“I was angry at the world, but The Henry Ford changed my life. Every time I felt like giving up, the people here have encouraged me to do better. Because they saw something in me I couldn’t see for myself.” - Sylvia Maddox, 19 years old. Graduate of the Youth Mentorship Program, June 2019
“Celebration” was a word that echoed through the Youth Mentorship Program office frequently over the 2018/2019 school year, and with good cause. Going into its 30th year of existence next year, the YMP celebrated not only the accomplishments of 14 student participants, but four graduates; Ann Odom of Tinkham Educational Center in January, and Natalie Wilkie of Wayne Memorial High School, Sylvia Maddox and Jada Shorter of Tinkham Educational Center in June. All four graduates were accepted to colleges of their choice prior to graduation and are preparing to begin this upcoming fall.
The Youth Mentorship Program, a direct partnership between The Henry Ford and the Wayne-Westland Community School District, gives high school students the chance to earn additional credits and life experience by spending the second half of each school day working with a full-time employee of The Henry Ford, who volunteers to serve as a mentor. People learn in different ways and normal schooling isn’t for everyone; the YMP provides an atmosphere where students can succeed in an environment different from the traditional classroom. When the students graduate, they leave with strong communication and interpersonal skills, responsibility, and the awareness that they can succeed, reflecting the goal of the YMP to provide positive changes in young lives. This past year students have participated in placements at the William Ford Barn, Firestone Farm, Pottery Shop, Glass Shop, Call Center, and Institutional Advancement, Photography, and Food Services departments.
Over the past two years, with the assistance of our committed and generous donors, we have expanded the framework of YMP to increase educational and engagement opportunities for our students specifically catered to their interests. Our students have participated in campus tours of local colleges, with career guest speakers in employment fields of their interest, and Employment Boost workshops where they are thoroughly trained in resume writing and job interview skills. The YMP aims to ease the transition of life after high school for our students, and these new opportunities assist whether our students are heading to college, a school of trade, or the workforce.
Thirty years is an incredible feat for a program such as the YMP. The longevity of this program is a result of the strong partnership between The Henry Ford and the Wayne-Westland Community School District and their overwhelming commitment to student success. A phrase we hear time after time from present and past students is how the YMP is like a second family and further, home. We are incredibly honored to serve the students of the Wayne-Westland community and be a part of their journeys. The past 30 years of YMP has had a huge impact on not only the students it serves, but The Henry Ford as a whole. We look forward to seeing what the next 30 years bring!
We recently got together a number of our curators and staff, who are Star Trek fans and frequent visitors to our current exhibit "Star Trek: Exploring New Worlds," to brainstorm the many connections we might make between the collections of The Henry Ford and the media empire that is Star Trek. During that discussion, someone threw out an example of a name shared across both—but as we dug deeper, we also discovered the artifact had an interesting parallel to (or contrast with) the ship or character. Locating more of these seemed a fitting tribute to Star Trek’s characteristic combination of humor and seriousness.
Below are some similar examples we came up with. What other artifacts can you think of from our collection that share a name with—and perhaps a philosophical tie to—Star Trek
Chrysler boldly went where no carmaker had gone before when it introduced the minivan for 1984. With taller interiors and flatter floors (front-wheel drive eliminated that pesky driveshaft tunnel), minivans generally had more interior room than station wagons, and soon supplanted them as the ideal family car. And, at around 20 miles per gallon, the Plymouth Voyager probably got better fuel mileage than the U.S.S. Voyager of the eponymous series! –Matt Anderson, Curator of Transportation
Four hundred thirty years before Captain Jean-Luc Picard would command the U.S.S. Enterprise, Jean and Jeannette Piccard engaged the stratosphere in a metal gondola attached to a hydrogen balloon. –Jim Orr, Image Services Specialist
Star Trek’s half-Vulcan, half-human science officer, Spock, represented the polar opposite of the Roman god of fire, Vulcan. While the Roman god served as a harbinger of volcanic destruction, Spock modeled cool composure. In 1905, Vulcan Brand Appliances embraced the Roman mythology and marketed their toasters and curling-iron heaters as handy things for every home. What would Spock think? –Debra Reid, Curator of Agriculture and the Environment
It didn’t sweep you into an extra-dimensional fantasy realm like the Nexus that trapped Kirk and Picard in Star Trek Generations, nor did it use omnipotent powers to tease your crew like the meddlesome Q of Star Trek: The Next Generation, but the Google Nexus Q could keep you entertained for hours on end with music, movies, and TV shows. –Matt Anderson, Curator of Transportation
Montgomery Scott, known as "Scotty," is the Chief Engineer aboard the U.S.S. Enterprise in the original Star Trek series. The heavy Scottish accent adopted for the role by Canadian actor James Doohan became one of Scotty's hallmarks, as did his intense pride in the Enterprise, his sense of humor, his complaints when the ship encounters yet another tight spot, and the way he always tells Captain Kirk repairs will take longer than they actually will. Still, like this roll of Scot Towels in our collection, which would have facilitated quick and easy cleanup of mid-20th-century messes, Scotty always comes through when the 23rd-century Enterprise is in need of a quick fix. –Ellice Engdahl, Digital Collections and Content Manager
James S. Kirk was born in Scotland (not Iowa, like Enterprise captain James T. Kirk) and established his soap company in Utica, New York. He relocated the business to Chicago in 1859 and, by 1900, had built it into one of the largest soap manufacturers in the world, producing 100 million pounds of the cleaner each year. –Matt Anderson, Curator of Transportation
Gene Roddenberry (1921–1991) considered the United Space (or Star) Ship Enterprise as the main character of Star Trek. But why the name "enterprise"? In response to 1960s counterculture, veterans of World War II, including Roddenberry, did not want anyone to forget the need to ally against evil. The name "enterprise" conjured up associations with action that changed the course of human events. Decades before Star Trek, companies used the term to imply initiative and progress. The Enterprise Manufacturing Company produced an endless-belt tread power, on which a dog, goat, or sheep walked to generate power for myriad uses on family farms. –Debra Reid, Curator of Agriculture and the Environment
Andrew L. Riker was a pioneer builder of both electric and gasoline-powered automobiles. He may not have served as first officer aboard a starship like Will Riker of Star Trek: The Next Generation, but Andrew Riker did serve as first president of the Society of Automotive Engineers! –Matt Anderson, Curator of Transportation
Star Trek's Leonard McCoy would remind you that he's a doctor, not a locomotive fireman. This steam engine lubricator was patented by African-American mechanical engineer Elijah McCoy, who may have had more in common with Bones' shipmate Scotty. –Jim Orr, Image Services Specialist
The Latin root, excello, meaning "to rise," inspired many companies with aspirations. Excelsior Botanical Company marketed cure-all preparations and "excelsior" became the synonym for packing material made from wood chips or pine needles. All of this happened more than a century before the release of Star Trek VI: The Undiscovered Country, in which Hikaru Sulu commanded the U.S.S. Excelsior starting in 2290. –Debra Reid, Curator of Agriculture and the Environment
Congratulations to all winners from the 2019 Invention Convention U.S. Nationals, presented by United Technologies! See the award ceremony for yourself above, and then read our complete list of winners here.
As we were excited to announce last December, What We Wore offers us the opportunity to continually display objects from The Henry Ford’s rich collection of clothing and accessories. What’s on exhibit currently in Henry Ford Museum of American Innovation? Wedding dresses, highlighting the fact that the “traditional” white wedding dress wasn’t always traditional...
For much of American history, brides simply wore the best dress they had. Most wedding celebrations were at-home, informal events. The formal white wedding dress—and the more elaborate celebration to go along with it—is a relatively new concept.
Queen Victoria’s choice of a white dress for her 1840 wedding to Prince Albert inspired the fashion. Over the next century, the custom would gradually spread from the very wealthy to those of more modest means. By the 1950s, the formal white wedding with all the trimmings had become a widespread tradition.
Whether simple or elaborate, classic or trendy—for most brides, the white wedding gown has staying power. Some brides prefer a practical choice for their bridal attire—others search for the perfect, “fairy princess” dress.
Whatever the choice of wedding apparel, it reflects the bride’s values and taste.
Mollie Herrington wed Reverend William Canfield on a summer evening in the mid-1880s. Like most brides, this 26-year-old schoolteacher was married at her family’s home in a dress that was not white. Brides wore their best dress—whether newly made or already owned—and continued to wear it after the wedding. Few could afford to invest in a white dress meant to be worn only once. Mollie’s stylish dress was probably made for her wedding by a local dressmaker.
Gift of American Textile History Museum, donated to ATHM by Shirley Parish.
Shirley Powell was married in her great-aunt Mollie’s wedding dress—a choice both practical and sentimental. This 23-year-old bride loved the cherished family heirloom—and didn’t think she would find anything more finely made or beautiful at a price she was willing to pay. Having a traditional wedding wasn’t all that important to Shirley and David, but they realized the celebration would be as much about family bonds as about them.
Wedding Party at the Marriage of Cecelia Wall and Anthony Denisevich, 1935. THF274683
For her morning wedding, 22-year-old Cecelia Wall walked down the aisle in an ivory silk velvet dress. Afterwards, the bridal party and immediate family enjoyed a wedding breakfast at her parents’ home and, in the evening, a reception at the home of the groom’s parents. The Great Depression required some brides to plan simpler weddings than they might have wished. Cecelia was among the fortunate brides who could afford a formal wedding gown.
Rose Pecchia was a practical woman who wanted a simple wedding. She and her husband-to-be chose a wedding date—just two weeks away. A secretary at a downtown Detroit television station, 28-year-old Rose ran out on her lunch hour to nearby Hudson’s department store. She then headed for the racks of cocktail dresses. Rose knew it as soon as she saw it—the perfect dress! It was minimal and stylish—in the 1960s, shorter skirts were “in.” A friend’s mother made the simple headpiece.
Recently, Rose had the chance to see her wedding dress on exhibit. Take a look at her reaction below.
As any member of the railroad operations team in Greenfield Village will tell you, there’s never a shortage of work to be done at the roundhouse. Learn more about a typical day of making sure everything is running smoothly from early in the morning to late in the evening.
The beginning of a day in railroad operations starts when the scheduled fireman arrives at 6:30 am in the morning. Upon arriving he’ll look over the day’s locomotive for anything that might be out of place. When he’s satisfied, he will begin by cleaning the remnants of the previous day’s fire from the firebox.
A fresh bed of coal will be laid down and he will then light a new fire. For the next two hours, the fireman will continue to tend this fire as the boiler builds steam pressure. He will also fill oil cans, clean the cab, and tidy up in general around the engine. At 7:00 am, the morning mechanic reports for duty. He’ll wash and assist in oiling the engine.
The morning mechanic is also present for any mechanical failures that may arise as the locomotive “wakes up.” At 7:30 am the engineer arrives; he starts his day by inspecting the passenger cars that will be pulled behind his locomotive. After this, he will proceed to the locomotive and look the engine over before beginning the process of oiling and greasing. Around 8:45 am the fireman will have the boiler near operating pressure; at this time the locomotive is ready to start its day. The engineer with fireman onboard will take the locomotive from the roundhouse area out onto the railroad to retrieve the train cars. Once coupled up, a test of the air brakes and a final inspection is performed. This is done to ensure that the brakes are operating correctly.
At 9:00 am the conductor reports for duty and boards the rear of the train, which then proceeds up to Firestone station to receive the first passengers of the day.
Did you know that the train will make 13 trips around the railroad in a single day, covering just over 30 miles? Amongst these trips the engine crew takes on water four times and will take on coal only once. Throughout the day the fireman will maintain a steady, hot fire, adequate steam pressure, and a safe water level in the boiler.
The engineer will replenish oil and grease to important components of the locomotive, as well as ensure a safe and comfortable ride to our passengers.
Meanwhile, back at the shop, our mechanical department will perform various duties to keep the railroad up and running.
These duties include rebuilding spare parts, manufacturing new parts, boiler washes, boiler water testing, and disposing of dumped ash; just to name a few. Like we said, there is never a shortage of work to be done at the roundhouse.
As the day ends, the train pulls into Firestone station at 5:00 pm to unload the last of its passengers. This signals the end of the day for regular train service; however, there is still much to do for railroad operations. The train crew will back the train from Firestone station to near the roundhouse. They will park the passenger cars for the night and turn the locomotive over to the evening mechanics, also known as hostlers. The locomotive will be run back to the roundhouse where it will receive a thorough inspection, a good wiping, and any repairs that need to be made.
Finally, the engine will be parked next to the roundhouse on the washing rack. Its boiler will be topped off with water and a large mound of coal, known as a bank, will be shoveled into the firebox. With the smokestack nearly capped, allowing only a small amount of smoke to escape, the bank will slowly burn overnight, maintaining a small amount heat in the boiler. The evening hostlers normally finish their day at 6:30 in the evening. However, this can be much later depending on the extent of needed evening repairs; every day on the railroad can lead to something new.
Mac Johnson is Roundhouse Foreman at The Henry Ford. Matt Goodman is Assistant Manager of Railroad Operations at The Henry Ford.
Cobo Center brimmed with more than 800 custom cars and hot rods at the 2019 Detroit Autorama.
Winter was a little late arriving here in southeast Michigan, and it doesn’t seem to be in any hurry to leave. But the colder-than-average temperatures made it all the more satisfying to check out the hot cars at the 67th Annual Detroit Autorama.
A superb blend of old and new – a 2018 Dodge Charger Hellcat with the face and Coke bottle doors of its timeless 1969 predecessor.
Anyone in the hobby knows that Detroit’s Autorama is among the most prestigious hot rod and custom car shows in the world. More than 800 cars from throughout the United States and Canada come together at Cobo Center to be judged on their craftsmanship and creativity. The best entrants join Autorama’s “Great 8.” And from these eight finalists, judges choose the winner of the best-in-show Ridler Award. Only cars that have never been shown before are eligible to win, so it’s a special honor indeed. In addition to the bragging rights, the Ridler winner receives $10,000 and enshrinement in the online Winner Archive. This year’s Ridler Award went to “Cadmad,” a wild 1959 Cadillac Eldorado Brougham station wagon owned by Steve Barton of Las Vegas, Nevada. Mr. Barton passed away before the car was completed, giving added poignancy to this year’s prize.
Wes Adkins’s 1956 Ford Victoria took home The Henry Ford’s “Past Forward” award.
For the sixth year The Henry Ford presented its “Past Forward” award at the Detroit Autorama. Our prize goes to a car that 1.) Blends custom and hot rod traditions with modern innovation, 2.) Exhibits a high level of craftsmanship, 3.) Captures the “anything goes” spirit of the hobby, and 4.) Is just plain fun. Our winner this year was a 1956 Ford Victoria owned by Wes Adkins of Dover, Ohio. The Victoria features a 301-cubic inch Y-Block V-8 with twin superchargers; hand-crafted rocker panels, floors, and inner fenders; vintage Thunderbird door handles; and a 3D-printed hood ornament – at 60 percent the size of the original for a lower-profile look. Everything was beautifully executed – particularly the paintwork, done by the owner himself.
“The True Vine” – a 1977 Buick LeSabre at Autorama’s Low Rider Invitational.
This year brought a special milestone as the Detroit Autorama hosted its first-ever Low Rider Invitational. Some 14 cars from Michigan and Ohio were featured in a special display. In the past, lowriders at Autorama tended to be scattered around the floor wherever space permitted. Exhibiting them together recognized the fact that lowriders represent a distinct – and thriving – subculture in the broader custom car hobby. Equally important was the fact that the lowrider display was curated by veteran gearhead Debbie Sanchez. Car shows – all kinds of car shows – have been dominated by men for too long. It’s refreshing to see women participating in greater numbers each year.
With their rambunctious reputation, John and Horace Dodge might have gotten a kick out of this rodded-up 1915 Dodge Brothers.
With so many cars on view, there’s something for everyone in Cobo Center. For race fans, there were slingshot dragsters and funny cars. For kids, there were go-karts and quarter midgets. For movie fans, there was a screen-used Batmobile from 1992’s Batman Returns, as well as a tribute to the late Burt Reynolds, who brought new car fans into the hobby with movies like Smokey and the Bandit, Hooper, and The Cannonball Run. And live music throughout the weekend ran the gamut from ’50s rock and roll to hard-driving R&B.
Minibikes lined up at Autorama Extreme.
For all of the great cars on the main floor, Autorama veterans know that the wildest rides are found down below – at Autorama Extreme on Cobo Center’s lower level. There you’d find the rat rods, the bobber bikes, and the way-out customs that are more riddle than Ridler. There’s even an on-site chop shop where you can watch skilled fabricators at work.
Toy-a-Rama featured vintage toys, diecast models, racing memorabilia, and automotive sales literature.
If your budget (or your garage) won’t permit you to collect full-size cars, then you could check out the Toy-a-Rama show at the back of Cobo Center. Vendors offered hundreds of diecast cars and plastic model kits, from Hot Wheels on up to beautifully-detailed 1:18 scale pieces. Other sellers offered transportation-related books and magazines, and an incredible collection of vintage automotive sales brochures and advertisements.
There’s no other show quite like it, which explains why the Detroit Autorama continues to be known among builders and fans alike as “America’s Greatest Hot Rod Show.”
Matt Anderson is Curator of Transportation at The Henry Ford.
Lexus, which itself debuted at the North American International Auto Show in 1989, tantalizes visitors 30 years later with a drop-top concept version of its sporty LC coupe.
A Visit to the 2019 North American International Auto Show
It’s January in Detroit which means – for one last year – it’s time for the North American International Auto Show (NAIAS). Traditionally, flashy concept cars and new production models are the talk of the town, but this year all the buzz concerns the show’s impending move to June next year. It’s a major shift – undoubtedly the biggest since the show added “International” to its title 30 years ago – but there are valid reasons. Detroit’s weather generally isn’t what you’d call “pleasant” in January; the countless people who put the show together in Cobo Center invariably find themselves working through the holiday season; and automakers are now finding themselves stretched between NAIAS and the Consumer Electronics Show, which wraps in Las Vegas just days before NAIAS opens.
It’s no secret that NAIAS – and auto shows in general – are suffering from flagging interest, both from the public and from automakers themselves. In recent years, we’ve seen a number of upmarket marques pull out of the Detroit show. (Audi, BMW and Mercedes-Benz are all conspicuous by their absence in 2019.) The move to summer might reverse this trend, too.
The 2020 Ford Shelby Mustang GT500 – with a menacing mug to match its hellacious horsepower.
None of this is to suggest that NAIAS is a disappointment this year. There’s still lots to see. Ford Motor Company’s trucks and SUVs are front-and-center at the Blue Oval’s booth. The reintroduced Ranger pickup gets the prime real estate, but it’s the all-new Ford Explorer getting the rave reviews from the press. My favorite, however, is the forthcoming Shelby Mustang GT500. The 700+ horsepower beast arrives for 2020 to battle the Demons and Hellcats of the world. Mr. Shelby would’ve been proud.
After an absence of nearly 20 years, the Toyota Supra returns for 2020.
Toyota grabs some of NAIAS’s biggest headlines with the return of its Supra sports car, not seen since the fourth generation ended production in 2002. Purists may be irked that many of the Supra’s makings – including its 3.0-liter straight-six – are of BMW lineage, but the look is all Toyota. One can even see a little 2000GT in its lines. Start saving now, as prices are expected to start just north of $50,000.
Kia’s themed test track, for its new Telluride, livens up Cobo Center’s back wall.
With gas prices low again, Americans have fallen back in love with their SUVs and crossovers. Kia answers the call with its new-for-2020 Telluride SUV, first previewed as a concept car at the 2016 NAIAS. The Telluride will be the largest vehicle in Kia’s lineup, with room for eight in its three rows of seating. Expect to see it in showrooms this May.
I love the pearlescent paint on this Volkswagen Beetle, though it would look even better with red, white and blue racing stripes and a big roundel on the hood.
Volkswagen has the inauspicious distinction of being the only European automaker with a major presence at NAIAS this year. True to form, though, the German marque has some of the show’s most imaginative displays. Several of its models are parked on a recreated soccer field, in celebration of VW’s sponsorship of the U.S. Soccer Federation. (Automakers have long-standing relationships with America’s pro baseball, football and basketball leagues, but VW becomes the first automotive company to serve as a presenting sponsor for U.S. Soccer.) The company’s interactives are good fun, too. Little ones will enjoy the touch screen coloring “books” that allow them to paint Beetles in any number of groovy colors – accessorized with flowers and peace symbols, of course.
Harley Earl’s shadow hangs over Cadillac – in this case in the form of a high-finned ’59 Caddy perched above a modern CTS-V.
Sad to say, traditional three-box sedans are fading fast in Detroit. Ford and Chevrolet both have announced plans to all but end sedan production (not including specialty models like Mustang and Corvette, of course). Cadillac seems headed in that direction, too. The upmarket carmaker’s big debut this year is the 2020 XT6, a three-row SUV that might replace the full-size CT6 sedan in Cadillac’s North American lineup. The company’s ATS and CTS sedans are set to bow out this year as well.
NAIAS 2019 may feel a bit lower-key than other recent editions, but there’s still plenty to enjoy. In fact, I recommend that you spend some extra time soaking up the sights and sounds at this year’s show. After all, we’ve got a 17-month wait until the next one!
Matt Anderson is Curator of Transportation at The Henry Ford.
What We Wore, a new collections platform in Henry Ford Museum of American Innovation, offers a much-anticipated opportunity to continually display objects from The Henry Ford’s rich collection of clothing and accessories.
What’s a collections platform? It’s a small, specialized display of objects from our collection. This new collections platform, the fourth to be installed in the museum, follows those of coverlets, telephones, and violins.
The theme of the first group of garments displayed is “Home Front Heroes: Women in World War II”--chosen to complement the “Enduing Ideals: Rockwell, Roosevelt, & the Four Freedoms” exhibit in The Gallery by General Motors. This clothing represents the stories of millions of American women who worked in defense industries, trained to be pilots, volunteered for the Red Cross, or provided a connection to civilian life for servicemen through USO-sponsored activities during World War II.
What We Wore is located behind the Anderson Theater, across from Mathematica. Every four months, visitors to the museum will enjoy a look at yet another group of interesting garments and their stories from The Henry Ford’s collection.
Jeanine Head Miller is Curator of Domestic Life at The Henry Ford.
I’m pleased to announce that The Henry Ford and the STEMIE Coalition have officially joined forces to strengthen our invention education offerings across the country and around the world. Several members of the STEMIE Coalition are now part of The Henry Ford organization.
For those of you who don’t know, The STEMIE Coalition is a non-profit, umbrella membership organization of youth invention and entrepreneurship programs across the U.S. and globally and is best known for producing NICEE, the National Invention Convention and Entrepreneurship Expo.
We held the 2018 NICEE for the very first time here in Henry Ford Museum of American Innovation this past June, and now we will be the permanent home of that program during which more than 400 students from 20 states and two countries qualified to attend.
In fact, when we started the conversations around the planning and hosting of NICEE here at The Henry Ford, it was then that we realized how similar our missions are, that both organizations shared a vision of creating the next generation of innovators, inventors and entrepreneurs and it was apparent to us that combined, we could reach significantly more students and make a greater impact.
I see this as a marriage of missions. The STEMIE Coalition’s mission to train every child in every school in invention and entrepreneurship skills aligns with The Henry Ford’s quest to move our country forward through innovation and invention. This expands the pipeline of products available to address kids preK-12 and to increase the accessibility of invention education for students of all backgrounds. This is an investment in unleashing the next generation of innovators and entrepreneurs and creating tomorrow’s workforce.
Thank you, as always, for helping The Henry Ford activate our mission and for your continued support. See you soon.
Patricia E. Mooradian is President & CEO of The Henry Ford.
Only at Motor Muster! The 1st Michigan Fife & Drum Corps passes a 1955 Buick Special Riviera.
Another summer means another car show season. Here at The Henry Ford, that means another Motor Muster. Our 2018 event goes down as one of the most exciting in recent memory, with a host of new activities and experiences – and more than a few great cars, too. Some 700 automobiles, trucks, motorcycles, scooters, bikes and military vehicles filled Greenfield Village with the sights and sounds of mid-20th century motoring.
Chevrolet’s long-running small-block V-8 – under the hoods of the 1957 Bel Air and Corvette seen here – is a perfect example of an iconic engine.
Our theme this year broke with tradition. Rather than feature one particular make or model, we celebrated “Iconic Engines of Detroit’s Big Three.” Our profiled power plants included Ford’s flathead V-8, which brought horsepower to the masses from 1932-1953; Chevrolet’s small-block V-8, which remained in production, in one form or another, from 1955-2003; and Chrysler’s celebrated hemispherical combustion head engines, first marketed under the “FirePower” name before gaining the better known – and still used – “Hemi” moniker. The broader theme allowed us to make the most of a visit from the Early Ford V-8 Club of America, as well as a consortium of dedicated Mopar owners and fans.
Moving under its own power for the first time in several years, The Henry Ford’s 1956 Chrysler 300-B recalled NASCAR’s early days.
Each of these iconic engines was on view in our special display tent across from Town Hall. From The Henry Ford’s own collection came a 60-horsepower variant of the Ford V-8. Our Chrysler 300-B, from the Carl Kiekhaefer team that dominated NASCAR’s 1956 Grand National series, not only sat in the tent but also wowed crowds with Hemi-powered noise during our Saturday afternoon racing Pass-in-Review presentation. We rounded out the tent’s Big Three display with a small-block-powered 1955 Chevy Bel Air courtesy of show participant John Dargel.
The Ford V-8 was an especially appropriate choice for Motor Muster. Some of the engine’s early design work was done by a small group of engineers working out of Thomas Edison’s Fort Myers Laboratory in Greenfield Village. The lab provided the team with privacy and freedom from distraction – and maybe even a little inspiration.
Tether cars peaked in popularity in the years surrounding World War II, though newer models – like this 1990s example – continue to be built by enthusiasts.
We added a small-scale surprise to the tent this year. Throughout the weekend, visitors could watch our conservators at work on a gasoline-powered tether car. These miniature racers competed against the clock while tethered to a central pivot, or against each other on scaled-down board tracks. The featured car was one of dozens acquired by The Henry Ford from the E-Z Spindizzy Foundation in 2013.
Scenes from the World War II home front came to life at our small-town War Bond drive.
Building on the “historical vignette” concept that debuted at last year’s Old Car Festival, this year’s Motor Muster included period settings for each decade represented by the cars in the show. For the 1930s, we staged a Civilian Conservation Corps camp at the McGuffey School. For the 1940s, we reenacted a home front War Bond drive, circa 1943, along Washington Boulevard. (In keeping with the theme, Spam sandwiches were available for lunch!)
The 1951 General Motors Le Sabre concept car, on loan courtesy of our friends at GM, was a highlight of the “FuturaFair” auto show vignette. GM also provided the 1958 Firebird III.
The 1950s were represented by a Motorama-style auto show in the Village Pavilion. Our “FuturaFair” display included three of that decade’s notable concept cars: the 1951 GM Le Sabre, the 1953 Ford X-100, and the 1958 GM Firebird III. At the Scotch Settlement School, a happy group of revelers enjoyed a suburban-style picnic set in the 1960s. And the Spirit of ’76 reigned at the foot of the Ackley Covered Bridge, where the 1st Michigan Fife & Drum Corps and the Plymouth Fife & Drum Corps performed Bicentennial-themed concerts throughout the weekend.
Badminton kept our Bicentennial vignette lively, while mid-1970s AMC wagons and cars provided atmosphere.
If just looking at cars wasn’t enough, visitors could learn about them either by watching our narrated Pass-in-Review programs at the Main Street grandstand, or by sitting in on one of several presentations in the Village Pavilion. Topics included everything from Ford factory paint methods to the lasting impact of the Chevrolet Corvair. Of course, you could also learn simply by asking the owners about their cars. They enjoy sharing share their stories: where they found the car, why they bought it, and why they love the hobby.
It was another magical weekend filled with good friends, good food, and hundreds of vintage vehicles. And for our 2018 Motor Muster award recipients, it was a winning weekend as well. What better way to welcome another summer?
Matt Anderson is Curator of Transportation at The Henry Ford.