Posts Tagged by matt anderson
Starting a drag race at the first NHRA national championship meet, Great Bend, Kansas, 1955. (THF122645)
If you’ve visited Henry Ford Museum of American Innovation in the past several months, then you’ve undoubtedly noticed the large construction walls in the museum’s northeast corner, just behind Driving America. That 24,000 square-foot space will soon be home to our newest exhibit, Driven to Win: Racing in America presented by General Motors.
Racing gloves worn by Danica Patrick while competing in NASCAR’s Monster Energy Cup Series, 2016-2017. (THF176306)
Driven to Win will be among the most comprehensive looks at automobile racing in the United States. We’ll cover every major American racing type, and we’ll do it from 1895 – when the Chicago Times-Herald sponsored the country’s first formal auto race – right up to the present day. We’re featuring 26 vehicles in the show, including some old favorites and a few new surprises. We’ll also have more than 225 artifacts from the museum’s collection – many of them newly acquired for this exhibit.
George Heath driving his winning Panhard #7 at the first Vanderbilt Cup race, 1904. (THF277321)
Guests entering Driven to Win will first encounter what we call the “Dawn of Racing” where they’ll learn about American racing’s earliest days, whether on repurposed horse tracks or requisitioned public streets. Fittingly, the first vehicle they’ll see in this section is a successful little racer built and driven by a certain Henry Ford, the 1901 Ford Sweepstakes.
Dan Gurney signing autographs for young fans at the Indianapolis 500, 1966. (THF110522)
Just behind this introductory zone, we talk about “Igniting the Passion.” We’ll see some of the ways in which young people are introduced to motorsport through toys and games. Some of them will go on to become lifelong fans. Others might take up racing-inspired hobbies like tether cars. A few may go on to careers in the sport, whether behind the wheel, behind the pit wall, or behind the scenes. This area also serves as the entrance to our film experience, which forms the literal and figurative center of the exhibit. Inside, audiences will enjoy the sights, sounds, and spectacle of race day, and be inspired by young people pursuing dreams at legendary locations like Daytona, Indianapolis, and Bonneville.
One of the 3.2 million bricks used to resurface Indianapolis Motor Speedway in 1909. (THF152054)
Outside the film theater, visitors can step into The Henry Ford’s own Winner’s Circle presented by Rolex. Here they’ll see the innovative and influential cars that changed the game. They’ll find the 1956 Chrysler 300-B from Carl Kiekhaefer’s phenomenal Mercury Marine team, which dominated NASCAR in the mid-1950s. Nearby is the Penske PC-17 that Rick Mears drove to victory in the 1988 Indianapolis 500, giving him the third of his record-tying four Indy wins – and Team Penske the seventh of its astounding 18 Indy victories. (The Chevrolet-powered Penske chassis is loaned to us courtesy General Motors, the exhibit’s presenting sponsor.)
Bobby Unser charging up Pikes Peak on his way to victory, 1962. (THF218104)
Moving around the exhibit’s perimeter, visitors will encounter the major forms of racing popular in the U.S. They’ll learn about land speed racing at Bonneville, where Goldenrod topped 409 mph in November 1965; they’ll see hill climbing at Pikes Peak, where Bobby Unser and his legendary family reigned supreme; they’ll visit the ceremonial heart of American racing at Indianapolis, where Harry Miller designed some of early racing’s most beautiful (if not always successful) open-wheel racing cars; they’ll travel overseas to Le Mans, where Ford Motor Company raced American sports cars in the 1960s and the 2010s; they’ll visit Daytona, birthplace of NASCAR and home to one of the country’s greatest stock car tracks; and they’ll see an homage to the vanished Detroit Dragway, where gassers and rail jobs once battled for the title of Top Eliminator.
Lyn St. James instructing young students at her Complete Driving Academy, 2008 (THF58563)
But racing isn’t just about the cars, it’s about the people behind them. Driven to Win visitors will have the chance to train using some of the same methods as today’s top drivers. There’s strength training with special machines that mimic muscle motions in a race. There’s neurocognitive training with interactive stations that test vision, memory, and reaction time. We’ll also have a pit crew activity where visitors can try their hand changing tires and refueling cars – though probably not in the 15 seconds it takes a top NASCAR crew. And for those eager to get behind the wheel, we’ll have a set of sophisticated simulators that are about as close to driving a hot lap as you can get without wearing a helmet.
Running the measured mile at Bonneville, circa 1950. (THF238926)
It’s been a long time coming, but Driven to Win: Racing in America promises to be worth the wait. Its blend of exciting immersive experiences will be unlike anything else in Henry Ford Museum of American Innovation – or in any other automotive museum, for that matter. We couldn’t be prouder of the work we’ve put into it, and we look forward to sharing the results with everyone this summer.
Matt Anderson is Curator of Transportation at The Henry Ford. See more racing artifacts in our collection in this expert set.
21st century, 2020s, Michigan, Dearborn, racing, race cars, race car drivers, Henry Ford Museum, Driven to Win, by Matt Anderson
This 1930 Hupmobile Model S was one of nearly 800 vehicles that filled Greenfield Village for this year’s Old Car Festival.
Another summer car show season is in the books as we wrap up our 69th annual Old Car Festival in Greenfield Village. We enjoyed practically perfect weather, enthusiastic crowds, and a field of nearly 800 vintage automobiles, trucks, motorcycles, and bicycles. You couldn’t have asked for a better weekend – or a better way to spend it.
This 1925 Ford Model TT truck fit perfectly with the Depression-era Mattox Family Home. Greenfield Village provides an incomparable setting for Old Car Festival.
Our spotlight for 2019 shined on early sports cars, whether genuine performers like the Stutz Bearcat, or mere sporty-looking cars like Ford’s Model T Torpedo Runabout. We usually associate sports cars with postwar imported MGs or all-American Corvettes, but enthusiast motoring is an old idea. For as long as there have been cars, there have been builders and buyers dedicated to the simple idea that driving should be fun.
The Henry Ford’s 1923 Stutz Bearcat. Many consider the Bearcat to be America’s first true sports car.
In keeping with the theme, we featured three sporty cars in our special exhibit tent across from Town Hall. From The Henry Ford’s own collection, we pulled our 1923 Stutz Bearcat. If there’s one name synonymous with early sporting automobiles, it’s “Bearcat.” Indianapolis-based Stutz introduced the model in 1912. The first-generation Bearcat featured only the barest bodywork and a trademark “monocle” windshield. Our later model was a bit more refined but, with 109 horses under the hood, it had no problems pushing the speedometer needle to the century mark. And, with its $3500 price tag, it had no problems pushing your bankbook into the red, either.
The sporty, affordable 1926 Chevrolet – for when the heart says, “speed up” but the wallet says, “slow down.”
Our good friends at General Motors once again shared a treasure from the company’s collection. This time it was a beautiful 1926 Chevrolet Superior Series V. The car boasted custom bodywork from the Mercury Body Company of Louisville, Kentucky. The speedster body and disc wheels gave a sporty look to a car targeted at budget-minded buyers. The Chevy sold for $510 – about one-seventh the cost of that Stutz!
This newly-restored 1927 Packard ambulance served the city of Detroit for nearly 30 years.
Every car at Old Car Festival has its own story, but some of them are particularly special. You could certainly say that about the 1927 Packard ambulance bought to us by owner Brantley Vitek of Virginia. He purchased the vehicle, in rather rough condition, at the Hershey swap meet in 1974. Dr. Vitek planned to restore it but, as is sometimes the case for car collectors, life got in the way. He wasn’t able to start the project until 2016, but it was well worth the wait. The finished ambulance is gorgeous – and not without southeast Michigan ties. The Packard served all its working life with the Detroit Fire Department. Old Car Festival wasn’t just a debut for the completed project, it was a homecoming as well.
The corn boil was just one of the dietary delights offered at this year’s show.
Veteran Old Car Festival attendees know that the show mixes a little gastronomy with its gasoline. Each year brings historically-inspired foods to the special “Market District” set up along the south end of Greenfield Village’s Washington Boulevard. Offerings for 2019 included turkey legs, sliced pastrami sandwiches, baked beans and cornbread (served in a tin cup), and peach cobbler. Longstanding favorites like kettle corn, hobo bread, and frozen custard were on hand too.
Prize winners received glass medallions handcrafted in the Greenfield Village Glass Shop.
As it does every year, Old Car Festival wrapped up with the Sunday afternoon awards ceremony. Show participants are invited to submit their vehicles for judging. Expert judges award prizes based on authenticity, quality of restoration, and the care with which each vehicle is maintained. First, second, and third-place prizes are awarded in eight classes, and one Grand Champion is selected for each of the show’s two days. Additionally, two Curator’s Choice awards are given to significant unrestored vehicles.
The Canadian Model T Assembly Team entertained by putting together this vintage Ford in mere minutes.
Year after year, Old Car Festival provides sights, sounds, and tastes to delight the senses. It’s no wonder the show has been going strong for 69 years. We’ll see you for show number 70 in 2020!
Matt Anderson is Curator of Transportation at The Henry Ford.
Michigan, Dearborn, 21st century, 2010s, Old Car Festival, Greenfield Village, events, cars, car shows, by Matt Anderson
Lee Iacocca (right) lights a candle with Henry Ford II (center) and Don Frey to celebrate the Ford Mustang’s first birthday in April 1965. (THF113838)
A Born Salesman
Lee Iacocca, the charismatic corporate executive whose long careers at Ford and Chrysler made him one of the best-known businessmen in America, passed away on July 2 at age 94. With his passing, the automotive industry lost one of its most colorful figures of the last 60 years.
Born and raised in Allentown, Penn., Iacocca earned a degree in industrial engineering from Lehigh University in 1945. Given his location, one might have expected him to take a job in the steel industry. But Iacocca was one of those people with gasoline in the veins. He wanted to build cars – specifically, he wanted to build them for Ford Motor Company. He joined the Blue Oval in 1946 as an engineer. But for a born salesman like Iacocca, it was an awkward fit at best. He asked for a reassignment to sales in Ford’s Philadelphia district, and his career blossomed from there.
Iacocca first attracted attention from senior Ford managers with a novel promotion in the mid-1950s. He dreamed up a “’56 for 56” gimmick in which customers could buy a new 1956 Ford with 20 percent down and monthly payments of $56 thereafter. It was simple, it was catchy, and it was a hit. The promotion earned him a transfer to Ford’s world headquarters in Dearborn.
Total Performance
Lee Iacocca made no small plans. Barely into his 30s when he moved to Dearborn, Iacocca resolved that he’d be a Ford vice president by age 35. Though he climbed up the ranks quickly, he missed his goal – Iacocca wasn’t named Vice President and General Manager of the Ford Division until he’d turned 36. By a twist of fate, Ford President Robert McNamara left to become President Kennedy’s Secretary of Defense soon after Iacocca’s appointment. Iacocca’s influence at Ford Motor Company increased accordingly.
Young, enthusiastic, and a car guy to the core, Iacocca was the polar opposite of McNamara, whose major accomplishments at Ford included turning the sensuous two-seat Thunderbird into a four-seat family sedan. (Though to be fair, McNamara nearly doubled Thunderbird’s sales as a result.) Iacocca wanted his company to think young. He remembered the Ford V-8 of his own youth which, with help from legions of hot rodders, gave Ford a performance image. Chevrolet snatched that image in the mid-1950s with its small-block V-8 and its classic “Tri Five” Chevys of 1955-57.
Iacocca (right) with Jimmy Clark (center), Benson Ford, and the double overhead cam V-8 that Ford developed for the Indianapolis 500. (THF110520)
Among Iacocca’s first moves were to get Ford Motor Company back into racing. He greenlit a striking mid-engine sports car prototype and then – with Henry Ford II, Leo Beebe, Carroll Shelby, Jacque Passino, and others – launched an all-out assault in nearly every form of racing under the banner “Total Performance.” By decade’s end, Ford had racked up victories in NASCAR, on drag strips, at Indianapolis, and at Le Mans. But Iacocca’s tenure at Ford is forever tied to one car.
The Youth Car
Working in secret with a select team, Iacocca pitched the need for a “youth car” targeted at the up-and-coming Baby Boomers. He wanted something with the appeal of a Thunderbird, the look of a Ferrari, and the economy of a Volkswagen – a tall order to be sure. But Ford’s designers and engineers rose to the challenge. In one of the automotive industry’s great triumphs, they put a sporty body on the existing Ford Falcon compact car chassis, produced a seemingly endless menu of options and accessories that encouraged customers to personalize, and dubbed their new creation “Mustang” – a name that evoked freedom, open spaces, and, in the words of one marketing expert, “was American as all hell.”
Ford optimistically hoped to sell 200,000 Mustangs in the first model year. But the car’s splashy launch – at the 1964 New York World’s Fair – and a savvy marketing campaign kicked off a mania rarely seen in automotive showrooms. By the end of the 1965 model year, more than 680,000 buyers had taken a new Mustang home.
Mustang’s success made Iacocca a household name. But his rising star contributed to growing tensions between Iacocca and Henry Ford II, the company’s chairman and ultimate authority. After several difficult years, their strained relationship foundered and, in 1978, led to an acrimonious parting of the ways between Iacocca and Ford Motor Company.
Iacocca found the perfect pitchman for Chrysler – himself. His print and television ads made him one of the best-known business figures in the United States. (THF103024)
A Second Act
No one could have blamed Iacocca if he’d retired then and there. The Mustang alone was enough to secure his legacy. But retirement wasn’t Iacocca’s style. He missed being at the center of the action. When the failing Chrysler Corporation offered him the job of CEO, he couldn’t resist. Iacocca’s second act was even more impressive than his first.
Iacocca took over a company in ruin. Chrysler was losing millions with little hope of recovery. His first and most important act was to secure a loan guarantee from the U.S. Congress. He then set about rebuilding the automaker’s product line. First came the K-Car, a highly-adaptable front-wheel drive platform that Chrysler offered under any number of makes, models and designs. Then came another vehicle that, like the Mustang before it, transformed the industry. The minivan, manifested in the Plymouth Voyager and the Dodge Caravan, was born of an idea Iacocca had toyed with at Ford to no avail. At Chrysler, the innovative minivan became a best-seller that redefined the family car for a generation of Americans. To top off his achievements, Iacocca added an evergreen marque to Chrysler’s lineup when he acquired American Motors and its enduring Jeep brand in 1987.
Eager to restore faith in Chrysler vehicles, Iacocca personally vouched for his products in a series of memorable television and print ads. He ended many of them with a simple, straightforward challenge to his audience: “If you can find a better car, buy it.” The ads were effective, and he enjoyed making them. In truth, he enjoyed the limelight. Through the 1980s, Iacocca added to his celebrity by writing two best-selling books, leading a successful effort to restore the Statue of Liberty, and appearing in a bit part on the popular TV series Miami Vice. For a time, there was even serious talk about Iacocca as a candidate for President of the United States.
Enough for Two Lifetimes
Iacocca retired from Chrysler in 1992. He’d returned the company to profitability, restored its reputation, and repaid its government loan. But even then he didn’t really retire. With billionaire Las Vegas developer Kirk Kerkorian, Iacocca launched an unsuccessful takeover attempt of Chrysler in 1995. Ten years later, he returned to Chrysler – by then under German ownership as DaimlerChrysler – to shoot a few commercials, reprising his trademark “If you can find a better car…” slogan.
Lee Iacocca seemed to live two lifetimes in his 94 years. He enjoyed success at two car companies, and he fathered two groundbreaking vehicles. Iacocca lived to see the Mustang turn 50, and to see Chrysler fall into bankruptcy once more before remerging as a part of FCA. He will be remembered as long as there are people who love cars like he did.
Matt Anderson is Curator of Transportation at The Henry Ford.
Pennsylvania, Dearborn, Michigan, 21st century, 20th century, racing, Mustangs, in memoriam, Ford workers, Ford Motor Company, cars, by Matt Anderson
Tailfins, like those sprouting from this 1956 Ford Fairlane, were in the spotlight for 2019.
Gearheads descended on Greenfield Village again this June for our popular Motor Muster car show, featuring more than 600 automobiles, trucks, motorcycles, bicycles, and military vehicles from the 1930s through the 1970s. By our count, this year marked our 30th time presenting this one-of-a-kind event. Based on the crowd, Motor Muster is as popular – and as active – as ever.
Our theme this year was “Fabulous Fins,” those towering tailfins that defined 1950s American automotive design. After several years marking golden anniversaries for 1960s muscle and pony cars, we were overdue for a return to the decade that gave us rock and roll, hula hoops, Corvettes, and Thunderbirds.
A pair of CCC recruits at work in front of the McGuffey School.
Once again we staged a series of historical vignettes around Greenfield Village that complemented each of the five decades represented in the show. The Depression years of the 1930s were recalled at the McGuffey School, where we staged a 1930s Civilian Conservation Corps camp. The three million young men who participated in the program over its nine-year run helped to plant forests, build parks and roadways, manage floodwaters and erosion, and stock streams and rivers with fish.
Nothing says “1950s suburbia” like a well-trimmed lawn.
We remembered the war years of the 1940s with a victory garden, a scrap drive, and a live radio drama staged in front of visitors. There was food, too, with few menu items more popular than the spam sandwiches made with everyone’s favorite spiced canned ham. The postwar boom brought an exodus to the suburbs as returning GIs bought new homes for their young families. We saluted the proverbial “crabgrass frontier” with a display of vintage lawn mowing equipment. (If you think cutting in the hot sun with a gasoline mower is tough, try doing it with a genuine ’50s push mower!)
Far out ’70s rock, courtesy of the band Classic Gold, livened up the gazebo near the Ackley Covered Bridge.
For the 1960s, we remembered the classic kids-in-the-station-wagon cross-country family road trip, with an American nuclear family camped around their travel trailer. Interstate highways and economic prosperity opened the country to many families longing to see the U.S.A. in their Chevrolets (or Plymouths, or Fords) that decade. Those looking for a little pre-Fourth of July patriotism had only to wander over to the gazebo near the Ackley Covered Bridge, where we staged a bicentennial-themed picnic straight out of 1976 – complete with a classic rock concert.
This 1959 Corvette lured customers into Bill Fold’s Chevrolet, our vintage dealership vignette.
Perhaps the most immersive vignette this year was another set in the 1950s. For one weekend only, the Village Pavilion became home to Bill Fold’s Chevrolet, a period dealership showcasing Chevy’s new models for 1959. Entering the showroom, visitors encountered a classic family car in the form of an Impala, a tantalizing “new for ’59” model in the form of an El Camino (generously loaned to us from our friends at the GM Heritage Center), and a dreamy halo car in the form of a Corvette. The showroom was complete with a dedicated staff including a receptionist and two eager – make that too eager – salesmen. If those new cars were beyond your budget, Bill Fold’s also had a nice selection of “used” 1955, ’56, and ’57 models parked out front.
Visitors to The Henry Ford’s tent were treated to (left to right) a Ford Mustang II, a pair of one-of-a-kind Budd Company concept cars, and a 1957 Chevrolet Nomad wagon.
Every year, Motor Muster gives us a chance to display some treasures from The Henry Ford’s own automotive collection. This year we pulled out a pair of concept cars built by the Budd Company in the early 1960s. The XT-Bird was pitched by Budd to Ford Motor Company as a possible revival of the beloved two-seat Thunderbirds of 1955-57. (Though the XT-Bird has a back seat – barely.) Budd took the XR-400 to American Motors Corporation, hoping the company might bite on the idea of a sporty car built on a Rambler chassis. Both were intriguing ideas – each anticipating Ford’s Mustang – but neither went beyond these singular prototypes.
Given our Fabulous Fins theme, we had to have at least one pair of tailfins in our tent alongside the Budd cars. Our friends at the GM Heritage Center came through for us again with a beautiful 1957 Chevrolet Nomad. The sporty two-door station wagons weren’t popular enough to sell in big numbers at the time, but they’re certainly popular with collectors today. We also had one more little jewel from our collection on view, our 1977 Ford Mustang II. It’s one of those cars with no middle ground – you either love it or you don’t. The car received many wide-ranging reactions over the weekend.
Another look inside Bill Fold’s Chevrolet, with its eager – and slightly smarmy – sales staff.
All in all, a fantastic Motor Muster for everyone who participated – whether they brought a vehicle or just brought themselves. We’ll look forward to seeing you at show number 31 next year.
Matt Anderson is Curator of Transportation at The Henry Ford.
Michigan, Dearborn, 21st century, 2010s, Motor Muster, Greenfield Village, events, cars, car shows, by Matt Anderson
When it came time to name a new model, or even a new company, automakers often found inspiration in the stars. Astronomical phenomena, planets, and whole galaxies have all found their way onto fender badges and hood ornaments. Here are just a few examples.
Harry Grant #27 Sunbeam, Indianapolis Speedway, 1914. 2009.103.P.5027.5
Great Britain’s Sunbeam Motor Car Company traces its roots to a bicycle manufacturer founded in 1887. Sunbeam cars raced in Grand Prix events and competed for land speed records. Harry Grant finished seventh in a Sunbeam at the 1914 Indianapolis 500. The company closed during the Great Depression, but the Sunbeam name survived a while longer under new ownership.
1923 Star Station Wagon. 83.16.1
After being driven out of General Motors for a second – and final – time, Billy Durant founded Durant Motors in 1921. He christened his low-priced model Star and set his sights on Ford’s Model T. While Star never seriously threatened the T, it did introduce the first factory-built station wagon.
Moon Motometer, circa 1925. 81.99.94
Strictly speaking, the Moon Motor Car Company of St. Louis was named for its founder, Joseph W. Moon, but a crescent Moon logo turned up in its advertisements from time to time. The automaker remained in business from 1905 to 1930. Its name is proudly featured on this motometer – a device for measuring engine coolant temperature.
1960 Ford Advertisement, “The Silver Curve of Success – Galaxie by Ford.” 87.14.14.19
When the Russians launched Sputnik – the first artificial Earth satellite – in 1957, it kicked off a “Space Race” between the Soviet Union and the United States. In turn, that competition inspired a series of space-inspired car names like Ford’s Galaxie. When introduced for 1959, Galaxie was the company’s top trim level for its full-sized models.
Ford Starliner Nameplate, 1960-1961. 2011.316.1
For 1961, Ford introduced a fastback version of the Galaxie, appropriately named Starliner. Studebaker had previously used the Starliner name on a series of striking coupes designed by Robert E. Bourke of Raymond Loewy Associates and produced from 1952 to 1954.
1961 Mercury Meteor Advertisement, “Priced to Compete with Low-Price Field!” 64.167.19.225
Mercury (itself a celestial name – though inspired by the Roman god and not the planet) introduced its Meteor model for 1961. Never a strong seller, Meteor was discontinued after the 1963 model year. The name enjoyed a longer life in Canada, where Ford used it to denote a distinct brand of cars – not just a model – from 1949 to 1976.
Brochure, “Comet Performance for ’65” 2007.1.1930.25
Ford introduced the Comet – initially a distinct brand – for 1960 as an upscale version of the compact Falcon. For 1962, Comet became a Mercury model. In the mid-1960s, Comets were offered with special options packages tailored for NHRA drag racing.
1966 Toyota Corona Sedan. 87.120.1
Corona – named for the plasma aura surrounding the Sun – was the perfect name for the first truly successful car imported to the United States from Japan, the Land of the Rising Sun. Unlike Toyota’s first attempt for the American market – the overpriced and underpowered Toyopet – the Corona did well with stateside buyers.
Plymouth Satellite Custom Nameplate, 1968-1969. 2011.239.1
Like the Dodge Polara before it, the Plymouth Satellite brought cosmic lexicon to Chrysler’s product line when introduced for 1965. Satellite denoted the top trim level for Plymouth’s mid-sized Belvedere line until 1967, when the GTX designation superseded it. The Satellite name was phased out completely after 1974.
Chevrolet Nova Dashboard Emblem, 1968-1972. 2011.291.3
To astronomers, nova refers to a star that shows a sudden, temporary increase in brightness. To gearheads, it’s a compact car built by Chevrolet from 1962 through 1979. Initially, Nova was merely the top trim-level designation while the model itself was called Chevy II. Nova replaced Chevy II as the model name in 1969.
1990 Saturn Advertisement, “A Different Kind of Company. A Different Kind of Car.” 91.83.13
In 1985, General Motors launched a new automobile division intended to compete with Japanese imports. To GM executives, the ambitious project was akin to NASA’s venerable Apollo program, so they named their new division Saturn in homage to the Saturn V rockets that launched American astronauts toward the Moon. After some early success, GM dissolved Saturn in 2010.
Subaru Sales Brochure, “The Beauty of All-Wheel Drive,” 1996. 2000.16.3
In the United States, stargazers refer to the Pleiades star cluster as the Seven Sisters, after the seven sisters of Pleiades in Greek mythology. In Japan, it’s called Subaru – namesake of the carmaker known for its boxer engines and rugged wagons. According to mythology, one of the seven sisters is invisible, so you’ll count just six stars in Subaru’s logo.
Matt Anderson is Curator of Transportation at The Henry Ford.
We don’t generally associate Star Trek with historic automobiles (or, for that matter, with any automobiles). The classic original series is set circa 2265-2269, nearly 360 years after the first Model T rolled out of Ford’s Piquette Avenue Plant. By all evidence, Federation citizens in the 23rd century are content to get around by spaceship and shuttlecraft (with the notable exception of the Jupiter 8). But who can blame them for not driving? After all, we’re talking about a universe in which teleportation is a thing. But Star Trek isn’t an entirely auto-free zone. Through the clever storytelling devices of science fiction, Kirk, Spock, and McCoy encounter multiple 20th century American cars over the course of the show.
Ask fans to name their favorite episodes and you’ll likely hear “The City on the Edge of Forever” mentioned several times. The romantic yarn, which closed the first season, finds the crew of the Enterprise in a time-traveling misadventure. Dr. McCoy, less than lucid after an accidental overdose of medication, charges through a temporal gateway into New York City circa 1930. Kirk and Spock follow their ailing comrade and discover that McCoy has inadvertently altered history with serious consequences. Our heroes manage to put things right, but not without considerable anguish on Kirk’s part.
Ford’s 1929 Model AA stake body truck, similar to one seen in “The City on the Edge of Forever.” (THF28278)
The episode features several period automobiles including a 1930 Buick, 1928 and 1930 Chevrolets, and a circa 1930 Ford Model AA truck. Most are in the background, but a 1939 GMC AC-series truck plays a crucial part in the story. In fact, it’s not too much to say that the whole plot depends on it. (Beware of the spoiler at this link.) No, a ’39 truck has no business being on the streets of New York in 1930, but we’ll just let that slide.
The crew returns to a circa 1930 setting in the memorable season two episode “A Piece of the Action.” But this time they’re not on Earth. The Enterprise arrives at the planet Sigma Iotia II, last visited by outsiders before implementation of the Federation’s sacrosanct Prime Directive – barring any interference with the natural development of alien cultures. Kirk and company discover that the planet was indeed contaminated by those earlier visitors. They left behind a book on Chicago gangsters in the 1920s, and the Iotians – a society of mimics – have modeled their planet on that tome, with the expected chaotic results.
Cadillac, the choice of discerning Starfleet officers. (THF103936)
Those industrious Iotians somehow managed to replicate a host of 1920s and 1930s American cars. Look for a 1929 Buick, a 1932 Cadillac V-16, and a 1925 Studebaker in the mix. But the star car undoubtedly is the 1931 Cadillac V-12 used by Kirk and Spock. It’s one of the few times you’ll see Kirk drive, and it makes for one of the episode’s more amusing scenes. Give one point to Spock for knowing about clutch pedals, but take one point away for his referring to the Caddy as a “flivver.” One could quibble with ’30s cars appearing in a ’20s setting – but one should also remember that this isn’t Earth. We can’t expect the Iotians to get all the details right!
It’s also worth taking a look at season two’s final episode, “Assignment: Earth.” The Enterprise travels back in time to 1968 to conduct a little historical research on Earth. They cross paths with the mysterious Gary Seven, an interstellar agent on a mission of his own to prevent the launch of an orbiting missile platform that will – apparently – lead to nuclear war. It sounds like something right out of “Star Wars.” (No, not that Star Wars, this “Star Wars.”)
Based on the Department of Defense cars seen in “Assignment: Earth,” it seems the Pentagon prefers Plymouths. Now why could that be? (THF150740)
It’s all very complicated, but it provides another opportunity to see some vintage wheels. (Well, vintage to us and to the Enterprise crew. To TV audiences in 1968, these were contemporary cars.) Pay attention and you’ll spot a number of government agency vehicles including a 1963 Plymouth Savoy, a 1967 Dodge Coronet, and a 1968 Plymouth Satellite (the latter being particularly apropos for a space series). For those who aren’t Mopar fans, look quickly and you’ll also spy a 1966 Ford Falcon in the episode.
Okay, so no one will ever confuse Star Trek with Top Gear. But, if you keep your eyes peeled, every now and then you’ll find a little gasoline to go along with all of that dilithium. After all, sometimes the boldest way to go is the oldest way to go.
Matt Anderson is Curator of Transportation at The Henry Ford.
by Matt Anderson, cars, popular culture, TV, space, Star Trek
It’s not every day that you get to see a newly acquired artifact in action – in Greenfield Village just weeks before the opening of the 2019 season.
Meet the 1971 Wooster, Ltd. Sno-Bob, recently acquired by The Henry Ford. A Sno-Bob, also referred to as a ski bike, ski bob, or ski toy, is a bicycle frame attached to skis instead of wheels, or sometimes to a set of foot skis. The origins of bicycle-ski contraptions like the Sno-Bob date back to the mid-1800s. Equipped with real skis and a steering system to give the rider more control than a standard sled, the Sno-Bob is a unique offering in the world of winter toys.
The Sno-Bob isn’t just a fun winter-themed toy, it’s a bit of a rare find for our collections. As a society, we don’t buy as many snow toys to begin with, let alone save them to be possibly donated to a museum in the future. The Sno-Bob also has a connection to the Beatles, too: those loveable Liverpudlian mop tops ride Sno-Bobs in the Austrian Alps during the “Ticket to Ride” sequence in Help!, their second movie.
While not quite the Austrian Alps, you can see our Sno-Bob in action in Greenfield Village earlier this winter as Conservator Cuong Nguyen takes it out for a spin. While we generally don’t “play” with the artifacts in our collection, we feel that this toy is unique enough to justify video documentation showing how it’s used. (We’re fortunate that the weather cooperated with our plans this winter.)
2010s, 21st century, 20th century, 1970s, winter, toys and games, by Matt Anderson, by Jeanine Head Miller, by Charisma Tatum, #Behind The Scenes @ The Henry Ford
Our First Autonomous Car: The 2016 General Motors Self-Driving Test Vehicle
The Henry Ford’s newly-acquired 2016 General Motors First-Generation Self-Driving Test Vehicle.
There are some 300 automobiles in the collections of The Henry Ford. We’ve got pioneering cars, world-changing cars, luxury cars, muscle cars, pony cars, family cars, economy cars, presidential cars, even cars shaped like food. But we’ve never had anything quite like this. Thanks to our friends at General Motors, we’ve now acquired our first self-driving car: a 2016 GM First-Generation Self-Driving Test Vehicle.
Anyone who’s been following automotive news – or any news – over the past few years knows that autonomous vehicles are no longer science fiction. They’re here today, right now. Sure, they may not be in every garage just yet, but in cities like San Francisco, Las Vegas, Phoenix, and even right here in Dearborn, they’re practically everyday sights as engineers put increasingly-refined prototypes through their paces on public roads.
Continue ReadingCalifornia, 21st century, 2010s, technology, cars, by Matt Anderson, autonomous technology
Cobo Center brimmed with more than 800 custom cars and hot rods at the 2019 Detroit Autorama.
Winter was a little late arriving here in southeast Michigan, and it doesn’t seem to be in any hurry to leave. But the colder-than-average temperatures made it all the more satisfying to check out the hot cars at the 67th Annual Detroit Autorama.
A superb blend of old and new – a 2018 Dodge Charger Hellcat with the face and Coke bottle doors of its timeless 1969 predecessor.
Anyone in the hobby knows that Detroit’s Autorama is among the most prestigious hot rod and custom car shows in the world. More than 800 cars from throughout the United States and Canada come together at Cobo Center to be judged on their craftsmanship and creativity. The best entrants join Autorama’s “Great 8.” And from these eight finalists, judges choose the winner of the best-in-show Ridler Award. Only cars that have never been shown before are eligible to win, so it’s a special honor indeed. In addition to the bragging rights, the Ridler winner receives $10,000 and enshrinement in the online Winner Archive. This year’s Ridler Award went to “Cadmad,” a wild 1959 Cadillac Eldorado Brougham station wagon owned by Steve Barton of Las Vegas, Nevada. Mr. Barton passed away before the car was completed, giving added poignancy to this year’s prize.
Wes Adkins’s 1956 Ford Victoria took home The Henry Ford’s “Past Forward” award.
For the sixth year The Henry Ford presented its “Past Forward” award at the Detroit Autorama. Our prize goes to a car that 1.) Blends custom and hot rod traditions with modern innovation, 2.) Exhibits a high level of craftsmanship, 3.) Captures the “anything goes” spirit of the hobby, and 4.) Is just plain fun. Our winner this year was a 1956 Ford Victoria owned by Wes Adkins of Dover, Ohio. The Victoria features a 301-cubic inch Y-Block V-8 with twin superchargers; hand-crafted rocker panels, floors, and inner fenders; vintage Thunderbird door handles; and a 3D-printed hood ornament – at 60 percent the size of the original for a lower-profile look. Everything was beautifully executed – particularly the paintwork, done by the owner himself.
“The True Vine” – a 1977 Buick LeSabre at Autorama’s Low Rider Invitational.
This year brought a special milestone as the Detroit Autorama hosted its first-ever Low Rider Invitational. Some 14 cars from Michigan and Ohio were featured in a special display. In the past, lowriders at Autorama tended to be scattered around the floor wherever space permitted. Exhibiting them together recognized the fact that lowriders represent a distinct – and thriving – subculture in the broader custom car hobby. Equally important was the fact that the lowrider display was curated by veteran gearhead Debbie Sanchez. Car shows – all kinds of car shows – have been dominated by men for too long. It’s refreshing to see women participating in greater numbers each year.
With their rambunctious reputation, John and Horace Dodge might have gotten a kick out of this rodded-up 1915 Dodge Brothers.
With so many cars on view, there’s something for everyone in Cobo Center. For race fans, there were slingshot dragsters and funny cars. For kids, there were go-karts and quarter midgets. For movie fans, there was a screen-used Batmobile from 1992’s Batman Returns, as well as a tribute to the late Burt Reynolds, who brought new car fans into the hobby with movies like Smokey and the Bandit, Hooper, and The Cannonball Run. And live music throughout the weekend ran the gamut from ’50s rock and roll to hard-driving R&B.
Minibikes lined up at Autorama Extreme.
For all of the great cars on the main floor, Autorama veterans know that the wildest rides are found down below – at Autorama Extreme on Cobo Center’s lower level. There you’d find the rat rods, the bobber bikes, and the way-out customs that are more riddle than Ridler. There’s even an on-site chop shop where you can watch skilled fabricators at work.
Toy-a-Rama featured vintage toys, diecast models, racing memorabilia, and automotive sales literature.
If your budget (or your garage) won’t permit you to collect full-size cars, then you could check out the Toy-a-Rama show at the back of Cobo Center. Vendors offered hundreds of diecast cars and plastic model kits, from Hot Wheels on up to beautifully-detailed 1:18 scale pieces. Other sellers offered transportation-related books and magazines, and an incredible collection of vintage automotive sales brochures and advertisements.
There’s no other show quite like it, which explains why the Detroit Autorama continues to be known among builders and fans alike as “America’s Greatest Hot Rod Show.”
Matt Anderson is Curator of Transportation at The Henry Ford.
21st century, 2010s, Michigan, Detroit, cars, car shows, by Matt Anderson, Autorama
Lexus, which itself debuted at the North American International Auto Show in 1989, tantalizes visitors 30 years later with a drop-top concept version of its sporty LC coupe.A Visit to the 2019 North American International Auto Show
It’s January in Detroit which means – for one last year – it’s time for the North American International Auto Show (NAIAS). Traditionally, flashy concept cars and new production models are the talk of the town, but this year all the buzz concerns the show’s impending move to June next year. It’s a major shift – undoubtedly the biggest since the show added “International” to its title 30 years ago – but there are valid reasons. Detroit’s weather generally isn’t what you’d call “pleasant” in January; the countless people who put the show together in Cobo Center invariably find themselves working through the holiday season; and automakers are now finding themselves stretched between NAIAS and the Consumer Electronics Show, which wraps in Las Vegas just days before NAIAS opens.
It’s no secret that NAIAS – and auto shows in general – are suffering from flagging interest, both from the public and from automakers themselves. In recent years, we’ve seen a number of upmarket marques pull out of the Detroit show. (Audi, BMW and Mercedes-Benz are all conspicuous by their absence in 2019.) The move to summer might reverse this trend, too.
The 2020 Ford Shelby Mustang GT500 – with a menacing mug to match its hellacious horsepower.
None of this is to suggest that NAIAS is a disappointment this year. There’s still lots to see. Ford Motor Company’s trucks and SUVs are front-and-center at the Blue Oval’s booth. The reintroduced Ranger pickup gets the prime real estate, but it’s the all-new Ford Explorer getting the rave reviews from the press. My favorite, however, is the forthcoming Shelby Mustang GT500. The 700+ horsepower beast arrives for 2020 to battle the Demons and Hellcats of the world. Mr. Shelby would’ve been proud.
After an absence of nearly 20 years, the Toyota Supra returns for 2020.
Toyota grabs some of NAIAS’s biggest headlines with the return of its Supra sports car, not seen since the fourth generation ended production in 2002. Purists may be irked that many of the Supra’s makings – including its 3.0-liter straight-six – are of BMW lineage, but the look is all Toyota. One can even see a little 2000GT in its lines. Start saving now, as prices are expected to start just north of $50,000.
Kia’s themed test track, for its new Telluride, livens up Cobo Center’s back wall.
With gas prices low again, Americans have fallen back in love with their SUVs and crossovers. Kia answers the call with its new-for-2020 Telluride SUV, first previewed as a concept car at the 2016 NAIAS. The Telluride will be the largest vehicle in Kia’s lineup, with room for eight in its three rows of seating. Expect to see it in showrooms this May.
I love the pearlescent paint on this Volkswagen Beetle, though it would look even better with red, white and blue racing stripes and a big roundel on the hood.
Volkswagen has the inauspicious distinction of being the only European automaker with a major presence at NAIAS this year. True to form, though, the German marque has some of the show’s most imaginative displays. Several of its models are parked on a recreated soccer field, in celebration of VW’s sponsorship of the U.S. Soccer Federation. (Automakers have long-standing relationships with America’s pro baseball, football and basketball leagues, but VW becomes the first automotive company to serve as a presenting sponsor for U.S. Soccer.) The company’s interactives are good fun, too. Little ones will enjoy the touch screen coloring “books” that allow them to paint Beetles in any number of groovy colors – accessorized with flowers and peace symbols, of course.
Harley Earl’s shadow hangs over Cadillac – in this case in the form of a high-finned ’59 Caddy perched above a modern CTS-V.
Sad to say, traditional three-box sedans are fading fast in Detroit. Ford and Chevrolet both have announced plans to all but end sedan production (not including specialty models like Mustang and Corvette, of course). Cadillac seems headed in that direction, too. The upmarket carmaker’s big debut this year is the 2020 XT6, a three-row SUV that might replace the full-size CT6 sedan in Cadillac’s North American lineup. The company’s ATS and CTS sedans are set to bow out this year as well.
NAIAS 2019 may feel a bit lower-key than other recent editions, but there’s still plenty to enjoy. In fact, I recommend that you spend some extra time soaking up the sights and sounds at this year’s show. After all, we’ve got a 17-month wait until the next one!
Matt Anderson is Curator of Transportation at The Henry Ford.
Michigan, 21st century, 2010s, NAIAS, Detroit, cars, car shows, by Matt Anderson
