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Red caboose with text on it sitting on railroad tracks

Detroit Toledo & Ironton (DT&I) Railroad Caboose, 1925 / THF80594

Most people imagine the engineer ensconced high in the cab of the powerful locomotive to be the person in charge of the train. But while the engineer might be the most visible of railroad employees, whether at the controls of a lowly freight train or a glamorous express, it was the conductor that the engineer answered to.

The conductor made sure that the train was complete and protected. If in charge of a freight train, the conductor tracked all the material on that train and ensured that each car was securely fastened. If in charge of a passenger train, the conductor made sure that passengers had tickets and that they were in the proper cars. In both instances, the conductors and their staff (brakemen on freight trains; assistant conductors on passenger trains) ensured that the brake systems were functioning correctly and the cars and all hookups were properly coupled. It was the engineer’s job to ensure that the movement of the train was trouble-free, but it was the conductor’s job to ensure the safety and integrity of the train.

On a freight train, the caboose provided conductors with a base to undertake all their duties. It is ironic that both the lowly caboose and the well-appointed private car should find themselves at the end of the train, because, despite the dissimilarity in their appointments, their function was rather similar: They were both homes away from home and mobile offices. The caboose provided the conductor with a place to do the books, to cook, and, on long stopovers in rail yards, to allow some catch-up on sleep. Along with a stove, bunks, and a desk, the caboose was outfitted with a combination of bay windows and cupola to allow the conductor and brakemen to observe both their own train and others on the line. A huge proportion of the work undertaken on railroads was based on constant and well-informed vigilance—looking for evidence of damage or overheating, making sure that loads hadn’t shifted, and ensuring equipment hadn’t loosened. Something as simple as an untethered chain or unlocked door could escalate into a life-threatening situation. The caboose was also equipped with a large complement of tools to effect in-service repairs.

Interior of railcar, with stove, desk and chair, and shelving visible
Interior of a Railroad Caboose, Detroit, Toledo & Ironton Railroad, February 1926 / THF286542

The “little red caboose” still looms large in the public’s imagination, but the caboose was not always red. It all depended on the policy of the owning railroad. Today, the caboose—and the freight conductor—are largely things of the past, superseded by computer monitoring and bookkeeping.


This post is adapted from an educational document from The Henry Ford titled “Transportation: Past, Present, and Future—From the Curators.”

travel, railroads, Henry Ford Museum

Black railcar with scooped-out front painted red, sitting on tracks in a large room
Canadian Pacific Snowplow, 1923 / THF442


Whether they instantly recognize it as a snowplow or simply admire it for its immense curvaceous sculptural presence, visitors of all ages connect readily with The Henry Ford’s Canadian Pacific Snowplow, on exhibit in Henry Ford Museum of American Innovation.

Brute force seems to play a large role in many areas of railroading—in sheer pulling power, in machine aesthetics (or lack thereof), or in a variety of equipment assembly operations—but it is the battle with snow that offers the purest example of the use of unmediated force in the world of railroading. Pushed by as many as eight locomotives, hitting drifts at speeds of up to 65 miles per hour, and supported by “pull-out” locomotives, commissary cars, and bunk cars for maybe hundreds of shovel-duty men, snowplows were crucial to railroads whose routes extended into the high passes of the Rocky Mountains or Sierra Nevadas.

Wooden seats painted green, sitting on wooden platform with equipment and three small windows in front of them
Crew seats in the cupola of the Canadian Pacific Snowplow / THF158327

The operation of these heavy but rakish-looking machines was actually quite complex: Crews stationed in the cupola deployed pneumatically powered wings and rail-clearing forward edges according to changing conditions and the proximity of grade crossing timbers or signals; judgment was called for when attacking major drifts. Derailments, loss of life, and damage to equipment could result if crews diverged from tried-and-true strategy.

The snowplow provides evidence of our continuing battle with natural forces and offers a glimpse into one of the most arduous tasks associated with railroading. “Bucking” snow was—and remains—dangerous work, taking place in areas where this struggle could swiftly turn from straightforward railroad difficulties (very few tasks associated with railroading are pleasant) to a life-and-death struggle.

Find out even more about our Canadian Pacific Snowplow here.


This post is adapted from an educational document from The Henry Ford titled “Transportation: Past, Present, and Future—From the Curators.”

winter, travel, railroads, Henry Ford Museum

Army green railroad car on railroad tracks

Detroit & Mackinac Railway Combination Car, 1901-1905 / THF80600

Combination cars were designed to carry passengers and baggage/freight. Although many were built for mainline express trains, they were particularly attractive on branch lines or other areas where passenger traffic was light and the need for flexibility was high.

There was no standardized layout for combines—they were made for railroads in many configurations according to specific needs. Many combines were cars that had been modified from earlier cars by their owners—an approach that carries over to virtually all railroad equipment, subject as it was to constant modification, improvement, and improvisation according to the changing needs of the railroad business.

The Detroit & Mackinac Railway combination car pictured above, which you can also see in Henry Ford Museum of American Innovation, has baggage, parlor, and smoking areas, and might have been converted from a plain baggage/parlor combine.


This post is adapted from an educational document from The Henry Ford titled “Transportation: Past, Present, and Future—From the Curators.”

travel, railroads, Michigan, Henry Ford Museum

Locomotive on railroad tracksBaldwin "Consolidation" Steam Locomotive, 1909 / THF91583

Locomotives like the 1909 Baldwin “Consolidation” Steam Locomotive, currently on exhibit in Henry Ford Museum of American Innovation, were designed to haul heavy freight trains at relatively slow speeds: a perfect example of the kind of anonymous motive power designed to haul apparently unremarkable material. This example was built for the Bessemer and Lake Erie (B&LE), an Andrew Carnegie–owned railroad connecting the port of Conneaut, Ohio, on Lake Erie with Bessemer on the outskirts of Pittsburgh, Pennsylvania. Traffic on the B&LE consisted almost exclusively of southbound iron ore trains and northbound coal trains—a great example of an apparently modest connector railroad playing a limited but utterly crucial role in a nationally important heavy industry.

The B&LE locomotive used a 2-8-0 wheel arrangement—two pilot wheels and eight driving wheels, but no trailing wheels under the cab. One of the first locomotives of this type was ordered in 1866 by Pennsylvania’s Lehigh and Mahony Railroad and named Consolidation. In time, that engine’s formal name came to describe any steam locomotive of the 2-8-0 design.

Visually, the B&LE locomotive stands in stark contrast to the “Sam Hill,” just 50 years its senior: no pinstriping to refresh, no bright paintwork to keep clean, no brass to keep polished—in fact, no superfluous details whatsoever. This is practical, brute technology designed for a single purpose, maintenance kept to fundamentals, and aesthetics of no account whatsoever. While its technological origins lie in the confident improvisations of the 19th century, the overall design of locomotives in this period was increasingly informed by a better understanding of scientific principles.


This post is adapted (with additional new material by Matt Anderson, Curator of Transportation at The Henry Ford) from an educational document from The Henry Ford titled “Transportation: Past, Present, and Future—From the Curators.”

 

railroads, Henry Ford Museum, by Matt Anderson

Locomotive on train tracks
Steam Locomotive "Sam Hill," 1858 / THF91565


The “Sam Hill,” on exhibit in Henry Ford Museum of American Innovation, is, in many people’s eyes, an example of the quintessential American locomotive. No argument here—in fact, for this writer it is certainly, along with the Mississippi riverboat, one of the utterly and absolutely quintessential American mechanisms.

Why?

Well, first, it captures a fundamental sense of youthful abandon hardwired into the American character. Locomotives like this were in their day the fastest and most glamorous ways to travel on Earth. The nature of their flamboyance captures a characteristically American engagement with technology’s possibilities—a machine as a canvas for the celebration of ambition, achievement, and a brighter, faster future. The liberal application of gold pinstriping and polished brass—even in some instances the incorporation of landscape scenes and further personalization with antlers and weathervane-like figures—all capture a uniquely American manner of celebrating and owning what was in fact a highly advanced technology.

And second, from a mechanical standpoint, the Sam Hill represents a supremely innovative technology. Its combination of flexibility, light weight, and high power output were the result of a distinctly American set of circumstances. The twisting, grade-heavy nature of our railroads—a situation that arose from the clash between low-investment/fast-return attitudes and American topography and distances—ensured that imported British locomotive technology would end up being transmuted into something entirely new. Locomotives such as the Sam Hill are the direct result of that process.

Two locomotives face each other on a track, with women in period clothing on the platform in front of them
The “Sam Hill” poses with a New York Central diesel locomotive, nearly a century its junior, in Greenfield Village in May 1953. / THF133489

The development of these locomotives did not come about through what we would now consider “rational” research methods; instead, they grew out of hands-on, seat-of-the-pants engineering knowledge. This homespun advanced engineering and humanized high tech is characteristic of, and crucial to, the American industrial experience.

Learn more about the history and innovative engineering of the “Sam Hill” here.


This post is adapted from an educational document from The Henry Ford titled “Transportation: Past, Present, and Future—From the Curators.”

travel, technology, railroads, Henry Ford Museum, engineering

Yellow railcar with decorative elements inside large building
Bangor & Aroostook Railroad Passenger Coach Replica / THF176772


The Bangor & Aroostook car—a very fine reproduction of an 1860s passenger coach—captures the character and physical nature of the first generation of American passenger cars. Its finish and level of decoration suggest both the ambitions of early railroad enterprises and the expectations of early railroad patrons.

Historian Wolfgang Schivelbush has convincingly claimed that open cars such as this were “economically, politically, psychologically and culturally the appropriate travel container for a democratic pioneer society”—contrasting such vehicles with the European compartment cars that reflected the stratified social conditions there. While it is generally acknowledged that Mississippi riverboat accommodation provided the prototype for the open cars developed by American railroads, there can be no doubt that the increasing spread of the American railroad network, using open cars as the standard passenger vehicle, helped promote this democratic, all-in-it-together approach to travel.

Interior of rail car with floral-upholstered bench seats, wood paneling, and decorative ceiling
The open interior of our Bangor & Aroostook railroad passenger coach. / THF176785

The open layout might appear to us practical, rational, and straightforward, but in many ways it was radical and socially innovative. And even if its layout simply reflects the social norms or attitudes of its era, it absolutely offers evidence of a social leveling largely unknown in other developed nations. Not until the era of the cheap automobile did enclosed personal compartments become the transportation situation of choice for the general public.


This post is adapted from an educational document from The Henry Ford titled “Transportation: Past, Present, and Future—From the Curators.”

20th century, 1920s, 19th century, 1860s, travel, railroads, Henry Ford Museum

Drab green railcar sitting on railroad tracks Fair Lane, Henry and Clara Ford’s private railroad car. / THF80274

Fair Lane, the private Pullman railroad car built for and used by Henry and Clara Ford, turns 100 years old in 2021. It provides a fascinating window into business and pleasure travel for the wealthy in the early 20th century.

By 1920, the Fords found it increasingly difficult to travel with any degree of privacy. Henry, in particular, was widely recognized by the public. He’d been generating major headlines for a decade, whether for his victory against the Selden Patent, his achievements with mass production and worker compensation via the Five Dollar Day, or his misguided attempt to end World War I with the Peace Ship. The Fords could travel privately for shorter distances by automobile, and their yacht, Sialia, provided seclusion when traveling by water. But anytime they entered a railroad station, the couple was sure to be pestered by the public and hounded by reporters. Their solution was to commission a private railroad car for longer overland trips.

Private railroad cars are nearly as old as the railroad itself. America’s first common-carrier railroad, the Baltimore & Ohio, opened in 1830. Little more than ten years later, President John Tyler traveled by private railcar over the Camden & Amboy Railroad to dedicate Boston’s Bunker Hill Monument in 1843. Not surprisingly, railroad executives and officials were also early users of private railroad cars. Cornelius Vanderbilt, president of the New York Central Railroad, used a private car when traveling over his line, both for business and for pleasure. For a busy railroad manager, the private railcar served as a mobile workspace where business could be conducted at distant points on the railroad line, far from company headquarters.

Print of train mounted on white matboard; also contains text
Pullman cars on the First Transcontinental Railroad, circa 1870. / THF291330

Following the Civil War, the Pullman Palace Car Company earned a reputation for its opulent public passenger cars with comfortable sleeping accommodations. Company founder George Pullman designed a private railcar to similar high standards. Pullman named the car P.P.C.—his company’s initials—and used it when traveling with his family. Pullman enjoyed lending the car to other dignitaries, by which he could simultaneously impress VIP passengers and advertise his company. Eventually, Pullman began renting the car out to patrons who could afford the daily rate of $85 (more than $2,000 today).

Clara and Henry Ford ordered their private railroad car from the Pullman Company on February 18, 1920. They hoped to have it delivered by that September, for a planned trip to inspect properties Henry had recently purchased in Michigan’s Upper Peninsula. But delays pushed the car’s actual delivery date back by about nine months. Some of those delays were due to changes to the car’s interior. Clara designed the interior spaces, working with Sidney Houghton of London, who had earlier provided the same service for the Fords’ yacht.

The finished railroad car was delivered on June 23, 1921. The Fords named it Fair Lane—the same name they’d given to their estate in Dearborn, Michigan. (Fair Lane was the area in County Cork, Ireland, where Mr. Ford’s grandfather was born.) The final bill for the railcar came to $159,000 (about $2.3 million today). The Fords paid 25 percent of that cost upon placing their order, a further 25 percent during construction, and the final 50 percent on delivery.

Surely the finished Fair Lane was worth the wait and expense. The car included accommodations for six passengers and sleeping quarters for two additional staff members. When traveling, Fair Lane typically was staffed by a porter to attend to the passengers’ needs and a cook to prepare meals.

Interior of room with wooden paneling, blue upholstered seating, and an arched ceiling
Fair Lane’s lounge offered the best views of passing scenery. / THF186264

At the rear of the car, a comfortable lounge provided a spot to read, relax, or simply watch the passing scenery through the large windows. An open porch-like platform at the very rear of the car was particularly enjoyable at moderate train speeds. Typically, Fair Lane was coupled to the end of a train, meaning that the view from the platform would not be obstructed.

Room with wooden paneling, bed with shelf over it, and arched celing
Bedrooms in Fair Lane were cozy but comfortable. / THF186273

From the lounge, a narrow hallway ran most of the car’s length. Four bedrooms were located along the corridor. These rooms were cozy but comfortable. Each room had a bed, but berths could be unfolded from above to provide additional sleeping space if needed. Dressers and small desks rounded out the furnishings. Likewise, the bathrooms in Fair Lane were small but serviceable. Each one had hot and cold running water and a toilet. The master bath also included a shower.

Interior of room with wooden paneling and carpet, containing wooden dining table and chairs
Fair Lane’s passengers dined in this area. An on-board cook prepared meals to order. / THF186285

The dining area, near the front of the car, featured an extension table that comfortably seated six adults at one time. The chandelier, which hung directly above the table, was secured with guys that kept it from swaying as the car rolled down the railroad track. Built-in cabinets housed the car’s glassware and china. Clara Ford stocked Fair Lane with 144 various glasses, 169 pieces of silverware, and 230 crockery items. Wood posts and rails kept things from sliding around or falling out of the cabinets.

Small stainless steel galley kitchen
The car’s kitchen was small but sufficient for elaborate meals. / THF186289

Logically, the kitchen was located just in front of the dining room. Finished in stainless steel, the kitchen included an oven, a stovetop, a sink, and numerous additional cabinets. Food and supplies were loaded through the door at the car’s front end, so as not to disturb the riders farther back in the car. Staff quarters were located in the front of the car too. Compared with the other bedrooms, the staff room was sparse and utilitarian.

Using Fair Lane was not like driving a limousine or flying a private airplane. The railcar’s travels had to be coordinated with the various host railroads that operated America’s 250,000-mile rail network. Usually, Fair Lane was coupled to a regularly scheduled passenger train. The fee for pulling the private car was equivalent to 25 standard passenger tickets. One standard ticket on a train from Detroit to New York City in the early 1920s cost around $30, meaning the Fair Lane fee worked out to about $750 (around $10,000 today). If Fair Lane required a special movement—that is, if it was moved with a dedicated locomotive and not as a part of a regular train—then the fee jumped to the equivalent of 125 standard tickets.

The fee structure was different when Fair Lane moved over the Detroit, Toledo & Ironton Railroad. Henry Ford personally owned DT&I from 1920 to 1929. It was considered official railroad business when Mr. Ford used his private car on DT&I, so he did not need to pay a fare for himself. But he did pay fares for Fair Lane passengers who weren’t directly employed by DT&I.

Several people stand on the back platform of a railcar, some waving
Edsel and Eleanor Ford, Henry and Clara Ford, and Mina and Thomas Edison pose on the car’s rear platform about 1923. / THF97966

The Fords made more than 400 trips with Fair Lane in the two decades that they owned the car. Annual excursions took Henry and Clara Ford to their winter homes in Fort Myers, Florida, or Richmond Hill, Georgia. Likewise, Edsel and Eleanor Ford, Henry and Clara’s son and daughter-in-law, occasionally used Fair Lane to visit their own vacation home in Seal Harbor, Maine. The Fords hosted several special guests on the car too. Presidents Warren Harding and Calvin Coolidge both spent time on the car, as did entertainer and humorist Will Rogers. Not surprisingly, Thomas and Mina Edison—among Henry and Clara Ford’s closest friends—also traveled aboard Fair Lane.

Clara Ford enjoyed trips to New York City, where she could visit friends or patronize specialty boutiques and department stores. Fair Lane could be coupled to direct Detroit–New York trains like New York Central’s Wolverine or Detroiter. Both trains arrived at the famous Grand Central Terminal in the heart of Manhattan. In 1922, an overnight run from the Motor City to the Big Apple on the Wolverine took 16 hours.

Both Henry Ford and Edsel Ford used Fair Lane when traveling on Ford Motor Company business. Chicago, New York, Boston, and Washington, D.C., were all frequent destinations on these trips. Of course, they’d travel to distant Ford Motor Company properties too, including those previously mentioned holdings in Michigan’s Upper Peninsula.

Aerial view of large building with railroad lines and trains behind and to one side of it; lawn and driveways in front and other buildings behind
Detroit’s Michigan Central Station, where most of Fair Lane’s journeys began and ended. / THF137923

Most of the car’s trips started and ended at Detroit’s Michigan Central Station, ten miles east of Dearborn. The large station had facilities to clean and stock Fair Lane, and crews to switch the car onto regular passenger trains. Michigan Central was a New York Central subsidiary, and New York Central trains provided direct service from Detroit to Chicago, New York, Boston, and many places in between. For longer trips, New York Central coordinated with additional railroad lines to transfer Fair Lane to other trains at connecting points, making the trip as seamless as possible for the Fords.

When Fair Lane wasn’t traveling out on a railroad, the car was stored in a shed built for it near Henry Ford’s flour mill on Oakwood Boulevard in Dearborn. The shed was just west of Dearborn’s present John D. Dingell Transit Center, where Amtrak trains stop today.

The Fords considered updating or replacing Fair Lane at different times. As early as March 1923, Ernest Liebold, Henry Ford’s personal secretary, wrote to the Pullman Company to inquire about building a larger car surpassing Fair Lane’s 82-foot length. Whatever Pullman’s reply, Ford did not place a new order. Twelve years later, Edsel Ford wrote to Pullman to ask about adding air conditioning to Fair Lane. The company responded with an estimate of $12,000 for the upgrade. Apparently, the cost was high enough for the Fords to once again consider building an entirely new, larger private railcar. The Pullman Company prepared a set of drawings for review but, once again, no order was placed.

Black-and-white image of train car
Fair Lane in November 1942, at the end of its time with the Fords. / THF148020

By the early 1940s, Fair Lane was aging and in need of either significant repairs or outright replacement. Henry and Clara Ford were aging too, and weren’t traveling quite as much as they had in earlier years. On top of this, the United States joined World War II following the attack on Pearl Harbor in December 1941. Wartime brought with it restrictions on materials, manufacturing, and travel—each on its own enough to sidetrack further work on Fair Lane. Somewhat reluctantly, Henry and Clara Ford sold their private railroad car in November 1942.

The St. Louis Southwestern Railway purchased Fair Lane from the Fords for $25,000. The company used the car for railroad business, carrying executives on its lines concentrated in Arkansas and Texas. In 1972, St. Louis Southwestern donated Fair Lane to the Cherokee National Historical Society. The organization used the car as an office space for the Cherokee Nation in Tahlequah, Oklahoma.

Richard and Linda Kughn purchased Fair Lane in 1982. They moved it to Tucson, Arizona, and began a four-year project to restore the car to its original Ford-era appearance. At the same time, they updated Fair Lane with modern mechanical, electrical, and climate-control systems. The Kughns enjoyed the refurbished railcar for several years before gifting it to The Henry Ford in 1996. Today Fair Lane is back in Dearborn—a testament to the golden age of railroad travel, as experienced by those with gilded budgets.


Matt Anderson is Curator of Transportation at The Henry Ford.

Additional Readings:

21st century, 20th century, travel, railroads, Michigan, Henry Ford Museum, Henry Ford, Fair Lane railcar, Detroit, Dearborn, Clara Ford, by Matt Anderson

Corner of room with chairs, windows, and doors
Interior of Henry Ford’s Private Railroad Car, “Fair Lane,” June 22, 1921 / THF148015


Beginning in 1921, Henry and Clara Ford used their own railroad car, the Fair Lane, to travel in privacy. Clara Ford designed the interior in consultation with Sidney Houghton, an interior designer based in London. The interior guaranteed a comfortable trip for the Fords, their family, and others who accompanied them on more than 400 trips between 1921 and 1942.

The view out the railcar windows often featured the landscape between Dearborn, Michigan, and Richmond Hill, Georgia, located near Savannah. The Fords purchased more than 85,000 acres in the area, starting in 1925, remaking it into their southern retreat.

On at least three occasions, Henry Ford might have looked out that Fair Lane window, observing changes in the landscape between Richmond Hill and a siding (or short track near the main railroad tracks, where engines and cars can be parked when not in use) near Tuskegee, Alabama. Henry Ford took the railcar to the Tuskegee Institute in 1938, 1941, and 1942, and Clara accompanied Henry at least twice.

Two men, one Black and one white, pose in front of a car
Henry Ford and George Washington Carver, Tuskegee, Alabama, March 1938 / THF213839

Henry first met with George Washington Carver and Austin W. Curtis at Tuskegee on March 11, 1938. A small entourage accompanied him, including Ford’s personal secretary, Frank Campsall, and Wilbur M. Donaldson, a recent graduate of Ford’s school in Greenfield Village and student of engineering at Ford Motor Company.

Group of men walk on a sidewalk between grass and trees
George Washington Carver and Henry Ford on the Tuskegee Institute Campus, 1938. / THF213773

Photographs show these men viewing exhibits in the Carver Museum, installed at the time on the third floor of the library building on the Tuskegee campus (though it would soon move).

Five men in suits look at items some of them are holding in their hands
Austin Curtis, George Washington Carver, Henry Ford, Wilbur Donaldson, and Frank Campsall Inspect Peanut Oil, Tuskegee Institute, March 1938 / THF 213794

Man gestures to a table covered in glass jars while other men look on
Frank Campsall, Austin Curtis, Henry Ford, and George Washington Carver at Tuskegee Institute, March 1938 / THF214101

Clara accompanied Henry on her first trip to Tuskegee Institute, in the comfort of the Fair Lane, in March 1941. Tuskegee president F.D. Patterson met them at the railway siding in Chehaw, Alabama, and drove them to Tuskegee. While Henry visited with Carver, Clara received a tour of the girls’ industrial building and the home economics department.

During this visit, the Fords helped dedicate the George W. Carver Museum, which had moved to a new space on campus. The relocated museum and the Carver laboratory both occupied the rehabilitated Laundry Building, next to Dorothy Hall, where Carver lived. A bust of Carver—sculpted by Steffen Thomas, installed on a pink marble slab, and dedicated in June 1937—stood outside this building.

The dedication included a ceremony that featured Clara and Henry Ford inscribing their names into a block of concrete seeded with plastic car parts. The Chicago Defender, one of the nation’s most influential Black newspapers, reported on the visit in its March 22, 1941, issue. That story itemized the car parts, all made from soybeans and soy fiber, that were incorporated—including a glove compartment door, distributor cap, gearshift knob, and horn button. These items symbolized an interest shared between Carver and Ford: seeking new uses for agricultural commodities.

Person wearing hat sits, head tipped down toward a wooden crate, while other people look on
Clara Ford, face obscured by her hat, inscribes her name in a block of concrete during the dedication of George Washington Carver Museum, March 1941, Tuskegee Institute, Alabama. Others in the photograph, left to right: George Washington Carver; Carrie J. Gleed, director of the Home Economics Department; Catherine Elizabeth Moton Patterson, daughter of Robert R. Moton (the second Tuskegee president) and wife of Frederick Douglass Patterson (the third Tuskegee president); Dr. Frederick Douglass Patterson; Austin W. Curtis, Jr.; an unidentified Tuskegee student who assisted with the ceremony; and Henry Ford. / THF213788

Man sits at crate while other people look on
Henry Ford inscribing his name in a block of cement during the dedication of George Washington Carver Museum, Tuskegee Institute, March 1941 / THF213790

After the dedication, the Fords ate lunch in the dining room at Dorothy Hall, the building where Carver had his apartment, and toured the veterans’ hospital. They then returned to the Fair Lane railcar and headed for the main rail line in Atlanta for the rest of their journey north.

President Patterson directed a thank you letter to Henry Ford, dated March 14, 1941. In this letter, he commended Clara Ford for her “graciousness” and “her genuine interest in arts and crafts for women, particularly the weaving, [which] was a source of great encouragement to the members of that department.”

The last visit the Fords made to Tuskegee occurred in March 1942. The Fair Lane switched off at Chehaw, where Austin W. Curtis, Jr., met the Fords and drove them to Tuskegee via the grounds of the U.S. Veterans’ Hospital. Catherine Patterson and Clara Ford toured the Home Economics building and the work rooms where faculty taught women’s industries. Clara rode in the elevator that Henry had funded and had installed in Dorothy Hall in 1941, at a cost of $1,542.73, to ease Carver’s climb up the stairs to his apartment.

The Fords dined on a special luncheon menu featuring sandwiches with wild vegetable filling, prepared from one of Carver’s recipes. They topped the meal off with a layer cake made from powdered sweet potato, pecans, and peanuts that Carver prepared.

Tuskegee shared the Fords’ itinerary with Black newspapers, and the April 20, 1942, issue of Atlanta Daily World carried the news, “Carver Serves Ford New Food Products.” They concluded, in the tradition of social columns at the time, by describing what Henry and Clara Ford wore during the visit. “Mrs. Ford wore a black dress, black hat and gloves and a red cape with self-embroidery. Mr. Ford wore as usual an inconspicuously tailored business suit.”

Dr. Patterson wrote to Henry Ford on March 23, 1942, extending his regrets for not being at Tuskegee to greet the Fords. Patterson also reiterated thanks for “Mrs. Ford’s interest in Tuskegee Institute”—“The people in the School of Home Economics are always delighted and greatly encouraged with the interest she takes in the weaving and self-help project in the department.”

The Fords sold the Fair Lane in 1942. After many more miles on the rails with new owners over the next few decades, the Fair Lane came home to The Henry Ford. Extensive restoration returned its appearance to that envisioned by Clara Ford and implemented to ensure comfort for Henry and Clara and their traveling companions. Now the view from those windows features other artifacts on the floor of the Henry Ford Museum of American Innovation, in place of the varied landscapes, including those around the Tuskegee Institute, traveled by the Fords.

Rail car interior containing chairs, doors, windows, and arched ceiling
A view of the interior of Henry and Clara Ford’s private railroad car, the “Fair Lane,” constructed by the Pullman Company in 1921, restored by The Henry Ford to that era of elegance, and displayed in Henry Ford Museum of American Innovation. / THF186264


Debra A. Reid is Curator of Agriculture and the Environment at The Henry Ford.

1940s, 1930s, 20th century, Alabama, women's history, travel, railroads, Henry Ford Museum, Henry Ford, George Washington Carver, Ford family, Fair Lane railcar, education, Clara Ford, by Debra A. Reid, African American history

Crowd of people stands by railway tracks with trains on them and a building on the other side of the tracks
Passengers rush to board the Overland Limited, which ran between Los Angeles and Chicago over the Atchison, Topeka, & Santa Fe Railway, ca. 1905. /
THF207763

Between 1865 and 1920, America’s railroad network increased sevenfold, from 35,085 miles to an all-time high of 254,037 miles in 1916. The rapid expansion of the national rail network corresponded with major technological improvements—including double tracking, improved roadbeds, heavier and faster locomotives, and the elimination of sharp curves—which allowed trains to operate at higher speeds. Travel times were steadily cut year by year. To emphasize time savings, railroad companies began to give their faster lines special names like “flyer,” “express,” and “limited.”

Page with text in black and red, timetable, and flag and badge icons
This 1913 timetable for the St. Louis-Colorado Limited line of the Wabash-Union Pacific Railroad boasted that it was the shortest line with the fastest time between destinations. / THF291441

However, increased speed came with disadvantages. High speeds resulted in an increasing number of gruesome railroad accidents caused by both discrepancies in local times and mix-ups between different railroad companies’ timetables.

Print of a train crash with many people gathered around; with handwritten text at bottom
A catastrophic collision occurred between two passenger trains on the Providence & Worcester Railroad when they failed to meet at a passing siding as scheduled, 1853. / THF622050

Facing governmental intervention to address the problem, the railroads took it upon themselves to enact a single standardized time across the country by dividing the nation into five roughly even time zones. Some people at first rebelled against this arbitrary imposition, especially when the newly drawn time zone designations did not align with local practices. But most people found it increasingly convenient to set their clocks by this new “standard time.”

Color postcard of red brick buildings, one with tall clocktower, with cars, wagon, and green space in front
Residents of Fitchburg, Massachusetts, would have synchronized the time on their personal clocks and watches to the railroad depot clock seen in this ca. 1916 postcard. / THF124830

Another disadvantage, some people complained, was that the increasing speed of railroad travel was unhealthy. Many believed that the rapid pace of life contributed to new forms of stress and anxiety and that the railroad was a key cause of these problems.

People climb a staircase up from sunken railroad tracks with trains on them; buildings in background
Railroad passengers ascending the staircase after arriving in Chicago, via the Illinois Central Railroad, ca. 1907 / THF105820

By 1920, railroad passenger travel was at the highest level it would ever attain. But, with the exception of the unique conditions during World War II, the railroad would never again be the dominant form of personal transportation in America. Within a few decades, the American public would embrace automobiles with the passion they had once given over to the railroads. How did this transfer of allegiance from railroad to automobile occur so effortlessly and completely during the early 20th century, and how does it relate to Americans’ changing concepts of time?

People sitting in an old-fashioned open car, with "Davenport, IA. to New York" written behind the rumble seat
A group of motorists travelling from Davenport, Iowa, to New York, ca. 1905 / THF104740

At first, many railroad managers did not take automobiles seriously—and for good reason. When they were first introduced in the 1890s, automobiles had no practical purpose. They were considered amusing and entertaining playthings for wealthy hobbyists and adventurers.

Color print of people in long, open blue car; also contains text
1909 advertisement for the Pierce-Arrow Motor Car, an automobile geared to wealthy motorists who could afford to have a chauffeur handle the driving for them. / THF88377

Most railroad managers were complacent, agreeing with one claim that “the fad of automobile riding will gradually wear off and the time will soon be here when a very large part of the people will cease to think of automobile rides.” But, as it turned out, the public passion for automobile riding did not wear off. Increasingly, Americans from all walks of life embraced automobiles and their advantages over railroads. By 1910, more than 468,000 motor vehicles had been registered in the United States.

Automobiles would have not achieved the level of popularity that they did without major advancements in the roads on which they traveled. As far back as the 1890s, bicyclists and early motorists had tried to alert the public to, and lobby the government for, better roads—roads that the railroads had ironically either replaced or rendered unnecessary.

Black and white page with text, photo, illustrations, and decorative elements
The Bulletin and Good Road, the official organ of the League of American Wheelmen, kept bicyclists up to date on advancements relating to the “Good Roads” movement. / THF207011

One reason that people embraced automobiles was because they revived the promise of individual freedom. Compared with railroad travel, motorists were unhampered, free to follow their own path. Elon Jessup, author of several motor camping books, wrote, “Time and space are at your beck and call, your freedom is complete.”

Black-and-white photo of campsite with tent, people by a cooking fire, a Model T, two goats, and two dogs
Motorists enjoying life on the road in the Missouri Ozarks, 1923. / THF105550

According to a 1910 American Motorist article, no longer were people tied to intercity train schedules, “rushed meals,” and “rude awakenings.” The motorist was “his own station master, engineer, and porter.” Riding in his own “highway Pullman,” he had “no one’s time to make except his own.” Automobile advocate Henry B. Joy wrote in a 1917 Outlook article that motoring promised “freedom from the shackles of the railway timetable.” Automobiles were also considered a particular advantage for women, who were increasingly venturing out into public spaces to shop, work, socialize, and take pleasure trips.

Four women in an open automobile with text on door "Four Ladies in a Haynes from Chicago to New York"
Four women in a Haynes automobile, travelling from Chicago to New York, ca. 1905. / THF107595

In addition to restoring people’s personal control over their own time, automobiles succeeded in slowing down the fast pace of modern life. Early automobile advocates claimed that railroads were simply too fast. Elon Jessup, in his 1921 book, The Motor Camping Book, described the view from the train as “a blur.” In his 1928 book, Better Country, nature writer Dallas Lore Sharp remarked that railroads rushed “blindly along iron rails” in their “mad dash across the night,” offering passengers only “fleeting impressions.” Automobiles, on the other hand, promised a nostalgic return to a slower time. Harkening back to the “simpler” days of stagecoach and carriage travel, automobiles were “refreshingly regressive.” Instead of being rushed along by “printed schedules and clock-toting conductors,” motorists could stop and start whenever they wanted, or when natural obstacles intervened. A car trip was leisurely, allowing heightened attention to regional variation and uniqueness.

Four people in blue car on road through greenspace with trees and mountains in the background; also contains text
Motorists take a leisurely drive through the countryside on the cover of this September 1924 American Motorist magazine. / THF202475

All told, the automobile liberated the individual who “hated alarm clocks” and “the faces of the conductor who twice daily punched his ticket on the suburban train.” In his 1928 book, Dallas Sharp even claimed that motoring was, in fact, more patriotic than railroad travel because it encouraged people to enjoy the country “quietly” and “sanely.” As a result, the slower tempo of automobile travel was thought to be restorative to frayed nerves brought on by the increasingly hectic pace of life in an urban, industrial society.

No automobile had more impact on the American public than the Model T, introduced in 1908. Envisioned by Henry Ford as a car for “the great multitude,” the Model T was indeed “everyman’s car”—sturdy, versatile, thrifty, and powerful. While Model Ts sold well from the beginning, the low price, extensive dealer network, and easy availability of replacement parts led to a leap in Model T sales after World War I.

Two-page spread with yellow advertisement with text and image of people in car "breaking through" the page, and additional people waving from lakeside campground
Brochure for the 1924 Ford Model T, promoting its use as a vehicle for family pleasure trips. / THF107809

The need and demand for better roads corresponded with the unprecedented rise in Model T sales. The first and most widely publicized of the new, independently funded cross-country highways was the Lincoln Highway (1912), which ran (at least on paper) between New York City and San Francisco, California. In 1916—ironically, the same year that national railroad mileage reached a peak—the U.S. government passed the Federal Aid Road Act, providing grants-in-aid to several states to fund road improvement. The railroad companies watched helplessly as the government subsidized improved roads that extended to villages and hamlets the railroads could never hope to reach.

Book cover with text, portrait of Lincoln, American iconography, and line with individual points labelled with state abbreviations
Effie Price Gladding recounts her cross-country trip on the Lincoln Highway in this 1915 book. The cover points out the states she passed through along the route of this highway. / THF204498

By the end of the 1920s, due in large part to the unprecedented popularity of the Model T, automobiles had gained a “vice-like grip on the American psyche.” Total car sales had leaped from 3.3 million in 1916 to 23 million by the late 1920s. Motorists were not only opting to take cars rather than trains for their regular travel routines, but they were also beginning to take longer-distance trips than they had ever attempted before. As the 1920s closed, Americans were traveling five times farther in cars than in trains. Enthusiasm for the automobile remained high throughout the Great Depression of the 1930s, when massive new road and highway construction projects were initiated to stimulate employment.

Page with text and decorative elements
Black Americans embraced automobiles to avoid discrimination and humiliation on public transportation—at least until they had to stop to eat, sleep, and fill up with gas. Beginning in 1936, the Negro Motorist Green Book listed “safe places” for Black motorists to stop in towns and cities across the country. / THF99195

Conversely, the Depression was devastating for the railroad companies, who abandoned a record number of miles of existing track during this decade. By the late 1930s, railroad companies were optimistically attempting to revive business by embracing modern new streamlined designs, which claimed to reflect aerodynamic principles and promised a smooth ride incorporating the latest standards of comfort and convenience. A new emphasis on speed led to numerous record-breaking runs.

Boldly colored image of train coming around a curve and traffic light (?); also contains text
For its speed, as well as its beauty, comfort, and convenience, the Wabash Railroad’s “Blue Bird Streamliner” of 1950 was touted as “The Most Modern Train in America.” / THF99239

After World War II, the lifting of wartime rationing, the inclusion of two-week paid vacations in most labor union contracts, pent-up demand for consumer goods, and general postwar affluence ensured the automobile industry “banner sales,” which lasted into the 1950s.

Brochure cover with text and image of convertible car with oversized heads of a man and woman sticking out the top
Travel brochures like this one abounded after World War II, appealing to family vacationers. / THF202155

State-endorsed toll roads met the immediate postwar demand for motorists’ “right to speedy and accident-free travel over long distance.”

Colorful landscape with road traveling through it; overlaid with text
The Pennsylvania Turnpike, the first state-endorsed toll road, officially entered service on October 1, 1940. It currently stretches three times its original length. / THF202550

But the U.S. government’s long-time obsession with highway improvement truly reached a “dizzying crescendo” in 1956, with the passage of the Federal Aid Highway Act. This Act called for 46,000 miles of state-of-the-art, limited-access superhighways, to be funded by public taxes on fuel, tires, trucks, buses, and trailers. Although justified for military and national defense purposes, the interstate highway system made it possible for average citizens to reach their destinations faster in their cars than by taking trains.

Pamphlet cover showing complex highway interchange; also contains text
Although the new urban expressways were promoted as modern advantages, as seen in this 1955 “Auto-Owners Expressway Map” for the Detroit area, in fact, these same expressways cut through and often devastated poor and historically marginalized communities. / THF205968

Ironically, as automobiles became the standard vehicle for long-distance transportation, and highways beckoned motorists with higher speed limits and improved surfaces, the slow, leisurely pace of motoring—so lauded 50 years earlier—had transformed into an outpacing of even the “blurring” speed of railroads.

Young boy and young man look at eye level at a large model of a road with cars
The wonder of the fast and efficient new expressways is evident in the child’s expression in this 1959 promotional photograph, as he views a futuristic model highway envisioned by researchers at General Motors. / THF200901

For the most part, travelers rejoiced as four-lane divided highways replaced the older two-lane highways. With the new speed and comfort features of cars and improved highways, the impulse toward getting somewhere as rapidly and efficiently as possible, along the straightest path, became the new end goal.



Sources consulted include:

  • Belasco, Warren James. Americans on the Road: From Autocamp to Motel, 1910-1945. Cambridge, MA: The MIT Press, 1979.
  • Douglas, George H. All Aboard: The Railroad in American Life. New York: Paragon House, 1992.
  • Gordon, Sarah H. Passage to Union: How the Railroads Transformed American Life, 1829-1929. Chicago: Ivan R. Dee, 1996.


Donna R. Braden is Senior Curator and Curator of Public Life at The Henry Ford. This blog post is adapted from her M.A. Thesis, “American Dreams and Railroad Schemes: Cultural Values and Early-Twentieth-Century Promotional Strategies of the Wabash Railroad Company” (University of Michigan-Dearborn, 2013).

Additional Readings:

20th century, 19th century, travel, trains, roads and road trips, railroads, Model Ts, cars, by Donna R. Braden

Brass machine with various knobs and fittings
Steam Engine Lubricator, 1882 / THF152419

You may have heard the saying, “The Real McCoy.”  Popular belief often links the phrase to the high quality of a device patented by Black engineer Elijah McCoy.

Elijah McCoy was born on a farm in Canada to formerly enslaved parents. His father, George McCoy, had rolled cigars to earn the $1,000 required to buy his freedom.  But money could not buy freedom for George’s love, Mildred “Millie” Goins, so George and Millie escaped her Kentucky master and became fugitives, settling in Colchester, Canada. They became farmers and had twelve children, including Elijah, born around 1844.

Elijah McCoy’s interest in machines led him to pursue formal study and an apprenticeship in engineering in Scotland. When he returned, he joined his family in Ypsilanti, Michigan.

Portrait of man with beard and mustache wearing suit
Portrait of Elijah McCoy, circa 1895 / THF108432

But employers, blinded by racism, could not see his talent. Instead, in 1865, the Michigan Central Railroad offered McCoy the dangerous job of oilman and fireman. The need to constantly oil the moving parts of a locomotive AND shovel coal into the engine’s firebox soon sent him to the drawing board. In 1872, McCoy patented his own “improvement in lubricators for steam-engines,” the first of at least 52 patents and design registrations he secured during his lifetime.

For the next 40 years, McCoy patented many improvements for his automated oil-drip mechanism, updating his device as steam-engine design and operation changed. The steam engine lubricator cup pictured above (and on exhibit in Made in America in Henry Ford Museum of American Innovation) resulted from improvements patented in 1882. Today, the U.S. Patent and Trademark Office branch in Detroit bears his name, a fitting tribute to an innovator who moved locomotives—if not mountains.


This post was adapted from a stop on our forthcoming “Stories of Black Empowerment” tour of Henry Ford Museum of American Innovation in the THF Connect app, written by Debra A. Reid, Curator of Agriculture and the Environment at The Henry Ford. To learn more about or download the THF Connect app, click here.

Made in America, Henry Ford Museum, THF Connect app, railroads, Michigan, making, engineering, by Debra A. Reid, African American history