Past Forward

Activating The Henry Ford Archive of Innovation

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Henry Ford Museum’s newest exhibit, the Davidson-Gerson Modern Glass Gallery, formally opens on October 14, 2016. In this exhibit, you’ll learn about the evolution of modern studio glass, and how it blends art, science, and technological innovation. 

We’re happy to announce that we’ve already digitized about 80% of the pieces on exhibit, with the remainder to be available online by early next year. One example, shown here, is “Scarlet Macaw” from the Parrot Series by Noel Hart, an Australian artist.

Get a feel for studio glass by visiting our Digital Collections and browsing this and dozens of other pieces from the Bruce and Ann Bachmann Glass Collection that you’ll see in the exhibit, including many with 360-degree images—and then be sure to plan a trip to see these pieces and more in person!

Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.

digital collections

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In the early 1960s, designers Charles and Ray Eames set out to reveal the wonder they saw in math through an engaging and interactive exhibit they called Mathematica: A World of Numbers … and Beyond. The designers, perhaps best known for the iconic Eames lounge chair, used models and demonstrations to bring to life concepts such as probability, geometry, the Moebius strip, and more.

In 2015, The Henry Ford acquired an original Mathematica exhibit, and is currently working to restore the interactive components before installing the exhibit on the Museum floor in 2017. We’ve begun to digitize some of the signage and reading material from the exhibit, including this reading stand that discusses, among other things, the “Man Machine Interface.” 

Visit our Digital Collections to view zoomable detail shots, or to see the other Mathematica signage digitized so far.

Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.

Eames, digital collections

imls-logoThere has been a lot going on at The Henry Ford lately – our Beatles exhibit has just closed, the new Davidson-Gerson Modern Glass Gallery is soon to open, and the conservation department has been involved with those goings-on and more. Even though there’s a lot of change and activity, our IMLS-funded grant project to work on our electrical collections continues at a steady pace. As we approach the halfway point in the grant, we are also approaching 450 objects conserved – the halfway point of our 900-object goal!

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Conservation Specialist Mallory Bower and Senior Conservator Clara Deck clean objects in the Collections Storage Building.

We have been continuing to make regular trips to our Collections Storage Building (CSB) to select artifacts for inclusion in the grant; while we’re out there, we give them an initial clean, before bringing them into the museum to be fully conserved, then photographed and packed. 

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Collections Specialist Cayla Osgood brings down the dynamo on a forklift while Mallory “spots”, keeping a watchful eye for corners, overlapping edges, or any other potential issues.

We have recently brought our third “extra-large” object in from CSB, an Eickemeyer Dynamo. When choosing objects to bring in, we take into account the wants and needs of other departments of the museum, and we chose this object as there was some interest in it from the curatorial department. Since it was high up on a shelf, it had been a little while since they were able to inspect it up-close – there was a lot of excitement when we brought it in! Although it will not be going on display, it is now clean and accessible, and soon it will be digitized and available online. 

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The Eickemeyer Dynamo, retrieved from storage (32.107.1)

The dynamo did not need an excessive amount of treatment, largely a brush/vacuum to remove storage dust, plus removal of a little copper corrosion on some of the fittings on the ends. (Want to read more about our “extra-large” objects? Check out our previous blog post!)

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A circuit breaker with a marble base, during treatment (29.1333.292)

Although the “extra-large” objects have been focused on quite a bit in our blogs, most of what we do involves much smaller objects. There are so many different materials and types of objects, we have a lot of interesting challenges to work through. Something of particular note that we have come across a few times now is objects with marble bases, like this circuit breaker. The marble is frequently very dirty, with staining and significant accretions, and, as in this case, also cleans up fairly well! This “in progress” shot shows how different the object can look from when we get it out of the Collections Storage Building to when it’s clean and finished, ready to be digitized and packed.  

So that’s where we stand currently, nearly halfway through our IMLS grant, working away on lots of electrical objects. Keep your eyes peeled for future blog posts with updates on our progress!

Louise Stewart Beck is the IMLS Project Conservator at The Henry Ford.

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American Style and Spirit: 130 Years of Fashions and Lives of an Entrepreneurial Family is a temporary exhibit opening in Henry Ford Museum on November 5. The exhibit is based on an extensive donation of garments and accessories, all used by the Roddis family of Marshfield, Wisconsin. These artifacts are exceptional in demonstrating how clothing tells us something about the person who wears it, while also illuminating broader stories of American life. We have just digitized a number of Roddis Collection pieces, including this 1952 day dress

To learn more, visit our Digital Collections to see the other pieces digitized thus far and watch for more to be added in the weeks leading up to the exhibit opening.

Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.

American Style and Spirit, digital collections

The Couture Life

September 26, 2016 Archive Insight

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Elizabeth Parke Firestone (1897–1990) was the wife of Harvey S. Firestone, Jr., son of the founder of the Firestone Tire and Rubber Company. As a well-heeled and fashion-conscious woman, she both traveled to and corresponded with many famous couture houses in Paris, including the
House of Dior

An inquiry from Dior
last year led to our digitization of many of the articles of Christian Dior clothing in our collection that belonged to Mrs. Firestone, but when we dug even further, we turned up over 370 Dior design drawings, mostly dating from the 1950s.  Many, like the 1955 “Fête a Trianon,” are intricately colored, and include handwritten notes and fabric swatches, giving potential customers a taste of their glamour. Visit our Digital Collections to peruse all of these Dior design drawings.

Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.

by Ellice Engdahl, women's history, fashion, digital collections

imls-logoOne of the main components of The Henry Ford’s IMLS-funded grant is the treatment of electrical objects coming out of storage. This largely involves cleaning the objects to remove dust, dirt, and corrosion products. Even though this may sound mundane, we come across drastic visual changes as well as some really interesting types of corrosion and deterioration, both of which we find really exciting.

imls-draftingboardAn electrical drafting board during treatment (2016.0.1.28)

Conservation specialist Mallory Bower had a great object recently which demonstrates how much dust we are seeing settled on some of the objects. We’re lucky that most of the dust is not terribly greasy, and thus comes off of things like paper with relative ease. That said, it’s still eye-opening how much can accumulate, and it definitely shows how much better off these objects will be in enclosed storage.

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Before and after treatment images of a recording & alarm gauge (2016.0.1.46)

The recording and alarm gauge pictured above underwent a great visual transformation after cleaning, which you can see in its before-and-after-treatment photos. As a bonus, we also have an image of the material that likely caused the fogging of the glass in the first place! There are several hard rubber components within this object, which give off sulfurous corrosion products over time. We can see evidence of these in the reaction between the copper alloys nearby the rubber as well as in the fogging of the glass. The picture below shows where a copper screw was corroding within a  rubber block – but that cylinder sticking up (see arrow) is all corrosion product, the metal was actually flush with the rubber surface. I saved this little cylinder of corrosion, in case we have the chance to do some testing in the future to determine its precise chemical composition.

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Hard rubber in contact with copper alloys, causing corrosion which also fogged the glass (also 2016.0.1.46).

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Hard rubber corrosion on part of an object – note the screw heads and the base of the post.

This is another example of an object with hard rubber corrosion. In the photo, you can see it ‘growing’ up from the metal of the screws and the post – look carefully for the screw heads on the inside edges of the circular indentation. We’re encountering quite a lot of this in our day to day work, and though it’s satisfying to remove, but definitely an interesting problem to think about as well.

There are absolutely more types of dirt and corrosion that we remove, these are just two of the most drastic in terms of appearance and the visual changes that happen to the object when it comes through conservation.

We will be back with further updates on the status of our project, so stay tuned.

Louise Stewart Beck is Senior Conservator at The Henry Ford.

#Behind The Scenes @ The Henry Ford, by Louise Stewart Beck, conservation, collections care, IMLS grant

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If you know a bit about The Henry Ford, you probably know that one of our areas of expertise is automobile racing. Along with many artifacts, we hold vast amounts of archival materials on the topic, including the Dave Friedman Collection of hundreds of thousands of racing images, among other materials. We’ve just digitized a grouping of nearly 500 images from the 1968 American Road Race of Champions (ARRC) held at Riverside, California—bringing the total number of images we’ve digitized from this collection to over 20,000. 

Visit our Digital Collections to see this dramatic 1968 ARRC shot—or browse all the digitized images from the Dave Friedman Collection.

Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.

racing, photographs, digital collections, by Ellice Engdahl

“The glory of soaring above God’s Earth and the satisfaction of taking the machine up and bringing it back to the ground safely, through my own skill and judgment, has melted away the boundaries of my life. Racing opens my door to the world. Don’t cut me off from the adventure men have been hoarding for themselves in the guise of protecting me from danger.” – unnamed female aviator, 1929

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Several of the women aviators competing in the 1929 Air Derby gathered for this photograph at Parks Airport in Illinois. Included, from left-to-right, are Mary Von Mach, Jessie Miller, Gladys O’Donnell, Thea Rasche, Phoebe Omlie, Louise Thaden, Amelia Earhart, Blanche Noyes, Ruth Elder, and Vera Walker. THF256262

The 1929 Women’s “Powder Puff” Air Derby was the first air race in which women aviators were allowed to participate, despite air races occurring internationally and nationally since 1909. By 1929, 117 women held pilot’s licenses in the United States and were breaking records, including some set by men, left and right. Twenty of these aviators arrived at Clover Field in Santa Monica ready to compete, but perhaps the greater motivation was to show the world how truly capable women aviators were.

The derby, from Santa Monica, California, to Cleveland, Ohio, was to be completed over nine days with the total time in flight recorded each day. The aviator with the shortest flight time overall, for both the DW (heavy aircraft) and CW (light aircraft) classes, would win the top prize.  In order to qualify to compete, the aviators, like their male counterparts in the National Air Races, were required to have completed over 100 logged hours in flight. Several of the twenty aviators did not actually meet this qualification but flew anyway. Unlike their male counterparts, however, there were restrictions placed on the women’s aircraft engine strength. One of the aviators, Opal Kunz, had her newly-purchased 300 horsepower Travel Air airplane deemed “too fast for a woman” and was forced to rent a 200 horsepower plane for use in the derby.

The nine-day derby saw multiple mishaps. Both Florence “Pancho” Barnes and Ruth Nichols crashed their planes but managed to escape unscathed. Phoebe Omlie accidentally landed in a field where the local Sheriff nearly arrested her for alleged drug smuggling, while numerous other aviators discovered suspected sabotage efforts to their aircraft. Ruth Elder, lost on the leg to Phoenix and needing directions, accidentally landed in a field of grazing bulls, causing her to panic that the red color of her airplane would incite anger. The farmer’s wife relayed her location and Elder quickly resumed flight without damages. Tragically, on the second day of the race, Marvel Crosson perished when she crashed in the Arizona desert. Despite calls to suspend the race after Crosson’s death, the remaining women decided that finishing the race would best honor their fallen friend.

On the final day, August 26, 1929, fifteen of the original twenty women crossed the finish line in Cleveland, Ohio. Louise Thaden won the DW class and Phoebe Omlie won the CW class.  As Thaden was lauded for her first-place finish, she addressed the crowd, “The sunburn derby is over, and I happened to come in first place. I’m sorry we all couldn’t come in first, because they all deserve it as much as I.”

The Henry Ford recently added over 200 artifacts related to women aviators to the Digital Collections. Of the women aviators who competed in the 1929 Air Derby, the collection includes archival materials for five of them; Louise Thaden, Amelia Earhart, Ruth Elder, Mary Von Mach, and Ruth Nichols. Numerous other significant early female aviators that did not participate in the 1929 Air Derby are also represented in the collection.

Katherine White is Associate Curator, Digital Content, at The Henry Ford.

by Katherine White, racing, women's history, aviators, airplanes

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Hanks Silk Mill was acquired by Henry Ford in 1929, moved to Greenfield Village in 1931, and reconstructed in 1932, with a grove of mulberry trees (the standard diet of silkworms) planted nearby in 1935. The mulberry grove still stands, but the mill is a fairly small, unassuming-looking building, which belies the “firsts” in its history.  Established in 1810, it is believed to be the first water-powered silk mill in the United States, and perhaps also to have produced the first machine-made silk. 

As part of our ongoing effort to digitize photos of the buildings of Greenfield Village, we’ve just digitized over a dozen images of the Hanks Silk Mill, including this 1931
photo of the mill on its original site, with a sign proudly proclaiming its heritage. Visit our Digital Collections to view all the newly digitized images.

Ellice Engdahl is Digital Collections & Content Manager at The Henry Ford.

Greenfield Village, digital collections

Great Smoky Mountains and Shenandoah

During his 1927 summer retreat to Seal Harbor, Maine, Edsel Ford spent time having discussions with his neighbor John D. Rockefeller Jr. on the importance of the national parks to the American public. One year before, in 1926, Arno B. Cammerer, then Associate Director of the National Park Service, had initiated his career-defining project of establishing numerous national parks in the Eastern United States when Congress authorized the National Park Service's Great Smoky Mountains and Shenandoah park proposals. At the time, Lafayette National Park, now Acadia National Park, was the only park east of the Mississippi and despite growing travel to western parks, Cammerer was concerned that only a very small portion of those living east of the Mississippi would ever have the time or the money to visit them.

Realizing that there were millions of people in "the congested areas of the East who never will see the western parks," Cammerer helped the National Park Service establish an unofficial commission composed of park experts to ascertain whether there were lands in the East that would meet the National Park Service standards. The commission, partly funded by John D. Rockefeller Jr., focused on the Southern Appalachian Mountain region, concluding that the lands that would eventually make up the Great Smoky Mountains National Park and Shenandoah National Park should be set aside for the American public. West of the Mississippi, parks could be easily carved out of large public land holdings. In the East, however, a majority of land was privately held which meant that although these Eastern park projects had been authorized in 1926, they could not be fully established until a majority of the land in the planned areas had been bought by the state and deeded to the U.S. government. Cammerer soon realized that land purchasing financed by state funding and small public donations would not be enough to make the Eastern park project a reality.

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Several popular tourist stops in the Great Smoky Mountains National Park appear on this pennant. THF238700

To remedy the funding problem, Cammerer again turned to one of the wealthiest men in America and the largest benefactor of the East's first national park, John D. Rockefeller Jr. After helping to fund the commission, Rockefeller Jr. had previously mentioned to Cammerer that he was very much interested in continuing his support of the Eastern national parks project. This prompted Cammerer to write him in the beginning of August 1927 at Rockefeller Jr.'s Seal Harbor home, "The Eyrie." Cammerer's letter explained that while he had intended for public donations to be split fifty-fifty between the Great Smoky Mountain project and the Shenandoah project, the Great Smoky Mountains project was further along and more time-sensitive, as some of the lands set aside for the project were being clear-cut of their primitive forests before being sold. Securing the land for the Great Smoky Mountains project had become the utmost priority.

Expressing that the potential Great Smoky Mountains park “appeals to him more than any national park," Cammerer also enclosed photographs in his letter that he thought illustrated the “wonderful scenic character of the country proposed for inclusion in the park.” In Seal Harbor, Rockefeller Jr. brought the issue to the attention of his philanthropic partner, neighbor, and avid photographer, Edsel Ford. Sparking an interest with Edsel to contribute to the project, Rockefeller Jr. relayed to Cammerer that Edsel would possibly be willing to donate, spurring Cammerer to contact Edsel in the beginning of September 1927. In his letter to Edsel, Cammerer added, “I am taking the liberty to enclose a considerable number of photographs showing the superb scenic qualities of the region, which Mr. Rockefeller also has seen, which I believe Mrs. Ford and you will enjoy looking over."

Over the course of September 1927, Cammerer kept sending Edsel information on the Eastern parks project, reiterating that the Great Smoky Mountains park in Tennessee and North Carolina continued to be the top priority. He also explained that the land required for the Shenandoah park consisted of mostly Virginian farmland and would take much longer to acquire. Luckily, the proposed Shenandoah park would include part of the Shenandoah Valley, which happened to be the birthplace of Harry F. Byrd, the Governor of Virginia at the time. The son of a wealthy apple grower from the Shenandoah Valley, Governor Byrd supported the idea of establishing a national park in his state and worked to make it a reality. Governor Byrd's brother, Admiral Richard E. Byrd, also happened to be a world-renowned explorer, pioneering aviator, and friend of Edsel Ford. Edsel would be responsible for helping to fund Richard Byrd's expeditions to the Arctic and Antarctic, including convincing Rockefeller Jr. to aid in funding the latter.

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Running the entire length of Shenandoah National Park, Skyline Drive offers 105 miles of scenic views along the Shenandoah Blue Ridge. This souvenir pennant depicts the 670-foot-long Mary's Rock Tunnel -- the only tunnel on the drive. THF239213

Rockefeller Jr. wrote Edsel from Seal Harbor at the end of September looking for a decision, noting that the Great Smoky Mountains project still needed money to purchase land and that Edsel had “expressed an interest in this project" when Rockefeller Jr. saw him in Seal Harbor a few weeks ago. Rockefeller sent him a copy of his pledge hoping that his letter of gift might be suggestive to the amount of money Edsel would donate. Edsel responded the same day saying, "I feel like I would like to help in this great undertaking," but financial obligations like a new home and other philanthropic efforts required him to donate "less than I would like to do if the circumstances were otherwise." Nonetheless, Edsel was "very glad to contribute $50,000 dollars" to the Great Smoky Mountains project and also would "be very glad to consider increasing" the pledge the next year if additional funds were needed.

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In this letter from Edsel Ford to Rockefeller Jr., Edsel mentions his various other philanthropic activities, including an explanation on how important Richard Byrd's South Pole expedition will be. Due to Edsel's convincing justification above, Rockefeller Jr. would later help fund Byrd's expedition. THF255218

On October 6th, referring to their new partnership in funding the Great Smoky Mountains National Park, Rockefeller Jr. wrote Edsel saying, “It is particularly gratifying to me that we are to be associated together with it." By November of 1927, Edsel had contacted Cammerer to declare that he intended to subscribe $50,000 to help establish the Great Smoky Mountains National Park, which Cammerer graciously accepted. In February 1928 though, the Great Smoky Mountains project hit delays. Lagging fundraising meant that the lands designated for the park, which had yet to be acquired, were still under constant threat of being logged and needed to be procured immediately. The only public pledges to the park had been the ones made by Edsel and Rockefeller Jr. For the park to go forward, five million dollars would need to be raised in order to match the five million dollars in state funds already set aside to buy land for the park. With Edsel's pledge of $50,000 and Rockefeller Jr.'s pledge of $1,000,000, they had fallen well short of that goal.

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Edsel Ford's signed letter to Arno B. Cammerer, stating that he is interested in contributing to the Great Smoky Mountains National Park project that Rockefeller Jr. had brought to his attention. THF255210

With time being of the essence, Rockefeller Jr. wrote Edsel with his proposed solution to the problem. The trustees of the Laura Spelman Rockefeller Memorial, a fund established by Rockefeller Jr.'s father in memory of his mother and headed by Rockefeller Jr., decided that an enterprise of this kind would have made a "very strong appeal" to Mrs. Rockefeller. The foundation would cover the entire five million dollars needed to match the state funds, helping to acquire all of the land needed to establish the Great Smoky Mountains National Park. With the total cost covered for the first park, Rockefeller Jr. suggested that Edsel transfer his donation over to the Shenandoah project, to which Edsel obliged.

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While Edsel admitted that he had not taken a deeper look into the Shenandoah National Park project, he did accompany his family on a 1921 camping trip to the Blue Ridge Mountains of Maryland, a location less than hundred miles north of Shenandoah and geographically similar. Possible memories from this trip could have also played a role in Edsel's decision to donate to Shenandoah. THF255214

On February 28th, 1928, Edsel withdrew his pledge to the Great Smoky Mountains National Park and promptly informed Cammerer that he would be transferring the same pledge over to the Shenandoah National Park fund. Rockefeller Jr. sent a letter thanking Edsel for his understanding and the transfer, ending the note with, “Looking forward to the reunion of our summer colony at Seal Harbor.” Cammerer also sent a letter thanking Edsel for his cooperation, noting, "There is nothing finer available in the East than these two areas selected for national park establishment and this is the psychological time, as the history of our country goes, to still procure these outstanding scenic beauty spots for the millions who will not have a chance to see the western wonderlands reserved in the national park system." Rockefeller Jr. would also contribute to the Shenandoah National Park fund as well.

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This letter illustrates the pivotal role that Seal Harbor, Maine played in the friendship of Rockefeller Jr. and Edsel Ford. THF255212

In 1932, the state of Virginia began to collect the pledges that had been made to the Shenandoah National Park fund. Edsel reaffirmed his interest in this philanthropic endeavor with a letter to the Governor of Virginia saying, "It has been a great pleasure to contribute" to the fund. By 1935, Shenandoah had officially been established as a national park and, in 1936, they held a dedication ceremony to which Edsel was invited. Unfortunately, Edsel was leaving for Europe soon, which he explained to Cammerer, but his good friend Rockefeller Jr. was able to send a transcript of the dedication speech given by Secretary of the Interior Harold Ickes. Part of the speech thanked Edsel for his contribution.

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A page from Harold L. Ickes' Shenandoah National Park dedication speech. Named Secretary of the Interior by Franklin D. Roosevelt, Ickes held the position for thirteen years from 1933 to 1946. Known for being brutally honest, tough, and sharp-tongued, Ickes worked with Arno B. Cammerer to dramatically increase national park land even though the two constantly quarreled. THF255228

Ryan Jelso is Associate Curator, Digital Content, at The Henry Ford. 

by Ryan Jelso, philanthropy, Ford family, Edsel Ford, national parks