Past Forward

Activating The Henry Ford Archive of Innovation

One Last Winter

January 18, 2019 Think THF
naias1Lexus, which itself debuted at the North American International Auto Show in 1989, tantalizes visitors 30 years later with a drop-top concept version of its sporty LC coupe.

A Visit to the 2019 North American International Auto Show

It’s January in Detroit which means – for one last year – it’s time for the North American International Auto Show (NAIAS). Traditionally, flashy concept cars and new production models are the talk of the town, but this year all the buzz concerns the show’s impending move to June next year. It’s a major shift – undoubtedly the biggest since the show added “International” to its title 30 years ago – but there are valid reasons. Detroit’s weather generally isn’t what you’d call “pleasant” in January; the countless people who put the show together in Cobo Center invariably find themselves working through the holiday season; and automakers are now finding themselves stretched between NAIAS and the Consumer Electronics Show, which wraps in Las Vegas just days before NAIAS opens.

It’s no secret that NAIAS – and auto shows in general – are suffering from flagging interest, both from the public and from automakers themselves. In recent years, we’ve seen a number of upmarket marques pull out of the Detroit show. (Audi, BMW and Mercedes-Benz are all conspicuous by their absence in 2019.) The move to summer might reverse this trend, too.

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The 2020 Ford Shelby Mustang GT500 – with a menacing mug to match its hellacious horsepower.

None of this is to suggest that NAIAS is a disappointment this year. There’s still lots to see. Ford Motor Company’s trucks and SUVs are front-and-center at the Blue Oval’s booth. The reintroduced Ranger pickup gets the prime real estate, but it’s the all-new Ford Explorer getting the rave reviews from the press. My favorite, however, is the forthcoming Shelby Mustang GT500. The 700+ horsepower beast arrives for 2020 to battle the Demons and Hellcats of the world. Mr. Shelby would’ve been proud.

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After an absence of nearly 20 years, the Toyota Supra returns for 2020.

Toyota grabs some of NAIAS’s biggest headlines with the return of its Supra sports car, not seen since the fourth generation ended production in 2002. Purists may be irked that many of the Supra’s makings – including its 3.0-liter straight-six – are of BMW lineage, but the look is all Toyota. One can even see a little 2000GT in its lines. Start saving now, as prices are expected to start just north of $50,000.

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Kia’s themed test track, for its new Telluride, livens up Cobo Center’s back wall.

With gas prices low again, Americans have fallen back in love with their SUVs and crossovers. Kia answers the call with its new-for-2020 Telluride SUV, first previewed as a concept car at the 2016 NAIAS. The Telluride will be the largest vehicle in Kia’s lineup, with room for eight in its three rows of seating. Expect to see it in showrooms this May.

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I love the pearlescent paint on this Volkswagen Beetle, though it would look even better with red, white and blue racing stripes and a big roundel on the hood.

Volkswagen has the inauspicious distinction of being the only European automaker with a major presence at NAIAS this year. True to form, though, the German marque has some of the show’s most imaginative displays. Several of its models are parked on a recreated soccer field, in celebration of VW’s sponsorship of the U.S. Soccer Federation. (Automakers have long-standing relationships with America’s pro baseball, football and basketball leagues, but VW becomes the first automotive company to serve as a presenting sponsor for U.S. Soccer.) The company’s interactives are good fun, too. Little ones will enjoy the touch screen coloring “books” that allow them to paint Beetles in any number of groovy colors – accessorized with flowers and peace symbols, of course.

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Harley Earl’s shadow hangs over Cadillac – in this case in the form of a high-finned ’59 Caddy perched above a modern CTS-V.

Sad to say, traditional three-box sedans are fading fast in Detroit. Ford and Chevrolet both have announced plans to all but end sedan production (not including specialty models like Mustang and Corvette, of course). Cadillac seems headed in that direction, too. The upmarket carmaker’s big debut this year is the 2020 XT6, a three-row SUV that might replace the full-size CT6 sedan in Cadillac’s North American lineup. The company’s ATS and CTS sedans are set to bow out this year as well.

NAIAS 2019 may feel a bit lower-key than other recent editions, but there’s still plenty to enjoy. In fact, I recommend that you spend some extra time soaking up the sights and sounds at this year’s show. After all, we’ve got a 17-month wait until the next one!

Matt Anderson is Curator of Transportation at The Henry Ford.

Michigan, 21st century, 2010s, NAIAS, Detroit, cars, car shows, by Matt Anderson

What We Wore


What We Wore, a new collections platform in Henry Ford Museum of American Innovation, offers a much-anticipated opportunity to continually display objects from The Henry Ford’s rich collection of clothing and accessories.   

What’s a collections platform? It’s a small, specialized display of objects from our collection.  This new collections platform, the fourth to be installed in the museum, follows those of coverlets, telephones, and violins. 

The theme of the first group of garments displayed is “Home Front Heroes: Women in World War II”--chosen to complement the “Enduing Ideals: Rockwell, Roosevelt, & the Four Freedoms” exhibit in The Gallery by General Motors. This clothing represents the stories of millions of American women who worked in defense industries, trained to be pilots, volunteered for the Red Cross, or provided a connection to civilian life for servicemen through USO-sponsored activities during World War II.  

What We Wore


What We Wore is located behind the Anderson Theater, across from Mathematica. Every four months, visitors to the museum will enjoy a look at yet another group of interesting garments and their stories from The Henry Ford’s collection.  

Jeanine Head Miller is Curator of Domestic Life at The Henry Ford.

20th century, 1940s, World War II, What We Wore, Henry Ford Museum, fashion, by Jeanine Head Miller

sunshinespecial“Sunshine Special,” the 1939 Lincoln limousine modified for official use by President Franklin D. Roosevelt, as it appeared circa 1942. (THF208669)

Editor’s Note: In connection with the exhibit Enduring Ideals: Rockwell, Roosevelt & the Four Freedoms, now showing at Henry Ford Museum of American Innovation, the following excerpt is adapted from The Sunshine Special: FDR’s 1939 Lincoln K Series Presidential Limousine by Brody Levesque. The complete book is available at the Benson Ford Research Center.

A Unique Car Built Expressly for a President
One of the first things that a visitor notices when viewing the presidential vehicles at Henry Ford Museum of American Innovation is the size of the 1939 Lincoln K Model limousine custom built for President Franklin D. Roosevelt. The car is massive. In fact, it weighs in at over 9,300 pounds and has an impressive wheelbase of 160 inches.

In 1937, Ford Motor Company president Edsel Ford lobbied to obtain a government contract to provide a presidential limousine for FDR’s use.  He wanted to regain a presence in the White House Garage and particularly to have Ford Motor Company’s prestige Lincoln division as the primary choice for presidential conveyance. Edsel Ford also knew that FDR liked his company’s cars.

Roosevelt, who was beginning the second of his four presidential terms, personally owned a 1938 Ford V-8 convertible coupe for his use at The Little White House in Warm Springs, Georgia, along with a 1936 Ford V-8 Phaeton convertible at his home in Hyde Park, New York. Both cars were equipped with special hand-operated controls so that FDR, whose paralytic illness prevented the use of his legs, could drive the cars himself.

Ford Motor Company’s Lincoln division delivered, in November 1939 and at a cost of $8,348.74, a current model K series chassis, to the Buffalo, New York, coachworks firm of Brunn & Company. There the four-door convertible, equipped with a 150-horsepower 414-cubic inch V-12, was further modified to meet U.S. Secret Service requirements. Brunn’s modifications added another $4,950 to the limo’s total cost.

The car was built with forward-facing jump seats, wider opening rear doors, reinforced extra-depth running boards and a pair of step plates above the rear bumper. It had strategically-placed handles for the Secret Service agents, as well as a Federal Electric Company police red light and siren combination with dual driving lamps and flag staff holders on the front. Another feature was that the roof was made extra tall so that the President, who had limited mobility and used a wheelchair, could enter and exit the car without difficulty.

Although coachbuilder Herman A. Brunn, owner of Brunn & Company, thought the car looked terrible with that extra tall top, the limo was finished and sent to Washington as ordered. In the end, it seems Mr. Brunn was right. According to Ford Motor Company internal memoranda and telegram communications, the car was returned to Brunn & Company’s Buffalo plant in the summer of 1941 to have its top replaced with one of standard height. Global events forced even more significant changes to the limo that December.

sunshinespecial2President Roosevelt preferred open cars whenever the weather permitted – and sometimes when it didn’t. (THF208655)

The First Presidential Car to Acquire Its Own Personality
Within a few weeks after the December 7, 1941, attack on Pearl Harbor, the White House Garage delivered the 1939 Lincoln K series limousine to Ford Motor Company’s plant in Alexandria, Virginia, on the waterfront across the Potomac River from Washington D.C. The car was shipped to the Lincoln plant on West Warren Avenue in Detroit and, upon its arrival, Lincoln workers began to disassemble the limousine, readying its wartime armor and additional modifications requested by the Secret Service.

Workers removed the Brunn body and altered the car’s chassis. Its suspension was beefed up with heavy-duty shock absorbers and additional leaves in the springs – to handle the added weight of armor plating and thick bullet-resistant glass. Likewise, a modified windshield frame was installed to accommodate the thicker windshield glass. When the Brunn body was reinstalled, it received a new 1942 model H series Lincoln front end clip (fenders, grill, and front nose cap piece), which gave the car a crisp, more modern look.

A more powerful generator was installed, with new wiring harnesses. Cooling was improved by making the radiator tank top an inch thicker, adding three-and-one-half inches more to the core than was standard, and a larger fan was put in for additional engine cooling capacity. The cowling also had wider side vents installed to let more of the engine’s heat escape.

The whitewall bias-ply tires were replaced with the first generation of what are now referred to as “run flat tires,” which enabled the big limousine to continue to travel a short distance to safety if the tires were shot out. The two spare tires were put into reworked special front fender wells, in painted metal tire covers that didn’t need to be bolted into place and allowed for rapid tire changes.

Other body modifications included one-and-one-eighth inch thick nine-ply glass; a special rear-mounted antenna for radio equipment; and steel plating in the doors, firewall, kick and quarter panels, floor, transmission hump, and gas tank. The doors received three-sixteenths inch steel armor plating. Including the weight of the armor and the bullet-resistant glass, each modified door weighed almost 200 pounds. Stronger latches and striker plates were installed to handle the heavier door weight.

A bullet-resistant divider was installed between the front and rear seats. It included fold out bullet-resistant side glass screens for use when the convertible top was down. Another bullet-resistant screen could be added behind the rear seat when the top was lowered, and then stored in the trunk when not in use. When the door windows were down, a spring-loaded flap covered the slot in the top of the door to stop things from falling inside and jamming the windows.

When the Lincoln originally was delivered in 1940, it was painted a dark midnight blue with russet trim. Now the car was repainted in black, with chrome trim and brightwork. The rear step plates, grab handles, and wider running boards were reinstalled after the repainting was finished.

Detroit plant workers also added new running/fog lights to the front bumper, along with flag staff holders. The Federal Electric Company police red light and siren were reinstalled on the left front fender. By the end of the second week of April 1942, the car was ready to ship back to the Alexandria plant for delivery to the White House Garage where it could resume its presidential duties.

At an unknown time after the car’s 1942 retrofitting, an unidentified member of the White House Press Corps gave the limo the sobriquet it retains today: “Sunshine Special.” Although the exact reason for the nickname is lost to history, it may have been due to FDR’s well-known love of riding with the top down – sometimes even when the weather recommended against it.

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President Harry S. Truman aboard “Sunshine Special” near the end of the car’s service life, circa 1949. (THF208667)

Sunset for “Sunshine Special”
Following FDR’s death on April 12, 1945, “Sunshine Special” served his successor, Harry S. Truman, for another five years. The White House put out bids for a new presidential limousine in the spring of 1949 and, that summer, officials met with representatives from Ford Motor Company to discuss the contract. This would be the largest single order ever placed for the White House fleet.

In the early summer of 1950, nine custom-built enclosed 1950 model Lincoln Cosmopolitan limousines, produced by the Henney Motor Company of Freeport, Illinois, were delivered to the White House Garage. A matching four-door Lincoln Cosmopolitan convertible-bodied limousine, modified at the Grand Rapids, Michigan, shop of master coachbuilder Raymond Dietrich, was also delivered. The Dietrich seven-passenger Lincoln was fitted with a Hydramatic automatic transmission purchased from General Motors and then modified to mate with the 337 cubic-inch V-8 engine. Per the order’s specifications, none of the limousines were armored.

Upon delivery of the fleet of Lincoln Cosmopolitan limousines, older White House Garage vehicles were shipped back to their manufacturers or sold off. “Sunshine Special” was returned to Lincoln and subsequently donated to The Henry Ford.

Adapted from The Sunshine Special: FDR’s 1939 Lincoln K Series Presidential Limousine by Brody Levesque. The complete book is available at the Benson Ford Research Center.

Matt Anderson is Curator of Transportation at The Henry Ford.

Additional Readings:

Washington DC, 20th century, 1940s, 1930s, presidents, presidential vehicles, limousines, Henry Ford Museum, Ford Motor Company, cars, by Matt Anderson, books

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When we planned the “With Liberty & Justice For All” exhibit in Henry Ford Museum of American Innovation, we wanted to set aside an area for visitor reflection and response.  We decided to pose four questions there and allow visitors to respond to them by writing upon a simple Post-It note and placing their comment under one of the questions. The questions were intended to be timeless—like what does freedom mean to you? But the visitor responses over time have been fascinating in their reflection of changing social and political issues.

We have never seen as many Post-Its as at this year’s free-to-visitors day held on Jan. 15, the day that officially commemorated Dr. Martin Luther King, Jr.’s birthday.  That day, post-it notes ran up, down, and sideways across the walls of this exhibit area.  Each comment built upon previous ones, creating a long, continuous idea chain. We had never seen anything like that before so we decided to save these comments in our archives.

This month we're opening the doors to our latest traveling exhibition in Henry Ford Museum of American Innovation - “Enduring Ideals: Rockwell, Roosevelt and the Four Freedoms.” The exhibition, organized by Norman Rockwell Museum, presents the Four Freedoms paintings created by Norman Rockwell in 1943, based on the Four Freedoms President Franklin Roosevelt believed all people should be able to benefit from in 1941: freedom of speech, freedom of worship, freedom from fear, and freedom from want.

In celebration of our latest exhibition, we'll be sharing a selection of those responses  from our Martin Luther King, Jr. Day each week on our Instagram account in honor of “Enduring Ideals” now through January. They appear in their original form, just as visitors wrote them as they reacted to the questions. As we look at the original Four Freedoms in 2018, we ask you to not only think about what freedom means to you, but which freedom you believe should be the fifth freedom today.

We hope they encourage your own reflection on the continued relevance of freedom and the role it plays in your own lives.

Donna R. Braden is Senior Curator and Curator of Public Life at The Henry Ford.

Henry Ford Museum, by Donna R. Braden

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Thanks to all of this year's makers, volunteers, and guests who made Maker Faire Detroit, presented by GE Digital, 2018 a success. Take a look at this year's highlights below as well as our 2018 Blue Ribbon Winners.


2018 Blue Ribbon Winners
Lip a dee doo dah (Maker #902) 

501st Legion, Rebel Legion and R2 Buddies (673) 
Detroit Area Modern Quilt Guild (775) 
Vulcan Fire Protection Tech Sisters (845) 
Camp Pencil Point (679)
Frib (742) 
Hammerhead Robotics (843) 
Maglev Propulsion (709) 
Novi Robotics (825/826) 
LT Simulator Landon (729) 
Labor of Love (727)  
GE (989) 
University of Michigan Dearborn (997) 
American Welding Society Careers in Welding (768)
Tesla Coil (685) 
Society of Women Engineers Detroit (858)
Needle Arts Zone (973) 
Metal and Soul Stem Zone (917)
Underwater Robotics (895) 
Girl Scouts of SE Michigan (757)
Game of Fire (1120)
Mega Tetris (886) 
Factory Two (812)
Lansing Makers Network
GenX Chrono (1042)
SME (992)
Hitachi Scanning Electron Microscope (1026)
Ghostbusters Detroit
Technochic
Lego Drawing Robot (686)
Maker Works - The Great Maker Race
Novi High School
Darkroom Detroit 
Oxymoronatron

Michigan, Dearborn, 21st century, 2010s, making, Maker Faire Detroit, events

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Only at Motor Muster! The 1st Michigan Fife & Drum Corps passes a 1955 Buick Special Riviera.

Another summer means another car show season. Here at The Henry Ford, that means another Motor Muster. Our 2018 event goes down as one of the most exciting in recent memory, with a host of new activities and experiences – and more than a few great cars, too. Some 700 automobiles, trucks, motorcycles, scooters, bikes and military vehicles filled Greenfield Village with the sights and sounds of mid-20th century motoring.

mm2Chevrolet’s long-running small-block V-8 – under the hoods of the 1957 Bel Air and Corvette seen here – is a perfect example of an iconic engine.

Our theme this year broke with tradition. Rather than feature one particular make or model, we celebrated “Iconic Engines of Detroit’s Big Three.” Our profiled power plants included Ford’s flathead V-8, which brought horsepower to the masses from 1932-1953; Chevrolet’s small-block V-8, which remained in production, in one form or another, from 1955-2003; and Chrysler’s celebrated hemispherical combustion head engines, first marketed under the “FirePower” name before gaining the better known – and still used – “Hemi” moniker. The broader theme allowed us to make the most of a visit from the Early Ford V-8 Club of America, as well as a consortium of dedicated Mopar owners and fans.

mm3Moving under its own power for the first time in several years, The Henry Ford’s 1956 Chrysler 300-B recalled NASCAR’s early days.

Each of these iconic engines was on view in our special display tent across from Town Hall. From The Henry Ford’s own collection came a 60-horsepower variant of the Ford V-8. Our Chrysler 300-B, from the Carl Kiekhaefer team that dominated NASCAR’s 1956 Grand National series, not only sat in the tent but also wowed crowds with Hemi-powered noise during our Saturday afternoon racing Pass-in-Review presentation. We rounded out the tent’s Big Three display with a small-block-powered 1955 Chevy Bel Air courtesy of show participant John Dargel.

The Ford V-8 was an especially appropriate choice for Motor Muster. Some of the engine’s early design work was done by a small group of engineers working out of Thomas Edison’s Fort Myers Laboratory in Greenfield Village. The lab provided the team with privacy and freedom from distraction – and maybe even a little inspiration.

mm4Tether cars peaked in popularity in the years surrounding World War II, though newer models – like this 1990s example – continue to be built by enthusiasts.

We added a small-scale surprise to the tent this year. Throughout the weekend, visitors could watch our conservators at work on a gasoline-powered tether car. These miniature racers competed against the clock while tethered to a central pivot, or against each other on scaled-down board tracks. The featured car was one of dozens acquired by The Henry Ford from the E-Z Spindizzy Foundation in 2013.

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Scenes from the World War II home front came to life at our small-town War Bond drive.

Building on the “historical vignette” concept that debuted at last year’s Old Car Festival, this year’s Motor Muster included period settings for each decade represented by the cars in the show. For the 1930s, we staged a Civilian Conservation Corps camp at the McGuffey School. For the 1940s, we reenacted a home front War Bond drive, circa 1943, along Washington Boulevard. (In keeping with the theme, Spam sandwiches were available for lunch!)

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The 1951 General Motors Le Sabre concept car, on loan courtesy of our friends at GM, was a highlight of the “FuturaFair” auto show vignette. GM also provided the 1958 Firebird III.

The 1950s were represented by a Motorama-style auto show in the Village Pavilion. Our “FuturaFair” display included three of that decade’s notable concept cars: the 1951 GM Le Sabre, the 1953 Ford X-100, and the 1958 GM Firebird III. At the Scotch Settlement School, a happy group of revelers enjoyed a suburban-style picnic set in the 1960s. And the Spirit of ’76 reigned at the foot of the Ackley Covered Bridge, where the 1st Michigan Fife & Drum Corps and the Plymouth Fife & Drum Corps performed Bicentennial-themed concerts throughout the weekend.

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Badminton kept our Bicentennial vignette lively, while mid-1970s AMC wagons and cars provided atmosphere.

If just looking at cars wasn’t enough, visitors could learn about them either by watching our narrated Pass-in-Review programs at the Main Street grandstand, or by sitting in on one of several presentations in the Village Pavilion. Topics included everything from Ford factory paint methods to the lasting impact of the Chevrolet Corvair. Of course, you could also learn simply by asking the owners about their cars. They enjoy sharing share their stories: where they found the car, why they bought it, and why they love the hobby.

It was another magical weekend filled with good friends, good food, and hundreds of vintage vehicles. And for our 2018 Motor Muster award recipients, it was a winning weekend as well. What better way to welcome another summer?

Matt Anderson is Curator of Transportation at The Henry Ford.

Michigan, Dearborn, 21st century, 2010s, Motor Muster, Greenfield Village, events, engines, cars, car shows, by Matt Anderson

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1927 Ford Model T Touring Car, The Fifteen-Millionth Ford. THF135450

Beginning today through April 9 we're honored to have our 1927 Ford Model T Touring Car, the fifteen-millionth Ford, on view at the National Mall for the 2018 Cars at the Capital event. The Historic Vehicle Association has selected our T for inclusion on its National Historic Vehicle Association Register. The 15 Millionth Model T joins impressive roster this year; other vehicles being added to the list include a 1984 Plymouth Voyager (the first Chrysler Minivan), a 1968 Ford Mustang Fastback (used in the iconic chase scene in the 1968 film Bullitt), a 1985 Modena Spyder California (featured in the 1986 movie Ferris Bueller's Day Off), and a 1918 Cadillac Type 57. 

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Henry Ford and Edsel Ford with the Fifteen-Millionth Ford Model T on the Last Day of Model T Production, May 26, 1927. THF118798

Although the 1927 Model T looked different from the original 1908 Model T due to many styling changes, the basic elements that made the Model T a technological innovation and cultural phenomenon - a simple 4-cylinder engine, planetary transmission, the limited color choices, and a flexible and strong chassis - were still there but were now liabilities in the automobile market. Consumers were no longer satisfied with a basic, dependable car. Americans demanded faster cars with smoother rides and more amenities. By the mid-1920s, it was obvious to almost everyone at Ford that the Model T's time had passed. Henry Ford, however, retained his firm belief that the Model T was all that anyone would ever need. In an attempt to check declining sales, Ford engineers incrementally modernized the car, introducing options such as electric starters, manually operated windshield wipers and body color choices. (Famously, black as the only color offered from 1914 through 1925.)

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None of these ploys, however, allowed the Model T to compete with Chevrolet and Dodge Brothers cars that offered heaters, automated wipers, and a more comfortable ride - all at a comparable price.

When production of the Model T ended in May 1927, Henry Ford's "Universal Car" had introduced the world to the idea of personal mobility and transformed where and how we lived.

Take a look at the car getting ready to head to Washington, D.C., in this video.

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cars, Greenfield Village, Henry Ford, by Matt Anderson, Ford Motor Company, Model Ts

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By the 1930s, many motorists had grown weary of camping out.  Turned out it wasn’t much fun cooking meals, sleeping in crude tents, and roughing it with primitive equipment and few amenities.  Homey little cabins like this one, which were increasing in number at the time, seemed much more appealing.  Often home-built by the property owners with a little elbow grease and a can-do attitude, these offered privacy, a modicum of comfort, and a needed respite on the journey from home to one’s final destination. 

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This tourist cabin, now in the “Driving America” exhibition in Henry Ford Museum of American Innovation, was once part of a group of cabins clustered together along U.S. Route 12 in Michigan’s picturesque Irish Hills region.  Originally called the Lore Mac Cabins, this modest cabin complex was built between 1935 and 1938.  Today this cabin looks much as it did back then, with many of its original fixtures and furnishings.

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Come now on a tour of the Lore Mac Cabins, as a series of snapshots and personal reminiscences give us a glimpse of what the place was like back in the 1940s.   


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The cabins were arranged in a semi-circle along a dirt road.  Common bathroom facilities were located behind the main office and the owner’s residence (visible in the foreground of this snapshot).  Men’s and women’s shower facilities were located here as well.


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The owner of the Lore Mac Cabins was also an approved Gulf gasoline dealer.  Two gasoline pumps out in front beckoned both overnight guests and other motorists needing to fill up while driving along busy Route 12 between Detroit and Chicago.

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The cabin proprietors lived behind the office in which lodgers registered for their nightly stay. Here the daughter of the owner (and donor of the snapshot) poses self-consciously on the back porch of their residence.

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The heat for the “heated cabins”--as advertised in large letters emblazoned across the main building--was provided by small, pot-bellied stoves in each cabin, fueled with wood or coal.  The Gulf gasoline sign is visible out front.


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In the early 1940s, the owner charged around $2.50 for a single cabin and four to five dollars for a double cabin. The interior walls of the cabins were lined with an inexpensive beaver board material while linoleum covered the floor. Throw rugs alongside the metal-frame beds added a touch of hominess. Guests not wanting to trek all the way to the central sanitation facility could use a white enamelware commode discreetly placed under the bed. 

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The chairs scattered about the property became a perfect place to pose for snapshots.  Taking pictures provided a concrete reminder of a trip and might serve as free advertising for the proprietor when guests shared their adventures with family and friends back home. 

Alas, competition eventually made it impossible for small Mom-and-Pop operations like the Lore Mac Cabins to survive. Travelers began to bypass tourist cabins like these for the improved amenities of motels, motor inns and, by the 1950s, standardized chains like Holiday Inn.

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Cabins like those at the Lore Mac were certainly preferable to camping.  But, despite the attempts by tourist cabin proprietors to offer “homes away from home” at a modest price and in an informal atmosphere, the days of these early bare-bones roadside lodgings were numbered.

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Donna R. Braden is Curator of Public Life at The Henry Ford.

travel, Driving America, Henry Ford Museum, Michigan, roads and road trips, by Donna R. Braden, hotels

dodge-demonDodge Demon 1.0: “Insidious,” one of 800 hot rods and custom cars on view at the 2018 Detroit Autorama.

There’s still snow on the ground in the Motor City, but car show season is officially underway after the 66th annual Detroit Autorama, held March 2-4. Some of the wildest, weirdest and/or most beautiful customs and hot rods filled Cobo Center in a celebration of chrome and creativity. For those who’ve never been, Autorama is a feast for the eyes (and, at closing time when many of the entrants drive off under their own power, the ears). Some 800 cars, built by the most talented rodders and customizers in the country, are brought together under a single roof to be admired, coveted and judged.

chevy-truckWit is as much a part of the customizer’s toolbox as wrenches and rachets. Check out this 1955 Chevy “Bad Humor” ice cream truck, surrounded by used popsicle sticks.

The most prestigious prize at Autorama is the Ridler Award, named in honor of show promoter Don Ridler. Only cars that have never been shown before are eligible. On Autorama’s opening day, the judges select their “Great 8” – the finalists for the Ridler. Anticipation builds throughout the weekend until the winner is announced at the end of the Sunday afternoon awards presentation. In addition to considerable bragging rights, the Ridler Award winner receives $10,000 and enshrinement in the online Winner Archive. This year’s Ridler went to “Imagine,” a silver 1957 Chevrolet 150 owned by Greg and Judy Hrehovcsik and Johnny Martin of Alamosa, Colorado.

chevy-camaroOur 2018 Past Forward winner, a 1956 Continental Mark II with a fifth-generation Chevy Camaro powertrain under the body.

Each year The Henry Ford gives out its own prize to a deserving Autorama participant. Our Past Forward award recognizes a car that 1.) Blends custom and hot rod traditions with modern innovation, 2.) Exhibits a high level of craftsmanship, 3.) Captures the “anything goes” spirit of the hobby, and 4.) Is just plain fun. Our 2018 winner, a 1956 Continental Mark II owned by Doug Knorr of Traverse City, Michigan, and built by Classic Car Garage of Greenville, Michigan, had all these qualities in the right combination. Everything about the car said “Continental,” only more so – from the oversized turbine wheels to the elegant Continental star on the valve covers. And if the 400-horsepower LS3 Camaro V-8 under the hood doesn’t say “anything goes,” then I don’t know what does.

dodge-monacoThe 1976 Dodge Monaco – notably a model made after catalytic converters, so it won’t run good on regular gas.

If chrome-plated undercarriages aren’t your thing, then Autorama Extreme was there for you again this year on Cobo’s lower level. Shammy cloths and car polish are decidedly out of place among the Rat Rods down below. In addition to show cars, vendors and the ever-popular Gene Winfield pop-up chop shop, Autorama Extreme features a concert stage with ongoing musical entertainment. There’s always a healthy dose of 1950s rockabilly on the schedule, but this year’s lineup also included a Blues Brothers tribute act – complete with a 1976 Dodge Monaco gussied up (or down, I suppose) into a fairly convincing copy of the Bluesmobile.

ford-model-aUnpolished and proud of it. A 1930 Ford Model A with the Rat Rods in Autorama Extreme.

amc-spiritNot everything at Autorama is textbook classic. Here’s a 1980 AMC Spirit patriotically living up to its name with lots of red, white and blue.

lethal-t“Lethal T,” for those who’ve always dreamed of putting a 427 Cammer in a Model T. 

If you haven’t been to Detroit Autorama, then make a point of being there in 2019. You won’t find anything quite like it anywhere else in the world.

Matt Anderson is Curator of Transportation at The Henry Ford.

21st century, 2010s, Michigan, Detroit, cars, car shows, by Matt Anderson, Autorama

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A special section of The New York Times  this month compiled a list of the 10 coolest museums in the world. With shout-outs to the Lego House in Denmark and the International Spy Museum in Washington, D.C., we were excited and honored to see Henry Ford Museum of American Innovation kick off the list.

NYTKids

Visitors to the museum have long known what makes it such a cool destination, as The New York Times pointed out – we're "chock-full of inventions, machines and pieces of Americana to explore, including a 1952 Wienermobile."

But what else makes our museum so cool? Take a look at just a few of the well-known artifacts, exhibits, and experiences that inspire our younger visitors every day and challenge them to think differently.

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Walk Around the Set of The Henry Ford's Innovation Nation

Henry Ford Museum of American Innovation, along with Greenfield Village and the Ford Rouge Factory Tour, is the home to Emmy Award-winning The Henry Ford's Innovation Nation with host Mo Rocca on CBS. Every Saturday morning our correspondents showcase present-day change makers from all over the world who are creating solutions to real needs.

Rosa Parks Bus Driver Side View - The Henry Ford

The Rosa Parks Bus

Inside this bus on December 1, 1955, Rosa Parks, a soft-spoken African-American seamstress, refused to give up her seat to a white man, breaking existing segregation laws. Today you can step inside the bus yourself and take a seat as you immerse yourself in the courage of Rosa Parks.

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Driving America

Driving America is an opportunity to look at America’s favorite mode of transportation in a different way.  Stand back in awe as you explore some of the earliest automobiles to take to America's roads, and then immerse yourself in our interactive exhibits to dive deep into our digital collections.

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Build a Model T

Do you think you could build a Model T just like Henry Ford? Pick up a wrench and see if you could build a quality product in 2018.

Dymaxion House - exterior - The Henry Ford

Dymaxion House

Enter Buckminster Fuller's circular aluminum dwelling, and sample a suburbia never realized. To some people Dymaxion is a giant Hershey’s Kiss. Others sense a kinship with the Airstream travel trailer. Painstakingly restored, it’s the only remaining prototype in the world.

Mathematica a World of Numbers and Beyond inside Henry Ford Museum of American Innovation_KMSPhotography

Mathematica

Math can be playful, thanks to the ideas of designers Ray and Charles Eames. Mathematica: A World of Numbers and Beyond connects math to the world around us all.

Allegheny with visitors boarding

Steer the Allegheny

What does it look like from the conductor's perspective on the Allegheny, one of the largest steam locomotives ever built? Step up to seat and see for yourself.  

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Maker Faire Detroit

Which event is a wild two-day spectacle of maker inventions and creations at the home of American innovation? Maker Faire Detroit, housed inside and outside of Henry Ford Museum of American Innovation.  

Who else made The New York Times list? Take a look.

The 10 Coolest Museums in the World

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