ridler went to “Imagine,” a silver 1957 Chevrolet 150 owned by Greg and Judy Hrehovcsik and Johnny Martin of Alamosa, Colorado.

Our 2018 Past Forward winner, a 1956 Continental Mark II with a fifth-generation Chevy Camaro powertrain under the body.

Each year The Henry Ford gives out its own prize to a deserving Autorama participant. Our Past Forward award recognizes a car that 1.) Blends custom and hot rod traditions with modern innovation, 2.) Exhibits a high level of craftsmanship, 3.) Captures the “anything goes” spirit of the hobby, and 4.) Is just plain fun. Our 2018 winner, a 1956 Continental Mark II owned by Doug Knorr of Traverse City, Michigan, and built by Classic Car Garage of Greenville, Michigan, had all these qualities in the right combination. Everything about the car said “Continental,” only more so – from the oversized turbine wheels to the elegant Continental star on the valve covers. And if the 400-horsepower LS3 Camaro V-8 under the hood doesn’t say “anything goes,” then I don’t know what does.

The 1976 Dodge Monaco – notably a model made after catalytic converters, so it won’t run good on regular gas.

If chrome-plated undercarriages aren’t your thing, then Autorama Extreme was there for you again this year on Cobo’s lower level. Shammy cloths and car polish are decidedly out of place among the Rat Rods down below. In addition to show cars, vendors and the ever-popular Gene Winfield pop-up chop shop, Autorama Extreme features a concert stage with ongoing musical entertainment. There’s always a healthy dose of 1950s rockabilly on the schedule, but this year’s lineup also included a Blues Brothers tribute act – complete with a 1976 Dodge Monaco gussied up (or down, I suppose) into a fairly convincing copy of the Bluesmobile.

Unpolished and proud of it. A 1930 Ford Model A with the Rat Rods in Autorama Extreme.

Not everything at Autorama is textbook classic. Here’s a 1980 AMC Spirit patriotically living up to its name with lots of red, white and blue.

“Lethal T,” for those who’ve always dreamed of putting a 427 Cammer in a Model T. 

If you haven’t been to Detroit Autorama, then make a point of being there in 2019. You won’t find anything quite like it anywhere else in the world.

Matt Anderson is Curator of Transportation at The Henry Ford.

21st century, 2010s, Michigan, Detroit, cars, car shows, by Matt Anderson, Autorama

Dale Earnhardt Iconic Victory

February 15, 2018 Archive Insight

Pennant, "Dale Earnhardt, #3," 2000. THF251065

Dale Earnhardt Sr. is truly one of NASCAR’s greatest legends, with a total of 76 career victories and seven NASCAR Cup championships on the way to becoming a first-ballot NASCAR Hall of Famer.

But one victory, 20 years ago today, will always be special. The 1998 Daytona 500 was the race that Dale Earnhardt finally broke through and won “The Great American Race” in his 20^th attempt.

Ironically, Earnhardt was considered a Daytona race master. He had won 11 Daytona 500 qualifying races, six Busch Clash races, four IROC all-star races, two 400-mile July races, and seven Grand National (now XFINITY Series) events at the famed 2.5-mile tri-oval.

That’s 30 victories at the track he loved - a place where legend was he could “see the air” in the draft of cars. It was a place where he was feared by the other competitors because he was so good in competition there.

But a series of mishaps in the biggest race of them all – the Daytona 500 – had hampered him in chasing the trophy he wanted most. Once, he won the Daytona 499 ½, cutting a tire going through the final two turns and losing the chance to win.  Other times he had the dominant car only to be beaten by fuel strategy.  Or he’d come runner-up in a battle to the finish line.

But that was all forgotten on Feb. 15, 1998, when Dale Earnhardt, once again dominant, led 107 of the race’s 200 laps to take his long-awaited victory in the third fastest 500 in history at that time.

The post-race scene was emotional as Earnhardt slowly rolled down pit lane, with every crew member from every team greeting him with high fives and slaps on his black No. 3 Chevrolet.

The streak had been broken and Dale Earnhardt finally got the trophy he always wanted.

Sadly, just three years later, again in the Daytona 500, Earnhardt was killed in a last lap crash in Turn 4 while attempting to block for his team cars of Michael Waltrip and his son Dale Jr., who went on to finish 1-2.

Kevin Kennedy is a guest writer to The Henry Ford.

Florida, 21st century, 2010s, 20th century, 1990s, racing, race car drivers, cars, by Kevin Kennedy

Report from the 2018 North American International Auto Show

January 22, 2018 Think THF

Hot Hatch Heaven! Hyundai’s 275-horsepower Veloster N, one of several new models unveiled at this year’s North American International Auto Show.

Detroit is the capital of the global automotive industry once more as the 2018 North American International Auto Show arrives at Cobo Center. Carmakers from around the world have come to share peeks at their 2019 model lines, and hint at new technologies that may be coming in the years ahead. As usual, the exhibits range from exciting, to informative to downright unreal.

This is exactly what it looks like: a 1979 Mercedes-Benz G-Class frozen in amber.

Mercedes-Benz takes the cake for most unusual display. The German automaker unveiled a new version of its venerable G-Class SUV, in continuous production since 1979. To emphasize its endurance, Mercedes encased a vintage G-Class in a giant block of amber. (Think dino-DNA mosquitoes in Jurassic Park.) The block is located outside, along Washington Boulevard, rather than in the Mercedes-Benz booth. But don’t miss that either – you can see a 2019 G-Class splattered with faux mud, and the G-Class driven to victory by Jacky Ickx and Claude Brasseur in the 1983 Paris-Dakar Rally.

The Chevrolet Silverado – now lighter thanks to a blend of steel and aluminum body panels.

With gas prices down and the economy up, Americans have reignited their romance with pickup trucks. Chevrolet and Dodge both revealed new full-sized models, while Ford trumpeted the return of its mid-size Ranger. The 2019 Chevy Silverado rolled out under the headline “mixed materials.” In response to the Ford F-150’s aluminum bed (premiered at 2014’s NAIAS) and fuel efficiency targets, the bowtie brand is now building Silverado bodies with a mix of steel and aluminum components, shedding some 450 pounds from the truck’s overall weight. Chevy, celebrating a century in the truck business this year, is quick to point out that Silverado’s bed remains an all-steel affair. (Silverado TV commercials have been cutting on the F-150’s aluminum bed for some time now.)

Eyeing the American market, China’s GAC Motor makes a splash with its Enverge concept car.

China is a bigger factor in the American auto industry each year. Buick’s Envision crossover is already made in China, and Ford will shift production of its compact Focus there next year. It’s only a matter of time before a Chinese automaker starts marketing cars in the United States. GAC Motor hopes to be the first, announcing plans to sell vehicles stateside in 2019. (Yes, Chinese-owned Volvo is already selling cars here, but it first came to the U.S. in 1955 in its original Swedish guise.) It could be a tough sell – U.S. automakers and politicians aren’t too pleased with the steep tariffs imposed on American cars sent to China. In the meantime, GAC tempts NAIAS visitors with its Enverge concept SUV. The all-electric Enverge is said to have a range of 370 miles on a single charge – and can be recharged for a range of 240 miles in a mere 10 minutes.


Detective Frank Bullitt’s 1968 Ford Mustang, among Hollywood’s most iconic cars.

Ironically, one of the most talked-about cars at NAIAS is 50 years old. Ford Motor Company tracked down one of two Highland Green Mustangs driven by Steve McQueen in the 1968 thriller Bullitt. As any gearhead knows, the movie’s epic 11-minute chase scene, in which McQueen and his Mustang go toe-to-toe with a couple of baddies in a black 1968 Dodge Charger, is considered one of Hollywood’s all-time greatest car chases – even half a century later. Its lasting appeal is a credit to McQueen’s skill (both as an actor and a driver – he did some of the chase driving himself), the “you are there” feel of the in-car camerawork, and – obviously – the total absence of CGI. Those are real cars trading real paint.

The current owner’s parents bought the Mustang through a 1974 classified ad in Road & Track magazine. For years they used one of pop culture’s most important automobiles as their daily driver! With the movie’s 50^th anniversary this year, the owner decided it was time to bring the car back into the spotlight. Ford agreed and, in addition to the movie car, its booth also features the limited edition 2019 Bullitt Mustang, a tribute car that hits dealer lots this summer.


Digital license plates may one day eliminate sticker tabs – or be remotely updated to alert police of a stolen vehicle.

The youngest, hungriest companies at NAIAS are on Cobo Center’s lower level. More than 50 start-ups, along with colleges and government agencies, are in Detroit for the second annual AutoMobili-D, the showcase for fresh ideas and innovative technologies. Reviver Auto hopes to revolutionize an accessory that hasn’t changed in more than a century: the license plate. The California company proposes swapping the tried and true stamped metal plate for a digital screen. The new device is more visible in low light and poor weather, and resistant to the corrosion that plagues metal plates. In lieu of adhesive registration tabs, your digital plate could be renewed remotely each year by the DMV. Plates could also broadcast Amber Alerts to other drivers, or be updated by authorities if you report your car as stolen. Some will argue that current license plates are fine – as functional and intuitive as need be. But based on the number of randomly-placed renewal tabs I see out there, I’m not so sure there isn’t room for improvement.

Matt Anderson is Curator of Transportation at The Henry Ford.

21st century, 2010s, technology, NAIAS, movies, Michigan, Detroit, cars, car shows, by Matt Anderson

The Mark IV Visits the 2017 SEMA Show

November 16, 2017 Archive Insight, Think THF

It’s been a busy couple of years for our 1967 Ford Mark IV. In the last 24 months, the car traveled to England, France, California and, most recently, Nevada. Race fans have welcomed the car at each stop, excited to see it 50 years after its Le Mans win with Dan Gurney and A.J. Foyt. The car’s trip to the Silver State coincided with this year’s SEMA Show, presented by the Specialty Equipment Market Association from October 31-November 3 in Las Vegas.

The SEMA Show is among the largest automotive trade shows on the calendar. It brings together original equipment manufacturers, aftermarket suppliers, dealers, restoration specialists and more. SEMA draws some 2,400 exhibitors and 160,000 people (all of them industry professionals – the show isn’t open to the public) to the Las Vegas Convention Center each year. You’ll find a bit of everything spread over the show’s one million square feet of exhibit space: speed shop equipment, specialty wheels and tires, seats and upholstery, car audio systems, paints and finishes, motor oils and additives – basically, anything that makes a car run, look, sound or feel better.

Ford provided (joyously tire-shredding) rides in Raptors, Focus RS hatches and Mustang GT350s.

Our Mark IV was given an honored place in Ford Motor Company’s main exhibit, where it was paired with the 2018 GT Heritage Edition that pays tribute to the Gurney/Foyt win. Ford’s exhibits continued outside the Convention Center in the “Ford Out Front” area. Jersey barriers formed an impromptu track in the parking lot, where attendees could ride with a professional driver in a Mustang GT350, a Focus RS, or an F-150 Raptor. Believe me, you haven’t seen drifting until you’ve seen it done with a pickup truck.

The American Southwest, native habitat of the Roadrunner – like this 1970 Superbird tribute car.

Of course, Ford wasn’t the only OEM in town. Chevrolet, FCA, Toyota, Audi, Honda and Hyundai all had a presence at the show. Chevy brought its new special edition Camaro, honoring the 50^th anniversary of Hot Wheels diecast cars, while FCA celebrated all things Mopar. Toyota, marking the 60^th anniversary of its U.S. sales arm, brought Camrys representing each of that venerable model’s eight styling generations.

PPG Paints displayed airbrushed portraits of this terrorsome trio: Edgar Allan Poe, Pennywise and Herman Munster.

PPG Paints gets my vote for most elaborate show booth. Embracing SEMA’s opening date of October 31, the company built a giant haunted house, complete with cars and parts strewn about the front lawn called – what else – “The Boneyard.” The surrounding fence was decorated with incredible airbrush art celebrating Halloween heroes like Edgar Allan Poe and Herman Munster.

Having a hard time finding new cassettes for your mid-1980s Buick Regal? Retro Manufacturing will sell you a perfect-match stereo with a USB port.

More than a few vendors drew crowds to their booths with the help of celebrity appearances. Walk around and you’d spot stars from every field of automotive endeavor. There were drivers (Emerson Fittipaldi, Ken Block), television hosts (Jessi Combs, Dennis Gage), custom builders (Gene Winfield, Chip Foose), rock stars (Jeff Beck, Billy Gibbons), and all-around icons (Linda Vaughn, Richard Petty, Jay Leno, Mario Andretti).

Many SEMA booths hosted live demonstrations, like this pinstriper at work on a Ford Focus RS.

There were educational opportunities, too. Workshops and seminars throughout the week ranged from standard business conference fare (“Building a Sustainable Social Media Strategy”) to the decidedly SEMA-specific (“Building the Best Boosted Engines of Your Career”). If seminars aren’t your thing, you could learn by watching everything from welding to pinstriping taking place right at exhibitor booths.

When is a Mustang a Lincoln? When it’s this P-51 Mustang airplane-inspired hot rod by Chip Foose, powered by a Lincoln-Zephyr V-12.

Contests added to the fun, too. Hot Rodders of Tomorrow, a nonprofit that encourages young people to consider careers in the automotive aftermarket industry, sponsored a challenge in which high school teams competed against each other in timed engine rebuilds. The most celebrated contest was SEMA’s annual Battle of the Builders. Nearly 200 customizers brought vehicles to be judged in four categories: hot rods, trucks/off-road vehicles, sport compacts, and young guns (for builders age 27 and under). Three top finishes were selected from each category over the show’s run, and these top 12 vehicles led the post-show SEMA cruise. An overall winner was then selected from the 12. Troy Trepanier took this year’s top prize with his 1929 Ford Model A hot rod.

Tucker Tribute: A hand-built replica powered by a Cadillac Northstar V-8.

So ended another SEMA Show – and a successful golden anniversary tour for the Mark IV. And while it’s good to have the car back in the museum, we’re glad we could share it with so many people over the past two years. We’ll hope to see some of you again in 2067!

 Matt Anderson is Curator of Transportation at The Henry Ford.

Europe, 21st century, 2010s, racing, Le Mans, Henry Ford Museum, Driven to Win, events, 1960s, 20th century, race cars, Mark IV, cars, car shows, by Matt Anderson

An Old Car Festival for the Books: 2017

September 21, 2017 Think THF

The Canadian Model T Assembly Team wowed Old Car Festival crowds by putting together a working chassis in less than 10 minutes.

Our 67^th annual Old Car Festival is in the books – and it was one for the books this year. Postcard-perfect weather, a host of new activities and hundreds of vintage automobiles from motoring’s first decades made this one of the most exciting Greenfield Village car shows in recent memory.

This yellow 1921 Lincoln, from the Cleveland History Center, is believed to be the earliest surviving Lincoln motor car.

Lincoln took center stage as our featured marque. It was 100 years ago that Henry Leland left Cadillac to form what would become his second automobile company, named for the first president for whom he voted. We had a number of important Lincolns on hand. From The Henry Ford’s own collection was the circa 1917 Liberty V-12 aircraft engine (Lincoln’s first product) and the 1929 Dietrich-bodied convertible. Our friends at the Cleveland History Center’s Crawford Auto-Aviation Collection brought something very special: a 1921 Model 101 believed to be the oldest surviving Lincoln automobile.

The earliest cars, like this red 1903 Ford Model A runabout, line up for their turn at Pass-in-Review.

Automotive enthusiasts had their pick of activities. There were the cars, of course, spread chronologically throughout the village. There were the Pass-in-Review parades, in which our expert narrators commented on participating vehicles as they drove past the Main Street grandstand. There were the car games, and continuing demonstrations by the Canadian Model T Assembly Team, in Walnut Grove. There were bicycle games near (appropriately enough) Wright Cycle Company. And there were presentations on various auto-related topics in Martha Mary Chapel and the Village Pavilion. Old Car Festival welcomed a few genuinely rare cars in addition to the wonderfully ubiquitous (Ford, Chevrolet, Dodge Brothers) and downright obscure (Crow, Liberty, Norwalk). Rarities this year included a 1913 Bugatti Type 22 race car (said to be the oldest Bugatti in North America) and a 1914 American Underslung touring car (purportedly the last vehicle produced by the company).

Staff presenters and show participants alike dressed in period clothing, adding to the show’s atmosphere.

But this year, the cars were only the beginning. Greenfield Village hosted activities and historical “vignettes” keyed to each decade represented in the show. Aging Civil War veterans reminisced about Shiloh and Gettysburg at the Grand Army of the Republic encampment. Farther into the village, doughboys and nurses commemorated the centennial of America’s entry into the Great War. Sheiks and Shebas danced the Charleston at the bandstand near Ackley Covered Bridge. Southern blues resonated through the Mattox Home, evocative of the Great Depression’s bleakest years. Perhaps the most popular vignette, though, was the 1910s Ragtime Street Fair occupying the southern end of Washington Boulevard. Great food, games and dancing filled the street, all set to music provided by some of the most talented piano syncopators this side of Scott Joplin.

It’s magical when the sun sets and the headlamps turn on, like those on this 1925 Buick Master 6 Touring.

Longtime show participants and visitors will tell you that the highlight comes on Saturday evening. As the sun sets in the late-summer sky, drivers switch on (or fire up) their acetylene, kerosene and electric headlamps for the Gaslight Tour through Greenfield Village. Watching the parade, it’s hard to tell who enjoys it more – the drivers and passengers, or the visitors lined up along the route. This year’s tour was capped by a fireworks display at the end of the night.

It was a special weekend with beautiful automobiles, wonderful entertainment and – most of all – fellowship and fun for those of us who love old cars. Congratulations to the 2017 Old Car Festival Award Winners.

Matt Anderson is Curator of Transportation at The Henry Ford.

Michigan, Dearborn, 21st century, 2010s, Old Car Festival, Greenfield Village, events, cars, car shows, by Matt Anderson

Lamy’s Diner Gets a Makeover

May 22, 2017 Archive Insight

Where can you get a real diner experience, especially here in Michigan? The answer is Lamy’s Diner inside Henry Ford Museum of American Innovation—an actual 1946 diner brought here from Massachusetts, restored, and operating as a restaurant in the Museum since 2012. 

Now Lamy’s Diner is more authentic, more immersive, and serving more delicious food than ever! What’s behind this makeover?

In 1984, the Henry Ford Museum purchased the Clovis Lamy's diner. It took a crane to lift the diner in preparation for transporting it from Hudson, Massachusetts. Once here, it was restored to its original 1946 appearance. THF 25768

Back in the 1980s, museum staff worked with diner expert Richard Gutman to track down an intact vintage diner for the new “Automobile in American Life” exhibit. Gutman not only found such a diner in Hudson, Massachusetts (moved twice from its original location in Marlborough, Massachusetts) but also helped in its restoration and in interviewing its original owner, Clovis Lamy, about his experiences running the diner and about the menu items he served.

Diners are innovative and uniquely American eating establishments. Lamy, like other World War II veterans, was lured by dreams of prosperity and the independence that came with being an entrepreneur of his own diner. As he remarked, “during the war, everyone had his dreams. I said if I got out of there alive, I would have another diner—a brand new one.” 

This photograph shows Lamy's Diner on its original site in Marlborough, Massachusetts, 1946. The diner moved three times, first to Framingham, Massachusetts, next to Hudson, Massachusetts in 1949, and finally to the Henry Ford Museum in 1984. THF88966

Sure enough, when he was discharged from the army, he ordered a 40-seat, 36- by 15-foot model from the Worcester Lunch Car Company, a premier diner builder at that time. It boasted a porcelain enamel exterior, 16 built-in stools, six hardwood booths, a marble counter, and a stainless steel back bar. Lamy could choose the diner’s colors, door locations, and outside lettering. He and his wife Gertrude visited the Worcester plant once a week, eager to check on its construction. 


Clovis Lamy stands behind the counter of his diner in Massachusetts. His favorite part of running a diner was talking to his customers. THF 114397

Lamy’s Diner opened for business in April 1946, in Marlborough, Massachusetts. As Lamy remembered, business was brisk:

We jammed them in here at noon—workers from the town’s shoe shops—and we had a good dinner trade too… People stopped in after the show…[and] after the bars closed, the roof would come off the place.

During the long hours of operation (the place closed at 2 a.m.), the kitchen turned out everything from scrambled eggs to meat loaf. To Clovis Lamy, there was no better place than standing behind the counter talking to people. 

But the dream had its downside. The work day was long. He was seldom able to eat with his family. After moving the diner to Framingham, Massachusetts, he sold the business in 1950. The new owner moved it down the road to Hudson.

Lamy’s Diner exterior as it looked in the Museum in 1987. THF 77241

When Clovis Lamy and his wife viewed the diner at the 1987 opening for “The Automobile in American Life” exhibition, they confirmed that it looked as good as new.  “Even the sign is the same,” he remarked later with a tear in his eye.    

Lamy’s Diner interior as it looked in the Museum in 1987. THF 3869

For 25 years, no food was served at Lamy’s Diner in the museum. It was interpreted as a historic structure, until the opening of the new “Driving America” exhibit in 2012, when museum staff decided to once again serve diner fare there. Delicious smells of toast and coffee wafted out of its doors, while the place hummed with activity. Museum guests sat in the booths, on stools at the counter, or at tables on the new deck with accessible seating. They could choose entrees, beverages, and desserts from a menu that was loosely inspired by diner fare of the past.

Then, in 2016, Lee Ward, the new Director of Food Service and Catering, came to me and posed the question, what if we served food and beverages at Lamy’s that more closely approximated what customers would have actually ordered here in 1946? The diner is already an authentic, immersive setting. What if we took it even further and truly transported guests to that time and place?  I have always believed in the power of food to both transport guests to another era and to serve as a teaching tool to better understand the people and culture of that era. Over the years, I’ve helped create Eagle Tavern, the Cotswold Tea Experience, the Taste of History menu, the Frozen Custard Stand, and cooking programs in Greenfield Village buildings. So I excitedly responded, sure, we could certainly do that!

But, as the chefs and food service managers at The Henry Ford began to ply me with endless questions about the correct menu, recipes, and serving accoutrements for a 1946 Massachusetts diner, I realized I needed help.

Dick Gutman talking to Lamy’s staff.

Fortunately, help was forthcoming, as Richard Gutman—the diner expert who had found Lamy’s Diner for us in the 1980s—was overjoyed to return to the project and give us ideas and advice. And the 300-some diner menus he owned in his personal collection didn’t hurt either.  In fact, they became our best documentation on diner foods and what they were called in 1946, as well as the graphic look of the menus.

Cookbooks of the era offered actual recipes for the dishes we saw listed on the menus, while historic images of diner interiors provided clues as to what the serving staff might wear, what kinds of dishes customers ate on, and what was displayed in the glass cases on the counter.

All of these are reflected in the current Lamy’s Diner experience. Here’s a glimpse of what you’ll encounter when you visit Lamy’s after its recent makeover:

New Lamy’s Diner menu, front and inside

Kids’ menu

New England Clam Chowder, a signature dish in New England diners and here at Lamy’s

Chicken salad sandwich, using a recipe from the 1947 edition of the Boston Cooking School Cookbook, a pioneering cookbook that offered practical recipes for the average housewife.

 
Meat loaf plate, using Clovis Lamy’s original meatloaf recipe

Milkshake, which in Massachusetts is a very refreshing drink made of milk, chocolate syrup, and sometimes crushed ice (no ice cream), shaken until it is creamy and frothy.

Toll House cookies, invented by a female chef named Ruth Graves Wakefield in 1938, at the Toll House Inn in Whitman, Massachusetts. 

Peanut butter and marshmallow fluff sandwich, a New England specialty based upon Archibald Query’s original marshmallow creme invention and later called “Fluffernutter” 

Prices are, by necessity, modern, but typical prices of the era can be found on the menu boards mounted up on the wall, based upon Lamy’s original menu and prices.

So, for a fun, immersive, and delicious experience, check out the makeover at Lamy’s Diner!

In Other Food News...
A Taste of History: Now featuring recipes and menu items guests might see prepared in Greenfield Village historical structures, such as Firestone Farm and Daggett Farmhouse.

Mrs. Fisher's Southern Cooking: The menu is based solely on Mrs. Fisher's 1881 cookbook or authentic recipes.

American Doghouse: New regional hot dog options are available, from the Detroit Coney and Chicago dogs to the California dog wrapped in bacon and avocado, tomato and arugula.

Donna R. Braden, Senior Curator and Curator of Public Life at The Henry Ford and author of this blog post, has decided that her new favorite drink is the refreshing Massachusetts version (without ice cream) of the chocolate milkshake. She thanks Richard Gutman and Lee Ward for their enthusiasm and support in making this makeover possible.

Massachusetts, 21st century, 2010s, 20th century, 1980s, 1940s, restaurants, Henry Ford Museum, food, Driving America, diners, by Donna R. Braden, #Behind The Scenes @ The Henry Ford